Officially Kicking Off The Holidays: The Complete “It’s A Wonderful Life” Ethics Guide, Updated And With A New Introduction For 2019

 

The Ethics Alarms Ethics Guide to Frank Capra’s 1946 masterpiece It’s A Wonderful Life,” perhaps the greatest ethics movies of all time, has become this blog’s official welcome to the holiday season.  Once again, I have reviewed the post after another viewing of the film. It is a mark of the movie’s vitality that I always find something else of interest from an ethics perspective.

The movie is an important shared cultural touch-point,and exemplifies the reasons why I harp on cultural literacy  as so vital to maintaining our nation’s connective tissue. The film teaches about values, family, sacrifice and human failings unlike any other. I hope its power and uniqueness disproves the assertion, made in one online debate here this year, that new cultural creations inevitably and effectively supersede older ones, which, like copies of copies, eventually the cultural values conveyed get fainter and less influential.

Last year I wrote with confidence, “No, they really don’t,” but now I am not so sure. In , I learned that my druggist, about 35, married and with children, had never seen the movie. I gave him a DVD over the summer, and suggested that he watch it with his whole family, which he said he would: he moved on to another CVS branch, so I have no idea if he did or will. I used to be  amazed at how many people haven’t seen the movie; now I am not. Last year I wrote that my son’s girlfriend admitted that she hadn’t; this year he has a new girlfriend,  and she hasn’t either.

The movie is in black and white, and many Gen Xers and Millennials disdain uncolored films the way I once avoided silent movies.  Will anyone be watching “It’s A Wonderful Life” 20 years from now? I wonder. The movie begins in heaven, and has a strong religious undercurrent. Religion is increasingly mocked and marginalized today, and  I see no signs that the trend is reversing. Aside from the nauseating Hallmark Christmas movies, most of this century’s holiday fair is openly cynical about Christmas and everything connected to it.

Here’s an example of how rapidly  cultural touchpoints vanish: I’m going to poll how many readers remember this:

Deck us all with Boston Charlie,
Walla Walla, Wash., an’ Kalamazoo!
Nora’s freezin’ on the trolley,
Swaller dollar cauliflower alley-garoo!

Don’t we know archaic barrel
Lullaby Lilla Boy, Louisville Lou?
Trolley Molly don’t love Harold,
Boola boola Pensacoola hullabaloo!

Bark us all bow-wows of folly,
Polly wolly cracker ‘n’ too-da-loo!
Donkey Bonny brays a carol,
Antelope Cantaloupe, ‘lope with you!

Hunky Dory’s pop is lolly,
Gaggin’ on the wagon, Willy, folly go through!
Chollie’s collie barks at Barrow,
Harum scarum five alarm bung-a-loo!

Dunk us all in bowls of barley,
Hinky dinky dink an’ polly voo!
Chilly Filly’s name is Chollie,
Chollie Filly’s jolly chilly view halloo!

Bark us all bow-wows of folly,
Double-bubble, toyland trouble! Woof, woof, woof!
Tizzy seas on melon collie!
Dibble-dabble, scribble-scrabble! Goof, goof, goof!

Now just answer the poll, don’t go giving away the answer. Nobody knows all the lyrics that I just posted, nobody but the author ever did. The first verse, however, was once familiar.

Maybe there is hope: it was recently announced that a new musical adaptation of  the movie may be coming to Broadway as early as next year. The songs will be written by Sir Paul McCartney, and interest in The Beatles is surging.

“It’s A Wonderful Life” would be an excellent basis for a middle school ethics course. I haven’t seen a better, richer film for that purpose come along since, and I’ve been looking. Despite the many ethics complexities and nuances that the film glosses over or distorts, its basic, core message is crucial to all human beings, and needs to be hammered into our skulls at regular intervals, far more often than once a year.

What is this message?  In an earlier posting of The Guide I described it like this:

Everyone’s life does touch many others, and everyone has played a part in the chaotic ordering of random occurrences for good. Think about the children who have been born because you somehow were involved in the chain of events that linked their parents. And if you can’t think of something in your life that has a positive impact on someone–although there has to have been one, and probably many—then do something now. It doesn’t take much; sometimes a smile and a kind word is enough. Remembering the lessons of “It’s a Wonderful Life” really can make life more wonderful, and not just for you

Finally, I hope you all have a terrific Thanksgiving, and that the holiday season is joyous for all.

And now, heeeeeere’s GEORGE BAILEY!
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Ethics Alarms Sheepishly Presents Rationalization #69: John Lyly’s Rationalization, Or “All’s Fair In Love And War”

Why sheepish? Well, for an authority on rationalizations, it’s pretty embarrassing to have one of the most famous and oldest rationalizations of them all not appear until the 91st entry on a list being compiled for ten years.

Most people would guess that the old saying comes from Shakespeare. Nope: household name John Lyly, a poet, included the idea in his novel “Euphues: The Anatomy of Wit,” published in 1579, about ten years before the Bard wrote his first play. The novel recounts the romantic adventures of a wealthy and attractive young man, and includes the quote “the rules of fair play do not apply in love and war.”

As often happens, I stumbled on this prominent hole in the list while on another mission. A reader had questioned my criticism of George Bailey and his mother in the Ethics Alarms guide to “It’s a Wonderful Life,” in which they plot to snatch the lovely Mary (Donna Reed) away from George’s obnoxious  (“Hee haw!!”) old childhood friend and wheeler-dealer, Sam Wainwright. The reader’s argument was that Mary and Sam had made no commitment, and that she was obviously looking for a better match, so she was fair game for George. This sent me back to the movie, which I watched again last night. The key scene is this one: George is talking to his mother party for younger brother Harry and his new bride… Continue reading

The Complete “It’s A Wonderful Life” Ethics Guide, Updated And With A New Introduction For 2018

Once again I am posting the Ethics Alarms Ethics Guide to Frank Capra’s 1946 masterpiece “It’s A Wonderful Life,” perhaps the greatest ethics movies of all time, as this blog’s official welcome to the holiday season. The film is commonly thought of as a Christmas movie, but it really is a Thanksgiving story. Unfortunately, the movie is so well known, so much imitated, so familiar in its tropes and cliches that we really don’t think about it very hard. We should.

The movie is exactly the kind of important shared cultural touch-point that I am advocating when I emphasize the importance of cultural literacy to our nation’s connective tissue. The film teaches about values, family, sacrifice and human failings unlike any other: its power and uniqueness disproves the assertion, made in one online debate here this year, that new cultural creations inevitably and effectively supersede older ones. No, they really don’t, and like copies of copies, eventually the cultural values conveyed get fainter and less influential. “It’s A Wonderful Life” would be an excellent basis for a middle school ethics course. I haven’t seen a better, richer film for that purpose come along since, and I’ve been looking.

I am also constantly amazed at how many people haven’t seen the movie. My son’s girlfriend admitted that she hadn’t at dinner today. A few months ago I gave a DVD to a pharmacist at our local CVS after I made a reference to the film and he had no idea what I was talking about. He said he would wait until the holidays to watch it with his family. I hope he does: he left the job soon after. There are some classic movies that parents have an obligation to make sure their children see. This is one. Despite the many ethics complexities and nuances that the film glosses over or distorts, its basic, core message is crucial to all human beings, and needs to be hammered into our skulls at regular intervals, far more often than once a year.

What I wrote about this message in an earlier posting of this opus still seems right to me:

Everyone’s life does touch many others, and everyone has played a part in the chaotic ordering of random occurrences for good. Think about the children who have been born because you somehow were involved in the chain of events that linked their parents. And if you can’t think of something in your life that has a positive impact on someone–although there has to have been one, and probably many—then do something now. It doesn’t take much; sometimes a smile and a kind word is enough. Remembering the lessons of “It’s a Wonderful Life” really can make life more wonderful, and not just for you.

I wondered about posting the guide again this year, as this feels like a year in which Ethics Alarms lost old readers rather than gained new ones. Then I read it again, and it reminded me of some important things I had forgotten, and I wrote it. I also, as is my yearly habit, edited and added to the commentary a bit. I’m smarter this year than I was last year, and I bet you are too…especially if you’ve been reading Ethics Alarms, just from figuring out how I’m wrong.

I hope you all had a terrific Thanksgiving, and that the holiday season is joyous for all.

And here we go:

1. “If It’s About Ethics, God Must Be Involved”

The movie begins in heaven, represented by twinkling stars. There is no way around this, as divine intervention is at the core of the fantasy. Heaven and angels were big in Hollywood in the Forties. The framing of the tale seems to advance the anti-ethical idea, central to many religions, that good behavior on earth will be rewarded in the hereafter, bolstering the theory that without God and eternal rewards, doing good is pointless.

Yet in the end, it is an ethics movie, not a religious one. George lives a (mostly) ethical life, not out of any religious conviction, but because step by step, crisis after crisis, he chooses to place the welfare of others, especially his community and family, above his own needs and desires. No reward is promised to him, and he momentarily forgets why we act ethically, until he is reminded. Living ethically is its own reward.

We are introduced to George Bailey, who, we are told, is in trouble and has prayed for help. One has to wonder about people like George, who resort to prayer as a last resort, but they don’t seem to hold it against him in Heaven. The heavenly authorities assign an Angel 2nd Class, Clarence Oddbody, to handle the case..He is, we learn later, something of a second rate angel as well as a 2nd Class one, so it is interesting that whether or not George is in fact saved will be entrusted to less than Heaven’s best. Some lack of commitment, there— perhaps because George has not been “a praying man.” This will teach him—sub-par service! Good luck, George!

2. Extra Credit for Moral Luck

George’s first ethical act is saving his brother, Harry, from drowning, an early exhibition of courage, caring and sacrifice. The sacrifice part is that the childhood episode costs George the hearing in one ear. He doesn’t really deserve extra credit for this, as it was not a conscious trade of his hearing for Harry’s young life, but he gets it anyway, just as soldiers who are wounded in battle receive more admiration and accolades than those who are not. Yet this is only moral luck. A wounded hero is no more heroic than a unwounded one, and may be less competent as well as less lucky. (This is not an observation that one should make in public, as President Trump learned when he made a lifetime enemy of John McCain.)

3.  The Confusing Drug Store Incident.

George Bailey’s next ethical act is when he saves the life of another child by not delivering a bottle of pills that had been inadvertently poisoned by his boss, the druggist, Mr. Gower, who is addled by grief and drink after learning about the death of his own son. George’s act is nothing to get too excited over, really—if George had knowingly delivered poisoned pills, he would have been more guilty than the druggist, who was only careless. What do we call someone who intentionally delivers poison that he knows will be mistaken for medication? A murderer, that’s what.  We’re supposed to admire George for not committing murder.

Mr. Gower, at worst, would be guilty of negligent homicide. George saves him from that fate when he saves the child, but if he really wanted to show exemplary ethics, he should have reported the incident to authorities. Mr. Gower is not a trustworthy pharmacist—he was also the beneficiary of moral luck. He poisoned a child’s pills through inattentiveness. If his customers knew that, would they keep getting their drugs from him? Should they? A professional whose errors are potentially deadly must not dare the fates by working when his or her faculties are impaired by illness, sleeplessness or, in Gower’s case, grief and alcohol.

One could take the position that Mr. Gower “just made one mistake.” But trustworthy professionals don’t get to make such mistakes, not and still be trusted the next time. Trust is easily destroyed, and should be.

Mr. Gower also slaps George on the head several times. Today hitting a child like that is regarded as child abuse by a parent; when another adult hits a child, it’s grounds for arrest. This is one of many examples of evolving societal ethics in “It’s A Wonderful Life.” When the film was made, Mr. Gower’s conduct in beating a child employee was considered forgivable. If the local pharmacist slapped my son, I’d swear out a criminal complaint, and he still might end up shambling bum like Mr. Gower in the film’s alternate reality section.

4. The Uncle Billy Problem.

As George grows up, we see that he is loyal and respectful to his father. That’s admirable. What is not admirable is that George’s father, who has fiduciary duties as the head of a Building and Loan, has placed his brother Billy in a position of responsibility. As we soon learn, Billy is a souse, a fool and an incompetent. This is a breach of fiscal and business ethics by the elder Bailey as well a classic conflict of interest, both of which George engages in as well, to his eventual sorrow.

5. George’s Speech.

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It’s Thanksgiving, And Time For The Complete “It’s A Wonderful Life” Ethics Guide [Updated And With A New Introduction For 2017 ]

 

Last year (to the day) when I posted the Ethics Alarms ethics guide to Frank Capra’s 1946 masterpiece “It’s A Wonderful Life,” one of the great ethics movies of all time, as this blog’s official welcome to the holiday season, I wrote, “I suspect we need it more in 2016 than usual.”  As it turned out, we need it even more in 2017.

Multiple forces have been hard at work for a full year now, roiling the nation, painting the future as dire and the present as unbearable, trying to divide us and even to encourage discord and conflict during this special time when we are supposed to remember what is most important in life. In case you have been infected, it’s not politics and not partisan agendas, but love, family, community, kindness, and friends. The simple message of Frank Capra’s masterpiece—it has aged far better than his other films, including, and maybe especially, “Mister Smith Goes To Washington”—that no one is a failure who has friends, is vital to recall when so many are rejecting friends because they don’t conform to some ideological talking point. This is madness, and watching and heeding “It’s A Wonderful Life” is a better remedy than Thorazine.

Senate Minority Leader Chuck Schumer actually told his Twitter followers this week to bring a chart prepared by a  think tank to attack the Republican tax plan during Thanksgiving dinner. This is part of the effort to politicize everything in our lives, by zealots who value power over humanity, country, and spirituality. They belong with Mr. Potter, not George and Clarence.

I need this movie more in 2017 than usual for other reasons. It has been a year in which I have lost many peers and cherished friends, and listened to too many of the living bemoan the passage of time and looming mortality.  I don’t think like that—a lifetime gift from my brave and fatalist father—but I can’t pretend that the game clock isn’t running out, or not face the fact that I have not sunk anywhere near the baskets I could have and should have. Fortunately, what I wrote in an earlier year introducing this post still resonates…

Everyone’s life does touch many others, and everyone has played a part in the chaotic ordering of random occurrences for good. Think about the children who have been born because you somehow were involved in the chain of events that linked their parents. And if you can’t think of something in your life that has a positive impact on someone–although there has to have been one, and probably many—then do something now. It doesn’t take much; sometimes a smile and a kind word is enough. Remembering the lessons of “It’s a Wonderful Life” really can make life more wonderful, and not just for you.

Have a terrific Thanksgiving, everyone.

And here we go:

1. “If It’s About Ethics, God Must Be Involved”

The movie begins in heaven, represented by twinkling stars. There is no way around this, as divine intervention is at the core of the fantasy. Heaven and angels were big in Hollywood in the Forties. The framing of the tale seems to advance the anti-ethical idea, central to many religions, that good behavior on earth will be rewarded in the hereafter, bolstering the theory that without God and eternal rewards, doing good is pointless.

Yet in the end, it is an ethics movie, not a religious one. George lives an ethical live, not out of any religious conviction, but because step by step, crisis after crisis, he chooses to place the welfare of others, especially his community and family, above his own needs and desires. No reward is promised to him, and he momentarily forgets why we act ethically, until he is reminded. Living ethically is its own reward.

We are introduced to George Bailey, who, we are told, is in trouble and has prayed for help. One has to wonder about people like George, who resort to prayer as a last resort, but they don’t seem to hold it against him in Heaven. The heavenly authorities assign an Angel 2nd Class, Clarence Oddbody, to handle the case..He is, we learn later, something of a second rate angel as well as a 2nd Class one, so it is interesting that whether or not George is in fact saved will be entrusted to less than Heaven’s best. Some lack of commitment, there— perhaps because George has not been “a praying man.” This will teach him—sub-par service!

2. Extra Credit for Moral Luck

George’s first ethical act is saving his brother, Harry, from drowning, an early exhibition of courage, caring and sacrifice. The sacrifice part is that the childhood episode costs George the hearing in one ear. He doesn’t really deserve extra credit for this, as it was not a conscious trade of his hearing for Harry’s young life, but he gets it anyway, just as soldiers who are wounded in battle receive more admiration and accolades than those who are not. Yet this is only moral luck. A wounded hero is no more heroic than a unwounded one, and may be less competent as well as less lucky.

3.  The Confusing Drug Store Incident

George Bailey’s next ethical act is when he saves the life of another child by not delivering a bottle of pills that had been inadvertently poisoned by his boss, the druggist, Mr. Gower. This is nothing to get too excited over, really—if George had knowingly delivered poisoned pills, he would have been more guilty than the druggist, who was only careless. What do we call someone who intentionally delivers poison that he knows will be mistaken for medication? A murderer, that’s what.  We’re supposed to admire George for not committing murder.

Mr. Gower, at worst, would be guilty of negligent homicide. George saves him from that fate when he saves the child, but if he really wanted to show exemplary ethics, he should have reported the incident to authorities. Mr. Gower is not a trustworthy pharmacist—he was also the beneficiary of moral luck. He poisoned a child’s pills through inattentiveness. If his customers knew that, would they keep getting their drugs from him? Should they? A professional whose errors are potentially deadly must not dare the fates by working when his or her faculties are impaired by illness, sleeplessness or, in Gower’s case, grief and alcohol.

4. The Uncle Billy Problem

As George grows up, we see that he is loyal and respectful to his father. That’s admirable. What is not admirable is that George’s father, who has fiduciary duties as the head of a Building and Loan, has placed his brother Billy in a position of responsibility. As we soon learn, Billy is a souse, a fool and an incompetent. This is a breach of fiscal and business ethics by the elder Bailey, and one that George engages in as well, to his eventual sorrow.

5. George’s Speech

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Holiday Encore: “Christmas: the Ethical Holiday”

darth-vader-christmas

I googled “Christmas ethics” yesterday, and guess what came up first. This Ethics Alarms post, from December 25, 2010.

I fix a couple of things, but it is basically the same. If I were writing it anew, I might not use the loaded term “war on Christmas,” which those who are trying to shove Christmas out of the national culture indignantly deny. It isn’t a war, exactly, just a relentless, narrow-minded and destructive effort to take something that has been enduring, healthy, unifying and good, and re-define it as archaic, offensive, divisive, and wrong. Call it the suffocation of Christmas, or perhaps the assassination of Christmas. Whatever one calls it, the process has progressed since 2010.

We’ve discussed on various comment threads quite a bit about how Christmas music has almost vanished from radio. It has also been effectively banned from public schools, who are terrified of law suits in era when parents might sue over their child being warped by learning “Rudolph the Red-Nosed Reindeer.” “Here Comes Santa Claus!”, another one of Gene Autry’s liveliest Christmas hits, one he wrote himself(unlike “Rudolph”), has been declared musica non grata everywhere but on nostalgia satellite radio. It is such an up-beat song; Bing Crosby sings it with the Andrews Sisters on his iconic “Merry Christmas!” album. Why is it unwelcome today? It is unwelcome because the lyrics say we are “all God’s children,” and ends with “Let’s give thanks for the Lord above.” Can’t have that.

The ascendant attitude toward Christmas is both anti-religious and non-ethical. In my neighborhood, there are far more Star Wars Christmas figures, including Yule Darth Vader ( though thankfully not the 18-ft. Hammacher-Schlemmer version pictured above) and Christmas Storm Troopers, than any suggestion of peace, good will or love. Even these non-sectarian displays are too much for the Diversity Fascists, like this guy:

diversity-tweet

Such people believe that a healthy national culture embracing love, charity, generosity and kindness is disrespectful, and their society-rotting ideology is as much of a threat to our nation as terrorism. I don’t know how to reverse the damage already inflicted on our society, but I do know that we have to try. Reinvigorating Christmas and the ethical values it stands for would be a good start.

Merry Christmas, everyone—and I do mean everyone.

Finally, here’s the post..

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Holiday Ethics Assigment: Quick! Watch These 25 Great Old Ethics Movies Again Before You Go Bonkers Too!

movie-theater

I am compiling a new list of great ethics movies to help those troubled by the recently completed Presidential campaign, the election and its aftermath. I haven’t decided whether to reveal it piecemeal, or collectively as I have before, but I do need to begin by presenting the previous list of 25, actually the combination of several previous posts. Ethics films I have covered individually since those lists debuted, like Spotlight and Bridge of Spies, will eventually be added.

For now, here’s the top 25. Don’t pay attention to the order.

1Spartacus (196o)

The raw history is inspiring enough: an escaped gladiator led an army of slaves to multiple victories over the Roman legions in one of the greatest underdog triumphs ever recorded. Stanley Kubrick’s sword-and-sandal classic has many inspiring sequences, none more so than the moment when Spartacus’s defeated army chooses death rather than to allow him to identify himself to their Roman captors (“I am Spartacus!”)

Ethical issues highlighted: Liberty, slavery, sacrifice, trust, politics, courage, determination, the duty to resist abusive power, revolution, love, loyalty.

Favorite quote: “When a free man dies, he loses the pleasure of life. A slave loses his pain. Death is the only freedom a slave knows. That’s why he’s not afraid of it. That’s why we’ll win.” [Spartacus (Kirk Douglas)]

2.  Hoosiers (1986)

“Hoosiers” is loosely based on true story, but its strength is the way it combines classic sports movie clichés—the win-at-all-costs coach down on his luck, the remote superstar, over-achieving team—into a powerful lesson: it isn’t the final victory that matters most, but the journey to achieving it.

Ethical issues highlighted: Forgiveness, generosity, leadership, kindness, courage, loyalty, diligence, redemption.

Favorite quote: “If you put your effort and concentration into playing to your potential, to be the best that you can be, I don’t care what the scoreboard says at the end of the game, in my book we’re gonna be winners.” [ Coach Norman Dale (Gene Hackman)]

3. Babe (1995)

A wonderful movie about the virtues of being nice, the greatest civility film of all time. Second place: “Harvey.”

Ethical issues highlighted: Civility, kindness, reciprocity, loyalty, courage, love, friendship, bigotry, bias.

Favorite quote: “Fly decided to speak very slowly, for it was a cold fact of nature that sheep were stupid, and there was nothing that could convince her otherwise…The sheep decided to speak very slowly, for it was a cold fact of nature that wolves were ignorant, and there was nothing that could convince them otherwise”  The Narrator (Roscoe Lee Browne) Continue reading

The Complete “It’s A Wonderful Life” Ethics Guide [UPDATED AGAIN! ]

 Once again, Ethics Alarms re-posts its ethics guide to Frank Capra’s 1946 masterpiece “It’s A Wonderful Life,”one of the great ethics movies of all time. It was written in 2011, and revised regularly since, including for this year’s version. I suspect we need it more in 2016 than usual.

It is fashionable now, and was even when the film was released, to mock its sentiment and optimism. On one crucial point Capra was correct, however, and it is worth watching the film regularly to recall it. Everyone’s life does touch many others, and everyone has played a part in the chaotic ordering of random occurrences for good. Think about the children who have been born because you somehow were involved in the chain of events that linked their parents. And if you can’t think of something in your life that has a positive impact on someone–although there has to have been one, and probably many—then do something now. It doesn’t take much; sometimes a smile and a kind word is enough. Remembering the lessons of “It’s a Wonderful Life” really can make life more wonderful, and not just for you.

Here we go:

1. “If It’s About Ethics, God Must Be Involved”

The movie begins in heaven, represented by twinkling stars. There is no way around this, as divine intervention is at the core of the fantasy. Heaven and angels were big in Hollywood in the Forties. Nevertheless, the framing of the tale advances the anti-ethical idea, central to many religions, that good behavior on earth will be rewarded in the hereafter, bolstering the theory that without God and eternal rewards, doing good is pointless.

We are introduced to George Bailey, who, we are told, is in trouble and has prayed for help. He’s going to get it, too, or at least the heavenly authorities will make the effort. They are assigning an Angel 2nd Class, Clarence Oddbody, to the job. He is, we learn later, something of a second rate angel as well as a 2nd Class one, so it is interesting that whether or not George is in fact saved will be entrusted to less than Heaven’s best. Some lack of commitment, there—then again, George says he’s “not a praying man.” This will teach him—sub-par service!

2. Extra Credit for Moral Luck

George’s first ethical act is saving his brother, Harry, from drowning, an early exhibition of courage, caring and sacrifice. The sacrifice part is that the childhood episode costs George the hearing in one ear. He doesn’t really deserve extra credit for this, as it was not a conscious trade of his hearing for Harry’s young life, but he gets it anyway, just as soldiers who are wounded in battle receive more admiration and accolades than those who are not. Yet this is only moral luck. A wounded hero is no more heroic than a unwounded one, and may be less competent as well as less lucky.

3.  The Confusing Drug Store Incident

George Bailey’s next ethical act is when he saves the life of another child by not delivering a bottle of pills that had been inadvertently poisoned by his boss, the druggist, Mr. Gower. This is nothing to get too excited over, really—if George had knowingly delivered poisoned pills, he would have been more guilty than the druggist, who was only careless. What do we call someone who intentionally delivers poison that he knows will be mistaken for medication? A murderer, that’s what.  We’re supposed to admire George for not committing murder.

Mr. Gower, at worst, would be guilty of negligent homicide. George saves him from that fate when he saves the child, but if he really wanted to show exemplary ethics, he should have reported the incident to authorities. Mr. Gower is not a trustworthy pharmacist—he was also the beneficiary of moral luck. He poisoned a child’s pills through inattentiveness. If his customers knew that, would they keep getting their drugs from him? Should they? A professional whose errors are potentially deadly must not dare the fates by working when his or her faculties are impaired by illness, sleeplessness or, in Gower’s case, grief and alcohol.

4. The Uncle Billy Problem

As George grows up, we see that he is loyal and respectful to his father. That’s admirable. What is not admirable is that George’s father, who has fiduciary duties as the head of a Building and Loan, has placed his brother Billy in a position of responsibility. As we soon learn, Billy is a souse, a fool and an incompetent. This is a breach of fiscal and business ethics by the elder Bailey, and one that George engages in as well, to his eventual sorrow. Continue reading