fine art

Ethics Hero Emeritus: Rose Valland (1898-1980)

/ Jack Marshall / 8 Comments

Rose-Valland

The remarkable 2008 documentary “The Rape of Europa” tells the story of the Nazi plundering of fine art across Europe. It is full of many accounts of heroism, none more impressive than that of Rose Villand, a meek-looking librarian out of central casting, who is as perfect and example of how ordinary people can rise to extraordinary levels of courage and innovation in times of crisis.

Rose Valland was born in Saint-Étienne-de-Saint-Geoirs, France on November 1, 1898. She earned two degrees in the arts from the École des Beaux-Arts in Lyon and also studied at the École des Beaux-Arts in Paris, then added degrees in art history from both the École du Louvre and the Sorbonne. Her academic credentials, however, did not immediately advance her career, as Valland began work at the Jeu de Paume Museum in Paris as an unpaid volunteer.

In October 1940, during the Occupation of Paris, the Nazis commandeered the Jeu de Paume Museum and converted it into the headquarters of the Einsatzstab Reichsleiter Rosenberg, or ERR, the Nazi art looting organization created by frustrated artist Adolf Hitler. There The Nazis stored paintings and other works of art stolen from private French collectors and dealers, including thousands of works taken from Jewish-owned galleries. The museum’s collaborating curator, Andre Dézarrois, fell ill in the summer of 1941, and in a stroke of fate for civilization, Valland became the de facto director of the museum. Jacques Jaujard, Director of the French National Museums including the Louvre, gave Valland a daunting assignment: she was to use her post in the museum to spy on the Nazi art theft operation.

The Germans, as explained in “The Rape of Europa,” took scant notice of the “little mouse” of a woman who kept her head down, seldom spoke, and appeared to follow orders. They didn’t even realize that she spoke German, but under their noses she was acquiring crucial information from the conversations of drivers, guards, and packers relating to the looted art treasures…60,000 of them. Villand witnessed the frequent shopping trips of Nazi Reichsmarshal Hermann Goering as he made more than twenty separate visits to the Jeu de Paume to select works of art for Hitler’s planned Führermuseum in Linz, Austria, and his own personal collection. Possessing a remarkable memory for details, she recorded her discoveries regarding the movements, names of the victims, number of pieces and where they were going, names of the agents responsible for transfers, names of the carriers, brands of the boxes, numbers and dates of convoys,as well as the names of the artists and the dimensions of the pieces that passed before her. She relayed the information to Jaujard and the French Resistance while keeping her own meticulous records. She warned the Resistance of convoys containing important artworks so that they would be spared, all while knowing that she would be executed as a spy if her activities were discovered by the Nazis—and at least twice, they nearly caught her.

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The Hunter Biden Ethics Time Bomb

/ Jack Marshall / 11 Comments

Hunter Biden painting

How long before the sad and seamy saga of President Biden’s desperate, influence-peddling son blows up in Joe’s face? It would have and should have already, but the mainstream news media has scrupulously refused to publicize, much less investigate, the many hints of family-level corruption emerging from the First Family Black Sheep’s emails. The latest development is Hunter Biden, the Acclaimed Artist. No, that isn’t a microscope photo of the Wuhan virus above—that’s a Hunter Biden masterpiece. How much would you pay to have that hanging in your living room? (How much would you pay NOT to have that hanging in your living room?)

A New York gallery owner, Georges Bergès, is planning to offer Hunter’s artwork to buyers for prices ranging from from $75,000 to $500,000, despite the fact that art critics have described Hunter’s paintings as “not bad” at best, and “generic post zombie formalism illustration” at worst, which was the assessment of art critic Jerry Saltz in Artnet News. Scott Indrisek, the former editor in chief of Modern Painters magazine and a former deputy editor at Artsy, said: “I would call it very much a hotel art aesthetic. It’s the most anonymous art I can imagine. It’s somewhere between a screen saver and if you just Googled ‘midcentury abstraction’ and mashed up whatever came up.”

So why would anyone pay so much for paintings by someone who has no professional training and has never sold art on the commercial market? You know why.

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Morning Ethics Warm-Up, 5/4/2018: White Artists, Black Artists, Brain Damage And The Mad Midnight Pooper

/ Jack Marshall / 41 Comments

Good Morning!

(On the way to lovely Annapolis, MD to present my Clarence Darrow legal ethics program, along with D.C. actor Paul Morella, the real star of the day and the best Clarence Darrow portrayer alive. Paul starred in my 2000 original one-man show about the iconic lawyer-rogue, and has been performing it for lawyer groups and bar associations ever since.)

1  Déjà vu!  I would write a full post about this, but you can essentially go to all the football head trauma essays, search and replace NFL with NHL, and you’ll pretty much have it. The New York Times reports on a 53 year old ex-pro hockey player whose brain yielded evidence of CTE, and evidence is mounting the the violent sport is doing damage to players similar to what the NFL denied for so long. Right now, the National Hockey League is denying it too:

To the N.H.L. and its commissioner, Gary Bettman, the diagnosis is likely to be the latest piece of evidence to dismiss or combat. Even as links build a chain bridging the sport to C.T.E., the degenerative brain disease associated with repetitive head trauma, and some of the game’s most revered names push the league to take a more open-minded approach, the N.H.L. has denied any connection between long-term brain damage and hits to the head.

The N.F.L. did the same, for many years, until the evidence became too overwhelming, the numbers too much to counter with plausible deniability. Facing a huge class-action lawsuit, the N.F.L. eventually admitted to the connection and agreed to a roughly $1 billion settlement with former players. (That has not kept the sides from continuing to fight over the payouts, amid accusations of fraud and intimidation.) The N.H.L., following the N.F.L.’s strategy of about a decade ago, still contests any role in the burgeoning science of C.T.E., in the courts of law and of public opinion.

What’s going on here? Violent pro sports are popular and profitable, so they will continue maiming players and devastating their families until the public finally refuses to have blood on its hands. It will take a while, and many lives will be destroyed, but in the end, football and hockey are going to have to be responsible, and also held responsible for the carnage their greed has caused.

2. Yeah, I’m being unfair and partisan when I accuse progressives of being hostile to free speech and diversity of views… A hip-hop and R&B radio station in Detroit has announced that it won’t play Kanye West’s music. The alleged justification was the rapper’s dumb remarks about slavery. On “TMZ Live,” West said,

“When you hear about slavery for 400 years. For 400 years? That sounds like a choice. Like, you were there for 400 years and it’s all of you all? You know, it’s like we’re mentally in prison. I like the word prison ’cause slavery goes too — too direct to the idea of blacks.”

That’s pretty stupid for sure, but hardly any more stupid than the kinds of things West has been saying his whole career as his fans cheered him on. He’s welcome to hijack a telethons to say, for example, that President Bush intentionally let blacks die after Katrina, but this goes too far. (Someone please explain to me exactly what he thought he was saying, if you have time.) Continue reading →

Morning Ethics Warm-Up, 3/3/18: Museums And Victims And Brooks, Oh My!

/ Jack Marshall / 15 Comments

 

Good Morning, bad night…

(and thank goodness it’s Saturday…)

1 Programming young victims to lie. In my mailbox today is a message from the Democrats.org, which, I must note, has ignored multiple requests to stop sending me their hackery. I have unsubscribed: it apparently makes no difference. This is both illegal and unethical, and only reinforces my previous conclusions about the House of Clinton, Perez, Pelosi, Wasserman Schultz, et al.

The message is allegedly authored by Sarah Imam, who announces herself as Parkland shooting survivor and writes in part,

On February 14th, I lost 17 members of my community in a mass shooting at my school, Marjory Stoneman Douglas. But we, the survivors, refuse to let their names be forgotten. We refuse to let their deaths be in vain. We have decided to take action to ensure that an event like this will never happen again. We are calling for stricter gun laws. We are calling for change.

Now, is Sarah lying, or is someone lying to Sarah, or to us? There is no “change” that will ensure that no mass shooting, in a school or anywhere else, will ever happen again. This is a false promise. Does Sarah know that, or is she just a puppet, being used to promote a dishonest message? Then we must ask, is Sarah smart enough to know that the only “change” that could even theoretically “ensure that an event like this will never happen again” is to ban and confiscate all guns. Is that what she means? Is that what Democrats really want to do, but can only express it that desire in code, and through the willing, naive mouths of grieving teens?

2. David Brooks doesn’t get it. Again. New York Times Stockholm Syndrome-addled formerly- conservative op-ed writer David Brooks nicely encapsulates the central delusion of “the resistance” and others, arguing that the gun control battle will be the tipping point for a progressive victory in the culture wars because…

“Progressives could be on the verge of delegitimizing their foes, on guns but also much else, rendering them untouchable for anybody who wants to stay in polite society. That would produce social changes far vaster than limiting assault rifles. Two things have fundamentally changed the landscape. First, over the past two years conservatives have self-marginalized. In supporting Donald Trump they have tied themselves to a man whose racial prejudices, sexual behavior and personal morality put him beyond the pale of decent society. Second, progressives are getting better and more aggressive at silencing dissenting behavior. All sorts of formerly legitimate opinions have now been deemed beyond the pale on elite campuses. Speakers have been disinvited and careers destroyed. The boundaries are being redrawn across society.”

This is essentially a Cognitive Dissonance Scale argument by an elitist who can’t distinguish between the public’s scale and his own. Donald Trump is President of the United States because he was elected, despite what Brooks calls his racial prejudices, sexual behavior and personal morality. Can’t Brooks see that he’s essentially making Hillary’s deplorables argument? He is saying that nobody who voted for Trump is a member of “polite society’! Incredibly, he’s also saying that supporting the President of the United States is marginalizing. Wow: get out of that echo chamber, David—RUN! No, you idiot, refusing to support the institution of the Presidency and the integrity of elections marginalizes Democrats, the “resistance,” the New York Times, and YOU. Then Brooks writes that progressives will win because they are getting “better” at totalitarian methods, like suppressing speech. Nah, this isn’t self-marginalizing, not at all! Americans love to have their freedoms disrespected, and to be told that only pre-approved opinions and viewpoints will be allowed when Democrats are in power. Continue reading →

Museum Ethics: The Rape Of The La Salle University Art Museum

/ Jack Marshall / 16 Comments

“This old thing alone will fetch enough to fund that Klingon language course!”

Among its other tenets, the Code of Ethics For Museums followed by The American Alliance of Museums requires that member organizations ensure that:

  • collections in its custody are lawfully held, protected, secure, unencumbered, cared for and preserved
  • acquisition, disposal, and loan activities conform to its mission and public trust responsibilities, and
  • disposal of collections through sale, trade or research activities is solely for the advancement of the museum’s mission. Proceeds from the sale of nonliving collections are to be used consistent with the established standards of the museum’s discipline, but in no event shall they be used for anything other than acquisition or direct care of collections.

In other words,  museums cannot ethically sell off  their collections to finance or benefit non-museum goals and objectives.

Never mind. La Salle University’s trustees announced that the university planned to sell 46 paintings, sculptures, and drawings selected by Christie’s auction house and use the expected profits of $4.8 -$7.3 million into teaching and courses. That means that the University will be using the art as investments and assets rather than art.

Unethical.

“I feel as though the place has been raped,” said Caroline P. Wistar, a longtime curator of the museum who retired about a decade ago. “They’re selling all of the very best things — a Degas drawing, a Vuillard. This is major. I feel like they’ve killed the museum.” Timothy Rub, head of the Philadelphia Museum of Art and past president of the Association of Art Museum Directors,  said, Continue reading →