Public Theater

Morning Ethics Warm-Up, 5/11/2018: The Yankees Get Nasty, The Times Keeps Distorting, Rudy Is Sacked, And Dangerous Advice From An HR Expert

/ Jack Marshall / 7 Comments

A lovely May morn to all!

1 As I have always said, the Yankees are evil. Most serious baseball fans,  and presumably all Baltimore Orioles fans, remember how in the 1996 ALCS play-offs,  a young New York Yankees fan named Jeffrey Maier turned what should have been a crucial out for his team into a game-tying home run by Derek Jeter in the 8th inning of Game 1, by reaching over the fence and catching the ball before it could fall into O’s rightfielder Tony Tarasco’s glove. This was interference, but it was before the challenge and replay rule, and the umpires, as is too often the case, missed the play. The Yankees won the game, the series and the World Series, and the Yankees and their city celebrated Maier as a hero—for, in essence, cheating on their behalf. The rules announced at the beginning of each game dictate that such conduct will result in an offending fan being thrown out of the stadium, but never mind: the ends justify the means, consequentialism, moral luck, double standards, hypocrisy…readers here know the litany. Misconduct was rewarded and extolled because everyone loved the result. New York, New York!

Now let’s go forward 22 years to last night’s tense game between the Yankees and their eternal rivals, the Boston Red Sox, also in Yankee Stadium (the new version.) The Yankees, as they had the previous two nights, rallied late against the hapless Boston bullpen and tied the game, 4-4, in the 7th inning. In the Sox 8th, J.D. Martinez hit a lazy fly that just got over the short right field fence and leaping gargantuan Yankees rightfielder Aaron Judge’s glove, into the outreached glove of another young fan, except that this one did not reach over the fence, and did not, as the replay showed clearly, interfere with Judge in any way.

Ah, but the home run he caught was hit by a Red Sox player, and put the Yankees behind in the game, after the fans’ hopes had been raised.

Yankee Stadium security hauled the fan out of the stadium.

The Red Sox won the game.

Good.

2. The Good Illegal Immigrant on stage…just to remind us of how pervasive false narratives are..I have kept an April 10 New York Times feature around just to raise my blood pressure in case I need a jolt. The article hails “Miss You Like Hell,” a new musical produced at Manhattan’s Public Theater. The show is about the pain and suffering endured by people who are in the United States illegally, having presumed to take what they want in defiance of our laws and policy, but no sense of wrongdoing is even hinted at in the story. The Times uses the deceitful cover-phrase “undocumented immigrant,” which was devised deliberately to blur the illegal immigration issue.

Today, as has been increasingly the case throughout the news media, a front page Times article uses “immigration” interchangeably with “illegal immigration.” This, of course, advances the lie that the those who oppose illegal immigration—that is, those who oppose law-breaking without consequence as national policy–are anti-immigrant.

This same story was headlined by the Washington Post, “Trump unloads on Homeland Security secretary in lengthy immigration tirade.” Continue reading →

Why Ethics Alarms Don’t Ring: The Gloucester PTO’s “Don Trump” Gravestone

/ Jack Marshall / 20 Comments

In Gloucester, Massachusetts last week, the parent-teacher organization hosted a Halloween themed fundraiser at West Parish Elementary School.   One of the parents was thoughtful enough to bring a bean bag toss game that featured fake tombstones. One of them had the familiar name “Don Trump” on it. Hilarious! And so clever…

Surprisingly, at least to the thoughtful parents and the host who didn’t have the sense to say, “Cute! But you know we can’t display that…”, not everyone present, even in the Bluer than Blue Bay State of my birth, revels in the thought of the President of the United States dying in office.  Several  parents took photos of the fun game, and sent them to Massachusetts Republican Party committeewoman Amanda Orlando Kesterson, who shared one of the them on Facebook along with a searing post, which read in part,

“I find it absolutely despicable that the PTO of one of our local elementary schools would bring this political agenda before our children. The parents or teachers responsible for this disgusting display should claim responsibility publicly and apologize publicly as well. … We should teach our children that the office of the president ALWAYS deserves respect. Our school system is not the place for nasty political agendas.”

One question that puzzles me: did they object to the fundraiser organizers before sending the photos? That would be the ethical course. There’s nothing wrong with ring those ethics alarms by hand if they are stuck.

After the controversy erupted into the news media, the school principal, Dr. Telena Imel, apologized in a letter to parents, saying

“Intentionally or not, it inappropriately brought a political agenda into what was designed to be a fun family affair. Our school, and this includes school events sponsored by related groups, is not the place for politics. In planning future events, it will be made clear to organizers that school is not the place to engage in or to display political agendas or opinions.”

Oh, I think it’s fair to conclude that it was intentional.

The parents responsible for the  game  apologized, as did Gloucester’s mayor, who said in a statement, “The City of Gloucester does not condone political messaging within our schools.”

There is no other way to describe this incident except as a mass ethics alarms malfunction, one that is overwhelmingly afflicting Democrats. (Okay, one more question: Did any Democratic-leaning parents see what was wrong with the Dead Donald reference?) I am old enough to remember the assassination of Jack Kennedy, a Massachusetts native son. I can’t imagine anyone in my state not recoiling at any hint of a casual or satirical reference to another President’s death, even Nixon, and Mass was the only state that voted for George McGovern.

We almost had another assassination  when two crazy women took shots at Gerald Ford, and then one more near miss, when a sick Jodie Foster fan somehow thought killing Ronald Reagan would entrance her. When did this ethics alarm get broken, and how? The gravestone of the current President being presented as an appropriate Halloween decoration in an event with children present? Hosted by a parent-teacher organization? No alarms? Not even faint ringing? In Massachusetts, where everyone once knew “Abraham, Martin and John” by heart?

The alarms didn’t ring in part because teachers began thinking that indoctrinating children in their own political views became accepted practice during the Bush administration, as schools started showing Al Gore’s climate change agitprop in class. The Bush administration wasn’t behind the trend, but the Obama administration encouraged it, especially during the Post Sandy Hook anti-gun freak-out. Teachers were punishing kids for finger guns and biting pizza and pop tarts into pistol shapes even before that.

Still, the “It’s not good citizenship to joke about killing the President” alarm was functioning even if the “Don’t indoctrinate kids in partisan politics” clapper had been covered in bubble-wrap. Then the nation’s voters had the audacity to reject an awful, corrupt and dishonest Democratic Party candidate whose campaign had included calling anyone who opposed her a sexist, and anyone who voted for her opponent as “deplorable,” as well as promising that she carry on the policies of that wonderful President who had so thoroughly divided the nation in eight years that someone like Donald Trump—well, not just like him, but him— had been nominated to run against her. Suddenly the very same people who had lectured Trump and Trump supporters about how in the U.S., after an election, no matter how contentious, good citizens always put down their placards and unite behind the winner, validating and honoring American democracy and the wisdom of the people and our system of selecting leaders, did a back somersault reminiscent of Nadia Comanici her prime, and declared, in demonstrations and boycotts and calls for various means of undoing the election,  that this President didn’t deserve that deference and respect.

Then various voices in the party made vague and not so vague references to how nice it would be if someone “took out” the President. (That’s Maxine Waters’ term.) After the Charlottesville riots, Missouri state Sen. Maria Chappelle-Nadal—I wonder what party she belongs to?–went on her personal Facebook and said to a commenter, “I hope Trump is assassinated!”

The main pro-Trump death chorus, however, came from that saintly community that is always doing yeoman service as the culture’s moral exemplar, the entertainment business—you know, where Harvey Weinstein and the cool, beautiful, progressive people hang out. Madonna told an audience, “Yes, I’m angry. Yes, I am outraged. Yes, I have thought an awful lot about blowing up the White House. But I know this won’t change anything. We cannot fall into despair.” Johnny Depp told another throng, “This is going to be in the press and it’ll be horrible. But I like that you are all a part of it. When was the last time an actor assassinated a President?” Rapper Snoop Dogg remixed  “Lavender” by Canadian band BadBadNotGood adding a clown-clad version of President Trump called Ronald Klump, and showed him being  shot with a toy gun.

Last summer, New York’s acclaimed Public Theater staged a version of William Shakespeare’s ” Julius Caesar” in  Central Park with the crowd-pleasing gimmick of portraying Julius Caesar as a Trump clone. The audience cheered as he was assassinated in an on-stage blood bath. And, lest we forget, there was this:

All in good fun, of course!

Thus are once functioning ethics alarms silenced.

Now read the comments to Ms Kesterson’s Facebook post.

Comment Of The Day: “Ethics Observations On The ‘Shakespeare in the Park’ Trump As Julius Caesar Production”

/ Jack Marshall / 18 Comments

It was a pleasure to see eloquent and thoughtful teacher/blogger Curmie back commenting after a hiatus, and his timing could not have been better, as the controversy over the nightly assassination of a Julius Caesar who appears to be President Trump’s twin has become even more relevant since an anti-Trump zealots started picking off Republican Congressmen with his rifle.

Curmie is a theater professional with keen perspective on artistic freedom and a proven facility with ethical analysis. Here is his Comment of the Day on the post, Ethics Observations On The “Shakespeare in the Park” Trump As “Julius Caesar” Production:

Not surprisingly, I suppose, I’ve been thinking a lot about this story lately—enough to post about it twice on my own blog. Not having seen the production, I can’t say for certain that it does or doesn’t do X or Y. But I wonder if what we’re dealing with here is a variation on the theme of the Second Niggardly Principle.

[Ethics Alarms note: “When an individual or group can accomplish its legitimate objectives without engaging in speech or conduct that will offend individuals whose basis for the supposed offense is emotional, mistaken or ignorant, but is not malicious and is based on well-established impulses of human nature, it is unethical to intentionally engage in such speech or conduct.”]

A couple of points first. Drama, especially in the West, has always been political. I would argue (although I suspect the majority of my fellow theatre historians would disagree) that the Dionysian Festival, generally regarded as the birthplace of formal theatre (although there was almost certainly theatrical activity of some kind before that) was created less to honor Dionysus—a rather obscure demi-god worshipped primarily in Asia Minor—than to consolidate the political power of the tyrant Peisistratus.

Whether or not this is the case, it is unquestionably true that the Dionysia was used as a site for political speeches (e.g., Pericles’ funeral oration), and that the plays themselves commented on contemporary events (e.g., the Oresteia on the reforms of Ephialtes three years earlier, or Oedipus Tyrannos on the plague). Old Comedy—the plays that would have been contemporaneous with the work of the great Athenian tragedians—was explicitly political, often vulgar, and uniformly iconoclastic. These comic critiques of the powerful were seen by the state as an important part of the cultural life, much as the Feast of Fools became a staple of the medieval calendar. Similarly, Americans knew we were going to be all right after 9/11 when David Letterman started telling Bush jokes again. Continue reading →

Ethics Observations On The “Shakespeare in the Park” Trump As “Julius Caesar” Production

/ Jack Marshall / 95 Comments

In  New York City, Public Theater’s free Shakespeare in the Park festival this summer begins with  a version of “Julius Caesar“, in which Caesar is played by an actor made up and costumed to look like the current President of the United States, and Calpurnia (Caesar’s wife) is portrayed as a runway model with a Slavic accent. Some of the costumes include Anonymous masks and the infamous pussy hats. When Caesar/Trump is assassinated in the Senate, the murderers are women and minorities.

Oooo! Subtle!

The production has been in previews since May 23, and opens tonight at the Delacorte Theater in Central Park. Criticism of the concept,  theater and its financial supporters has been roiling all week, and many have compared the play to  Kathy Griffin’s severed Trump head stunt.  Fox News reported that it “appears to depict President Trump being brutally stabbed to death by women and minorities.” Well, yes, that’s right. Now some prominent corporate sponsors have publicly withdrawn their financial support, including Delta and Bank of America.

Delta’s statement:

“No matter what your political stance may be, the graphic staging of ‘Julius Caesar’ at this summer’s free Shakespeare in the Park does not reflect Delta Air Lines’ values,” Delta said in a statement on Sunday night. Their artistic and creative direction crossed the line on the standards of good taste. We have notified them of our decision to end our sponsorship as the official airline of the Public Theater effective immediately.”

Bank of America:

“The Public Theater chose to present ‘Julius Caesar’ in a way that was intended to provoke and offend. Had this intention been made known to us, we would have decided not to sponsor it. We are withdrawing our funding for this production.”

Other sponsors, such as Time Warner and the New York Times, have stood fast. Said the Times:

”As an institution that believes in free speech for the arts as well as the media, we support the right of the Public Theater to stage the production as they chose.”

Ethics Observations:

[Do remember that I am a professional stage director, previously the artistic director of a professional theater for 20 years, and that I dealt with donors, individual, corporate, non-profit and government, all that time.] Continue reading →