Tom Selleck’s CBS drama “Blue Bloods,” chronicling the exploits of the Reagans, an improbable fictional New York City family that dominates NYC’s law enforcement, featured an excellent example of a necessary lie last night, in which utilitarian principles would hold that the lie, a rather serious and extensive one—many interlocking lies, really—was the most ethical option available.
The situation arose because the Chief of Police (Frank Reagan, played by Selleck) learned that his police officer son, Jamie Reagan, had rescued a child from an explosion, and the press and city were clamoring to know who the hero was. (Nobody saw the rescue, which is a contrived detail, but necessary to set up the ethical dilemma.) But Jamie was also working undercover in a serious and dangerous operation, having infiltrated an organized crime family. (Why was a uniformed cop allowed to stay on the street while leading a double life? Seems reckless to me, but Father Chief knows best.) To protect the undercover operation and his son, Frank Reagan decides on an elaborate deception, persuading his son’s partner, who was on the scene of the rescue, to take the credit and even accept a commendation in a public ceremony.
Lying to the public and the press to such an extent is almost always inexcusable, but protecting an anti-crime effort in the public interest, as well as the imperiled officer involved in it, is a rare case in which the balance tips away from the truth. The “Blue Bloods” solution was the best one available given the situation and the law enforcement priorities. But… Continue reading









