Tag Archives: music

From The Ethics Alarms Harry Truman Files: Applause For “The Wrecking Crew”

 

One of my favorite Presidential quotes of all time is from Harry Truman. He said,

“It is amazing what you can accomplish if you do not care who gets the credit.”

Nonetheless, people deserve credit when they do important things, and trying to encourage the culture to not only give credit but also to remember and honor those deserving it across generations is a frequent theme of this blog.  The Ethics Alarms Heroes Hall of Fame is one expression of this theme. This post is another.

I was reminded of The Wrecking Crew when Glen Campbell died, and recently, when I heard old Monkee Mickey Dolenz in a recent interview.  Cambell was the most famous alumni of the studio band, which had many members over the years. Dolenz was a member of the group that was its most famous beneficiary, although The Byrds were also famously represented by The Wrecking Crew in their first hit record, “Mr. Tambourine Man.”

It has always amazed me how little this loosely organized band of brilliant studio musicians is known outside of the music business and the rock and pop trivia nerds. The Wrecking Crew was significantly involved in much of the greatest pop music recorded from the late 1950s to the mid 1970’s. Their musical contributions are indistinguishable and inseparable from the those of the famous singers and groups they backed, and yet fame and credit, as well as sufficient honors, have been elusive.

If people have heard of them at all, the Wrecking Crew is known for “ghosting” the accompaniments for the Monkees’ first two albums. However, its studio band work was far more extensive than that. They were, for example, the creators of Phil Specter’s “Wall of Sound”: in the early years, they were sometimes credited on Specter discs as occasionally credited as “the Phil Spector Wall of Sound Orchestra.” They played under other names too, or no names at all. The nickname “The Wrecking Crew” became public when it was used by drummer and member drummer and member Hal Blaine in his 1990 memoir, “Hal Blaine and the Wrecking Crew”; they also sometimes called themselves “The Clique.”  Blaine, Campbell and keyboardist Leon Russell are the most famous members; some of the better known studio  musicians that formed the backbone of the Crew’s ranks were drummer Earl Palmer, saxophonist Steve Douglas, guitarist Tommy Tedesco,  and bassist Carol Kaye, as well as versatile Larry Knechtel, later a member of Bread.

I checked Wikipedia for a list of the hits The Wrecking Crew played on and made into the classics they are. Here were some of them. Continue reading

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Filed under Arts & Entertainment, History, Popular Culture, Professions

Morning Ethics Warm-Up: 6/20/17

1. It isn’t just the President’s boorish role modelling and the misbehavior and incivility of his opposition that makes me fear for the ethics alarms of our rising generation. The long-term results of people being able to isolate themselves from social contact—and the social skills and sensitivities that direct, face to face contact nurture—by constant attention to electronic devices is a matter for concern. Yesterday, I became aware of another danger.

I heard, on the new Sirius-XM Beatles channel, a recording of Paul McCartney singing my favorite song from “Guys and Dolls,” a sweet ballad sung in the musical by an elderly father to his grown daughter during her romantic crisis.

McCartney has a foot in two cultures and always has. As much as a rock and pop innovator as he was, Paul was also steeped in the traditional love songs of his parent’s generation, including Broadway. Today both of McCartney’s feet are planted where nobody under the age of 30 is likely to tread, and that is natural. Yet it seems that popular music is increasingly devoid of tenderness, empathy and compassion. Hip-Hop, particularly, seems immune from being able to express a sentiment like that in Frank Loesser’s nearly  70-year-old song that Paul McCartney obviously understands. I wonder, and worry. how many of today’s young Americans understand it, or will grow up with the capacity to do so.

Here’s Bing crooning the same song…

You know I love ya, Bing, but the Moptop wins this round.

2. There was some discussion on a thread here yesterday about the ethics of interests outside the state putting so much money into Georgia’s 6th congressional district’s special election. The House was designed to give communities a say in the national government, so to the extent that a local election is warped by interests outside the community—the Democrat, Jon Ossoff, is a carpetbagger who doesn’t live in the district—it’s a violation of the spirit of the Constitution and the ideal of American democracy. Some have even made an analogy to foreign governments interfering in U.S. elections. On the other hand, all this outside “interference” consists of are words, ads, and marketing. The district’s residents still are the ones who vote. If they are so easily swayed by slick ads and robocalls, that’s their responsibility. (There may even be a backlash.) Continue reading

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Filed under "bias makes you stupid", Around the World, Arts & Entertainment, Government & Politics, Journalism & Media, Law & Law Enforcement, Popular Culture, Rights

From The “Law vs. Ethics” Files: A Westin Hotel Comes To The Nuisance

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The photo says it all.

In Austin Texas, Westin  opened a large hotel next to the Nook Amphitheater, which is famous venue for live music in a city with a strong music culture  Westin is now suing the Nook because its music is disturbing the guests. The complaint states that the Nook plays “chest thumping bass” seven nights a week until 2 a.m. making some rooms uninhabitable.and thus harming the hotel’s business.

Law professor and invaluable ethics story source Jonathan Turley notes that the case recalls the now defunct “coming to the nuisance” doctrine.  The defendant in such a case once could move to dismiss a nuisance claim on grounds that the plaintiff moved next door only to challenge the activities, business and even the existence of it neighbor in court.  Turley writes,

The doctrine originated in early common law with cases like Rex v. Cross, 172 Eng. Rep. 219 (1826).  The Court held:

“if a certain noxious trade is already established in a place remote from habitations and public roads, and persons afterwards come and build houses within the reach of its noxious effects; or if a public road be made so near to it that the carrying on of the trade becomes a nuisance to the persons using the road; in those cases the party would be entitled to continue his trade, because his trade was legal before the erection of the houses in the one case, and the making of the road in the other.”

American courts found the doctrine to hinder growth and work against the common good, particularly as populations in cities expanded into rural areas.  

But, Turley explains, even in the absence of the “coming to the nuisance” defense, defendants have had some support from the courts: Continue reading

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Filed under Arts & Entertainment, Business & Commercial, Ethics Alarms Award Nominee, Government & Politics, Law & Law Enforcement

Comment Of The Day: “Christmas Music Blues”

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In addition to honoring his Comment of the Day, I also have to thank texagg04 for his timely comment to last year’s lament here, “Christmas Blues,” about the state of Christmas music as presented by the media. Christmas and holiday music is a useful, if depressing, window into the state of U.S. culture, and if he hasn’t written this commentary, I would have had to. Unfortunately, the tex’s list is res ipsa loquitur, and what it speaks of isn’t good. Christmas, the most ethical of holidays, has been substantially stripped of its ethical foundations by pop culture.

Here is texaggo4’s Comment of the Day on the post “Christmas Music Blues.” For added perspective, you may also want to revue last year’s post, On the Importance Of Christmas To The Culture And Our Nation : An Ethics Alarms Guide.

As of noon today (Monday, 28 Nov), I ran a quick survey of songs played on our local “Christmas” station since the start of last Monday.

95 songs played (though 161 if you separate them by Artist and Version of the song) for a total of 1,893 times.

Here’s the list and how many times they were played (Down on the list are some weird outliers involving the Magnum P.I. and Miami Vice soundtrack. I have no clue how those landed on the station’s playlist archive…but they were there, so I’ve included them): Continue reading

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Filed under Arts & Entertainment, Comment of the Day, Ethics Alarms Award Nominee, Gender and Sex, History, Humor and Satire, Popular Culture, U.S. Society

Ethics Hero: 11-Year-Old Singer Capri Everitt

Capri Everitt is an 11-year-old girl with a big voice. She set a Guinness World Record earlier this month when she sang the National Anthem before a Washington Nationals baseball game . For nearly a year, you see, Capri and her family have traveled around the world to 80 countries so she could sing 80 different anthems in 41 different languages.Washington D.C. was the final stop for Capri,  in a tour that required her  to learn  a lot of songs and master the pronunciation of many foreign tongues.

“And a lot of the time, I got people that are native to the country to help me with the national anthem – to help me learn it and pronounce it right, ” Capri says.

Some people use national anthems to divide people. Some, like Capri, would rather use them to bring people together.

Her tour raised money for a charity called SOS Children’s Villages, which provides homes for orphaned, abandoned and disadvantaged children in 134 countries.

“There is so much bad news on television and in newspapers that we thought, ‘How can we create a good story? How can we do something with our daughter because she loves to sing,’”  Tom Everitt, Capri’s father. has told journalists. “But we wanted to be something that would be really, really positive, so we got her to practice some national anthems.”

Capri’s anthem tour is documented on the family’s  website AroundTheWorldIn80Anthems.com.

Sing, Capri!  Colin Kaepernick can sit it out if he wants.

 

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Filed under Around the World, Arts & Entertainment, Childhood and children, Ethics Alarms Award Nominee, Ethics Heroes, Family

KABOOM! The Wrigley Field DJ Really Thought This Would Be OK! (And The Cubs Get A Jumbo…)

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Talk about malfunctioning ethics alarms! This story made my head explode, once I confirmed that it was not a hoax, as I desperately hoped. It apparently made the heads of a lot of Cubs fans and Cubs executive blow craniums too.

If you don’t follow baseball closely, and by the way, what’s the matter with you?, you probably don’t know two crucial facts about the Chicago Cubs closer (that’s the pitcher who comes in to pitch the ninth when his team is ahead in a close game) Aroldis Chapman:

1. He throws the baseball over 100 mph. on almost every pitch, and has hit 105 mph. on the radar gun this season. Traditionally 90 mph on a pitcher;s fastball is considered good. 95 mph is considered very good. 100 mph is outrageous. Last year, Chapman threw more pitches over 100 mph than the rest of his league’s pitchers combined.

2. Chapman was suspended for much of this season for domestic abuse, under baseball’s new policies.

The Cubs recently acquired Chapman (from the Yankees) to be the team’s closer, in this, a season that bids fair to be the one that finally ends the team’s epic string of seasons without a World Series title. The Cubs last won the Series in 1908, over a century ago. The team hasn’t even made it to the Series since 1945.

Now here’s the punch-line.

Hold on to your head. Continue reading

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Filed under Arts & Entertainment, Business & Commercial, Ethics Alarms Award Nominee, Ethics Dunces, Etiquette and manners, Family, Gender and Sex, Humor and Satire, Jumbo, Kaboom!, Sports

#FreeKesha Ethics: Ignorance, Indignation And Feminist Bias Vs. The Law

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Perhaps, if you don’t follow pop music, you managed to miss the long, long ongoing drama of singer Kesha’s (formerly “Ke$ha”—I know, I know… ) legal efforts to get out of her recording contract with  Sony and producer Dr. Luke, (Lukasz Gottwald) who has produced hits by other artists like Katy Perry, Rihanna, Pitbull and Miley Cyrus. It isn’t over, but the unethical caterwauling by Kesha and her supporters both in and out of the industry is deafening.

Also off-key.

Kesha Rose Sebert was 18  and an unknown singer from Nashville  when she signed a five or six (I have read both)  album contract with one of Dr. Luke’s recording companies in 2005. It took five years, but the producer’s faith in her paid off when Tik Tok became the No. 1 song in the country. Kesha released two albums in the next two years, but none since 2012.

In October 2014, Kesha’s legal team sued Dr. Luke for alleged sexual assault and battery, sexual harassment, gender violence, emotional abuse, and violation of California business practices since the beginning of their business relationship. The lawsuit claimed that Dr. Luke had  drugged her, raped her while she was drugged,  and also tormented her to the point where Kesha developed an  eating disorder that eventually required medical attention. Kesha asked that the court let her out of her exclusive recording contract because, as she put it in a sworn affidavit, “I cannot work with this monster.”

Dr. Luke, not appreciating being branded a rapist, filed a countersuit against Kesha and her attorneys for defamation, and accused her, her mother, and her management of fabricating the abuse claims to break her contract with him and his partner, Sony. Last November, Dr. Luke asked the judge to dismiss Kesha’s allegations of sexually abusing her. Continue reading

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Filed under Arts & Entertainment, Ethics Alarms Award Nominee, Journalism & Media, Law & Law Enforcement, Social Media