plagiarism

Shia LaBeouf, Plagiarism Addict, With Much Worse To Come

/ Jack Marshall / 27 Comments
Shia past and present, with apology...

The child star past and present, with apology…

Actor Shia LaBeouf, known to Disney Channel aficionados as the annoying little brother on “Even Stevens” and to movie fans as Indiana Jones’ son and the Transformers Guy, is so much more, and not in a good way. His rapidly expanding list of reckless and socially-clueless episodes, including the obligatory misconduct behind the wheel of an expensive car, signals that he may be the new Lindsay Lohan, a talented former child-star raised to adulthood without basic life-skills, respect for others, and an appreciation of the difference between right and wrong. This is a tragic scenario that we are cursed to witness again and again—we saw it in 2013 in the increasingly obnoxious and desperate conduct of pop star Justin Bieber. Give a child wealth, power and adulation without first imbuing him or her with values, discipline and humility and what do you get? A menace.

As LaBeouf’s acting career has waned with his growing reputation as an untrustworthy (and sometimes violent) jerk, he has refashioned himself into an aspiring artist. Unfortunately, he lacks some basic traits of successful artists, like integrity and creativity. His inclination, being raised, like most child stars, in an unstable environment by self-absorbed and dysfunctional parents, is to cheat. In 2012, LaBeouf attached his name to three short graphic novels and a webcomic series. This year, we learned that at least two of the graphic novels contained text plagiarized from other writers. Then LaBeouf attached his name as writer to the short film (which he also directed) called “HowardCantour.com,” which was unveiled at the Cannes Film Festival and received some praise there. The  short, about an online film critic, included a strong resemblance to Daniel Clowes’ 2007 comic “Justin M. Damiano,” as well as large sections of dialogue directly lifted from it. No one picked up on the plagiarism until LaBeouf  released his film online.  Continue reading →

“How Dare Universities Charge Such High Tuition?” KABOOM!* #1: Georgetown University Law Center

/ Jack Marshall / 3 Comments
headexplode

Kaboom.

James Feinerman, the James M. Morita Professor of Asian Legal Studies at Georgetown University Law Center, who also serves as its associate dean for transnational programs, was hired by the U.S. government as an expert witness  to bolster the prosecution in a spying case, and apparently plagiarized a substantial potion of the report submitted to the court from <sigh–there goes that value of THAT degree> Wikipedia.The defense picked up on the uncited cribbing and the federal court is now examining whether the sources used by Wikipedia are reliable enough for his report to be accorded any validity. The Government, meanwhile, represented by assistant U.S. attorneys Peter Axelrod and John Hemann, is stuck with making desperate “ahumunahumuna” sounds like Ralph Kramden used to do on “The Honeymooners” when he was caught looking stupid and spouting lame arguments in court filings about how Feinerman “utilized language from Wikipedia as a concise English-language summary of his opinions on certain topics.”

Riiiight. Continue reading →

Self-Serving Twitter Plagiarism From Shia LaBeouf

/ Jack Marshall / 2 Comments
"How To Be A Jerk"

“How To Be A Jerk”

Actor Shia LaBeouf has two impressive achievements, neither anything to be proud of, but impressive nonetheless. In a showdown with World Champion Hollywood creep Alec Baldwin, LaBeouf, against all odds. managed to come off as the bigger jerk. In the process, he created, or at least gave unprecedented publicity to a new ethical transgression: Twitter plagiarism.

You will recall LaBeouf, if you recall him at all, as the former Disney Channel child star who had movie hits with “Disturbia” and the “Transformers” franchise, as well as gaining a form of lasting notoriety as Indiana Jones’ son in the fourth and lamest installment of that classic series. He also has established a reputation for being trouble, and this week it was revealed that he had been fired (the old “artistic differences” excuse) from what was supposed to be his Broadway debut in the new play “Orphans,” starring Baldwin. The exact reasons are unclear, but incompatibility with Baldwin was part of it.

How do I know that LaBeouf, rather than the famously volatile Baldwin was at fault? Simple, really. Baldwin is the show’s star; he has theater credentials; he’s an established pro. It is part of LaBeouf’s job to get along with him, not the other way around. He could also learn something from Baldwin, who, though it seems hard to imagine, was once an even bigger jerk than he is now—so big, that at one point his career had gone from losing the Jack Ryan franchise (to Harrison Ford) to playing the conductor in the sad and awful movie version of “Thomas the Tank Engine.” Baldwin knows where Shia is headed, and could help stop him from going there.

In the wake of his canning, LaBeouf took to his Twitter feed and posted various e-mails leading up to his fate. One of them was erudite and almost poetic:

“A man can tell you he was wrong. That he did wrong. That he planned to. He can tell you when he is lost. He can apologize, even if sometimes it’s just to put an end to the bickering.”

Hey! Jerk or not, this guy can write! He has a brain!

Well, no, not really: he has a computer, and can cut and paste. His words were lifted from Tom Chiarella’s essay in Esquire, “How To Be A Man.” Continue reading →

Ethics Hero: Cartoonist Ted Rall

/ Jack Marshall / 34 Comments

cartoon_plagiarism_444045

It is always courageous and exemplary when someone calls out his own profession for deficient ethical standards, and this is what political cartoonist Ted Rall has done on his blog. The topic: plagiarism in editorial cartoons, which is bad enough. Rall, however, makes strong case that the unethical practice flourishes because syndicates, editors, publications, honors committees and the professional associations tolerate it, and journalists don’t seem to care. He also blows the whistle on the practice known as self-plagiarism, where a cartoonist recycles his previous work as new. Rall writes, Continue reading →

Of Fareed Zakaria, Scraping, Plagiarism and Hypocrisy

/ Jack Marshall / 11 Comments

Is it “Oops!”, “Damn!” or “Better luck next time”?

I once had a dear friend in the DC theater community who committed an industry taboo when he mounted a play before, rather than after, obtaining the performing rights. His company was in the red, and his intent was to get some advance sales to pay the licensing fees that he otherwise couldn’t afford. It was a desperate, foolish scheme and an unethical one, as he readily admitted, and my friend paid dearly for it, as he was fired as the head of the theater company he had founded, and rendered a pariah in the community. What always infuriated him, however, was the instant condemnation and pious pronouncements he received from his peers in the theater world. “I know for a fact that everyone of them either would have done the same thing or had done the same thing, or worse, to keep their theaters running,” he told me.  “I was wrong and I know I was wrong, but for them to act as if I am some kind of a monster when I know they are really thinking, ‘Yikes! I better be more careful, that could have been me!’ is driving me crazy.”

I wonder if disgraced CNN host and Time writer Fareed Zakaria is thinking the same thing as his colleagues in the news media and assorted web commentators are describing him as a plagiarist and an untrustworthy fraud in the wake of his suspension for lifting a paragraph from another writer’s work  and putting it in his own Time essay without attribution. After the parallel passages were flagged on the conservative website Newsbusters (you didn’t think he would have been outed by a liberal site, did you—or that Newsbusters would have been looking for plagiarism from a rightward  journalist?) both Time and CNN suspended Zakaria indefinitely.

This was the appropriate response. Zakaria is an opinion journalist, or a pundit: the idea that he is surreptitiously cribbing from others undermines his credibility substantially and perhaps fatally. That is not an entirely fair description of what Zakaria did, however.  What he engaged in was “scraping,”  the web-age technique where an author cuts and pastes a passage or more from another work and uses it as the foundation for a portion of a supposedly original article. When the passage in question is substantive, contains the ideas and conclusions of the author  whose work is being scraped, or is the product of another writer’s research, that is indeed plagiarism. When the passage being scraped is something the borrowing author could have written himself, however, it is more accurately described as lazy. It is still wrong, but it does not necessarily rise to the level of intellectual theft that can reasonably justify calling the author untrustworthy. Continue reading →

Comment of the Day: “The Ice Child” and Staging Theft Ethics”

/ Jack Marshall / Leave a comment

Arts blogger Jeremy Barker contributes a provocative counter-argument to my stance in the controversy over a D.C. based theater company that borrowed/adapted/stole an original production concept from a New York company without attribution or permission.  My position was (and is) that no rule, principle or law designed to discourage such conduct could avoid suffocating legitimate adaptations, mutations and new uses of  ideas devised by others, with devastating effects on creative expression. This is one of the great ethics controversies in the world of art, and I am glad to see it back in the ring.

Here is Jeremy’s Comment of the Day on my post, “The Ice Child” and Staging Theft Ethics.

“Jack–I just came across this piece and wanted to respond because I think, in quoting me, you ignore part of my argument, and I’m curious if you can clarify your perspective.

“Specifically, I feel like your caveated argument in favor of Factory 449 is based on the sense that it’s common practice to borrow such design or staging elements in text-based theater. I agree, it is. But if we were speaking of a specific author’s text, I think most commenters would have swung the other way. We tend to protect the playwright’s text in a different fashion than we do a design concept. A writer could be accused on plagiarism for either (a) imitating a distinctive plot, or (b) appropriating the same words. Yes, we can argue about what is an acceptable form of “referencing” (no one thinks Arthur Laurents wrote Romeo & Juliet, for instance) and what crosses the line. Often, this applies to how the text is used. But we understand and appreciate a playtext as a protected, distinctive thing.

“Indeed, I’d argue that this logic, which privileges the text, is the basis on which people in this thread are defending Factory 449′s appropriation. Since it wasn’t the same “play,” by which they mean “play text,” it’s not really the same thing, ergo, it’s not ripping someone off wholesale. Continue reading →

Ethics Dunces: Massachussetts Democrats

/ Jack Marshall / 10 Comments

Then again, the values of Massachusetts Democrats in choosing Senate candidates has a certain consistency…

95.7 percent of the 3,500 delegates attending the Massachusetts state Democratic convention in Springfield, Mass. endorsed faux-Cherokee Harvard professor Elizabeth Warren for U.S. Senator.  Since Warren’s support exceeded 85%, Marisa DeFranco, the only declared opposition to Warren’s nomination to oppose Republican Senator Scott Brown’s bid for re-election, will not have the chance to test Warren in a primary.

Since no Democratic candidate had ever won more than 86 percent of the vote in the 30 years of the state party’s endorsement process, the party’s doubling down on the thoroughly disgraced Warren is a stunning rejection of ethical principles.

Warren, just this week, admitted that she had told Harvard that she was a Cherokee after she had been hired, prompting the University to list the blue-eyed, blonde-haired scholar as “a woman of color” in its diversity statistics. She had explicitly denied this for months. She has shown to be a plagiarist, a liar, a fake, and a hypocrite, and an inept politician as well. Her party’s response to all of this was to make it impossible for its members to reject her at the polls, and to nominate a candidate of integrity to oppose Brown.

What does the conduct of Massachusetts Democrats demonstrate? Continue reading →

Recipe Rationalizations

/ Jack Marshall / 3 Comments

Go ahead: tell him that recipes are trivial.

The Elizabeth Warren recipe plagiarism is turning into a fascinating study of whether objectivity and fairness can survive partisanship. So far, the results are depressing.

There is increasingly persuasive evidence that the recipes contributed by “Elizabeth Warren, Cherokee” to the cookbook “Pow Wow Chow” were not Native American recipes passed down over generations as Warren represented them, and that she 1) knew this and 2) intentionally misrepresented and disguised their origins while lifting them, barely altered, from other published sources. Faced with this, Warren supporters are falling back on classic rationalizations rather than accepting, reluctantly, the obvious import of the data: their candidate is an untrustworthy faker.

Howie Carr, the Boston radio talk-show host who initially uncovered the plagiarism in “Pow Wow Chow,” reveals more details of one of Warren’s apparent thefts in today’s Boston Herald. For her version of the recipe for “Herbed Tomatoes” that she lifted from the September 1959 edition of Better Homes and Gardens, Warren made a few strategic changes, Carr reports.  She cut one the “one-half teaspoon monosodium glutamate” from the ingredients ( “Apparently MSG was not available at the Muskogee Stop & Shop in 1856,” writes Carr) and also eliminated the option of using margarine rather than butter, since “I Can’t Believe It’s Not Buffalo Grease” was not on the shelves of her elusive Cherokee ancestors. This indicates an intent to deceive by Warren, in addition to her plagiarism.

Central to the defenses offered for Warren by Democrats are the following classic rationalizations: Continue reading →

“Pow Wow Chow” Follow-Up: My Breitbart Interview On Harvard and Professor Plagiarism

/ Jack Marshall / 3 Comments

Michael Patrick Healy, an author and conservative activist, interviewed me today regarding what Harvard Law School’s response ought to be if indeed Elizabeth Warren engaged in plagiarism with her contributions, as “Elizabeth Warren, Cherokee”, to the cookbook “Pow Wow Chow.”

His article, including the interview, are on the Breitbart Big Government site, here.

The Significance of “Pow Wow Chow”

/ Jack Marshall / 29 Comments

Great title, by the way….

There is mostly bad ethics news for Elizabeth Warren fans from the re-discovery of the 1984 cookbook she contributed to called “Pow Wow Chow,” but some good news too. The good news is that the 28 year-old cook book, edited by her cousin and listing the current Harvard professor and Democratic Senate contender as a contributor named “Elizabeth Warren, Cherokee,” shows that Warren didn’t just concoct her claims of Cherokee heritage to achieve minority status to help her get faculty jobs through university diversity hiring policies. Oh, she intentionally employed her dubious heritage credentials to get that edge, no doubt about it. But the cookbook shows that though she was only 1/32 Native American by the most generous calculations and was assuming that lineage on the basis of hearsay alone, Elizabeth Warren really had convinced herself that she is a Cherokee, and probably believes it to this day. Hence her obsession with being able to call herself a Native American appears less opportunistic and more, well, nuts. [ Note: for a thorough though excessively sympathetic review of Warren’s claims, read this, in The Atlantic.]

In fact, it looks like a severe case of Sixties Liberal Delusion Syndrome, also known as Billy Jack Disease. Warren talks and writes like a stereotype campus liberal, and like her Sixties campus forbears, she must have figured out in early adulthood that kinship with oppressed minorities is the antidote to white guilt and the ticket to a perpetual state of self-righteousness and victimization. If my diagnosis is correct,  Warren’s lockstep liberal mindset seized upon her family lore about American Indian heritage, and installed it as a cornerstone of her self-image as a foe of the capitalist, white-dominated American power structure. I am sorry I doubted her; I now think it is likely that she has long thought of herself as a true Cherokee. True, I think that is ridiculous; I think extending that attenuated minority identification into a resume enhancement, allowing her to displace more deserving candidates, is indefensible; and I think her obsession calls her judgement and stability into question. But at least she wasn’t lying. About that.

Yes, this is the good news.

The bad news is that Warren’s contributions to the cookbook appear to be misrepresented and stolen. Continue reading →