Santa Claus Ethics, Stupid Division

I don't care WHAT color this guy is, I'm getting my kid OUT of there!

I don’t care WHAT color this guy is, I’m getting my kid OUT of there!

The fact that there is a serious debate going on in the blogosphere and news media whether 1) Santa Claus is white; 2) whether it is racist to maintain he is white and 3) whether he should be some other race or species is more evidence that the United States of America is having a nervous breakdown. It also demonstrates that race-baiters and the insanely politically correct have no sense of proportion, moderation or shame, and that too many of those who are confronted by these annoying people don’t have the sense to know when to just nod, pat them on the heads and say, “Sure, sure…if it makes you happy.” Here are some loosely connected observations on a controversy too dumb to justify organization: Continue reading

Maybe I’m Losing My Mind, But I Think Geico’s “Maxwell The Pig” Ads Are Racist

Well, not racist, exactly, since there is no such human race (yet) as “Pig Men.” If there were such a race, however, there is no question that Geico’s humorous ads would be regarded as racist and offensive. And in Geico Universe, where Maxwell the Talking Pig resides, there is such a race. Therefore the ads are racist. Right? No?

Hear me out.

This has been bothering me for a while, and I don’t think I am imagining it. If we had, living among us, anthropomorphic swine like Maxwell (first discovered being driven home by a friend’s mother and yelling “Wee wee wee!” all the way), would making not so subtle, demeaning pig references (“when pigs fly” in one commercial, “pig in a blanket” in another) be considered acceptable or civil? Clearly not. Obviously Maxwell is a minority, and obviously sensitive about being a pig. Using “when pigs fly” around him is like intentionally inviting an obese friend to “chew the fat,” or accusing a Native American of being an “Indian giver.” Maxwell gets the intent of the insult in both ads, too: “I can’t believe she said that,” he says after one swine-slur, and “I walked right into that one,” after another.

Geico laid the foundation for Maxwell to be a “harmless” stand-in for harassed minorities that the commercials couldn’t mock without serious consequences in an earlier ad, where his car is stopped by a policeman. The cop asks, “Do you know why I stopped you?” Maxwell suggests profiling. “Because I’m a pig driving a convertible?” Yes, it’s strange. The more I think about it, the stranger and more subversive it seems…

This is ridiculous, I know, but also, I think, sinister. Continue reading

Public School Ethics: The Assassin Game

"All right, class, Answer this: in the term 'assassin game.' which word describes the actual nature of what is being described? No seriously, help me here, because I can't figure it out..."

“All right, class, Answer this: in the term ‘assassin game.’ which word describes the actual nature of what is being described? No seriously, help me here, because I can’t figure it out…”

Montgomery  County Maryland’s Blair High School is embroiled in a controversy over the popularity of a student game known as “Assassin,” a role playing elimination game where players “kill” competitors using fake weapons, or, as in the Blair version of the game, their fingers. The game in various forms—it is also known as Gotcha, KAOS (Killing as organized sport), Juggernaut, Battle Royal, Paranoia, Killer, Elimination, or Circle of Death—has been around for decades. Proof: I played it in college, and had a blast. If you like that sort of thing, the game is fun, and whether you like it or not, it is harmless.

Ah, but some kinds of fun are no longer acceptable in large swathes of post-Newtown, thought-controlling, anti-gun, hysteric-dominated America, especially liberal enclaves like the Maryland suburbs. As a result, you get sentiments  like these:

  •   “I don’t think a game called Assassin is appropriate in schools. I want kids to be social with each other, but not in a ‘Gotcha’ . . . sort of way. It’s just inappropriate in our society.”—Blair Principal Renay Johnson

What’s “inappropriate?” Fantasy? Role playing games? Games that evoke entertainment and fiction portraying conflict and violence? Fun? Thoughts and attitudes that you don’t agree with or approve of? Continue reading

To Get Your Christmas Ethics Off To The Right Start…

its-a-wonderful-life-collage-73136

…the Complete Ethics Alarms “It’s A Wonderful Life” Ethics Guide is here.

Just in case you forgot!

Encore: “Forgetting What We Know”

Rosemary's director is more horrible than her baby...because he's real.

Rosemary’s director is more horrible than her baby…because he’s real.

I noted with horror that Roman Polanski has a new film out that is, as usual, garnering rave reviews. Polanski is a perpetual burr under my metaphorical saddle, and when he is out of the spotlight I am a happier person. One of the early reviews, under the heading “About the director,” describes him this way:

“Roman Polanski is a Polish film director, producer, writer and actor. Having made films in Poland, Britain, France and the USA, he is considered one of the few truly international filmmakers.”

This leaves out what I would argue are the most important parts of his biography, namely that he is a child rapist and a fugitive from the law of the United States. He is also an ethics corrupter on a grand scale. When his name once again made its unwelcome intrusion on my senses, I recalled that one of the very first posts on Ethics Alarms, on Halloween of 2009, was inspired by Polanski. I read it again last night, and reflected on how the blog recently passed its 1,000,000th page view since its launch that same month. I like it, and not many people read it at the time. With a few small edits, I decided to post it again.

Here it is:

Ethics evolves. It isn’t that what is right and wrong actually changes, but that human beings gradually learn, sometimes so slowly it can hardly be detected. For example, slavery was always wrong, but for centuries very few people who weren’t slaves understood that fact. There was never anything immoral about being born gay and living accordingly, but it has taken all of the collected experience of civilization to make this dawn on most of society. While we are learning, and even after we have learned, there are always those who not only lag behind but who work actively to undo the ethical progress we have made. We assume these individuals will come from the ranks of ideological conservatives, misapplying valid concepts like respect for tradition, suspicion of change for change’s sake, and a reliance on consistent standards, making them slow to accept new wisdom . Sometimes, however, the people who try to make us forget what we know come from the left side of the political spectrum, misusing values such as tolerance, freedom, empathy and fairness in the process. This is especially true when it comes to the topic of sex. Liberals fought so long and well to break down the long-established taboos about sex that many of them lost the ability to comprehend that unethical conduct can  involve sex in any way.

The most striking recent example is the bizarre defense of Roman Polanski, best known as the director of the horror classic, “Rosemary’s Baby.” Continue reading

Ethics Dunce: Bismarck, North Dakota’s CBS Affiliate, KXMB

will Farrell

Actor and comedian Will Ferrell donned his  Ron Burgundy persona from “Anchorman”  and delivered the news for KXMB in Bismarck Saturday night. It was a promotion for “Anchorman 2: The Legend Continues,” the sequel to Ferrell’s  2004 hit comedy about a fictional news team in the politically incorrect 1970’s. The station’s sales manager, Tammy Blumhagen, explained that Ferrell’s agent contacted her in May and asked if he could anchor or co-anchor a newscast as part of the promotion tour for “Anchorman 2.” “When they called us, we kind of jumped at the opportunity,” she said.

Well, why wouldn’t she? Since U.S. journalism has abandoned all but the wan pretense of being a legitimate profession, perhaps all TV news broadcasts should just go the route of Bismarck’s local CBS station, and let clowns, reality stars, high school athletes, citizens picked at random, talking macaws and trained seals deliver the news. After all, neither the news judgment, integrity nor competence of what passes for journalists these days can be assumed or even expected. Why not just turn over the broadcast of the evening news to a comedian who plays a idiotic anchorman in films? It’s not like informing the public about what’s going on in the nation and the world is important or anything. The public doesn’t have a right to know. The public has a right to be amused. Continue reading

If You Are Surprised To Learn That “No Animals Were Harmed During The Making Of This Film” Doesn’t Mean That No Animals Were Harmed During The Making Of The Film, Then You Havn’t Been Paying Attention To The Ethical Culture In Hollywood

"OK, the tiger almost drowned. No harm, no foul, right?"

“OK, the tiger almost drowned. No harm, no foul, right?”

Hollywood abuses its child actors routinely, and you really believed it was kind to animals?

Today the Hollywood Insider carries a thorough exposé revealing that the American Humane Association, which supposedly monitors films for their treatment of  animals and grants the familiar“No Animals Were Harmed” trademark accreditation seen at the end of film and TV credits, participates in the covering-up of animal deaths and cruelty as much as it prevents them. The report suggests that the AHA  has been thoroughly co-opted by the industry, so that it is not an objective advocate for the creatures it supposedly represents, but a willing participant in audience deception.

The smoking gun quote may be this one, from Dr. S. Kwane Stewart, the veterinarian who took over as the national director of the AHA’s “No Animals Were Harmed” program in April:

“This whole idea that we’re cozy with the industry — it’s simply not the case. We first and foremost want to keep the animals safe…[but] we need to keep in mind that [the producers and directors of productions the AHA monitors] want to arrive at their vision as well.”

This means, of course, that the AHA representatives are not acting as an advocate for the animals, but as a participant in the film-making process that balances the lives and welfare of the animals against the concerns, needs and profit motives of the speaking, spending, threatening and otherwise powerful human beings with which they share a species and common values. Gee–I wonder who has the most weight in reaching that balance… Continue reading

“Would You Rather”: An Ethics-Horror-Health Care-Dinner Party In Hell Movie You May Have Missed

“Would You Rather” is an odd 2012 film that sets up a film-long set of unlikely ethical dilemmas for its characters to solve. Desperate to save her dying brother with expensive medical treatment she can’t afford, the heroine (played by Brittany Snow) finds herself at a dinner party with seven other desperate strangers, hosted by a wacko family of millionaires who will help one of them after the others have been “eliminated” during the course of the evening. As what is described as a game progresses, each contestant is put through escalating rounds of risk, pain and torture in which they must make various Sophie’s Choices, such as…

  • Would you rather administer a painful shock to yourself with high-voltage electricity, or the person next to you? What if that person has been weakened by a previous shock? What if she is in a wheelchair?

Feel Smarter Now? Don’t.

There’s been a lot of gratuitous Harvard-bashing lately, lately being defined as, oh, the last two hundred years or so. The latest plot to embarrass Harvard, my alma mater, came from the campus newspaper, the Harvard Crimson. This also isn’t a new development: I often found the Crimson embarrassing to Harvard back when I was student, when its staff was as often as not on a picket line chanting “Hey, Hey, LBJ, how many kids did you kill today?

It’s latest effort was to send a roving reporter out with a video camera to show how ignorant Harvard students are. The question featured: “What is the capital of Canada?”  Here is the video:

Sure enough, none of the students shown could answer the question, except a Canadian. How humiliating! I can only imagine how many people will be flush with pride because they know that the capital city is Ottawa, and Harvard students don’t.

Of course, the video is meaningless. One Crimson reader, a student, wrote in to point out that he was interviewed for the stunt, gave the right answer, and turned up on the cutting room floor. He theorizes that there were others like him, and I wouldn’t be surprised: “Only six out of 19 Harvard students know the capital of Canada” isn’t much of a headline, is it? “Lame” was this student’s verdict for the Crimson’s rigged version of “Jaywalking.” I agree. Continue reading

In Search Of Ethical Pop Songs

It was around this time last year that Ethics Alarms expanded its list of the top Hollywood movies with ethical lessons and themes to 25. (You can find the complete collection here, here, here and here.) I am researching a similar list for popular songs, and this task is far more difficult. Most pop songs, if they have a story at all, convey unethical lessons and cautionary tales: exemplary ethics are not, apparently, the stuff hits are made of.

I am soliciting nominations. To get you started, here are two on my list, both oldies. The first is “Ringo,” one of those talking songs like Jimmy Dean’s “Big John” (also a candidate for the list), performed by Pa Cartwright himself, Lorne Greene. The ethical values shown in this Western tale are kindness, reciprocity, loyalty, and gratitude:

My second nomination is one of several sound-alike hits from Gary Puckett and the Union Gap. In this song, Gary illustrates an understanding of Restraint Bias—none of us is as resistant to temptation as we would like to believe. The song is about responsibility. (I don’t think Roman Polanski was a fan of the Union Gap).

I await your playlists.