George Floyd Ethics Train Wreck

Has The Freakout Reached Peak Insanity Yet? Based On the Following, Evidently Not…

/ Jack Marshall / 19 Comments

What’s going on here?

Robin Broshi a member of the NYC Community Education Council, told  a colleague during a meeting: “It hurts people when they see a white man bouncing a brown baby on their lap!”

He responds, “I would like to know how having my friend’s nephew on my lap was racist.”

She replies: “Read a book! Read ‘White Fragility’!”

Imagine: this is a woman who has input into the education of New York City children.

Well, one utter lunatic is still less problematical than this: the United Teachers Los Angeles, a 35,000 member  union in the Los Angeles Unified School District issued a policy paper   that called called on local authorities to “keep school campuses closed when the semester begins on August 18, and outlined  provisions it says will be necessary to reopen schools again, including sequestering students in small groups throughout the school day, providing students with masks and other forms of protective equipment, and re-designing school layouts in order to facilitate “social distancing.”

Okay. Teachers have legitimate input in these decisions. However, the union has other demands. Continue reading →

Comment Of The Day: “Waning Sunday Ethics Reveries, 7/12/2020: You Know, Ethics Isn’t Fun For Me When Everyone’s Acting Irrationally”

/ Jack Marshall / 10 Comments

I have a couple of Comments of the Day on the runway and a guest column too, but when Steve-O-in-NJ delivered one of his epic epistles—I think they transcend “comments”—of Alizia Tyler length, I had to choose it to end the day. The topic is one Ethics Alarms has discussed in recent week: the disturbing similarities between the Red Scare and McCarthyism and the current George Floyd Freakout.

Here is his Comment of the Day on the post, “Waning Sunday Ethics Reveries, 7/12/2020: You Know, Ethics Isn’t Fun For Me When Everyone’s Acting Irrationally”:

I dub this the White Scare.

No doubt there are still a few people who have nightmares of the living nightmare of sitting uncomfortable and squirming in the lowest seat in the Senate chamber. You sit alone before an intimidating array of microphones, all eyes on you, questions being fired at you like crossbow bolts from every angle about anything and everything. You don’t exactly know how you got there, maybe someone said your name was mentioned in connection with some gathering or that you said or wrote something that concerned them. Your finances, your job, your friendships, your family, nothing is off-limits. Question after question, hour after hour, it drags on until you forget when it began and have no idea when it will end. Letters you wrote years ago, conversations you barely remember having, meetings you remember attending, but can’t remember who else was there, leave alone the subject, the questions keep coming. As you shake inwardly, your shirt soaked from the stress of the interrogation and the fear of its consequences, the stern-faced Senator Joseph McCarthy of Wisconsin fixes you with a glare like God throwing the Egyptian host into a panic and thunders possibly the most dreaded question in history, “Are you now or have you ever been a member of the Communist Party?” Refuse to answer, give the wrong answer, claim not to remember, or equivocate, and you are finished, tarred as a “Red,” a Communist, someone in league with the most evil regime then in the world, and the second or third worst ever, against America, the Constitution, and everything that was good.

If you have few friends when you sit down in this loneliest chair in the world, you could well have none when you leave it. There’s a very good chance that if you held a security clearance it will be revoked, because there are just too many maybes for you to be trusted. There’s a good chance that you will lose your job as you can’t hide or scrub off the red stain. There’s a very good chance your life and your family’s life will collapse or be greatly damaged or diminished. Continue reading →

Waning Sunday Ethics Reveries, 7/12/2020: You Know, Ethics Isn’t Fun For Me When Everyone’s Acting Irrationally

/ Jack Marshall / 17 Comments

Let’s see what we have today…

1. Oh. The art made some people uncomfortable. Well that’s a good reason to destroy it… Vermont Law School is going to paint over a mural in its student center that celebrates Vermont’s role in the Underground Railroad and the abolitionist movement. Several students and alumni had recently objected to its depictions of African Americans and said it made some people uncomfortable.

VLS President and Dean Thomas McHenry said in a campus-wide email last week that the mural in the Chase Community Center  painted by Vermont-based artist Sam Kerson in 1993 had to go because “the depictions of the African-Americans on the mural are offensive to many in our community and, upon reflection and consultation, we have determined that the mural is not consistent with our School’s commitment to fairness, inclusion, diversity, and social justice. Accordingly, we have decided to paint over the mural.”

Translation: ‘Some of our African American students and alumni as well as supporters of the George Floyd Freakout thought this was an ideal time to show what they could  do by crying “racism” in an institution that could be counted upon to cave to just about any demands in order to avoid being called “unwoke” and be swarmed by social media mobs. And they were right!’

The mural is titled “The Underground Railroad, Vermont and the Fugitive Slave” and has two 8-by-24-foot panels, with four scenes in each panel intended to“celebrate the efforts of black and white Americans in Vermont and throughout the United States to achieve freedom and justice,” the artist’s website says.

The first panel includes half-naked Africans being forced into slavery and sold at auction, as well as resistance symbolized, in part, by “the resurgence of African culture via drums, masks and costumes.”

The second panel includes images of John Brown, Frederick Douglass and Harriet Beecher Stowe, as well as a scene where a blonde Vermont woman tries to block the view of a bounty hunter bearing down on fugitives trying to escape slavery on the Underground Railroad. Here it is…

VLS students Jameson Davis and April Urbanowski resembled yahoos at a modern art exhibit complaining that “them dang Picasso people look like freaks!,” writing “One issue of many, is the fact that the depictions of Black people are completely inaccurate. Regardless of what story is being told over-exaggerating Black features is not OK and should not be tolerated.”

The artist is not happy. “This is a monument to abolition in Vermont and a description of the people who struggled against slavery, and it is important to our culture,” Kerson said of his mural. “To paint it over is outlandish — it’s like burning books. It’s so inflammatory, I can’t believe it’s actually happening.”

Forget it, Sam. It’s George Floyd Freakout Town… Continue reading →

Common Sense Doesn’t Matter Either: The “Woke” Acting Profession Is Betraying Audiences And Dooming Itself (Part 2: Give My Demands To Broadway…)

/ Jack Marshall / 22 Comments

Upon careful consideration, I think this clip is the fairest representation of what black theater activists on Broadway are advocating:

In Part I of this series, we discussed the dead-end strategy recently pursued by the performing woke of imposing one-way limitations on which actors could portray what roles. Across the full range of group grievance activism, everyone is rushing to try to exploit and capitalize upon the George Floyd Freakout, perhaps recognizing that the present state of self-flagellation and submissiveness by white decision-makers, governments, businesses and other institutions won’t last forever. In their haste, many groups—in this I would include the “resistance,” Democrats and the news media among others—are metaphorically cutting their own throats. This is especially true of the theater community.

A coalition of theater artists called “We See You, White American Theater” has posted online a 29-page set of demands that if adopted, the New York Times opines, “would amount to a sweeping restructuring of the theater ecosystem in America.”

Wrong, Bias Breath! If adopted, the demands would kill commercial live theater, and it is more than half dead already, though most theater community members are in denial.

The list reminded me of the bad old days of the 1960s, when student anarchists, protesting the war in Vietnam, would take over university buildings and then, thinking that they had the upper hand, would submit a list of demands including the Moon and the kitchen sink, many of which had nothing to do with the war at all.  This list of demands makes those look reasonable, one reason being that simply reading the 29 pages of arrogant woke-speak is a task few will have the patience to undertake.

I’ll just focus on some highlights. (By the way, you need to know that BIPOC means “Black, Indigenous and People of Color”):

  • “We demand the naming and acknowledgement of American Indian, Alaska Native and Native Hawaiian tribal land and its Native peoples who have lived, currently live, and will live on the land where any theatre activity happens.”

I hate to keep having to break it to these naifs, but theater is just not that important to most people, particularly those in power. “We have to rename Indianapolis to have theater here? OK—we won’t have any theater then! Problem solved!”

This one is worth repeating in full: Continue reading →

Ethics Quote Of The Day: Roger Kimball

/ Jack Marshall / 16 Comments

“Everything that is happening between now and November 3 is about November 3. But the fundamental choice is not really Donald Trump or Joe Biden. It is civilization and America on one side, anarchy and woke tyranny on the other.”

Critic and New Criterion publisher Roger Kimball

I detest the habit of so many of my Facebook friends, posting daily the published opinions of pundits–Paul Krugman, Eugene Robinson, George Conway, et al.—in an unending appeal to authority. Usually they have barely thought about the topic at hand at all (often, neither have the authors of the pieces they are circulating); literally, the process saves them the trouble of thinking at all.  When I challenge these opinions by proxy, what comes back more often than not is an attack on an imaginary authority that I must be channeling rather than the substance of my argument. They do this because they can only relay the opinions of others which can be used as passports to a position of favor on their bubble-dwelling “team.” That’s not what I do.

Occasionally, however, an analyst independently comes so close to cloning my conclusions on a topic and does such a superb job expressing them that I cannot do better than pointing readers his way.

Roger Kimball’s article in American Thinker contains many powerful statements. Here’s another: Continue reading →

“Facts Don’t Matter”: The Anti-Police Movement Has No Credibility

/ Jack Marshall / 12 Comments

Instant protest!

Today’s smoking gun—literally!—evidence:

In Detroit, a 19-year old man named Hakim Littleton, was shot and killed by police. Immediately, the activist group Detroit Will Breathe called for followers to immediately report to the scene of the shooting to protest.

And indeed they did. No facts, no explanation necessary; the police are hunting black kids again. The group presumed racism, police guilt and unjustified violence. Continue reading →

Common Sense Doesn’t Matter Either: The “Woke” Acting Profession Is Betraying Audiences And Dooming Itself (Part I: “The Simpsons”)

/ Jack Marshall / 16 Comments

Item: Fox’s apparently immortal animated series The Simpsons  released a statement last month regarding casting for non-white characters, including  black characters like  Dr. Julius Hibbert: “Moving forward, ‘The Simpsons’ will no longer have white actors voice non-white characters.”

This, stupid as it is, follows the non-logic of recent white actresses who dropped their gigs as the voices of grayish-brown inked “mixed-race” cartoon characters. How will that “only people of the same race can play roles of characters of that race” be reconciled with the objective of  non-traditional casting, which was devised in part (many decades ago) to open up more opportunities for black and minority actors, allowing them to take on roles written as white?

It can’t. It’s as simple as that. The two approaches eventually clash, and are mutually exclusive. “The Simpsons” policy is wrong and destructive in every conceivable way, and its ethical values, as in competent, fair or responsible, are non-existent.

  • If white actors can only play white characters, then white characters cannot be played (or voiced) by black performers. Oh, I’m sure that while in the grip of fear during the George Floyd Freakout and overwhelmed with the desire to signal virtue to one’s peers, white performers will tolerate such an obviously unfair and absurd double standard for a while, but show business is a brutal and competitive field, and the vast majority of actors of any color have scant financial resources and no job security. The arrangement being pushed by black performers and activists as they sense a window of opportunity created by the Freak-out and the concomitant intimidation of decision-makers will eventually engender resentment and conflict. If the BLM lackeys in the entertainment field really think that this double-standard “solution” to “systemic racism”—which means installing a new system of systemic anti-white racism—will prevail, they are deluded.
  • Moreover, the idea is anti-art, as is the “non-traditional casting as affirmative action” fallacy. If the performing arts aren’t a meritocracy driven by the market—does the performance entertain, or doesn’t it?—then they are doomed. Even with all the brainwashing and bullying to come, the public will never have enough people who will like a show (or a novel, or a painting, or a song)—or pay money to see it— based on its demographics and diversity rather than the quality of the performances
  • To “The Simpsons” and similar products, if the authentically black voice of Dr. Hibbert isn’t as funny, well-timed and deft as white Harry Shearer’s performance, the character won’t be as effective.

I look at all productions this way: a perfect show has 1000 points. Everything that isn’t perfect loses points for that production—a bad accent here, an ill-fitting costume there, missed lines–they all count.  One flaw that loses a few points won’t kill the show; it might not even be noticed. But all of those lost points add up, and when the points sink below a certain level, the production is no longer viable.

“The Simpsons” is voluntarily giving up points, which is simply bad show business and terrible art. If Harry Shearer is the best voice for the Simpsons’ family doctor, then it can’t matter what color he is. The audience doesn’t care.  Every show loses points no matter how perfect it tries to be; giving them up intentionally is unethical, because the artist’s duty is to present the best, most popular and most profitable  work possible, not to meet EEOC quotas.

Continue reading →

Unethical Quote Of The Year: House Speaker Nancy Pelosi

/ Jack Marshall / 27 Comments

“People will do what they do.”

—-Speaker of the House Nancy Pelosi  yesterday, following being  asked at a press conference about her reaction to the statue of Christopher Columbus being torn down and dumped in the Bay by the usual gang of vandals and anarchists who are symbolically tearing down the United States and Western civilization, as well as its values.

I am serious about this being the Unethical Quote of the Year. I can’t imagine a worse one, once Pelosi’s status as the third ranking official in the United States Government and the leader of the Democratic Party is taken into consideration. This would be a morally, legally and ethically bankrupt statement if it came from a sociopathic teenager. Coming from a leader who people follow and trust, it is infinitely worse. Such an attitude strikes at the soul of civilized society. “They just do what they do” is a line from  “Jurassic Park,” as the paleontologist, Dr. Grant (Sam Neill) explains to the children that dinosaurs aren’t good or bad, they are just animals that “do what they do.”

But they were animals. Continue reading →

The “I’d Say ‘Thank God It’s Friday,’ But In A Home Office During A Pandemic Friday’s Just A Name” Ethics Grab Bag, 7/10/2020

/ Jack Marshall / 8 Comments

1. Re: Privilege and bit more on the Harper’s letter fiasco. At the Volokh Conspiracy, David Bernstein flags this tweet by New York Times reporter Farnaz Fassihi:

A few thoughts:

  • Why do I subscribe to a paper that would employ someone like this? I forget.
  • She’s a bigot. I just wrote a bit on the “privileged smear” on another thread:

I have to say again that I do not comprehend the “privilege” line of thought at all. In the hands of most who wield it, I find the tactic the equivalent of Butch Cassidy kicking huge Harvey Logan in the balls to start their knife fight….

Continue reading →

Invasion Of The Body Snatchers: “Cult Programming In Seattle,” And the Duty To Confront

/ Jack Marshall / 20 Comments

This—the George Floyd Freakout, the indoctrination in schools and colleges, the submissive endorsement of the irredeemably dishonest, racist and Marxist Black Lives Matter and its fellow travelers, the Red Scare-reminiscent punishing and shunning of dissenters, the political and partisan enforcement of laws as journalists remain silently complicit—you know, this, has  begun to make me think I’m in another remake of “Invasion of the Body-Snatchers.” What never made any sense in any of the versions (the original, with Keven McCarthy and directed by Don Siegel of “Dirty Harry” fame was the best) is that aliens could take over the minds and bodies of millions of Americans across the country without anyone figuring it out, and without the news media warning the world with front page headlines and “how to stop the pod people” features. It  also seemed absurd that only McCarthy and his friends (or in the much grosser but less creepy re-make, Donald Sutherland and his friends) were the only humans who appeared to have the will and the gumption to try to resist the invasion.

I also have found myself pondering the end of “Three Days of the Condor,” when Robert Redford tells a horrified CIA official that he has passed on evidence of the agency’s lawless and murderous ways to the New York Times. Who or what can be trusted today to blow the whistles when it is the increasingly totalitarian Left moving to take over minds and destroy democracy? Continue reading →