I had forgotten that “Frasier,” which graced the airwaves of network TV from from 1993 to 2004, was being brought back in a reboot on the Paramount+ streaming channel until I saw a promo for it yesterday. I was never a big fan of the original, though I appreciated its habit of frequently employing classic farce complete with slamming doors, so I was not and am not planning on tuning in to the zombie version. However, the disgusted review of the new “Frasier” by James Poniewozik in the New York Times reminded me of how icky these exercises always are are and how frequently the practice is resorted to now.
To be clear, I am not counting re-boots that involve completely recasting the show and simply slapping the old title on it to suck in suckers for a bait and switch. That practice is clearly unethical—it’s dishonest and disrespectful to the original and its key artists—but that isn’t what this post is about. Such rip-offs include the current “Hawaii 5-0” without Jack Lord and “Magnum P.I.” without Tom Selleck, the new, inferior “The Equalizer” (gender and color switched) as well as the infamous attempt to re-boot the original “Perry Mason” with, ugh, Monte Markham in place of Raymond Burr. No, I’m thinking about when a show that had been deemed to have run its course many years ago is revived with some of the same cast members, all older, less vigorous, and apparently desperate for work, and with lesser writers often peddling current biases. Poniewozik writes, in part,








