Another Faked “Live Performance” At An Obama Inauguration

Beyonce, moving her mouth convincingly for the President

Beyonce, moving her mouth convincingly for the President

At this point, I am resigned to being one of the last people on earth who still believes that when a live performance is advertised, we should get a live performance. Clearly nobody in the Obama Administration believes it, because for the second straight inauguration ceremony, a featured musical presentation introduced as a live performance was actually an elaborate fake. I was initially impressed that Beyoncé could sing The National Anthem so well live and in the open air—not quite Whitney, but still excellent. I’m not so impressed that she could do it in a studio, with sound balancing, multiple takes and editing. It does make a difference, you know.

I also assume I’m one of the last citizens who finds the beginning of new Presidential term being launched with a lie both symbolic and disappointing. Everybody does it, who is hurt, it’s trivial, things have changed…I know. Lots of rationalizations fit. I don’t care. Some things should be genuine and trustworthy, and the President’s inauguration is one of them.

Thus here again, slightly edited, is my protest against this deception in 2009, after the first time the American public was faked out. Looking back on what I wrote, and what the Obama Administration turned out to be, it really was symbolic after all. So it is this time around. It’s just not as much of a surprise.

“Why are there American citizens who stubbornly maintain that Neil Armstrong’s moon landing was faked? Why is cynicism becoming a crippling national malady? Look no further for the answer than the inaugural ceremonies of Barack Obama, where a U.S. Senator and a quartet of great musicians couldn’t bring themselves to avoid artifice and deception on the day America displays its democracy to the world. Continue reading

The Ethics of Singing For Muammar

Sing, Nelly---and charge him through the nose.

Singer Nelly Furtado has been attacked recently for accepting a million dollars in 2007 to entertain Muammar Gaddafi and his family. The idea seems to be that, as ringingly put by screenwriter Mark Tapper,

“It is quite simply willful blindness to claim that there is no moral dimension in the choice to perform privately for a monster like Gaddafi, and in being paid exorbitantly from funds no doubt stolen from his own people, or misappropriated from foreign aid or dirty deals.”

Furtado isn’t the only one who crooned for the Libyan dictator, apparently. Mariah Carey, Usher, Lionel Richie, Beyoncé and other performers also accepted big bucks to give Muammar and his family a good time.Furtado is donating her fee to charity in the wake of criticism like Tapper’s and Beyoncé has also donated the million that she received to charity, apologizing profusely. Mariah Carey is begging for forgiveness.

I’m glad that the stars are giving their money to worthy causes, and no doubt it is a good public relations move in a society where half-baked ethical notions become conventional wisdom before much thought has been applied to them. Nevertheless, Furtado and the rest did nothing wrong by entertaining Gaddafi. Continue reading