Comment of the Day: “‘White Christmas’ Ethics Addendum: Battlefield Incompetence, Insubordination And More In The Holiday Classic”

To kick off the Not-Too-Early-To-Play-Christmas-Music Season, here is a Comment of the Day that adds another chapter to the Ethics Alarms commentary on “White Christmas,” the Bing Crosby-Danny Kaye musical film that is one of the five or six most resilient of the Christmas classics. The initial ethics analysis is here.

The post that spawned the latest take was a rare guest essay by Ethics Alarms veteran texagg04.

Now comes new commenter SykesFive to provide insight into the pivotal character of General Waverly, played by Dean Jagger. Among other things, he argues that one reason the general was so beloved was that he was poor general, treating the lives of his men as more important than his mission.

Here is his Comment of the Day on tex’s post, “White Christmas” Ethics Addendum: Battlefield Incompetence, Insubordination And More In The Holiday Classic:

I have a somewhat different take on this. I sometimes think I am the only person who thinks so much about the Waverly character.

As the scene opens, Major General Waverly is being relieved for frankly the only reason American unit commanders were relieved during the war: he didn’t take the objectives. That is failure. It could be lack of aggression or poor coordination or anything else, but ultimately it is failure and the commanding officer will pay the price. He will be shuffled off to a rear area command, or maybe just left to bum around the theater, and be out of the Army by the end of 1945 because his record will be so tarnished. He will be lucky not to revert to his prewar rank.

Waverly’s age suggests he was a company-grade officer during WWI and may or may not have seen combat during that conflict’s closing weeks, then spent decades idling in the interwar army. Apart from whatever happened in 1918, Waverly has no more combat experience than anyone else in the division. He is not an experienced commander by any measure. He had the right credentials–a few articles in service journals, no serious problems on his posts, and of course a West Point Ring–but had never really been tested as a field-grade officer. Again this is a common profile.This is a very common profile for WWII US Army division commanders.

So in 1940, let’s say Colonel Waverly seemed like a likely candidate for command of an infantry division in the expanding army. He did well enough with some trial commands–all during stateside training and expansion–and was promoted to one and then two stars. He seemed competent enough when the 151st Division was formed and went through let’s say nearly two years of intensive training in Texas or California or wherever. And so the division was sent to Europe in let’s say August 1944, then spent a couple months languishing in Normandy or the Pas de Calais region, during which time Waverly was a friendly presence at other officers’ headquarters as well as around his division. Bear in mind that at this point, and really for the whole war after the breakout from Normandy, the limit on American frontline strength was providing fuel and artillery shells. There were more men and tanks than could be sustained at the front. Continue reading

Case Study: How The New York Times Gave Trump The Chance To Say “Fuck You” And Saved Rex Tillerson’s Job

“Once when I was reporting, Lyndon Johnson’s top guy gave me the word they were looking for a successor to J. Edgar Hoover. I wrote it and the day it appeared Johnson called a press conference and appointed Hoover head of the FBI for life… And when he was done, he turned to his top guy and the President said, “Call Ben Bradlee and tell him fuck you.” I took a lot of static for that–everyone said, “You did it, Bradlee, you screwed up–you stuck us with Hoover forever.” I screwed up but I wasn’t wrong.”

—-Washington Post Editor-in-Chief Ben Bradley (Jason Robards, Jr.) in “All the President’s Men.”

Surely I wasn’t the only one who immediately thought about this anecdote (apparently true) from the film version of the Woodward and Bernstein book about the Post’s Watergate investigation. All yesterday, the news services were following the New York Times “scoop,” based on anonymous leaks out of the Trump Administration, claiming that Secretary of State Rex Tillerson was about to be canned within days, with CIA head Mike Pompeo, a Trump favorite, taking his place.

I know a little bit about leadership and the kind of people who get to the top of the heap, the Presidents of the United States. I also know how I would think if I disliked and distrusted a newspaper and someone betrayed me within my staff, resulting in a premature revelation of my plans. Unless I regarded a personnel matter as essential, I’d change course to discredit the leaker and make the newspaper look bad.

Sure enough, President Trump tweeted today,

The media has been speculating that I fired Rex Tillerson or that he would be leaving soon – FAKE NEWS! He’s not leaving and while we disagree on certain subjects, (I call the final shots) we work well together and America is highly respected again!

Good for him. Continue reading

From The “Ethics Movies That Drive Me Crazy Because I’ve Watched Them Too Often” Files: “Field Of Dreams”

The end of the baseball season is hard for me, although it dovetails nicely into the hell of the holidays. The whitewater rush of our wedding anniversary, Thanksgiving, my birthday, pre-Christmas, Christmas, and New Years, along with the ethics business’s dead income period and resulting Marshall cash flow anxiety at the end of every year pretty much has me distracted until January, and Spring Training starts just six weeks after that. Early November has me in withdrawal, however, so I yielded to temptation and watched the 1989 baseball fantasy “Field of Dreams.” It is also an ethics movie of sorts, exploring the complexities of family, fathers and sons, forgiveness, sacrifice, faith and redemption.

Ethics Alarms has highlighted the annoying ethics problems in two classic films, “White Christmas” and “It’s a Wonderful Life.” Now it’s “Field of Dreams'” turn. Oh, I’m still a sucker for one of the most shamelessly manipulative movies ever, don’t get me wrong. I cannot, and I’ve tried, stop myself from getting choked up when Ray Kinsella (Kevin Costner) says to his incredibly gorgeous hunk of a father (Dwier Brown), long dead but miraculously returned to corporeal form and younger than his son,”Hey, dad? Wanna have a catch?”

See? I got choked up just typing that! (Damn movie.). From an ethics perspective, however, the film makes even less sense than the plot.

I’m going to assume, if you continue reading this, that you’ve seen the film. If you haven’t, see it. Don’t let my jaded observations spoil it. It sure works the first time.

Here are the aspects of “Field of Dreams’ that now drive me nuts.

  • Ray Kinsella is a reluctant and unenthusiastic Iowa farmer who lives with his wife, Annie (Amy Madigan), and daughter, Karin (Gaby Hoffman). In the opening narration, Ray explains his estrangement  from his father, John Kinsella, who was a baseball fanatic and who idolized Shoeless Joe Jackson, the disgraced star of the infamous Chicago Black Sox, who threw the 1919 World Series. By the end of his father’s life, Ray hadn’t seen his father for years. He is still feeling remorseful for refusing to play catch with his father, because rejecting baseball was a way to hurt his dad.

The Problem: The whole film’s premise (and that of the novel, “Shoeless Joe,” it was adapted from) is based on the popular fiction that Joe Jackson was unjustly banned from baseball for being part of the gamblers’ plot to fix the Series. This is untrue. Jackson accepted a bribe. He did not inform authorities. He knew his seven similarly-bribed team mates were trying to lose. He did nothing to stop them. he allowed the Series to be fixed, the fans to be betrayed and the fame itself to be brought to the brink of destruction. Jackson, who was illiterate and from all accounts appears to have had an IQ of about 85, argued that he tried to win despite taking the bribe. First, the evidence is questionable on that point.Although he  batted .375 against the Reds in the series, he failed to drive in a single run in the first five games, four of which the White Sox lost. That’s how you throw games without looking like you’re throwing games. Second, he was making the argument that stealing money from bad people isn’t still unethical. Joe probably believed that, but then he was an idiot.

  • . While walking through his cornfield one evening, Ray hears a whispering voice saying, “If you build it, he will come.” He decides, after the voice keeps pestering  him, that he is supposed to build a baseball field—with lights!—in his corn field, and that if he does, Shoeless Joe Jackson will return from the dead and play there. Or something.  Annie is dubious–ya think?—but lets him do it. After the field is finished and nothing happens for months, we see Ray and Annie going over their financial records:

RAY: How bad is it?

ANNIE: Well, given how much less acreage we have for corn, I’d say we’ll probably…almost break even.

RAY: Jesus.

ANNIE: We’ve spent all our savings on that field.

RAY: So what are you saying? We can’t keep the field?

ANNIE: t makes it real hard to keep the farm, Ray.

The Problem: And I said Shoeless Joe was stupid. NOW they are having this conversation? This is so irresponsible and incompetent, it defies description. Ray has a family. They have a little girl. Spending their savings on Ray’s whim and a ghostly and ambiguous whisper is the ethical equivalent of parents blowing their money on drugs. Through it all, Annie, who proudly styles herself as a Sixties veteran, is relentlessly cheery regarding her husband’s lunacy, and once Shoeless Joe appears on the cornfield diamond she’s all in. What, honey? Another voice is telling you to drive to Boston (from Iowa, remember) and talk famous recluse novelist Terrance Mann ( J.D. Salinger in the novel) to join your fantasy? You want to leave while we are trying to stay out of bankruptcy? Sure, go for it!

At the very least, they could have skipped the lights. None of the 1919 White Sox ever played in a night game; there were none then.

Continue reading

Morning Ethics Warm-Up, 10/18/2017: Welcome To My World! Special Legal Follies Edition

Good Morning!

1  Oh, let’s begin the day with Roy Moore, the former Alabama judge and present wacko whom Alabama Republicans voted to represent the GOP in the 2018 U.S. Senate election, thus proving that there are a lot of deplorables in the state. As was completely predictable given his record, Moore recently told his drooling followers (after being introduced by Abraham Hamilton, Alexander Lincoln being unavailable),

“Somebody should be talking to the Supreme Court of the United States and say, ‘What gives them a right to declare that two men can get married?. . . Tell the Congress: Impeach these justices that put themselves above the Constitution. They’re judicial supremists and they should be taken off the bench.”

Comments Jonathan Turley,

So Moore believes that he should not have been removed from the bench for putting his personal religious beliefs above the Constitution, but justices should be removed if they interpretation the Constitution in a way that contradicts his religious beliefs.  This, he insisted, would ‘solve the problem….such a view would violate not just fundamental principles of judicial review but it would violate the impeachment clause.  As the last lead counsel in a judicial impeachment case (in defense of Judge Thomas Porteous), Moore’s view is deeply troubling.  As I have previously written, the Good Behavior Clause of Article III was designed to protect the independence of the judiciary and insulate it from political pressures.  It was meant as a guarantee of life tenure against precisely the type of threat that Moore is endorsing. 

But it’s pointless to make genuine legal and historical arguments against someone like Moore. He’s a theocrat, a fanatic, a bigot and a demagogue. The Republican Party should endorse his opposition and campaign against Moore. This fiasco is their fault, and someone like Moore should be kept out Congress at all costs.

2. Now to someone who is, incredible as it seems, somewhat less ridiculous, this gentleman, Christopher Wilson…

 

No, that’s not a botched tattoo on his forehead: the blurry words are “fuck” and “sluts”, making the whole, eloquent message, “I’m a porn star. I fuck teen sluts.” This roughly translates into  “Look at me! I’m an idiot!”  The newspapers that refused to print the blurred words (the police had the mugshot altered) that are essential to the story, meanwhile, are telling us, “We don’t understand our profession.” The story is incomprehensible if the actual words aren’t clear, literally or figuratively.  Fox News and the NY Post, for example, say, “The Cincinnati man has the words “I’m a pornstar” tattooed on his forehead” and “another vulgar message” tattooed below.” Since the issue is whether the message on his FACE is going to prejudice the jury in his trial for sexual assault, this is juvenile coverage omitting key information to avoid “giving offense.”

Ethics Alarms to the news media: Grow up.

Turley (again…he loves the tattoo stories) writes,

“The court will be left with a question of whether the tattoo is too prejudicial or whether it is unavoidable as a personal choice of the defendant….Yet, these tattoos contain an admission to the crime at issue in the trial.  In the end, a judge could legitimately conclude that this falls into the category as bad choices bringing even worse consequences.”

What? First, the defendant is not charged with fucking teen sluts while acting as a porn star. That conduct could well be consensual and legal.  Turley is also wrong that the judge could “legitimately” allow the jury to see his message. In both cases involving a defendant’s prejudicial tattoos, the judges agreed that they had to be made invisible, in one case using make-up… Continue reading

Hollywood’s Unethical Aging Leading Man Tradition

[Let’s see, I tried to get everyone off the silly NFL kneeling protests (just because I write a lot about something doesn’t mean I don’t think its that important), and a simple pro-civility post turned into a donnybrook. Hmmm...how far can I get from both issues? Maybe this will work…]

The Business Insider has an article about something that has bothered me for decades: Hollywood’s embarrassing addiction to pairing young actresses with aging male stars, even when it’s ridiculous. There is nothing wrong with a 60 year old man romancing a 25 year-old woman, just as there was nothing wrong about the romance between an elderly woman and a twenty-something male in “Harold and Maude.” However, the appearance of such pairings is unavoidably sexist, and cuts hard against Hollywood’s posture that it is a force for liberalizing the culture.

The article, by Meg Shields, says in part…

“American Made” premieres this week, bringing two reunions with it: Tom Cruise and “Edge of Tomorrow” director Doug Liman, and Tom Cruise and his ever-growing age gap with his female co-stars. Sarah Wright (who plays Cruise’s wife in the film) was born in 1983 just a couple months after the premiere of Risky Business, making her 22 years Cruise’s junior. 

…It’s a well-known fact that Hollywood likes to pair older men with younger women. And to be clear, there’s nothing wrong with an age gap between two consenting adults. According to the 2013 US Census, 4.8 percent of heterosexual married couples included a husband 10-15 years his wife’s senior. The problem, rather, is that Hollywood doesn’t really care about showcasing the stories of that 4.8 percent so much as normalizing the expectation that women are only romance material when they’re in their mid-20s/early-30s, whereas men are free to age and remain conceivably f—able.

… I crunched the numbers for every single Tom Cruise movie, comparing his age relative to that of the actresses playing his love interests over time. All told, Cruise’s age gap mirrors, and indeed confirms, the larger critique of Hollywood’s bias against older actresses. This isn’t just anecdotally-sourced rhetoric, by the way. There’s more and more statistical evidence showing how women age out of Hollywood. Time and The Pudding, for instance, do a great job at visualizing how more roles and dialogue are available to men as they age, where the opposite is true for women.

I was intrigued by this article because I just saw Cruise’s remake of “The Mummy” (and a more ludicrous spectacle it would be hard to find). Tom looks great for his age, at least a decade younger than he is, and he is inherently youthful, so it is a bit unfair to use him to make this point. How about the oogy pairing of Catherine Zeta-Jones and Sean Connery (above), looking every inch of his 69 years in “Entrapment”? When Cary Grant at 60 was paired with the gamin Audrey Hepburn in “Charade,” Cary’s fans weren’t bothered, but he was: he said that he felt uncomfortable playing the romantic lead at an advanced age, and began planning his retirement. John Wayne was never a comfortable romantic lead, and while Howard Hawks made the by-play between the Duke at 52 with 28 year-old Angie Dickinson in the great “Rio Bravo” work, teaming Wayne with much younger women didn’t seem right; a few movies later, he was back with Maureen O’Hara. Continue reading

Ethics Quote Of The Week: Prof. Jonathan Turley

“It is astonishing to see the pride of that such individuals taken in their embrace of gender or racial discrimination as a tool of social justice. They see no moral or legal problem with penalizing people due to the color of their skin or their gender. Instead, they foster the same blind stereotypes and prejudices that once segregated societies on these grounds. They learned the history but not its lesson.”

—-Blogging prof Jonathan Turley, writing about a Canadian director who has insisted that white, “cis” males pay a higher ticket price to see his film. It’s called “Justice Pricing.”

Observations:

1 Turley is wrong: there’s nothing astonishing about it, as I just explained.

2. Now we know there is a place for all the anti-democratic social justice warriors who would be very happy to see the U.S. establish unconstitutional “Justice Pricing,” “Justice Hiring,” “Justice Promotions,” “Justice Convictions,” “Justice Admissions,” “Justice Expulsions,” “Justice Taxing,” “Justice Elections,” “Justice Sentencing,” “Justice Justice” and more: Canada.

3. “Justice Pricing” is about as Orwellian as it gets, don’t you think? Continue reading

Stunt Performers And CGI, Integrity and Life, Art vs. Ethics

Stuntwoman Joi ‘SJ’ Harris was killed in a motorcycle accident last month while filming “Deadpool 2.”  Her death occurred not long after stuntman John Bernecker perished in a fall on the set of “The Walking Dead.” Even though CGI technology would not have saved Harris or Bernecker, their deaths have re-ignited a controversy that began surfacing almost 20 years ago, and it is more bewildering now that it was then. Moreover, it will only get worse.

The question: Does it make sense—and is it ethical—to endanger human beings in filmed stunts when they can be accomplished using computer technology?

Interestingly, a case could be made that movie stunts are safer than ever. Bernecker’s death represented the first stunt-related fatality in the US since 2002 (Harris’s death was in a Canada shoot.) This represents great progress from the wild and woolly days of cinema’s pioneers, when actors like Douglas Fairbanks performed insane stunts for stunned moviegoers, and maniacal directors like D.W. Griffith bullied actors into taking life-threatening risks. For example. in this famous sequence, Lillian Gish waited for actor Richard Barthelmess to rescue her from a real ice flow that was on its way over a real waterfall as a frozen river broke up:

Many actors have died, and in the modern age when few stars are allowed to do dangerous stunts (one exception is Tom Cruise,  who broke his ankle last month roof-jumping on the set of “Mission: Impossible 6”), many stunt performers as well.  From 1980 to 1990, 40 stunt-related deaths occurred in the US. Computer technology has made the stunts safer, but if real people aren’t placing their bodies at risk, movies just aren’t as exciting….or profitable.

“It’s a terribly fine line when it comes to guaranteeing safety, because in reality there is no guarantee,” says Andy Armstrong, who has done stunt coordination for “The Amazing Spider-Man,” “Thor,” “Planet of the Apes” and “Total Recall.” “If these stunts were common, you wouldn’t want it in the movie. So you’re invariably asking someone to do something outside the box, which is where it becomes so difficult to regulate.”

Now dramatic improvements in the technology make an ethics examination unavoidable. “When CGI first came about, stunt people thought, ‘that’s the end of our business, everyone’s going to be replaced by computers’,” Armstrong says. “That hasn’t happened, because there’s still a certain authenticity to seeing a real human do something.” Yes, but at what cost? Is that authenticity worth the inevitable deaths of human beings?

Movie artists say yes, and stunt performers don’t want to be put out of business. As with pro football, the beneficiaries of proposals to eliminate the deadly risks in their profession don’t want to be saved. Continue reading

Morning Ethics Warm-Up, 9/5/17: “Close Encounters,” A Bad Bank, A Jaw-Dropping Tweet, Sentimentalizing DACA, And More

GOOD MORNING!!

1. A remastered “Close Encounters of the Third Kind” is in theaters now, and I have mixed feelings about the fact that it is not attracting many ticket-buyers. Spielberg is incapable of making a bad movie, and even his most annoying films (like this one) are thought-provoking and entertaining compared to most of the junk we are getting from Hollywood now. But “Close Encounters” is an unethical movie that bothers me more every time I see it.

The film celebrates hippy spiritual fanaticism for no good reason. Why does everyone get all misty-eyed over these angelic, long-armed  aliens who think they have leave to kidnap human beings, including babies, take them away from their families and disrupt their lives, and then dump them off in another place and time? Why is Richard Dreyfus smiling about that, the idiot? Meanwhile, his character has forgotten about his own wife and kids, never giving them a second thought once he goes E.T. hunting. (And why is Terri Garr treated so badly in her movies by alleged protagonists? Dustin Hoffman used her as a door mat in “Tootsie,” too.)

2. As an addendum to the previous post about DACA ethics, consider this example of how the news media sentimentalizes and propagandizes illegal immigration: the Washington Post’s heart-tugging and misleading story with the headline, “He was brought to Virginia as a toddler, deported at 19. He died in an overheated tractor-trailer trying to return.

“He” was an illegal immigrant, though the Post uses the deceitful “undocumented immigrant” euphemism, as if he lost his library card or something. His name was Frank  Fuentes, and he was quite rightly deported a year after he pleaded guilty to assault and battery as well as grand larceny­/pickpocketing in 2016. He died trying to break the law, and while dealing with the criminals who smuggle people into the U.S. in trucks. The fact that Fuentes didn’t deserve to die is waved by the Post like a crimson flag to distract from the fact that he had no right to be in the U.S., and no right to sneak back in.

Ah, but he was a good man at heart, who “loved skateboarding and music.”  “We all make mistakes,” the post quotes a friend as saying, not noting that this is the go-to rationalization for every law-breaker from Billy the Kid to Joe Arpaio. “He wanted to be better for his family and his mom . . . that’s all he cared about.”

What the Post is doing  isn’t reporting. It is selective, manipulated sentiment designed to obscure the real issues in illegal immigration. This kind of coverage is why polls about “dreamers” reflect shallow emotion-based reflex, not serious, informed consideration.

3. Sam Stein, formerly the Huffington Post’s senior politics editor now writing for  The Daily Beast, tweeted,

Discuss.

4.  The president of the Cleveland Police Patrolmen’s Association, announced that the police union’s members will refuse to hold the American flag as planned at the NFL’s Cleveland Brown’s home opener, after nine Browns players took a “Kaepernick” and knelt during the national anthem in a pre-season game with the New York Giants.

“It’s just ignorant for someone to do that,” Steve Loomis told reporters. “It just defies logic to me. The fact that management was aware of what they planned on doing, that’s as offensive as it can get.”

Good for the union. The NFL has been cowardly and irresponsible by not confronting and ending these demonstrations against the United States in general and police in particular, starting with its non-action when the St. Louis Rams performed a “Hands up! Don’t shoot! display in 2014. Kaepernick specifically had said, in his various vague posturings, that police were among the  targets of  his kneeling stunt, making the ignorant statement that officers in police-involved shootings should not collect a salary while investigations were pending (unlike, say, the many NFL players who have been suspects in criminal investigations).

Among the many functions of professional sports teams is to bring communities together, not divide them. Players are free to express their political positions, however ill-informed, off the field if they are willing to take responsibility for them, which may involve negative team action and fan anger. Cleveland, where 12-year old Tamir Rice was shot by an incompetent cop, is an especially sensitive place for an anti-police demonstration to take place.

The comments on the article at the link are depressing, as in knee-jerk and foolish. Continue reading

Morning Ethics Warm-Up, 9/4/17: Labor Day, Google Being Evil, Antifa, And Hollywood

Good Morning!

1.Happy Labor Day! My dry cleaner has a sign out that reads, “Happy Labor Day! Support Our Troops!” Now, any day is a good day to support our troops, but I strongly suspect that this is an unfortunate example of our increasing cultural and historical ignorance (ignorance that the war on statues and memorials will exacerbate, and that’s the intention). No holiday is more misunderstood than Labor Day, and the news media barely makes an effort to remedy the problem.

Ethics Alarms explained the history behind the holiday in a 2012 post that began,

Labor Day commemorates one of the great ethical victories of American society, and not one in a hundred Americans know it. Labor Day marks the end of summer, and a time for retail store sales, and the last chance to get away to Disney World, but few of us think about the real meaning of the word “labor” in the name, and how it is meant to honor brave, dedicated men and women who fought, sometimes literally, the forces of greed, political influence, wealth and privilege in this country to ensure a measure of safety, consideration, fairness and justice for the hardest working among us.

The post is here.

2. This is traditionally a big movie weekend, but it has already been declared a dud. Hollywood is having its worse summer in more than two decades.  Conservative commentators have speculated that one reason is that Hollywood’s loudly and obnoxiously proclaimed contempt for about half of its potential audience—you know, The Deplorables–has alienated a significant segment of the market. That would be nice, since Hollywood has traditionally been a unifying cultural force rather than a divisive one, and this might shock Tinsel Town into getting off its high, blind horse and doing its job. I doubt it, though.

Astoundingly, the public is not yet sick of super hero movies, one of the few genres that continues to do well at the domestic box office.  I wonder when the public will figure out this is partially political indoctrination by the Hollywood Left too: super heroes don’t use those evil guns. They just kill people with their innate powers, or, as in the not-bad NetFlix/Marvel series “The Defenders,” in ridiculously long, drawn-out martial arts combat sequences that resemble ugly dancing more than real fighting. Some of the heroes are bullet proof, however.

The flaw in this anti-Second Amendment propaganda is that real people do not have super powers, and there aren’t any super heroes running around protecting them. Continue reading

Morning Ethics Warm-Up: 8/11/17

GOOD MORNING!!!

1. From sources within Google management, we learn that the firing of the diversity memo writer, James Demore, was hotly debated, but in the end...

“…Damore’s focus on biology really made it clear that he had crossed the line.” What turned the tide, said sources, was when it was noted that if Damore’s dubious contentions about women’s skills were replaced by those about race or religion, there would be no debate.’

Ethics diagnosis: Bias made them stupid…that is, Google’s political correctness bias. If someone says that blacks, for example, are biologically handicapped for certain jobs, that’s bigotry and ignorance, the equivalent of poor Al Campanis’s  infamous statement to Ted Koppel that blacks “lacked the necessities ” to manage a baseball team. If someone says that holding religious beliefs suggests one may have biological disadvantages, then that individual is, of course, an idiot.

Women, however, are biologically different from men. If this was the reasoning behind Demore’s dismissal, then it is an example of regarding fealty to cant and politically correct mythology as more important than dealing with complex realities.

2. Professional Trump apologist Jeffrey Lord reacted with a tweeted Sieg Heil! to  Left Wing attack group Media Matters organizing a boycott of the Fox News star’s sponsors to force Sean Hannity off the air.  CNN responded by firing Lord, saying, “Nazi salutes are indefensible.”

Except that Lord was not performing a Nazi salute, but alluding to it to make the very accurate point that the Media Matters wing of progressive America is anti-free speech, and, Nazi-like, determined to shut down inconvenient dissent. Sieg Heil!, in the context of Lord’s tweet, did not mean “Yay Hitler, and let’s kill some Jews!” but rather “Media Matters embodies fascism of the left.”

Which it does.

This story is just full of detestable people and organizations. Jeffrey Lord is a dishonest hack whom CNN keeps parading before its viewers to pretend that the network is “balanced” in its relentless critical commentary on the President. Typically Lord is the sole defender of the Administration on a panel of multiple virulent critics, presided over by one of CNN’s myriad anti-Trump hosts. Sean Hannity is a knee-jerk conservative without scruples, perception or shame. Media Matters is a left-wing propaganda machine that makes a mockery of the term “media watchdog” by its very existence, and it is not unfair to rate its creator and leader, David Brock, as unstable. And I don’t like Nazi salutes either, though to call them “indefensible” is just plain wrong. They are defensible on the History Channel, to show how Nazis behaved. They are defensible in films like “Valkyrie,” since Tom Cruise’s doomed hero’s reluctant salute was a central theme.

It is defensible in Mel Brooks movies, which feature the salute frequently, to mock the Nazis. It is defensible in “Dr. Strangelove,” to make the running joke that mysterious ex-Nazi genius has a Nazi arm with mind of its own.

And it is defensible to use the Nazi salute derisively to say,”David Brock and Media Matters are fascist in the their methods and attitudes towards free speech.”

CNN’s firing of Lord falsely implied that he was referencing the salute positively. By doing this, the increasingly unprofessional and untrustworthy network was also able to impugn President Trump; after all, if his most visible defender in a Nazi, that makes the President Hitler, right?

In this particular basket of deplorables, CNN may be the most unethical of all. Continue reading