Just to prove that reader commentary doesn’t have to be over 600 words (Technically known as “Alizia-length” on Ethics Alarms) to qualify as a Comment of The Day, here is Michael West’s COTD regarding the Governor of Wisconsin’s decree that the state Christmas tree is a “holiday tree” and his call for the ornaments traditionally submitted by Wisconsin children be “science-themed,” from the post, “High Noon Ethics Warm-Up, 11/12/2019: Laser Eyes And Science Trees”:
What part of Christmas do they hate? The individual and spontaneous demonstrations of generosity, spawned entirely from personal choice free from central coordination and bestowed as private individuals see fit free from oversight?
Sirius XM already has two Christmas stations operating, emulating Hallmark, which is showing nothing but cheesy Christmas movies starring B and C list actors (Candace Cameron Bure is one of the better known ones) all day long. Is there some significance to this rush to get to Christmas? Is it because everyone is so nasty and hostile that there is some kind of collective yearning for peace on earth and good will toward men, womyn and non-binary trans-pan-sexuals to arrive by cultural fiat? My wife is betting that the effort will just make everyone thoroughly sick of Christmas by the time we get there. Elmo learned, in a Sesame Street Christmas Special, that if every day is Christmas, nothing is.
But I digress…The reason I noted this was that I just heard Kelly Clarkson’s “My Grown-Up Christmas List” on the “Holiday Traditions” channel (I deemed it a better bet than The Doors, and “:Please Mister Custer”) and finally listened to the lyrics:
So here’s my lifelong wish My grown up Christmas list Not for myself but for a world in need No more lives torn apart That wars would never start And time would heal all hearts And everyone would have a friend And right would always win And love would never end, no This is my grown up Christmas list.
Yeesh. Those are grown-up wishes? They are if “grown up” means ten-years-old.
Or you’re John Lennon.
I. One more ominous example of the Left channeling old fashioned totalitarianism..I knew that San Francisco was erecting a mural dedicated to the Climate Change Bullies’ own Joan of Arc, creepy Greta Thunberg, but I didn’t realize how huge it was going to be. The conservative satire site the Babylon Bee joked that her eyes would be equipped with lasers to zap SUVs, at least I thought it was a joke. Legal Insurrection writes,
Instead of focusing on issues of sanitation, job creation, or at least ensuring there are more high school students than drug addicts in the city, activists have chosen to honor Swedish “climate crisis” activist Greta Thunberg with a giant mural that will grace the skyline.
Andres “Cobre” Petreselli, an internationally renowned artist, is painting the activist teen with big blue eyes and a Mona Lisa smile.
The mural is still a work in progress, as Cobre is spending his days hoisted high up on a platform about 10 stories above Mason street, on the side of the Native Sons building near Union Square.
Thunberg is the 16-year old from Sweden who has inspired young people all over the world to take to the streets and let older people know they want climate change to be taken seriously.
“What I want from people is to realize have to do something for the world,” Cobre said. “Otherwise, it’s going to be the beginning of our extinction.”
It is a matter of constant amazement to me how many news publications and editors choose to either keep their readers uninformed and confused (by using a vague and ambiguous term like “a racial epithet” or “a vulgarity” when the word in question is central to an episode, or, in my view worse, use the juvenile “N-word” or “F-word” euphemism as if the actual word isn’t what these codes mean, so the pretense that they are anything but the equivalent on speaking in pig-latin because the kiddies are around is an insult to adults everywhere. I wonder: would it be considered benign to use “N-word” as an insult, as in “You stupid N-word!”? Would am employee still be fired if he told his boss, “Oh, go F-word yourself you mother-F-wording F-word head!”? If the euphemism means the same thing as the word, then why not use the word itself?
Another ‘N word’-in-context incident costs a university employee her job
That headline is over a story about how absurd and anti-free speech it is to punish a professor for using the word “nigger” in a discussion about free speech, and the publication still balks at using the actual word in the context of its relationship to the story it describes while condemning the university’s decision! What sense that does that make? It’s hypocritical and incompetent, as well as cowardly.
Marlon Anderson, the janitor we discussed last month who was summarily fired for using the word “nigger” to tell a student not to call him a “nigger,” said, in the course of his defense, “So if the class is reading ‘To Kill a Mockingbird’ and the teacher is reading the book out loud and it gets to the part where the N-word is, the teacher gets fired?” Continue reading →
James Dean, who died in a 1955 car crash at the age of 24, is making an unexpected return to the big screen. The cultural icon, known for Rebel Without a Cause and East of Eden, has been posthumously cast in the Vietnam era action-drama Finding Jack.
Directed by Anton Ernst and Tati Golykh, the project comes from the filmmakers’ own recently launched production house Magic City Films, which obtained the rights to use Dean’s image from his family. Canadian VFX banner Imagine Engine will be working alongside South African VFX company MOI Worldwide to re-create what the filmmakers describe as “a realistic version of James Dean.”
We all saw this coming, didn’t we? Since this is about involuntarily resuscitating dead actors so greedy family members can put them to work doing whatever a director screenwriter wants them to do, I feel no need to write a new post, especially since my position hasn’t changed one bit from the other instances in which I looked at this issue. So here it is again, lightly edited… Continue reading →
My best friend of long standing’s favorite singer is Nat King Cole. He really doesn’t sound like anyone else, does he? I wonder how many millennials have heard his amazing voice, or would have the perspective to appreciate it.
Speaking of listening, I was prompted this morning to reflect on what a vital life-competence skill listening is. It is really an acquired skill: various Facebook discussions make it clear that most of the Facebook Borg warriors are no longer listening (or otherwise paying attention) to any information that doesn’t bolster their confirmation bias.
What made me think about this today was happening upon an early morning showing of “Casablanca” on Turner Movie Classics. I must have seen the classic a hundred or more times since first watched the whole movie in college, and yet today was the first time I heard what “Rick” Blaine’s real first name was. All the other times I watched the movie, this passed by my consciousness without leaving a trace, but his real name is used three times. (Hint: it’s not Richard, though that’s what Ingrid Bergman calls him…)
1. A great President in many ways, but also a terrible human being. Watch the culture and the news media bury this. “The Jews Should Keep Quiet: Franklin D. Roosevelt, Rabbi Stephen S. Wise and the Holocaust,” a new book (published in September) reveals new archival evidence that shows FDR’s callous and bigoted treatment of European Jews prior to and during the Holocaust. I know the author, Dr. Rafael Medoff of the David S. Wyman Institute for Holocaust Studies, as a result of his assisting The American Century Theater with several productions that involved the Jews and Israel.
The book’s revelations are not shocking to anyone who had looked at the evidence objectively even before this new material, but Roosevelt is a hallowed Democrat Party icon, and it has been, and I assume will continue to be, resistant to any effort to inform the public of this horrific moral and ethical failing, one of many FDR was guilty of inflicting. From a review:Continue reading →
It was little noticed, but Houston Astros pitcher Gerrit Cole did something admirable and unusual last night on the way to dominating Washington Nationals hitters and leading his team to a 3-2 lead in the best-of-seven series. At one point in the game, Nationals first-baseman Ryan Zimmerman laid off a tantalizing pitch just off the plate with two strikes on him. Cole could be seen saluting the batter and saying “Good take!” It is rare to see a baseball player acknowledge an adversary’s skill on the field.
I wouldn’t mind seeing such gestures more often.
The President not only attended the game last night, but stayed unusually long for a dignitary, who usually go to baseball games to be seen more than to watch. Trump stayed until the 8th inning, when much of the discouraged Nats fandom was streaming to the exits. I wrote last week that I hoped he would subject himself to the fans’ ugliness, and they responded as we knew they would, loudly jeering and chanting “Lock him up!” It was a black eye for Washington, D.C., not President Trump.
1. Unethical non-traditional casting. Harvey Fierstein is playing Bella Abzug on Broadway. I know that Harvey, being a very large, undisguisably gay, 65-year old actor with a voice that sounds like he gargles piranha, has a tough time finding outlets for his acting and comic ability (he can be terrific, as he was in his Emmy-winning performance in “Torch Song Trilogy”), but that’s no reason to take it out on the late New York Congresswoman. Abzug was a woman, and being a woman was central to her career, appeal, legend, and legacy. She was not, to say the least, an attractive woman, but that does not mean that it is fair or respectful to cast a 275 pound unattarctive MAN to play her on Broadway. Feirstein is an LGBTQ activist and icon, but he’s ethically confused here.
2. Trump shouldn’t have backed down from holding the Group of 7 Summit at the Trump luxery golf club in Miami. Apparently he did so because Republican members of Congress complained about it, and they complained about it because they knew it would spark more bogus accusations of Emoluments Clause violations (Impeachment Plan C).
Any and every negotiations specialist will tell you that holding a meeting of adversaries in your own territory is a massive advantage. That is why such meetings are often held in Switzerland, or other neutral sites. Holding the Summit at a Trump property makes the President stronger at the meeting, and that benefits the country.
It would have been nice—responsible, educational, fair, honest—if the news media explained this basic principle to the public, but it doesn’t want to justify the President’s decisions or find benign reasons for them. It is in thrall to “the resistance,” and doing a complete analysis of factors involved in a decision like where to hold the Summit just detracts from the effort to undermine President Trump and characterize him as a corrupt and crooked fascist who must be removed from office at all costs.
Republican joined the ignorant stampede because, unfortunately, they aren’t very bright, or very brave. Thus the U.S. voluntarily forfeited a diplomatic advantage because Republicans couldn’t articulate why there was nothing sinister, and much advantageous, about a world leader holding a meeting at a property that bears his name. Continue reading →
I was not eager to see “The Mule,” for many reasons. Stories in which the protagonist is a drug dealer don’t interest me at all; I avoided “Breaking Bad” and “Weeds” for the same reason. The popular culture, especially Hollywood, played a major role in breaking down society’s consensus disapproval of recreational drug use, and I hope they are proud of all the harm they have caused, and the greater harm yet to come.
Then there is the fact that seeing Clint Eastwood looking like the Cryptkeeper (from HBO’s “Tales of the Crypt”) depresses me. I remember Clint from his “Rawhide” days, and seeing his ruined beauty makes me feel like I’m watching the villain rot at the end of “Indiana Jones and the Last Crusade” when he “chooses poorly,” but for real. I admired Cary Grant’s decision to stop making movies when he began to stop looking like Cary Grant, and Marlene Dietrich’s determination not to appear in public so that people would remember her as one of Hollywood’s great beauties, and not as an old lady.
But as often in the case for me, having limited options of films to watch while stuck in in a hotel made Eastwood’s latest directorial and performing effort the best of a bad group of entertainment choices. The film is based on the true story of a ninety-year-old man (Clint isn’t quite that old, but he looks it) who became a drug mule, transporting cocaine for a Mexican drug cartel. The film has an excellent supporting cast including Bradley Cooper, Laurence Fishburne, Dianne Wiest and Andy Garcia. (who also looks like hell), though none of them have much to do except be props for Clint’s star turn.
To do as little spoiling as possible, I’ll just say that the story involves an aging—aged—narcissist who has neglected his family outrageously, falls into a lucrative gig transporting drugs because he loves to drive, has never had a ticket, and is unlikely to attract attention. Then he suddenly decides to make the needs of his family a priority over work for the first time in his life, getting him arrested and almost killed.
Clint still has his screen presence and charm, which is fortunate, because the central character, Earl Stone, is a selfish jerk. His toxic personal habits don’t seem so bad when the victims are drug smugglers, but when, early in the movie, he skips his daughter’s wedding without warning because he’d rather be at a sales convention partying with his colleagues, it is hard to care what happens to him.
We quickly learn that this betrayal was characteristic of Earl, and that he rationalizes them all, arguing that he was absent from his family to provide for them, and is blameless. It’s clearly a lie: his family bores him, and he does exactly what he wants to do, always. Sometimes Earl helps people and is randomly kind, as when we see him pause in one of his drug runs to help a couple stranded on the road. Other times, he doesn’t give a damn.
When a family argument breaks out as he attempts to attend his grand-daughter’s bridal shower, a guest overhears that Earl has lost his home and business (that’s really why he showed up at his granddaughter’s place—that and the fact that she was the only family member still on speaking terms with him) and gives him a phone number. These people will pay him well just for driving, Earl is told. Continue reading →
The problem is that when it comes time to honor those who have made a positive contribution to our country and culture, nobody remembers who they are. I confess, it drives me nuts. Today a medical technician revealed that she had no idea what “Ben-Hur” was. No chariot race, no galley slave scene. Well, she’s a drag on the culture. Catch up.
Actress and singer Diahann Carroll, 84, died on October 4, and her death received small and momentary notice. Yet she was another one of the brave, trail-blazing African Americans whose intelligence, charm, talent and willingness to take risks helped move the stubborn needle toward racial conciliation and away from bigotry. Of course, she was remarkable–unusually gorgeous, unusually talented, unusually intelligent. It never seemed like she set out to become a civil rights and cultural icon, but somehow the position just found her. Most important of all, when she was given the chance to make white people think differently about black people, she did it. She also made it look easy. Continue reading →
Before it went down the tubes, the leftist commentary website ThinkProgress posted a typical piece (that is, so crippled by bias and a progressive agenda that it was useless as advocacy unless the reader already agreed with it) bemoaning the fate of LGBTQ performers in Hollywood like Kristen Stewart. Stewart, once a rising young star with the “Twilight” Saga films, now approaching 30 without a clear career path.
You’ll get the article’s point of view from the kick-off:
“In an interview with Harper’s Bazaar UK, actor Kristen Stewart, who has been romantically linked to model Stella Maxwell since 2017, said, “I have fully been told, ‘If you just like do yourself a favor, and don’t go out holding your girlfriend’s hand in public, you might get a Marvel movie.’ I don’t want to work with people like that.” Stewart has said publicly she does not identify as bisexual or lesbian, and doesn’t want to choose a label for her sexuality. In the same interview she added, “I was informed by an old school mentality, which is — you want to preserve your career and your success and your productivity, and there are people in the world who don’t like you, and they don’t like that you date girls, and they don’t like that you don’t identify as a quote unquote ‘lesbian’, but you also don’t identify as a quote unquote ‘heterosexual’. And people like to know stuff, so what the fuck are you?’”
Although it may, at times, appear as though LGBTQ representation and participation in Hollywood has achieved some semblance of parity, Stewart’s experience is far from unique. Several young, openly LGBTQ actors such as Ellen Page and Ezra Miller have talked about how their gender and sexuality have affected how people talk to them about their careers.”
Ethics Alarms 