artists

Morning Ethics Warm-Up, 3/30/18: Classless

/ Jack Marshall / 18 Comments

 

1. Of unethical, and useless, unpaid internships. There is about as a good a summary of what is wrong with unpaid internships at the UConn website as you will find. My only complaint is that the piece, by Henry Zehner, ignores my long-time objection to these positions based on my experiences with various employers who forced me to use out-of-class students in ill-defined roles. (Yes, one of them was the current Secretary of Education.) Zehner mentions that the law requires interns to do substantive work rather than low level office tasks. He doesn’t mention that only the rare intern is able to do tasks “not requiring specialized training.” My experience was that interns usually had negative effects on my time, management and productivity, as I not only had to instruct them, but also often had to re-do whatever work they completed. (Julie and LeeAnn, wherever you are, I don’t mean you.) But as for the young man who was assigned to assemble  my foundation’s annual meeting board books and explained that it took him so long because the “little slips to label the dividers kept falling into the typewriter,” the less said the better.

2. More on the art vs the artist. Last week we discussed the folly of judging art according to the character of the artist, in my post [#3 in a Warm-Up] on the op-ed. “We’ve been too forgiving of unethical artists.”

Here is an example of an artist of disgusting art being found to be disgusting: John Kricfalusi, the creator of the animated “The Ren & Stimpy Show” has been accused by a 37-year old woman of sexually abusing her 20+ years ago, apparently with her consent, but since she was under 18 at the time, such consent is legally meaningless.  So, really, is her late hit, except to gain #MeToo creds. It’s too late to prosecute the cartoonist, and he was remarkably candid about his relationships with teens while he was having them. Kricfalusi had always admitted to his disturbing taste for under-age teenage girls.

Does this old/new information mean that parents should treat “The Ren & Stimpy Show” as taboo, and that channels that feature cartoons should refuse to show it, thus robbing the show’s creator of residuals and income?

No. Kricfalusi’s art has value, if it has value, independent of his own private misconduct. “Lohengrin” is no worse or better because Wagner was a racist and an anti-Semite. The “Alice” books are wonderful, and our culture shouldn’t be robbed of them because Lewis Carroll was creepily obsessed with little girls.

Kricfalusi, for me, is an easy case. I always thought his work was sick and disturbing, and that no parent should allow any child under the age of 13 to watch it. I would feel the same if Kricfalusi was a certified saint. Continue reading →

Morning Ethics Warm-Up, 3/24/18: Ethics Musings While Not Marching [UPDATED]

/ Jack Marshall / 34 Comments

A Good Saturday Morning To All!

[If you had a speech impediment and lisped your “s’s”, would you choose this song as your only solo among the repertoire of your singing group? Why didn’t Karen tell her bother? This has mystified me for decades…]

1  It’s irrational and pointless fury day in D.C. Today hundreds of thousands of intellectually dishonest, ignorant or purely emotional citizens will be doing the equivalent of screaming at the sky to call for “something” to be done about gun violence., because “think of the children.” Yes, I think that’s a fair characterization.

Given the chance to suggest actual measures that would stop the equivalent of the Parkland shooting, one of my usually rational but currently virtue-signalling-to beat-the-band friends really made this pathetic argument in response to a Facebook post that was a shorter, gentler version of what I just posted on Ethics Alarms: ‘Where is your empathy? Would you feel this way if your son had been killed in the Parkland shooting?”

Can you believe that? “How would you feel if you were so emotionally ruined, angry and despairing that you couldn’t think straight?” Why, I believe that I would be so emotionally ruined, angry and despairing that I couldn’t think straight—and thus useless to any serious and objective public policy discussion. As I told my friend, when “Why can’t you be irrationally and emotionally biased like the rest of us?” is your reflex rebuttal, you’ve got nothin.

2. Related: YouTube is banning gun instructional videos. This a part of a growing trend in the online platform world to attempt to constrict information and discourse according to ideology and partisan preferences. There is no more justification for banning how-to videos about guns than there is for banning how-to videos for chain-saws. The social media companies are going to have to be regulated as common carriers, or the right of free speech and access to information will be slowly strangled by these left-wing, high-tech, useful idiots.

3. From the ” Tragic Misunderstandings of the Cognitive Dissonance Scale” files. Lindsay Lohan is the new spokesperson for Lawyer.com. What, O.J. wasn’t available? Continue reading →

Ethics Warm-Up, Valentines Day, 2018: Of Mummies, Mockingbirds, Hunchbacks, And Sperms….

/ Jack Marshall / 50 Comments

Happy Valentines Day!

1 Jeremy gets a vacation! As some of you may know, philosopher Jeremy Bentham, John Stuart Mill’s mentor and the founder of utilitarianism, has been stuffed and kept in a glass case at the College of London since his death in 1832 as a condition of his will. I’m not kidding! (A photo has appeared periodically in the Ethics Alarms header from the blog’s first day.) Here he is…

That’s Jeremy’s real head on the floor: the one on top of the stuffed body around his skeleton is wax. Jeremy still attends all meetings of the school’s board, wearing his own clothes.  Now he’s visiting the U.S., something he always wanted to do when he was alive.

2. The message is increasingly clear: everything is racist. Got it, thanks! Working from her mummy, scientists from the University of Bristol reconstructed the face of 3,400-year-old queen Nefertiti, King Tut’s mother, using 3D imaging technology. The process required more than 500 hours. Nefertiti was Egypt’s queen alongside Pharaoh Akhenaten from 1353 to 1336 BC. Heeeeeeere’s  NEFI!

Now the project is under attack on social media because the reconstructed Nefertiti face isn’t dark enough, not that anyone has a clue regarding how dark or light anyone who lived over 3000 years ago was.

This is the kind of gratuitous race-baiting that causes well-deserved backlash.  It’s also redolent of an old whitewashing theme, dating back to the “Cleopatra was black” and “Jesus was black” claims of activists in the 1970s.

3. Segue Alert! And speaking of stupid whitewashing controversies, the cancellation of that high school production of “The Hunchback of Notre Dame” because the student cast as the gypsy ingenue Esmeralda was “too white” provoked a backlash….from Nazis.

Naturally, this means that the race-based attack on the innocent student cast because she was the most qualified to play the part was justified, thanks to the trampoline effect when a bad idea is attacked by even worse extremists.  (Don’t make me put the cognitive dissonance scale up twice in one day.) The New York Times reports that the students who intimidated school administrators into cancelling the show “are now besieged by an online mob targeting them with threats and racial epithets after the incident was reported in right-wing publications like Breitbart News, then spread to the neo-Nazi site The Daily Stormer. Via Facebook, the students received pictures of themselves with swastikas plastered on their faces. One parent had what was thought to be her home address (it wasn’t) posted online with a comment seeming to encourage harassment: “Do your thing social media.” Another parent received a profane email, assailing her for embracing “anti-white racism,” adding: “I feel sorry for your brainwashed child.” The way this phenomenon works is that now, when someone legitimately objects to the unethical handling of this episode by the school, they can be portrayed as agreeing with white supremacists.

We saw this effect in full bloom in Charlottesville. Tearing down statues of Robert E. Lee is a form of historical airbrushing and censorship, and principled, objective critics (like me) condemned the statue-toppling mania. Then the alt-right and the white nationalists marched against the removal of a Lee statue, and suddenly if you objected to a memorial to a major figure in American history and a bona fide military hero whose life is a wealth of lessons for all of us, it meant you were siding with racists.  President Trump was effectively trapped by this Catch-22. Continue reading →

Sex! Denial! Confirmation Bias! Media Obama Protection! Betrayal! Assholes! Hannity! It’s “Spermgate,” The Ethics Controversy That Has Everything!

/ Jack Marshall / 75 Comments

Is this a stupid story? It is worthy of Ethics Alarms’ time and attention? That’s a legitimate question well down the list of issues raised by “Spermgate”—my name for it, and I hope nobody else’s, because it is intentionally silly—regarding whether President Obama’s official portrait contains an intentional representation of a sperm cell, a trademark of the artist, Kehinde Wiley.

But to prematurely answer that question, yes, story is worthy of Ethics Alarms’ time and attention, because the related issues it cracks open for examination are more important than the specific story itself.

I was going to title this story “Stop making me defend Sean Hannity.” Hannity, whom I regard as a blight on multiple landscapes, including national ethics standards, was among the first to assert that the portrait of Obama included a sperm on his face. I heard about this third hand, and immediately concluded that this was just one more anti-Obama Hannity fantasy. And there we have it: bias, one of the themes of this whole episode. I don’t trust Sean Hannity, I don’t respect him, and I question his integrity and motives. As with all bias, the Cognitive Dissonance Scale immediately took over. Here it is again…

Hannity is down around  -10. For me, if he declared that chocolate wonderful, and chocolate was at +7 on my scale, his endorse ment would yank it down into negative territory. So I didn’t even bother to check out Hannity’s claims—after all, he’ll claim anything to embarrass Democrats.

Then I stumbled across a mocking piece in the Daily Kos, full of mockery regarding Hannity’s crazy claim and launching the (pretty funny) gag, “Oh the #spermhannity.” The article began with the assumption that Hannity’s claim was res ipsa loquitur ridiculous, and signature significance for an right wing idiot. I accepted this analysis, even though I have about tyhe same level of bias reagrding the Daily Kos that I do regarding Hannity. It seemed as if Hannity himself had doubts, because after the barrage of abuse and ridicule, he deleted his tweet and the article on his website about the  “inappropriate sexual innuendo” and the hidden image of sperm in the portrait. I was prepared to leave it at that, but decided to follow up this link on the Kos post:

“If you’re hoping for more explanation than that, you will not find it in the article, which is still available to read via cache. It moves on from there to note that the artist once sardonically used the phrase “kill whitey” in a New York magazine profile, which at least has the virtue of being true, unlike the claim that he put sperm in his painting of Barack Obama, which is objectively not true.”

Through that link, I eventually found the close-up section of the portrait pictured above. Here is the portion of it at issue:

Anyone who says that it is objectively untrue that the section doesn’t include what might have been an intentional representation of a sperm is either lying or is in the throes of crippling confirmation bias and denial.  Of course that could be a sperm. Here are sperms…

Here’s that vein in Obama’s head again…

Continue reading →

Accumulated Ethics Notes On The Charlottesville Riots, The Statue-Toppling Orgy and The Confederate Statuary Ethics Train Wreck, Part 3 Of 3: Potpouri! [Continued]

/ Jack Marshall / 37 Comments

  • Grandstanding as always, Nancy Pelosi proclaimed that all of the Confederates honored in the Capital Gallery should come down. How odd that this never occurred to her when she was Speaker of the House and the Democrats held the Senate and the White House.

The Gallery is exactly the kind of enclosed public space for display that the statue-topplers argue should house the controversial statuary, places where their context can be considered outside of the public square. They don’t mean it, though. They want the statues hidden away, so nobody will see then without searching for them like Indiana Jones.

  • It was nice of Duke to show just how calculated and hypocritical this sudden eruption of horror at long-standing monuments is. While the school is capitulating to students by removing another statue of Lee from its chapel, there seem to be no plans to tear down the statue of George Washington Duke  a Confederate soldier and a slave owner. Duke’s son, Buck, gave a large endowment to  what was then called Trinity College, and in appreciation, the school changed its name to Duke University. And this happened in the twenties, which proves that the real objective was to salute Jim Crow—or so we are being told now.

Duke was named after a confederate soldier and a slave owner, meaning that by the Left’s logic the entire school is a memorial to white supremacy and slavery. But the students who happily agreed to have his name appended to their life forever are traumatized by a campus statue of General Lee. Continue reading →

Accumulated Ethics Notes On The Charlottesville Riots, The Statue-Toppling Orgy and The Confederate Statuary Ethics Train Wreck, Part 3 Of 3: Potpouri!

/ Jack Marshall / 19 Comments

The Charlottesville  fiasco combined several ethics train wrecks, as I mentioned before, creating The Perfect Ethics Train Wreck. We have the airbushing away historical figures now out of favor ETW, the progressive anti-free speech ETW, the long-running 2017 Post Election ETW, which involves the news media’s determination to blow up any word or deed by the President, large, small, ambiguous or insignificant, into a justification to remove him. We have the burgeoning “pro-violence as long as it is against the far right caboose,” and the “Let’s figure out what the motives were behind specific statues, regardless of whether they were legitimate heroes or admired historical figures in the times in which the lived” cattle car. And, of course, the intensifying assault on free expression locomotive, bolstered by the guilt by association diesel engine.

What a mess. It is made worse by the fact that many of these rooted in fascinating and nuanced ethics problems, but being discussed on line and elsewhere by  single-minded, narrow-view, partisan, doctrinaire, hypocrites and  fools.

I’m going to root through some of the wreckage now…

  • Former African American NBA star and freelance social commentator Charles Barkley weighed in on the controversy by saying, “Who the hell cares about Confederate statues?” Of course, the vast majority of Americans don’t: it’s like the Washington Redskins. The controversy is driven by small, intense minorities forcing people to take sides over issues that they never thought about before. Adds conservative blogger Allahpundit:

“Remember, 62 percent told Marist that statues honoring leaders of the Confederacy should remain in place as historical symbols. That includes a plurality of blacks (44/40). If you nudge people to state an opinion on whether CSA monuments should stay or go, you’ll get a divide but one that leans strongly towards leaving them in place. If you include a “there are more important things to worry about” or “eh” option, the numbers that are effectively in favor of the status quo can only rise. Most people, I suspect, just don’t care much either way. In the end, to Barkley and to many, many others, we’re arguing about scenery.”

But apathy and ignorance don’t mean that important principles are not at stake, or that we are not facing a dangerous slippery slope. The blogger continues,

There’s peril in that, though, if you believe firmly in leaving the statues in place. The number of people who feel passionately about smashing monuments may be small but they’re motivated and have a defensible argument that these are tributes to white supremacy more than to the Confederacy or “gallantry” or whatever. If they succeed in pressuring local governments to remove them, the “eh” contingent (which includes Barkley) will flip the other way: “Now that they’re gone, there’s no sense obsessing over them anymore. What’s done is done.” The politics of “what done is done” are slippery here, easily mutating potentially from justifying the pro-statue position to the anti-statue one. Which, I guess, is why we’re destined for a big public argument over it despite wide apathy towards the subject across the population. Dedicated believers in leaving the statues alone know that if they don’t push back diligently, the tear-’em-down contingent will prevail through sheer agitative will.

Cultures can take tragic and destructive turns when a radical minority steers the ship after the majority shrugs and says, “Oh, let them have their way.” Freedom of thought, expression and communication often die by millimeters. Continue reading →

Statue Ethics Stand-Off: “Charging Bull” vs. “Fearless Girl”

/ Jack Marshall / 52 Comments

The Wall Street art ethics controversy pitting a nearly 30-year-old sculpture of an angry bull against the upstart statue of a defiant little girl has fascinating cultural implications. The ethical solution to the confrontation are simple and undeniable, however, though the legal issues a bit less so. “Fearless Girl” has got to go.

Arturo Di Modica created “Charging Bull” in response to stock market travails during the late 1980s. The three-and-a-half-ton sculpture was placed near Wall Street in the dead of night,  and was embraced by the financial ditrict and New Yorkers as iconic public art. The artist copyrighted and trademarked his work, which he has said was meant to symbolize “freedom in the world, peace, strength, power and love.”

I don’t get the love part, but okay: the point is that the bull is a positive metaphor, not a sinister one.

The “Fearless Girl” statue was positioned this year, the night before International Women’s Day, in a direct stand-off with the bull. It had been commissioned by State Street Global Advisors, a financial firm based in Boston, as a public relations and advertising move and classic virtue signalling. State Street Global’s home page trumpets the new statue’s message of “the power of women in leadership” and uses it to urge “greater gender diversity on corporate boards.” The metal girl’s  cynical and self-serving origins don’t seem to bother the work’s fans though.

The problem is that the message of “Fearless Girl” requires the participation of the bull to make any sense and to have any power at all. Otherwise, it might as well be Pippi Longstocking.  In essence, the new statue appropriates Di Modica’s work, and violently alters it. The artist is a furious as a charging bull that what he intended as a symbol of capitalist power and national vigor has been transformed into a sexist representation of male domination. Di Modica and his lawyers demand that the statue be moved away from its bull-baiting position, arguing that State Street Global commissioned “Fearless Girl” as a site-specific work conceived with “Charging Bull” in mind. It thus illegally commercialized  Di Modica’s statue in violation of the artist’s intent and copyright. They also claim that the city  violated the artist’s  legal rights by issuing permits allowing the four-foot-tall tyke to face off with the bronze bull without the artist’s permission. Letters to the Mayor DiBlasio, Ronald P. O’Hanley, the president and chief executive of State Street Global; and Harris Diamond, the chairman and chief executive of McCann Worldgroup, State Street Global’s marketing agency demand the removal of “Fearless Girl” forthwith.

Ethically, “Fearless Girl” doesn’t have a leg to stand on. Continue reading →

More Inaugeration Ethics: The Hero, The Dunce, And The Weenie…Whoops, Make That A Dunce And TWO Weenies

/ Jack Marshall / 27 Comments

 

inaugeration-dunces

The Ethics Hero was going to be Jennifer Holliday, the big-voiced diva who stopped the Broadway hit “Dreamgirls” with her solo, “I’m not going.” She had agreed to sing at the Inauguration, telling the Associated Press that her decision to participate was a way to welcome the American people to an event that should be about unifying the country.

Which is, of course, what it is.

She then faced a vicious response to her patriotic and principled decision, with critics calling for a boycott of her music, labeling her as an “Uncle Tom,” promising that her career was over and telling her to kill herself. Most vociferous of the bullies were those from the LGBT community, which has managed to convince itself that Trump is a foe despite the fact that nothing in his speeches or record suggest that he is. But he is a Republican, and thus presumptively biased. (Assuming anyone is less than admirable based on group membership is bigotry, but in this case, the argument goes, good bigotry.)

Rather than stand up for what she said was right, Holiday whined, and capitulated:

“How could I have this much hate spewing at me, and I haven’t even done anything? I guess it’s not like those old days when political views were your own and you had freedom of speech. … We live in a different time now and a decision to go and do something for America is not so clear-cut anymore.”
The way to stand up for the values you claim to embrace, you sniveling coward, is to refuse to be bullied out of supporting them, and opposing the forces of divisiveness and hate.Ah, but performers who are willing to resist peer pressure and the howls of the mob are rarer than Florida panthers, so Jennifer grovelled instead, in a nauseating open letter:

O MY BELOVED LGBT COMMUNITY:

Continue reading →

Ethics Quiz And Analysis Exercise : The Congressional Art Competition Winner’s Painting

/ Jack Marshall / 23 Comments

ferguson-painting

The painting above, by high school senior David Pulphus, is now hanging in the U.S. Capitol complex, its award for being selected as the first place prize-winner in Missouri Democrat Rep. Lacy Clay’s annual Congressional Art Competition last May.  It is not clear whether Clay personally selected “Untitled #1” as the winner or had a part in the section, but the African American congressman  praised the work according to a press release:

His visually stunning acrylic painting on canvas entitled, “Untitled #1” will be displayed at the U.S. Capitol Complex.  Pulphus will travel to Washington, DC, courtesy of Southwest Airlines, to unveil his winning entry.  The painting portrays a colorful landscape of symbolic characters representing social injustice, the tragic events in Ferguson, Missouri and the lingering elements of inequality in modern American society….

In his remarks to the overflow crowd of young artists, parents and teachers who gathered at Webster University’s new downtown St. Louis campus in the historic Arcade Building, Congressman Clay said, “Tonight, we are celebrating our sixteenth year of recognizing outstanding young artistic talent. As you can see from the artwork on display here, the level of talent is truly impressive. Your work is inspiring, and I encourage all of you to continue to develop your creative abilities.”

Your first Ethics Alarms Ethics Quiz of 2017 is to answer this question:

Was it responsible, fair, and ethical for Congressman Clay to have this painting displayed in the U.S. Capitol?

I think it is a tough question. In fact, it’s an excellent opportunity to begin the year by practicing and applying one of the ethics decision-making processes, like this one from the Josephson Institute,  in the Tools section: Continue reading →

Dear Rockettes: You Are Professionals And Americans…Act Like It.

/ Jack Marshall / 71 Comments

rockettes

Asked about whether he would perform at the January 20 Inauguration or its subsequent official celebrations in Washington, D.C., country music super-star Garth Brooks said, simply, “It’s always about serving. It’s what you do.”

Right answer. This marked him as a professional, a patriot, and an adult (or perhaps as a lying hypocrite, since for whatever reason, he is not performing). The opposite reaction of so many of his show business colleagues mark them, in contrast, as divisive, arrogant, ignorant and unprofessional jerks.

Performers fit all the requirements for being regarded and respected as professionals, who are those who use their skills and talents for the benefit of humankind and society. The traditional definition adds that professionals do this service at some personal sacrifice, a virtue that most doctors and many lawyers can no longer claim. Performers, however, are largely impoverished, devoting their lives to making people gasp, laugh, weep, cheer or most important of all, think, because they love what they do, and understand the importance of art to society and civilization.

It is as unprofessional for a singer, dancer, juggler or actor to refuse to entertain audience members whose politics or character they oppose as it is for a doctor to refuse to treat them, for a lawyer to refuse to represent them, or a clergyman to  withhold from them spiritual guidance. The problem unique to performers as professionals is that they are not educated to appreciate their responsibilities like typical professionals, nor do their professions exercise any ethical oversight. As a result, we get the current display of divisive and ignorant grandstanding over performing—or not performing— at Donald Trump’s inauguration.

In Honolulu, Hawaii, yet another partisan and bigoted establishment has ordered anyone who voted for Trump to take its business elsewhere, as a local cafe posted a sign that reads: “If you voted for Trump you cannot eat here! No Nazis.” It has become clear that if many progressives have their way, their efforts to divide the nation into the Good and the Bad, with the fairly elected President of the United States as the defining feature of the latter, will shatter societal bonds coast to coast like nothing the U.S. has seen since the Civil War. The sooner the Angry Turned Vicious Left comes to its senses, the safer and healthier we all will be.

Performers, as professionals, are supposed to understand that they have a higher calling than restaurant owners. They are here to bind society together, for what we all experience in a diverse audience brings us closer in sentiment, emotion, empathy and enlightenment. For performers to decide to excise certain audience members from that process is madness, as well as a betrayal of their mission and art. Continue reading →