The American Century Theater

Worlds Are Colliding! A Conflicted Holiday Invitation For Ethics Alarms Readers, Their Friends And Families…

/ Jack Marshall / 20 Comments

A-christmas-carol1

Now I know how George Costanza felt. This time it is the world of Ethics Jack and Theater Jack that are colliding….

The American Century Theater, the small, Arlington, Virginia-based non-profit professional theater company—you know, one of those “culture palaces” that rich people give to so they can “hobnob” with each other (our performing space is in a Middle School) according to Robert Reich—which I helped found and have served as Artistic Director for 18 years— is producing a unique—and free—dramatized version of Charles Dickens’ “A Christmas Carol” that Ethics Alarms readers can actually “attend” and enjoy with the families, friends and ghosts.

Using a technique pioneered by Ethics Jack’s company ProEthics for Continuing Legal Education teleseminars under the auspices of Virginia Continuing Legal Education,  the production will recreate the sound and feel of old time radio drama using modern teleconferencing technology. All of the actors are snug in their own homes, using telephones as their microphones, as their vocal portrayals are mixed, live, with music and sound effects by sound designer Ed Moser, also The American Century Theater’s technical director. More than 20 current and former professional actors from  Maryland to Utah will be involved, creating an hour-long, live recreation of a script adapted from the Golden Age of radio drama, when Campbell’s Soup presented an annual live broadcast of “A Christmas Carol” starring Lionel Barrymore ( you know him best as “Mister Potter”) as Scrooge, to millions of families across the country every Christmas Eve.

Theater Jack is the director of the show, which you can listen to over your own phone, or better yet, through the speaker phone with your family taking in the sounds of the classic tale by your side.

How do you do this?

It’s as simple as licking a candy cane!

Anyone wishing to hear the broadcast will only have to call in a few minutes before 8 PM, E.S.T., on Sunday next, December 22. The  audience Dial-in number is 1-443-453-0034, followed by entering the Christmas Carol Conference Code: 758246. Then, upon entering the virtual theater, audience members must press *4 to mute their lines (if only theater audiences and their cell phones were so neatly muted!) and wait for the show to begin. There will be no charge to the listening audience for “A Christmas Carol,” except for regular long distance rates where they apply.

Feel free to let your friends, colleagues and neighbors know about the event, and consider this worlds collision-risking invitation my thanks to you for helping Ethics Alarms have a banner year of ethics debate and illumination.

Merry Christmas!

-A-Christmas-Carol

Ethics Quiz: Critic Ethics

/ Jack Marshall / 27 Comments
How I love critics...

How I love critics…

This is a delicate one for me; the names have been omitted and details disguised to protect…well, for a lot of reasons.

Last week I posted about the mixed-gender version of “I Do! I Do!” I directed for The American Century Theater, which I co-founded and where I am the artistic director. The show met all my objectives and expectations, even surpassed them, and until today, all of the reviews have been raves.

Today, though, a non-rave came out on a local theater website. It is the kind of review I detest, where the standard of the critic is “why didn’t you do it this way? That’s what I would have done.” The answer to that is, bluntly, “Direct your own damn show, then.” Snap judgments from one-time viewers, even extremely sophisticated ones, about what they would do if they were the author, actor, director, or designer of a stage production—when if truth they never have been or could be—are inherently unfair, incompetent and also obnoxious. After considering and experimenting and testing various artistic approaches to any problem over months of preparation, meetings and  intense rehearsal with a large production and artistic team, any production deserves the respect of being assumed to have considered and rejected for cause other solutions, which for various reasons didn’t work.

This is not, of course, a professional reviewer, though a reader could only know that from the quality of the review. Among other tells, the critic misidentifies which performers sing what, and the whole concept of non-realistic sets seems to be alien to him: yes, dear, we could have afforded a four-poster bed; the director felt the show would be better without one, and in fact, it is. Okay, the reviewer is a boob: that’s fine; most theater reviewers are.  I would not make an issue about one sloppy and badly reasoned amateur review, because if I did, I’d be in a padded room.

However, after the review was published, I learned that our company had a prior experience with this reviewer: he had been on the crew of a show last year, and we had to fire him. In 17 years and over 80 productions, he is the only person to be fired from that particular job.

Your Ethics Alarms Ethics Quiz with a theatrical bent:

Does a critic who has a past relationship with a theater company whose production he or she is reviewing have an ethical obligation to disclose it as part of the published review? Continue reading →