The Indefensible “Nigger” Double Standard

Andrea Quenette, a University of Kansas communications professor, has been on paid leave for four months after a group of her students filed a complaint that she had used the racial epithet nigger in  response to a question in class. She was asked about  her views on the best way to talk about race with  students, and replied that as a white woman, she found it  difficult to relate to minority groups’ challenges because she has not experienced racial discrimination herself.  She added that unlike other campuses where there had been over racist incidents, she “had not seen “nigger” spray painted on walls at KU.”

For saying this, she was subjected to campus-wide humiliation, an interruption in her teaching career and an investigation, of what I cannot imagine. She was talking about the word, she is a communications professor, words are her business, and it is impossible to talk about the word “nigger” seriously without using it (and no, codes like “N-word”  are either the exact same as using the word itself, or politically correct conventions that show just how silly word-o-phobia really is. Take your pick.) Finding offense with her using “nigger” in this context is simply a “gotcha” by race-baiting students. and as nonsensical as the gag in “The Life Of Brian” where the priest who condemns a Hebrew citizen by committing the blasphemy of speaking the name of God, “Jehovah,” is stoned by the crowd because he speaks the forbidden name in order to utter the condemnation. Nevertheless. Professor Quenette, while keeping her clearly worthless job, was sentenced to mandatory cultural competency training, a.k.a. political correctness indoctrination, and to have a second faculty member work with her to ensure that her curriculum include more diversity.

If she had enough sense, courage and integrity to be qualified to teach at the college level, she would have told the school to take its job, its curriculum, its rejection of academic freedom, its craven capitulation to race-bullying and its disgusting treatment of faculty members and shove them all. But no, she’s a good, submissive  social justice zombie who just made a mistake, and it’s time for her to grovel.

Spurred by this miserable marker of how low higher education has sunk, my indispensable issue scout Fred puckishly sent me this, a Washington Post opinion piece from a year ago. The column, by  African American free-lancer Michael Arceneaux, was sparked by an incident I also commented upon a year ago, when Kentucky guard Andrew Harrison muttered “Fuck that nigga”  behind his hand into a live microphone while answering a post-Final Four game news conference question about Wisconsin player Frank Kaminsky, whose heroics had led to Kentucky’s 71-64 victory.  My position on Harrison, then as now, was this: Continue reading

More Fake News! How Untrustworthy Are Hard Right Websites? THIS Untrustworthy….

How are these for headlines and web news stories?

Apparently the candidates debates have caused amass amnesia about what competitive debating is all about...

Apparently the candidates debates have caused amass amnesia about what competitive debating is all about…

Students support ‘affirmative suicide’ to combat ‘white privilege’ (Red Alert Politics) “The myths of white privilege and institutionalized racism have engulfed nearly every college campus in the country including Harvard University …”

VIDEO: Students debate at Harvard whether whites should kill themselves (eag news) “White lives do not matter, according to a student debater/activist …”

BLM activist advocates white genocide at Harvard  (All Lives Matter) “Video for Harvard white suicide…”

BLM activist advocates white genocide at Harvard … (Daily Wire)  “Debater At Harvard Says White People Should Kill Themselves… Harvard caught in anti-Trump, “death to whites” cover-up”

Debater At Harvard Says White People Should Kill Themselves Because Of Their White Privilege (Louder with Crowder) “Harvard Tries Hiding ‘Debate’ Video: ‘Kill Yourself over White Privilege …”

Activist: White People Should Kill Themselves to Atone For ‘White Privilege’ (Alex Jones’ Infowars): “Student debate highlights shocking anti-white racism at Harvard University”

Good heavens! What’s going on at Harvard?

The answer: Nothing whatsoever. Continue reading

More Casting Ethics: The Stunt Performer Dilemma

Penelope Cruz and her stunt double. Works for me!

Penelope Cruz and her stunt double. Works for me!

To recap: This month, we have already debated a wide range of casting ethics controversies…

The position of Ethics Alarms is identical in all three controversies. The only consideration in casting a role should be the director’s artistic assessment of who will do the best job meeting the artistic and commercial demands of that role, under the constraints of the project, which can include budget, locale and workplace conditions. Ethnicity, race and off-screen appearance should be secondary, and better still, irrelevant. Efforts to substitute political, diversity or affirmative action goals  for artistic ones undermine the integrity of the work, and are unfair to the audience as well as the work itself. Make-up is a tool of the performing arts, and is unrelated to blackface, which was a convention designed to denigrate African Americans. Confounding make-up used to allow a performer to play a character of a different ethnicity, race or skin shade with minstrelsy and blackface is intellectually dishonest or ignorant.

Now comes a new issue in this spectrum: the use of white, male stunt performers to substitute for black or female stars.

This article, in The Telegraph,  begins with the assumption that the practice is inherently unethical:

“For decades, white stunt performers would paint their faces and bodies black to double for black stars. Similarly, it was not uncommon for stuntmen to put on heels and wigs to double for women. This was not happening in a vacuum: all the while, black and female stunt performers were pressing for recognition and the right to work in the jobs for which they were best suited….There is an understanding within the studios that such incidents don’t look good and need to be kept hush-hush.”

If, as the article and the Hollywood activists it interviews assert, the practice of “blacking up” white stunt performers is designed to exclude qualified black stunt performers from working, then of course it is unethical. Given the close-knit stunt performer community, described as a white, male, “old boys network” in the essay, this is certainly possible, even likely. Nevertheless, the assertion that there is anything intrinsically unethical, unfair or wrong with using a disguised white stunt performer to substitute for a black star, a male stunt performer to substitute for a female star, or any other variation imaginable is, as with the Hispanic and Afghan complaints, based on non-existent ethical principles. Continue reading

Unethical Quote Of The Week: Nautika Harris

miami-teen-home-intruder

“You have to look at it from every child’s point of view that was raised in the hood. You have to understand … how he gonna get his money to have clothes to go to school? You have to look at it from his point of view.”

Nautika Harris (above, right), the cousin of a 17-year-old teen shot dead by a 54-year-old Miami woman as he tried to exit her home, which he had entered to burglarize.

Miami-Dade police say that Trevon Johnson, 17, burglarized the home of a 54-year-old old woman last week.

She was not in the house when the break-in occurred, but after being alerted by her surveillance system, she rushed home and found Johnson climbing out of a window. She shot him dead, and his relatives are outraged.

“I don’t care if she have her gun license or any of that. That is way beyond the law … way beyond,” Johnson’s cousin Nautika Harris told local radio station WFOR. “He was not supposed to die like this. He had a future ahead of him. Trevon had goals … he was a funny guy, very big on education, loved learning.”

And loved burglary, apparently. Continue reading

Unethical Restaurant of The Month, Busted Ethics Alarms Division: Joe’s Crab Shack

Joes Crab Shack

“Wait, someone took offense at the photo of a lynching that we had as a placemat? Who could have predicted that?”

Yes, in a case of a staff-wide ethics alarms breakdown that defies the laws of probability, Joe’s Crab Shack in Roseville, Minnesota thought it would be cute and entertaining to its diners to place on a table a large photo depicting the hanging of a black man before white onlookers. Labeled “Hanging at Groesbeck, Texas on April 12th 1895,” the placemat included a speech bubble coming from the doomed black man that  says, “All I said was that I didn’t like the gumbo.”

I don’t understand this at all. I know that Minnesota has as many African Americans as Washington, D.C. has albinos, but still: who would think this was appropriate decor anywhere in the U.S.?  And if there was one employee who did, due to a lesion or something, how did no other employee or no one in management intercept this atrocity, saying, “Whoops! Gotta watch Cletus the Closed Head Injury Busboy more closely, everyone. Look what he put on this table!” 

Surely most people in 2016 have better racism detectors than this. Please. Tell me this was a social science experiment or something. Please.

The evidence, though, suggests that the entire establishment is run by Cletuses…or maybe crabs! That would explain it—the Joe’s Crab Shack chain is operated by crabs! Crabs are notoriously insensitive. That would explain the restaurant’s apology: Continue reading

The Zoe Saldana-Nina Simone Controversy

I have been following this story for some time with a mixture of amusement and horror; satisfaction too, I suppose, as it is nice to see that black grievance-mongers are equally irrational when the imagined offender is black rather than white. There is integrity in this, after the irrationality of it all.

Nina Simone’s tribute website calls her a “classically trained pianist who evolved into a chart-topping chanteuse and committed civil rights activist.” As a white kid growing up in the Sixties, I missed Simone almost entirely: she wasn’t a regular guest on TV variety shows.  In college, I encountered aficionados who referred to her as brilliant, and I tried to appreciate her song stylings. She was one of those singers that  I could understand why she was famous and exceptional without wanting to listen to her for pleasure. At the time I regarded Simone as a cult singer, but that was unfair; she was obviously more important than that. I was also unaware of her considerable significance in the civil rights

Three years ago, Zoe Saldana was cast as Nina Simone in “Nina”, a major Hollywood film about the singer’s life, replacing singer Mary J. Blige, who was originally cast but dropped out. Immediately, the choice of Saldana, a rising black actress of Dominican and Puerto Rican parents best known for her work as Uhura on the “Star Trek” reboots, “Avatar,” and “Guardians of the Galaxy”, was attacked. She wasn’t a singer, isn’t a “true” African-American and doesn’t resemble Simone sufficiently, the critics said.

All of these accusations are ridiculous on their face. Most biopics about famous singers, though not all, star actors rather than vocalists: all singing is dubbed in after the film anyway. When, in the history of drama, has there been a rule that the performer’s ethnicity had to match the role he or she was playing? I wrote about the foolishness of this issue most recently here. What matters isn’t that Yul Brenner wasn’t really a Thai, what matters is that he was fantastic at playing the King of Siam. Continue reading

Cutting The Racial Gordian Knot: What Are The Ethical Implications Of The Terrible Economic Disparity Between Black And White In America?

Gordian Knot

The question raises the ethical implications to all American citizens and our shared obligation to our nation and its society of a disastrous, crippling problem that poisons our culture. and society: the persistent plight of Black America.

Back when I was a senior in college majoring in American Government and the U.S. Presidency, I took a course  from Professor Thomas Pettigrew, then as now one of the foremost scholars on race, prejudice and public policy. It was about the challenges facing blacks as they tried then to benefit from new legislation and opportunities created by the Civil Rights Act and other policies, such as school busing. I was very impressed by Pettigrew’s even-handed, objective and non-political approach, even though, at my college, political teaching was the rule, not the exception.

I have never left a course so discouraged. Pettigrew, himself a pretty optimistic man, led us into one dead-end after another: black families, education, neighborhoods, political behavior, crime and more, all dysfunctional or suffering. All areas of black society interfered with or blocked improvements, progress, remedies and policy initiatives that showed promise to address racial inequality in other areas.

Late in the course I asked him if he saw any hope that in 50 years, black America would be approaching parity with white America. “I have hope,” he said. “But I honestly don’t see how we get there from here. There is a path, but we haven’t found it.”

It appears that my discouragement then was an accurate reading of the problems ahead.

Last week, these charts from the Brookings Institution’s Social Mobility Memos blog were posted to the web by other sources. They show how deeply the problems I was warned about have failed to improve in 50 years. Here is what they show:

1. Upward mobility is much more unlikely  for black than white Americans. 51% of the black Americans born into the lowest fifth of the earnings distribution remain there at age 40:

Oscar Ethics Post Mortem: The Academy Just Guaranteed That Whatever Artists Win Oscars Next Year, They Will Have No Credibility Whatsoever

Good job, everybody!

Good news, Sipke! The fix is in: if you make a movie this year, no matter how crappy it is, you'll get a nomination. Happy now?

Good news, Sipke! The fix is in: if you make a movie this year, no matter how crappy it is, you’ll get a nomination. Happy now?

Thanks to an extended public self-flagellation by the Academy of Motion Picture Arts And Scientists last night, any future Oscar nominations or awards to black performers, designers, writers and directors will be regarded by the public and the Hollywood community itself with justifiable suspicion, doubts and cynicism. Last night’s ceremony, from Chris Rock’s all-race monologue to the choice of the music over the credits, was a tacit commitment by the Academy to henceforth and forever name sufficient minority nominees and winners regardless of the merits of their work or the comparative merits of their work to any white artists. Diversity is officially more important than merit. By hook or by crook, there will now be prominent honors to Hollywood blacks….even if some of the honored work is crap.

Not surprisingly, given its traditional and intellectually wan reflex liberalism, Hollywood painted itself into an affirmative action and quotas mandate. After last night, the voters won’t dare fail to nominate a whole bunch of blacks, so Spike Lee will come to the ceremony.  This does put pressure on black artists to actually turn in some outstanding, or at least plausibly decent, work to avoid making all those guaranteed nominations and awards look as phony and rigged as they will be. If the 2017 Oscars include nominations for Samuel L. Jackson playing Samuel L. Jackson, a lifetime achievement award for Sydney Poitier and a gift nod to James Earl Jones for a charming cameo as a crusty old hermit in “The Sandlot, Part 3,” it’s going to be even more obvious what’s going on. Continue reading

Anti-Trump Sunday Concludes With An Ethics Quote Of The Day: President Ronald Reagan

Portrait Of Ronald Reagan

“Those of us in public life can only resent the use of our names by those who seek political recognition for the repugnant doctrines of hate they espouse. The politics of racial hatred and religious bigotry practiced by the Klan and others have no place in this country, and are destructive of the values for which America has always stood.”

—President Ronald Reagan in 1984, after learning that the KKK had endorsed him.

The contrast between this and the disgraceful, dishonest, weak and waffling response by Donald Trump Sunday when asked about his endorsements from the KKK and David Dukes is stark and illuminating.

__________________

Pointer: Instapundit (Ed Driscoll)

More “Anti-Trump Sunday”… A New Ethics Alarms Feature: “Unethical Donald Trump Quote Of The Day”

Trump can't say if anything's "wrong" with these people because he's never met them....

Trump can’t say if anything’s “wrong” with these people because he’s never met them….

Trump is averaging at least one outrageous, unethical statement a day. Either they show incompetence, or they are irresponsible, or they are uncivil, or they are lies, or they show disrespect for the office he is seeking, U.S. citizens and the nation, or all of these.

It’s rather hard to quote The Donald, since he rambles, free associates, and generally talks like someone who is tripping. In this case, one must look at the entire exchange holistically.

CNN’s Jake Tapper asked Trump this morning if he would disavow the endorsement of white supremacist and former KKK leader David Duke,or that of “other white supremacists.”

Trump claimed that he has been living in a cave (Everyone has heard of Duke): “I don’t know anything about David Duke. I don’t know anything about what you are even talking about with white supremacy or white supremacists. So, I don’t know. I mean, did he endorse me or what’s going on? Because I know nothing about David Duke, I know nothing about white supremacists. And so, you are asking me a question that I’m supposed to be talking about people that I know nothing about.”

Tapper obviously didn’t believe that Trump knows nothing about white supremacists, nor do I.  He asked again: “Would you just say, unequivocally, you condemn them and you don’t want their support?” Continue reading