directors

Luncheon Ethics Laniapppe, 9/9/20: Track! Movie Fraud! Mainstream Media…Well, You Know.

/ Jack Marshall / 26 Comments

1 And speaking of movies…I just finished watching the latest from cult director Charlie Kaufman, “I’m Thinking of Ending Things.” I won’t spoil it or recommend you don’t see it, except to say that it is one of those films that you leave not knowing what you just watched, and resolving either to watch it again (nope!) or decide you wasted your time. It’s a demented cross between “My Dinner with Andre,” “Back To the Future” and “The Exorcist Part II” that would have made a decent Twilight Zone episode at 30 minutes. I tried to puzzle the thing out while and  after I watched it, which seemed fair: how many movies end with a complete rendition of Jud’s gloomy solo “Lonely Room” from “Oklahoma” and a dream ballet, after over 40 minutes of conversations in a car while driving through a snowstorm? At least the film was original, challenging, and bold…or so I thought.

Then I read an article about one of the actors (all the performances are excellent) who said he asked Kaufman, the writer and director, what the film was about, and the answer he got was “I don’t know.” Whaaaaat?

That’s fraud on the audience, a cheat, and unethical. Be obscure, be mysterious, be oblique or vague, but at least have a point when the presumption of any audience member is that every movie means something. This is like James Joyce revealing, after scholars have written books and treatises and had symposia arguing what “Finnegan’s Wake” was about, that he just threw down random words on paper and that the book really didn’t mean anything.

2. Nah, there’s no mainstream media bias! (1).  Headline of the Day:  From the New York Times front page: “Scaring voters didn’t work in 2018. Will it now?” I’d say that in 2020, it is the violent and intimidating conduct of the Left, such as Black Lives Matter and the antifa, the Democratic governors and mayors refusing to protect their communities and maintain order, and the fact that the mainstream media now so blatantly attempts to cover for all of it that is “scaring voters,” or should. How is there any valid comparison with 2018?

This is the false innuendo version of fake news. The headline implies that Republicans are exaggerating the breakdown of civic order that has been rationalized and excused by Democrats. Continue reading →

Last Resort Ethics Catch-Up, 6/19/2019

/ Jack Marshall / 10 Comments

Desperately trying to salvage the day with the next one looking worse, and a lot of important ethics matters being swept toward the falls, were they risk being swamped by rapidly moving events…

1. Great sequence, unethical to make it…Not only was D.W. Griffith a film pioneer and a racist, he was also quite mad. If you haven’t see this sequence from D.W. Griffiths’ “Way Down East,” you must. That’s Lillian Gish on the ice floe, and actor Richard Barthelmess trying to rescue her for real. It was  shot on a frozen river as the ice broke up,  and Gish was really headed over the falls, though they were only a few feet high.  No stunt actors were used; Gish’s hair froze and she lost feeling in her hand from the cold. Her right hand was never quite right after that.

Things like this are what made actors’ unions necessary.

2.  What a mess.  The President’s Secretary of Defense nominee, Patrick Shanahan, resigned from the Acting-SOD role and removed his name from consideration in order to keep his family from being dragged through some awfully ugly mud, very little of which, it seems was of his making or germane to his qualifications for office.

Before their divorce, Shanahan’s ex-wife was arrested after punching him in the face; after the divorce, his son was arrested after attacking and nearly killing his mother with a baseball bat.  The Waltons this wasn’t. Shanahan tried to defend his son after that episode, arguing in a message sent to  his ex-wife’s brother  that his son had acted in self-defense and writing…

“Use of a baseball bat in self- defense will likely be viewed as an imbalance of force,” However, Will’s mother harassed him for nearly three hours before the incident.”

It was expected that Democrats would weaponize the memo against him in hearings, #MeToo-style.

Shanahan told  The Washington Post  that he wrote the memo in the hours after his son’s attack on his ex, before he knew the full extent of her injuries, to prepare for his son’s initial court appearance. He said  never intended for anyone other than his son’s attorneys and his brother-in-law to read it, but, of course, by showing the message to his brother-in-law it was no longer confidential.

Somehow, in a civilized culture, private tragedies like these should not become an impediment to public service. Yet it is hard to imagine how Shanahan thought it would not, since this is not a civilized political culture. Continue reading →

Show Business Ethics: Sorry, Nobody Feels “Safe” At Auditions

/ Jack Marshall / 5 Comments

An actress named Ingrid Haas complained about a demeaning experience auditioning for the Super Bowl commercial advertising Bon and Viv Hard Seltzer. In a first-person essay published by Vice titled “My Bikini Audition From Hell Shows How Little Hollywood Has Change,” Haas wrote that she was embarrassed when a male casting employee told the women in the ad’s audition that they would have to dance in front of a camera for 30 seconds. When she asked why they had to dance, she wrote, the man responded: “Welcome to corporate America. This is how we sell stuff.” The actress says that she was proud of herself for refusing to dance, but the experience “humiliated and angered her.” And, of course, she did not get the job.

Anheuser-Busch, which makes the product, is now making politically correct noises and condemned the behavior that Haas described,  insincerely or ignorantly, though the first is more plausible, with Chelsea Phillips, vice president of the company’s Beyond Beer division, telling the media,

“The behavior described in the Vice article is completely unacceptable and goes against everything that our brand and company stand for. I regret that this individual had this experience. Anheuser-Busch does not tolerate any discriminatory or demeaning behavior. I reached out to the production company who produced the commercial, because we hold our business partners to this same standard.”

Baloney. The audition as described was neither atypical, unreasonable,  abusive, nor inappropriate. The ad’s producer’s CEO said,“Each actor was asked to dance at the beginning of their audition as this was a way to show one’s level of confidence.” This is not unusual or wrong. Then he too lapsed into politically correct nonsense: Continue reading →

Sunday Ethics Warm-Up, 12/30/2018: A Petition, A Career-Killing Joke, And Priestley’s Play [UPDATED]

/ Jack Marshall / 15 Comments

Good Morning!

1. One more time...I’m really going to try to get a year-end ethics review up for 2018. In both of the last two years, I failed miserably, and The Ethics Alarms Best and Worst of Ethics Awards never posted. It is a very time-intensive exercise, and the traffic for the posts have never been substantially more than an average entry that is a tenth as long.

We shall see.

2. The Bad Guys, Redux. It’s a problem: one wants to curb the trend of demonizing political adversaries, and yet we keep seeing escalating examples of unequivocally despicable behavior that deserves to be demonized, because it is constant, self-righteous, and indefensible.

Over at GoFundMe, someone named Brian Kolfage, has posted a petition and a crowd-funding effort to pay for “the wall” if Congress won’t. He writes, “I have a verified blue check Facebook page as a public figure and I’m a Purple Heart Recipient triple amputee veteran.”

This is not encouraging. [Correction notice: I originally wrote “Facebook does not use a “blue check,” though Twitter and Instagram do, (and abuse it.)” I checked this, but my source was wrong. Facebook does give public figures “blue checks.”] I guess Kolfage is sort of a public figure. He is also a controversial one who has pushed extreme right-wing conspiracy theories. When asked why he doesn’t mention any of his controversial crusades and advocacy in promoting his crowdfunding effort, he has responded, “My personal issues have nothing to do with building the wall.” Fine: what do his war wounds have to do with building a wall?

Never mind: the appeal has raised over 18 million dollars to date, although the contributions have slowed considerably. It’s a futile effort; I suppose it has some value to show public support for enforcing immigration laws. If people want to donate their money to such a cause, it’s their money to give, though they might as well be making little green paper airplanes out of hundred dollar bills and sailing them into the wind.

Megan Fox reports, however, that someone who wants to punish anyone who doesn’t support open borders is taking names and doxxing contributors. She writes,

Did you donate money to the GoFundMe page to build the border wall? If you did, there’s a good chance this guy/gal or otherkin has doxxed your Facebook profile to millions of other nasty trolls who will now make it their business to harass and punish you with anonymous online mobs. Get ready, because your life is about to get more interesting. Based on my personal experience, once these monsters get your information and the directive to destroy you, the death threats, vandalism, obscene pornography, and harassment at work are not far behind. And the worst part is, no one will help you — not the police or the FBI or anyone else whose job it should be to stop intimidation and harassment.

Nice. Continue reading →

Ethics Warm-Up, Memorial Day, 5/28/18: Things That Don’t Mix

/ Jack Marshall / 33 Comments

1. Let’s start with some non-traditional casting hypocrisy.

  • Example A: In “The Gentleman Caller,” an Off-Broadway drama by Phillip Dawkins, an imagined romantic interlude between famously gay Fifties playwrights Tennessee Williams and William Inge has been cast with a Hispanic, and Hispanic-looking, actor as the very un-Hispanic Williams, and an Asian-American actor as the quite Caucasian Inge. This is self-indulgent grandstanding by the director that doesn’t serve the play—that’s the director’s duty, to serve the play—and the playwright was a fool to allow it. If the drama was just about two gay playwrights, it wouldn’t matter who was cast to portray them, or what the actors looked like. The identity of the writers is important to this  drama, however. You don’t cast a short, bald man as Abraham Lincoln, and you don’t cast a fat, flat-chested woman as Marilyn Monroe unless you are actively trying to sabotage the play. The New York Times critic didn’t have the integrity to point out the reverse-whitewashing casting-–mustn’t criticize fellow social justice warriors, you know!—but the stunt is both incompetent and discriminatory.

If a director cast an Irish-American and an Italian-American as James Baldwin and Richard Wright in a similar play, he would be excoriated, and rightly so.

  • Example B. Jim Parsons, best known as aging nerd Sheldon in “Big Bang Theory” and now starring on Broadway in the ensemble revival of “The Boys in the Band,” told the New York Times in an interview that the producer insisted that everyone in the cast be gay. Nice. Gay actors have been insisting forever that their sexuality was no bar to their playing straight characters—this is true, if they are any good as actors—but apparently reverse discrimination is fine.  It’s not fine. It’s bigotry.

When my late, lamented theater company revived that play almost 20 years ago, the director, John Moran, himself gay, insisted that the sexual orientation of the actors who auditioned would play no part in his casting decisions, and it did not. I think most of the all-male cast was not gay, but all of them were (and are) excellent.

One of my favorite Clarence Darrow quotes is, “I’m for the underdog. He needs friends a damn sight more than the other fellow. The best fun in life is to fight for the underdog…If the underdog got on top he would probably be just as rotten as the upper dog, but in the meantime I am for him.”

Things that don’t mix: Anti-discrimination rhetoric and discrimination

2. Another “good illegal immigrant” story. Guatemalan woman Gomez Gonzalez was shot to death in a border incident as she tried to enter the U.S. illegally. The episode is under investigation, and the facts are murky: the border patrol claims that she was in a crowd of people trying to cross the border illegally that became threatening and violent.  Here is how CNN begins its account of the controversy:

“Claudia Patricia Gomez Gonzalez traveled 1,500 miles to the United States, hoping to find a job and a better future. Shortly after she set foot in Texas, a Border Patrol agent shot and killed her.”

No bias there! It is absolutely irrelevant to the legal and ethical issues here why Gonzalez was entering the country illegally. She did not deserve to be shot under any circumstances, and she was no more justified in violating our immigration laws whether her objective was to find a “better future” or to open a meth lab. The news media insists on sentimentalizing what is a black and white issue of sovereignty, law-breaking and enforcement, with the intent of confusing the public and demonizing opponents of illegal immigration.

Things that don’t mix: Lawbreaking and status as a virtuous martyr

Continue reading →

Behind The Harvey Weinstein Ethics Train Wreck: Why Directors Become Harassers

/ Jack Marshall / 19 Comments

Portrait of the blogger as a young director…

It has been pushed from the front pages by other matters, but the Harvey Weinstein Ethics Train Wreck is still picking up passengers and crushing powerful and famous men. It has hardly been a shock that a plurality of the figures exposed have come from the world of show business, with prominent directors taking a heavy hit.  Another one became rail kill this week, when the board of trustees of the famed Long Wharf Theater  fired its longtime artistic director Gordon Edelstein over accusations of sexual misconduct, one day after The New York Times published an article detailing the allegations by multiple women, four of whom accused  Edelstein of groping or worse.

Like Weinstein himself, Louis C.K., Dustin Hoffman, Roman Polanski, Woody Allen and many other men on the list, Edelstein is a less than stunning male who may have never learned normal ways to interact with women, because he entered the warped and unique culture of the performing arts before he was an adult, and never learned the manners of civilized society. Directors are especially at risk for this effect: expect many more to be accused and fired.

This is one way to increase the ranks of female directors, I guess.

Here is the typical progression. A young heterosexual man whose talents and interests do not run to sports and who is not  particularly successful socially joins a theatrical group or club in high school. It is a revelation. Females vastly outnumber males, and many of the males that are involved are gay. He finds it far easier to form relationships with girls in this environment, particularly during the hyper-intense, exciting period approaching production and the performances themselves. All the classic features of a crisis-sparked romance are present, and they are especially enthralling the first time around in a theater setting. The girls are similarly stimulated. Flirting is epidemic, easy, and successful. If you have never experienced it, the environment is hard to imagine, but it is addictive, and it is sexy. Continue reading →

Morning Ethics Warm-Up, 1/9/2018: Plan O, Bad Punditry, Racist Trash Talk, And Disrespecting a 101 Year Old Star

/ Jack Marshall / 31 Comments

Good morning, World!

1 Golden Globes hangover I. Following up on a point made in yesterday’s Golden Globes post, presenter Natalie Portman’s much-praised but unfair innuendo that the directors nominated in the “best director” category were there because of gender bias rather than the quality of their work was an example of shooting the bystander rather than the villain. The fact that women don’t get the opportunities to direct major films that men do–as a result of many factors, none of which relate to the relative directing abilities of the two pools–is not the fault of the male directors who get the jobs, nor does the fact of discrimination make the films that women do get to direct inherently better and more award-worthy than they are.

That said, the bias against female directors is real, and dumb. Here is an excellent article about it.

2. A Nation of Silly People. I warned that electing Donald Trump as President would eventually turn us into a Nation of Assholes, and that has come to pass with unexpected rapidity. I did not see the development resulting in the US becoming a nation of silly people, though that process was well underway already. The rush to anoint Oprah Winfrey as the savior of the Republic based on a speech at an entertainment awards show, however, is new evidence of the damage done to the nation’s values by the Trump trauma. Oprah is a cult, pop culture figure; a democracy deteriorating into a society where celebrities and cult leaders become political leaders was one of the fears expressed by our Founders. For the Left to embrace Oprah is stunning hypocrisy, after more than a year of (correctly) accusing Republicans of nominating a Presidential candidate with none of the qualifications traditionally required to be taken seriously as a contender for the office. Many unhealthy trends of long standing pointed to this eventuality,it is true: celebrity obsession, poor civic education, ignorance of history, and new age gibberish, plus the stunning absence of legitimate leaders in both political parties. Having followed O for a long time, since her days in Baltimore as a rising life-style reporter, I recognize a lot of warning signs regarding her ethical instincts, such as her addiction to talking about “personal truths,” which is just a sneaky way of endorsing “alternate facts,” her troubling anti-vaxx statements, her promotion of fake experts like Dr. Oz and Dr. Phil, her race-baiting, and more. There will be plenty of time to elaborate on these if and when her candidacy becomes more than a twinkle in E!’s eye. I doubt that we’ll get there, but as President Trump proved, you never know in the United States of America.

3. A “Nah, there’s no media bias against Trump” note: During the Golden Globes broadcast, NBC, that paragon of journalism integrity, tweeted this:

4. Fake news in irresponsible punditry.  I have been meaning to write about this op-ed by New York Times “contributing opinion writer” Kashana Cauley for more than a week now, and the task has seemed so odious that I have avoided it. It is as bad an op-ed as I have ever seen, full of false assertions, misrepresentations , rationalizations and racial hate. I wonder when the New York Times editors reached the point where they would regard such trash as fit to be published under its banner. Rather than dissect the ugly thing as I originally intended, I’ll let you do the work, with me just pointing out some, but far from all, of the features that make this such unethical op-ed page content. Continue reading →

Casting Ethics And “The Music Man”

/ Jack Marshall / 15 Comments

A recently closed summer production of “The Music Man” at the Berkshires’ Sharon Playhouse illustrates many of the ethics landmines overly ambitious directors and non-traditional casting can trigger.

New York director Morgan Green was hired to direct Meredith Willson’s  1957 classic. Until “Hamilton” came along, only two Tony winning musicals had a book, lyrics and music all written by one person: “The Music Man” and “Oliver!” “The Music Man” isn’t my favorite musical, but a strong argument can be made that it is the Great American Musical, celebrating small town Americana with Sousa-style marches, barbershop quartets, and the best ending in musical theater history (stolen, with great success, by “School of Rock.”) There is no need to mess with it, since the show is pretty close to perfect. I was taught that a production should be equally satisfying for an audience member who is seeing a show for the first time and for one who is seeing it for the last time.  A version that takes the show out of 1912 and litters the landscape with anachronisms and forced 2017 social and political references isn’t fair to either of these. This was, I presume from based on Jesse Green’s review, a “Music Man” for people sick of “The Music Man” (like Jason Green.) You know what? If a director is sick of a show, she has an ethical obligation to let someone direct who isn’t sick of it.

Naturally, there was the obligatory stunt casting of women in some men’s roles (but never men in women’s roles, of course), and  the non-traditional casting of a black actress as Marion (the Librarian) Paroo, the romantic lead originally created by the recently departed Barbara Cook in the original production.

I see no problem in principle with casting Marion as black. It’s certainly ahistorical, and the hint of a trans-racial romance in 1912 Iowa is unimaginable, but “The Music Man” is, or should be, about kids, romance, parades, sentiment and fun, none of which is impeded by non-traditional casting.

There is a problem, though. One of Marion’s big solos, in which she sings about her ideal man (whom her mother believes is too ideal to be real), is called “My White Knight.”

Oh-oh. Continue reading →

The Rape Of Maria Schneider

/ Jack Marshall / 21 Comments

tango_2011_a_l

There are many stories of directors crossing ethical lines by using abusive, unfair and disrespectful methods obtain a vivid performance from an actor. None are as bad as this one.

Now a video has surfaced of Italian director Bernardo Bertolucci admitting that in his acclaimed 1972 film “Last Tango In Paris,” the infamous rape scene where Paul (Marlon Brando) sodomizes Jeanne (Maria Schneider) with a stick of butter was not consented to by the 19 year-old actress, who was not warned of the unscripted sequence before it was thrust upon her, and in her. She was, in short, raped.

No wonder it seemed so realistic.

“The sequence of the butter is an idea that I had with Marlon in the morning before shooting it,” Bertolucci said in the 2013 interview at La Cinémathèque Française in Paris. “I’d been, in a way, horrible to Maria, because I didn’t tell her what was going on…I wanted her reaction as a girl, not as an actress…I wanted her to react humiliated…I think she hated me and also Marlon because we didn’t tell her.”

The film was a sensation, though and both Brando and Bertolucci received Academy Award nominations, so it was worth it.

Right?

Apparently Schneider alluded to the rape in private conversations and interviews, but never explicitly enough that it was clear what had been done to her. Now Hollywood is reacting with appropriate outrage.

“The should be in jail,” tweeted actor Chris Evans. (Psst!...the actor is long dead, Chris, as is Schneider. Bertolucci is 76.)

What a disgusting story of complete ethics rot in the arts, and what a damning indictment of Bertolucci, Brando and the culture that produced them.

_____________________

Pointer: Fred

Comment of the Day: “Ethic Quiz: ‘Springtime For Hitler’ Ethics”

/ Jack Marshall / 1 Comment

Producers-2

This most recent  ethics thread commentary from Rick Jones (a.k.a. “Curmie,” who chronicles education fiascos, among other matters, during the year on his own blog) involves the recent kerfuffle over a high school production of “The Producers” having its Nazi decorations stripped away. I confess that I specifically requested Rick’s take on this one, knowing him to be a theater colleague as well as a teacher, and he did not disappoint….except that he uses the British spelling of “theatre.”

Here is Rick’s Comment of the Day on the Ethics Quiz: “Springtime for Hitler” Ethics.

Oh, Jack… You couldn’t just let me have a spring break without feeling compelled to reply to one of your posts, could you?

And… as I suspect you may have been expecting if not hoping, I agree with your arguments but disagree with your conclusion.

First, let me confess to ignorance of the stage version of The Producers. I know the film, of course, but being neither a big musical theatre guy nor made of money, I’ve never actually seen the play. Assuming it to be substantially similar to the film, therefore, is for me (but not for those more informed) a risky proposition.

It is not clear whether the school’s administration formally signed off on the choice of play, but de facto they did: the rights and royalties for a musical will cost—depending on a variety of factors such as venue size, number of performances, and ticket prices—hundreds or (more likely) thousands of dollars, and no high school theatre director can just write a check on a school account for that amount of money. Expenditures of that size need approval.

So here’s where I agree with your point that cultural illiteracy was very much at play from the beginning of this saga. I’m not suggesting that every high school administrator should have seen the movie or the play, but certainly the “Springtime for Hitler” shtick has long since passed into the public consciousness. I was too young (in junior high, perhaps?) to have seen the film on its first run, but I knew about the campy production number long before I actually saw the film when I was in high school or college. Similarly, I know that “I will take what is mine with fire and blood” is a ”Game of Thrones” reference without ever having picked up one of the books or tuned in to the television show. A competent administrator would at the very least have known what s/he was signing off on. Or… you know… asked: that’s an option, apparently.

Continue reading →