“Systemic,” A Four Part Ethics Alarms Depression, Part 4: Systemic Patriarchy And Hypocrisy

feinstein Schumer

As the election draws nigh, I am thoroughly sick of writing, “If the Democrats had any integrity, they would…” and I’m sure you, faithful ethics fan, are sick of reading it. Quite obviously the current Democratic party cares no more about integrity than they do about process, the Constitution, civility, or trying to avoid dividing Americans.

But I admit, as an ethicist, the flagrant hypocrisy I have seen virtually every day since the Democrats decided that destroying a President was more important than preserving American democracy is depressing, and often frightening. Yesterday, Joe Biden raised the specter of Joseph Goebbels in reference to President Trump, when it is his party—and he—who have used the Goebbels’ Big Lie tactic repeatedly, as Ethics Alarms has documented extensively. The fact that Biden is his Party’s nominee is as gross an example of hypocrisy as ever witnessed in American political history: the same party that spent two years insisting that sexual assault and sexual harassment disqualified prominent men for positions of power in all fields, and that women had a right to be believed when they accused men of abusing them, chose a man whose habit of sexual harassment is decades long and a matter of photographic record.

Last week, it again was the feminist base of the Democratic Party that was abused, but never mind: clearly these women have no more integrity or ethical principles than the men they pimp for. They are in the right party, obviously—they one that postures without meaning what it says.

At the conclusion of the Amy Coney Barrett Judiciary Committee confirmation hearings, ranking Democratic Senator Dianne Feinstein, foolishly believing that statesmanship, comity and collegiality were still values the Senate was supposed to embody, commended Committee Chairman Lindsay Graham for his leadership and said it was “one of the best” hearings she’d ever been a part of. She then hugged him.

Yet yesterday, as if that was all a mirage, there was Feinstein standing submissively behind Chuck Schumer on the steps of the Supreme Court, as the Minority Leader Chuck Schumer said that his fellow Democratic Senators  had boycotted the committee vote because it was an “awful, awful hearing.” Schumer had, we were told, had a little talk with the oldest Senator in the body, apparently warning her to expect a horsehead in the bed if she didn’t meekly toe the party line, even though she thought she was doing that. Remember “when they go low, we go high?” Remember all of Feinstein’s party’s blathering about Democratic norms? Restoring bi-partisanship in Congress?

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Hollywood’s Unethical Aging Leading Man Tradition

[Let’s see, I tried to get everyone off the silly NFL kneeling protests (just because I write a lot about something doesn’t mean I don’t think its that important), and a simple pro-civility post turned into a donnybrook. Hmmm...how far can I get from both issues? Maybe this will work…]

The Business Insider has an article about something that has bothered me for decades: Hollywood’s embarrassing addiction to pairing young actresses with aging male stars, even when it’s ridiculous. There is nothing wrong with a 60 year old man romancing a 25 year-old woman, just as there was nothing wrong about the romance between an elderly woman and a twenty-something male in “Harold and Maude.” However, the appearance of such pairings is unavoidably sexist, and cuts hard against Hollywood’s posture that it is a force for liberalizing the culture.

The article, by Meg Shields, says in part…

“American Made” premieres this week, bringing two reunions with it: Tom Cruise and “Edge of Tomorrow” director Doug Liman, and Tom Cruise and his ever-growing age gap with his female co-stars. Sarah Wright (who plays Cruise’s wife in the film) was born in 1983 just a couple months after the premiere of Risky Business, making her 22 years Cruise’s junior. 

…It’s a well-known fact that Hollywood likes to pair older men with younger women. And to be clear, there’s nothing wrong with an age gap between two consenting adults. According to the 2013 US Census, 4.8 percent of heterosexual married couples included a husband 10-15 years his wife’s senior. The problem, rather, is that Hollywood doesn’t really care about showcasing the stories of that 4.8 percent so much as normalizing the expectation that women are only romance material when they’re in their mid-20s/early-30s, whereas men are free to age and remain conceivably f—able.

… I crunched the numbers for every single Tom Cruise movie, comparing his age relative to that of the actresses playing his love interests over time. All told, Cruise’s age gap mirrors, and indeed confirms, the larger critique of Hollywood’s bias against older actresses. This isn’t just anecdotally-sourced rhetoric, by the way. There’s more and more statistical evidence showing how women age out of Hollywood. Time and The Pudding, for instance, do a great job at visualizing how more roles and dialogue are available to men as they age, where the opposite is true for women.

I was intrigued by this article because I just saw Cruise’s remake of “The Mummy” (and a more ludicrous spectacle it would be hard to find). Tom looks great for his age, at least a decade younger than he is, and he is inherently youthful, so it is a bit unfair to use him to make this point. How about the oogy pairing of Catherine Zeta-Jones and Sean Connery (above), looking every inch of his 69 years in “Entrapment”? When Cary Grant at 60 was paired with the gamin Audrey Hepburn in “Charade,” Cary’s fans weren’t bothered, but he was: he said that he felt uncomfortable playing the romantic lead at an advanced age, and began planning his retirement. John Wayne was never a comfortable romantic lead, and while Howard Hawks made the by-play between the Duke at 52 with 28 year-old Angie Dickinson in the great “Rio Bravo” work, teaming Wayne with much younger women didn’t seem right; a few movies later, he was back with Maureen O’Hara. Continue reading