Comment of the Day: “Print the Legend Ethics: The War of the Worlds Panic”

war_worlds

Bravo and thanks to penn for a thoughtful and thought-provoking personal reminiscence that supports my recent post about the claim that the famous panic over Orson Welles’ famous 1938 “War of the Worlds” radio drama never happened. Here is his fascinating Comment of the Day on Print the Legend Ethics: The “War of the Worlds” Panic:

This story came up every Hallowe’en in my family as I was growing up. We had family living in Toms River and in Lakewood, NJ (about 35 miles from Grover’s Mill) at the time Orson did his thing. The different reactions to the broadcast by the people living in the two places resulted in a minor family schism which continues to this day in the attitudes of their descendants.

It was a city mouse/country mouse situation. The Lakewood adults were elementary school teachers — the sophisticates. They listened to that program as a matter of course and as they later reported, they declared this one silly from the very beginning. But then, all science fiction was silly to them (really! space ships and aleeums? pshaw!) — my father (it was his side of the family) always contended they had no imagination. My mother recalled, however, many years later (and after taking several psychology courses at the New School), that commercials or not, she was convinced they had been very disturbed, if not downright scared. Scared enough to sit through the whole “silly” program in the first place, and for the rest of their lives to focus an uncharacteristic rage on the writers … for using the name of a real location in the program. [I think this naming of Grover’s Mill may account for some of the anxiety, if not the panic — people were sooo trusting of the media in those days .. . .] Continue reading

Print The Legend Ethics: The “War of the Worlds” Panic

OrsonWellesDailyNews

One of the worst results of an untrustworthy news media is that it becomes difficult, as time passes, to determine with any certainty what the truth is.

A classic example is on display today, in Slate, which celebrates the 75th anniversary of young, svelte, Orson Welles’ famous Halloween Eve broadcast of his radio adaptation of H.G. Wells’ “War of the Worlds,” with no Tom Cruise or Dakota Fanning but a nice conceit that involved telling the story through fake news flashes and eye-witness interviews. (One reporter is fried on the air by the Martian invasion vehicles.) An new NPR program and a PBS documentary both tell the familiar story of how the realistic-sounding radio play caused widespread panic among radio listeners who missed the opening credits, leading them to think that Earth was really under attack. Newspapers of the day headlined mass panic, and gave accounts of citizens running for cover, huddling in the basement, and cringing in terror.  The episode made Orson Welles a national celebrity, and launched him on his meteoric, long and strange career.

According to Slate authors Jefferson Pooley and Michael Socolow, it never happened. Declaring the story of the “War of the Worlds” panic a myth, the authors state without equivocation that the newspaper accounts, headlines, commentary and interviews, were fabricated:

“Radio had siphoned off advertising revenue from print during the Depression, badly damaging the newspaper industry. So the papers seized the opportunity presented by Welles’ program to discredit radio as a source of news. The newspaper industry sensationalized the panic to prove to advertisers, and regulators, that radio management was irresponsible and not to be trusted. In an editorial titled “Terror by Radio,” the New York Times reproached “radio officials” for approving the interweaving of “blood-curdling fiction” with news flashes “offered in exactly the manner that real news would have been given.” Warned Editor and Publisher, the newspaper industry’s trade journal, “The nation as a whole continues to face the danger of incomplete, misunderstood news over a medium which has yet to prove … that it is competent to perform the news job.” Continue reading

The Hopelessly Muddled Ethics Of Halloween Costumes

anna-rexia

“Anna Rexia”

Clearly, we need some rational ethics standards for Halloween costumes, but I doubt that we will ever have any unless political correctness is removed from the equation. The holiday is by its very nature in bad taste with a heavy dose of defiance. The tradition is all about invoking the things that frighten us, with death being tops on the list. Trivializing death or mocking it is any way is guaranteed to offend somebody. My solution: if it offends you so much, don’t participate in Halloween. Boycott it. Don’t give out candy. Let everyone else—you know, those enough to distinguish reality from make-believe and satire from insults—have a good time once a year.

Once Halloween is transformed into Halloweenie, as so many of the political correctness police would have it, it isn’t Halloween, and isn’t fun. We have properly purged the vandalism that once part of the ritual, and if every possibly offensive disguise and costume is deemed socially unacceptable, all we have left is an annual event where kids dressed in blinking lights (to avoid accidents) get non-sugar candy, fruit, dental floss or contributions to charities while dressed up as non-offensive politicians, Greenpeace captains, cartoon characters, occupations and maybe insects. Then parents x-ray the candy and limit how much of it the kids can eat. As for adults, they not only have to wear costumes that won’t offend their friends and fellow party goers, but also costumes that won’t offend somebody, somewhere, when an officious jerk at a party takes a photo with his phone and posts it for the world. What fun. Continue reading

If Your Institution Is Named After George Washington, Shouldn’t We Be Able To Trust It To Tell The Truth?

The General is not pleased.

The General is not pleased.

Shame on George Washington University (in Washington, D.C.), not only for lying to its students and community, but also for dishonoring the name of the scrupulously ethical American icon which they presumed to expropriate as their own. Such things carry with it some crucial obligations.

For years, the GW admissions and financial aid offices have claimed in printed materials and on the University website that admissions were independent of need. The admissions process does not consider financial need during the first round of screening applications. Before applicants are notified, however the University examines its financial aid budget and decides which students it can actually afford to admit. Wealthier students are accepted, taking the spots of students who would need more financial aid from the University.

Last week, a GW administrator confessed to a student newspaper—one ironically called “The Hatchet” after the apocryphal axe little George used to cop down that cherry tree in Parson Weems’ fable—– that financial resources indeed were considered in the admissions process, and have always been considered despite University statements to the contrary.  As  recently as last weekend, admissions representatives told prospective students that their applications would be judged without consideration of their financial aid profiles. Until it was removed Saturday evening, the newspaper reports, the undergraduate admissions website read, “Requests for financial aid do not affect admissions decisions.”

That site now confirms a “need-aware” policy that has always been in place. George Washington University just had another policy of lying about it. Continue reading

Ethics Quiz: The SpongeBob Headstones

SpongeBob Gravestone Removed

You can’t make stuff like this up.

Apparently I was last one in the nation to learn about the surreal dispute between the parents of the late Kimberly Walker, a 28-year-old Iraq War vet who was  found murdered in a Colorado hotel room eight months ago, and the owners of Cincinnati’s historic  Spring Grove Cemetery, concerning the headstones erected over her grave on October 10.

The cemetery reversed its official approval of the twin monuments, apparently bestowed by someone who had momentarily been possessed by the spirit of Chuck Jones, saying that it would be inappropriate for a traditional and historic 19th Century pastoral cemetery that serves as the final resting place of Supreme Court Chief Justice Salmon P. Chase, several Civil War generals including “Fighting Joe” Hooker, who lost the Battle of Chancellorsville, the Hall of Fame manager of the 1927 Yankees, Miller Huggins, and many others, to sport not one but two hideous 6-foot-high, 4-foot-wide, 7,000 pound slabs of granite lovingly carved to depict SpongeBob Squarepants in military gear, one of which displays Kimberly’s name on his uniform. (For those of you who are hopelessly estranged from popular culture, SpongeBob is a fictional deep sea yellow sponge who stars in a popular Nickelodeon cable TV children’s cartoon show. Kimberly, we are told, loved the show. SpongeBob is an idiot, by the way.)

The family is outraged, and feels abused. “I feel like, and we all feel like, SpongeBob should stay there. We bought the plots, all six of them. We put the monuments there, we did what we had to do and they said they could provide that service to us,’ said Walker’s twin sister Kara, who was looking forward to eventually being buried under the second headstone. “I thought it was the greatest thing in the cemetery. I even told the people there that I think this is the best monument I’ve ever seen. It’s the best headstone in the cemetery and they all agreed. It came out really nice.”

Yyyyyyyeah.

Still, putting considerations of taste aside—-and what American these days doesn’t do that daily?—the Walkers duly purchased the plots (they have four more…and just think of what might end up on them) and properly cleared the monuments.

Your Ethics Alarms Ethics Quiz for this lovely Fall day is this:

Does fairness dictate that the Walkers be allowed to erect whatever monuments they choose, including giant, garish sculptures of a cartoon character, to honor the memory of their daughter? Continue reading

Ethics Dunce: Fat-Bashing Film Critic Rex Reed

melissa_Elle

Actress Melissa McCarthy stole the film “Bridesmaids” right out from under its better known stars, including the screenplay’s author, Kirsten Wigg. In that film, her hit CBS sitcom “Mike and Molly,” and subsequent films (of varying quality), McCarthy has shown that she is s versatile, appealing comedienne with deep dramatic resources. Film critic Rex Reed, however, is mostly concerned with her weight, which is usually a component of the characters she plays and the quality, other than her talent, that sets her apart from the standard issue, impossibly thin, fit and sexy Hollywood actress.

In his withering review of her latest comedy “Identity Thief,” Reed causally refers to McCarthy as a “female hippo” and reduces her career to this: “Melissa McCarthy (Bridesmaids) is a gimmick comedian who has devoted her short career to being obese and obnoxious with equal success.” Called on his fat-bashing, Reed responded, “I have lost entirely too many friends to obesity-related diseases to pretend Ms. McCarthy’s alarming obesity is anything to applaud.”

There are two aspects of this that are striking. One is that Rex Reed, who played the pre-op Myra Breckenridge in the awful movie version of Gore Vidal’s gender-bending, and considered scandalous at the time, satiric novel (Raquel Welch, now over 70, was post-op), is still alive and reviewing, albeit obscurely until, as now, he writes something outrageous. At one time—40 years ago? Longer?— Reed was considered the most quotable and one of the most influential film critics; now, to say he is passé would be a compliment.

The other striking aspect of this incident is this:  while the culture will turn with unforgiving venom on any public figure who derides individuals for their color, sexual orientation, malady or disability, any of which would be considered cruel, bigoted, and hateful, deriding individuals because their weight doesn’t meet with aesthetic norms—among which are now out-sized breasts on otherwise fat-free frames and sharply chiseled abdominal muscles, a look that was literally freakish until the dawn of Nautilus and personal trainers—-still is largely regarded as justified and acceptable. Continue reading

Hyping “Extreme Weather”=”Untrustworthy”…Also “Al Gore”

sharknado

In their effort to create enough climate change hysteria to rally the public in support of scientifically dubious and possibly futile—but expensive!— regulations, some media outlets have resorted to censoring commentary that is hostile to current global warming cant, even though few if any of the editors involved  comprehend the data, research, or models. I propose that they would do more to bolster the push to accept  man-made climate change if they stopped publishing blatant and misleading hype, and they could begin by not quoting Al Gore.

Stipulated: both sides of the climate change debate are guilty of misrepresentation, lies, exaggeration and nonsense. The difference is that most of the news media adopts and legitimizes the pro-climate change misrepresentation, lies, exaggeration and nonsense, with this year’s model being the claim that climate change is already increasing “extreme weather events.” Continue reading

CBS’s “Blue Bloods”: Endorsing the Saint’s Excuse and Polk County Justice

 

Time for the department ethics training, Chief. You should sit in on it too...

Time for the department ethics training, Chief. You should sit in on it too…

“Blue Bloods,” Tom Selleck’s New York police family drama on CBS, began as a paean to the core values of public service, nobility, justice, courage and honesty as it chronicled the work and lives of three generations of the Reagan family. The Reagan men are all cops, the one female is a DA, and Selleck is the paternal Chief of Police. Based on last night’s episode, “The Truth About Lying,” series creators Mitchell Burgess and Robin Green have permitted the show’s writing staff to be infiltrated by the Dark Side in its fourth season, and now its calling cards will include the enthusiastic promotion of the abuse of power and the celebration of lying as long as it’s all for a good cause. That’s the Saint’s Excuse, one of the most deadly of the rationalizations, in which “good” people decide that they are empowered to do unethical things in the pursuit of what they believe are worthy goals. The Saint’s Excuse is something of a theme in the United States these days. Now “Blue Bloods” is making sure popular culture spreads the word.

The episode, which you can watch here, was ostensibly about Selleck’s Chief’s efforts to foil the city’s newly appointed “inspector general,” installed in the wake of a “ripped from the headlines” court rejection of an effective “stop and frisk” program by New York’s finest. Continue reading

“Hot Mom” Maria Kang Is A Self-Obsessed Narcissist, and Yes, There’s A Reason Humility Is An Ethical Virtue

Kang

Lots of Americans are obsessed with outward appearances, unreasonably devoted to being attractive at all costs and for as long as possible,convinced that their own priorities are what everyone should embrace, and feel superior as a result. Most don’t go out of their way to broadcast these obnoxious attitudes and to accuse others of being inferior, rationalizing slugs while thrusting their cosmetic successes in the faces of those who no longer can squeeze int their fashion jeans.

Maria Kang, pictured above in all her buff glory, did, reaped the predictable result, and now is being called the aggrieved victim while she remains resolutely self-righteous.

Yechhh. Continue reading

The Naked Teacher Principle Strikes In Texas: The Playboy Variation

"Miss DEWEESE?? Ay Caramba!!!"

“Miss DEWEESE?? Ay Caramba!!!”

This version of the NTP is not especially close to the gray area of ethics, nor is the result surprising, though I expect a lot of teeth gnashing about it because the naked teacher in question will attract a lot of, uh, sympathy.

Dallas’s school district has apparently fired Cristy Nicole Deweese, 21, a Spanish teacher for the city’s Townview Magnet High School. Less than three years ago she posed in various provocative positions and states of undress for Playboy, in its February 2011 issue. That magazine is still available, but more to the point, the photos are easily available online. Naturally some students found them, and the core tenets of the Naked Teacher Principle had been triggered.

The Naked Teacher Principle states:

“A secondary school teacher or administrator (or other role model for children) who allows pictures of himself or herself to be widely publicized, as on the web, showing the teacher naked or engaging in sexually provocative poses, cannot complain when he or she is dismissed by the school as a result.”

I won’t keep you in unnecessary suspense. Deweese is almost dead center in the middle of the NTP. Continue reading