As The Obamacare Ethics Train Wreck Accelerates, A Plea To The Bitter-enders: “Stop It. You’re Disgracing Yourself.”

[I’m back from Colorado Springs, and as usual after that trip, momentarily cheered, encouraged and inspired by my experience discussing ethics with sheep farmer-legislators from Montana, surfer-legislators from Hawaii and other ordinary, diverse, dedicated, honest and smart Americans of all political persuasions who just want to do good things for their neighbors, communities, state and nation. This is, I think, what Mr. Jefferson and his friends had in mind. The annual training program for recently-elected state legislators run by the Council of State Governments is just marvelous—if only every legislator starting out could go through it (especially this really neat half-day ethics seminar a bald guy teaches).  In case you are wondering, the ACA despair, disgust and mockery was coming from both sides of the aisle—I did mention they were honest, right? And, obviously, not from Washington, DC. If we’re lucky, a lot of them will be here in a few years.]

Why are they still spinning? They're not getting anywhere, and they look ridiculous!

Why are they still spinning? They’re not getting anywhere, and they look ridiculous!

Now I’m trying to catch up—those few posts from Colorado Springs were by necessity early in the morning and late at night, and on less than earth-shattering topics. Sadly, the current Ethics Train Wreck involving the roll-out of Obamacare—-a rare example of one that could have and should have been seen coming years ago, and that some of us did see, and clearly—has only become worse. The integrity test that I announced  three weeks ago also continues to produce dispiriting results. I hope to do a summary of both the wreckage and the test eventually, but in the meantime, the Obamacare Ethics Trainwreck continues to pick up passengers who are flunking the Ethics Alarms Integrity Test in the process. Continue reading

Ethics Dunce: Washington University in St. Louis

Halloween prank

Before we leave the topic of the ravages of political correctness and the excessive fear of  grievance bullies, let’s pause to ask the administrators of Washington University in St. Louis…What’s wrong with you?

On October 30, several students posted a photo (that’s it on the left) on Facebook costumed as three U.S. soldiers pointing super-soakers at another student dressed as Osama bin Laden, with a fifth student holding a large American flag as a backdrop. Several things are not in doubt. 1. This was a Halloween stunt. 2. Osama bin Laden masks and costumes have been relatively common since Halloween 2002, as have been all historical villains in U.S. history since Halloween became a tradition. 3. There is nothing wrong with that. 4. An Osama bin Laden costume  is in no way, shape or form an insult to Muslims. 5. Osama bin Laden himself was an insult to Muslims.

Notwithstanding all this, a typical grievance bully on campus named  Mahroh Jahangiri, was determined to flex her muscles on behalf of her religion and make innocent fellow-students knuckle under and bow to her will. Maybe she thought they’d even let her speak at the next Democratic national convention, who knows? She posted a screen shot of the photo on her website, and wrote,

“This photo makes a costume of the lives of the thousands of civilian Muslim men who have been murdered during our ‘War on Terror’ and the countless others who have been mutilated, robbed, and stabbed to death in hate crimes across the United States. This is disgusting and cannot be tolerated on this campus. There are very few Muslim students on this campus, and our voice is not loud enough. For those of you who had not heard of this until now, now you have. What are we going to do to change this?” Continue reading

More Evidence That Word Banning Is Unethical

WHAT did you say?

WHAT did you say?

There is more to discuss, a lot more, regarding what I will now call “The Klosterman Apology,” because it sounds like  a Robert Ludlum novel. For now, however, since it is fresh in my jet-lagged mind, I’d like to focus on the inevitable result of declaring certain words and phrases so objectionable, hurtful, uncivil or politically incorrect that extraordinary means are employed to eliminate them. In the case of The Klosterman Apology, the words were “retard” and “retard,” and a Mom with a blog threatened “The Ethicist” from the New York Times magazine with an onslaught of political correctness bullies if he didn’t immediately express his abject contrition for having used these words in a harsh way a decade ago, in another job that didn’t directly involve ethics. Chuck capitulated, gracefully and well. As I will discuss in another post, I don’t think he had much choice. Still, word-banning is an ugly, and ultimately unethical business. Continue reading

Comment of the Day: “Jimmy Kimmel, Child Abuse, And Signature Significance”

(I am backed up three deep on the “Comments of the Day,” and I apologize to the deserving and patient commenters.)

And who can forget Mickey Rooney's hilarious turn in that beloved American film masterpiece "Breakfast at Tiffany's"?

And who can forget Mickey Rooney’s hilarious turn in that beloved American film masterpiece “Breakfast at Tiffany’s”?

Alex Yuan raised an element of the revolting Jimmy Kimmel stunt discussed in my post, an extension of his penchant for using children as uncomprehending props for his often ugly comedy, that I glided right over: Why was showing a child suggesting that wiping out the Chinese was  a viable solution to national problems even considered fit for broadcast, when a similar comment about Jews, gays, Hispanics or blacks would be considered instantly taboo? Why doesn’t the ethics alarm sound when the minority being slurred or threatened is Asian?

Here is his Comment of the Day on the post, Jimmy Kimmel, Child Abuse, And Signature Significance:

It is interesting that you should mention political correctness because I can’t help feeling that in deciding it appropriate to air this segment, ABC – perhaps as a reflection of societal attitudes at large – is illustrating the alleged double standard against Asians when it comes to how topics concerning minorities and other protected classes are handled in public. Continue reading

Ethics And “The Rifleman”

If you want to ground your child in basic values and ethics, buying the new DVDs (available next month) with all 168 half-hour episodes of “The Rifleman,” the classic Western TV series, is a good way to start. I’ve been watching episodes recently (they are currently showing on both AMC and Starz), and am struck by how virtually every one has a strong ethics lesson to teach, and teaches it well without interfering with the drama. Most of the TV westerns from the genre’s Golden Age (which had already ended before the demise of “Bonanza,” the last of the great ones) had strong ethical values embedded in their plots, but few made ethics as thematic as the show starring Chuck Connors as a single father, living on the prairie in the 1880s, who used his Winchester rifle the way other cowboys used a pistol, but faster and with more accuracy.  Because Lucas McCain was trying to survive while teaching his young son (played by original Mousekateer Johnny Crawford) how to be a good man and citizen, he was always striving to be a role model while solving the difficult and often dangerous problems that came his way. Unlike many Western heroes, McCain didn’t always get it right, sometimes letting his emotions get the better of him or being unfair or impetuous, and had to undergo an ethical course correction by the end of an episode.

A repeated theme in the show was redemption and trust, as McCain often became the champion of a fallen woman or reformed criminal, or had to rely on an ally with a less than sterling past.  Villains in “The Rifleman” sometimes saw the error of their ways at the last second, committing a noble act before dying or going to jail. And sometimes they didn’t, and got shot with the Winchester. I’m sure that “The Rifleman,” with its gun-happy opening sequence (it presents the rifle as the star of the show as much as Connors) will seem like an unlikely source of ethics to the gun-queasy parents out there, and that is a shame. There is much to learn from “The Rifleman.”

You can watch some episodes of the show herehere and here. The catchy theme music is here; I was surprised to discover that it had lyrics, which by the standards of the generally terrible lyrics of westerns that had songs that were actually sung on a show, aren’t too bad. The best of its endless verses:

                           
THERE IS A MORAL TO HIS EXPLOITS                         

AND HE’S TAUGHT IT TO HIS SON

SPEAK SOFTLY TO YOUR ENEMY

BUT LET HIM SEE YOUR GUN!

Chorus:             

THEY CALL HIM THE RIFLEMAN
THE STRONG, COURAGEOUS RIFLEMAN
A GREAT BIG MOUNTAIN OF A MAN!

 

___________________________________

Sources: Wikipedia, The Rifleman, Chuck Connors,

Unethical Magazine Cover Of The Year: Time (As Henry Luce Spins In His Grave)

Time Christie

It really is past time for Time to go away.

Once the epitome of sharp, incisive, erudite weekly news reporting and commentary, it long ago morphed into just another left-biased shill for liberal politicians and positions, but with a desperate, tabloid-style habit of using intentionally gross, disturbing or controversial cover graphics to sell more copies than its equally biased and shameless rival, Newsweek. Now Newsweek is mercifully gone, but Time’s rude cover habit remains, culminating in the above disgrace to Time’s traditions and responsible journalism.

New Jersey Governor Chris Christie is fat, get it? He’s the “elephant in the room.” Continue reading

“Walking Dead” Ethics: Hypocrisy, Substance Abuse And Survival

"The Walking Dead"...as always, providing abundant ethical dilemmas to chew on...

“The Walking Dead”…as always, providing abundant ethical dilemmas to chew on…

If you can stand the periodic spectacle of shambling, rotting flesh and heads being lopped off or split down the middle, AMC’s “The Walking Dead” still provides the most daring and interesting ethics storylines available on television.

The latest episode, titled “Indifference,” raised two gutsy issues that are unpopular in today’s culture to the point of taboo. It was revealed that Carol, previously the simpering and tragic mother of the now dead, zombified and executed little girl Sophia, has morphed into a stone-cold pragmatic survivalist who advocates killing on instinct when the threat is sufficiently severe. In addition to teaching methods of mayhem to the children entrusted to her instruction in the grim, abandoned penitentiary where our heroes have fortified themselves against the roaming zombie hoards, Carol summarily executed two members of the community who were fatally ill with a pernicious virus on the grounds that they threatened the safety of the rest. For this, Rick, the sheriff-turned farmer alleged leader of the non-zombies, orders her out of the prison.

Strange. In a world without doctors, medicine and hospitals, where the objective is simply to survive long enough for some remote miracle to rescue humanity, a runaway virus is as much of a threat as a maniac with a hatchet. Rick and the rest have long ago accepted the necessity of killing members of their group who are bitten by zombies, since they are certain to “turn”after death and start indiscriminately eating people. True, the preferred method is to withhold execution until the second after the living become undead after becoming unliving, but this is a distinction without a difference. Carol is quite right that a breathing, doomed, virus-carrier is as much of a threat to the group—perhaps more—as a newly-minted brain-muncher. Why is her strong action in defense of the group, a defensible utilitarian act, reason for exile? Continue reading

Comment of the Day: “Print the Legend Ethics: The War of the Worlds Panic”

war_worlds

Bravo and thanks to penn for a thoughtful and thought-provoking personal reminiscence that supports my recent post about the claim that the famous panic over Orson Welles’ famous 1938 “War of the Worlds” radio drama never happened. Here is his fascinating Comment of the Day on Print the Legend Ethics: The “War of the Worlds” Panic:

This story came up every Hallowe’en in my family as I was growing up. We had family living in Toms River and in Lakewood, NJ (about 35 miles from Grover’s Mill) at the time Orson did his thing. The different reactions to the broadcast by the people living in the two places resulted in a minor family schism which continues to this day in the attitudes of their descendants.

It was a city mouse/country mouse situation. The Lakewood adults were elementary school teachers — the sophisticates. They listened to that program as a matter of course and as they later reported, they declared this one silly from the very beginning. But then, all science fiction was silly to them (really! space ships and aleeums? pshaw!) — my father (it was his side of the family) always contended they had no imagination. My mother recalled, however, many years later (and after taking several psychology courses at the New School), that commercials or not, she was convinced they had been very disturbed, if not downright scared. Scared enough to sit through the whole “silly” program in the first place, and for the rest of their lives to focus an uncharacteristic rage on the writers … for using the name of a real location in the program. [I think this naming of Grover’s Mill may account for some of the anxiety, if not the panic — people were sooo trusting of the media in those days .. . .] Continue reading

Print The Legend Ethics: The “War of the Worlds” Panic

OrsonWellesDailyNews

One of the worst results of an untrustworthy news media is that it becomes difficult, as time passes, to determine with any certainty what the truth is.

A classic example is on display today, in Slate, which celebrates the 75th anniversary of young, svelte, Orson Welles’ famous Halloween Eve broadcast of his radio adaptation of H.G. Wells’ “War of the Worlds,” with no Tom Cruise or Dakota Fanning but a nice conceit that involved telling the story through fake news flashes and eye-witness interviews. (One reporter is fried on the air by the Martian invasion vehicles.) An new NPR program and a PBS documentary both tell the familiar story of how the realistic-sounding radio play caused widespread panic among radio listeners who missed the opening credits, leading them to think that Earth was really under attack. Newspapers of the day headlined mass panic, and gave accounts of citizens running for cover, huddling in the basement, and cringing in terror.  The episode made Orson Welles a national celebrity, and launched him on his meteoric, long and strange career.

According to Slate authors Jefferson Pooley and Michael Socolow, it never happened. Declaring the story of the “War of the Worlds” panic a myth, the authors state without equivocation that the newspaper accounts, headlines, commentary and interviews, were fabricated:

“Radio had siphoned off advertising revenue from print during the Depression, badly damaging the newspaper industry. So the papers seized the opportunity presented by Welles’ program to discredit radio as a source of news. The newspaper industry sensationalized the panic to prove to advertisers, and regulators, that radio management was irresponsible and not to be trusted. In an editorial titled “Terror by Radio,” the New York Times reproached “radio officials” for approving the interweaving of “blood-curdling fiction” with news flashes “offered in exactly the manner that real news would have been given.” Warned Editor and Publisher, the newspaper industry’s trade journal, “The nation as a whole continues to face the danger of incomplete, misunderstood news over a medium which has yet to prove … that it is competent to perform the news job.” Continue reading

The Hopelessly Muddled Ethics Of Halloween Costumes

anna-rexia

“Anna Rexia”

Clearly, we need some rational ethics standards for Halloween costumes, but I doubt that we will ever have any unless political correctness is removed from the equation. The holiday is by its very nature in bad taste with a heavy dose of defiance. The tradition is all about invoking the things that frighten us, with death being tops on the list. Trivializing death or mocking it is any way is guaranteed to offend somebody. My solution: if it offends you so much, don’t participate in Halloween. Boycott it. Don’t give out candy. Let everyone else—you know, those enough to distinguish reality from make-believe and satire from insults—have a good time once a year.

Once Halloween is transformed into Halloweenie, as so many of the political correctness police would have it, it isn’t Halloween, and isn’t fun. We have properly purged the vandalism that once part of the ritual, and if every possibly offensive disguise and costume is deemed socially unacceptable, all we have left is an annual event where kids dressed in blinking lights (to avoid accidents) get non-sugar candy, fruit, dental floss or contributions to charities while dressed up as non-offensive politicians, Greenpeace captains, cartoon characters, occupations and maybe insects. Then parents x-ray the candy and limit how much of it the kids can eat. As for adults, they not only have to wear costumes that won’t offend their friends and fellow party goers, but also costumes that won’t offend somebody, somewhere, when an officious jerk at a party takes a photo with his phone and posts it for the world. What fun. Continue reading