It is not surprising that last night’s Golden Globes award, pre-hyped as some kind of virtuous purging of the old, bad Hollywood culture where men used their power to sexually abuse women, and women submitted–and stayed silent—to achieve power and wealth of their own, was self-contradictory, hypocritical and incoherent.

What, for example, did the all-black outfits mean? Here is B-list actress Amber Tamblyn trying to explain in the New York Times:

“We actresses are not just modeling clothing when we walk a red carpet on award show night. We are modeling a kind of behavior. We are speaking in a coded language to other women — even young girls — that says: The way I look and what I wear and how I wear it is the standard for women. What is being worn is not an exception. It is the rule. You must dress a certain way and look a certain way if you want to be valued as a woman, no matter what you do for a living or who you are. We never intend for this to be the message we are sending with what we wear, but often it is the perceived one, whether we like it or not…Tonight, you will see just such an experiment as myself and hundreds of women from the Time’s Up movement will reject colorful gowns for black ones on the Golden Globes’ red carpet and at related events across the country. Wearing black is not all we will be doing. We will be doing away with the old spoken codes in favor of communicating boldly and directly: What we are wearing is not a statement of fashion. It is a statement of action. It is a direct message of resistance. Black because we are powerful when we stand together with all women across industry lines. Black because we’re starting over, resetting the standard. Black because we’re done being silenced and we’re done with the silencers. Tonight is not a mourning. Tonight is an awakening.”

Oh. What? This is Authentic Frontier Gibberish. I sincerely doubt that what actresses wear on the red carpet has as much influence, or even close to it, on young women as what the actresses wear in films and TV. The black is a statement of action? What action? Resistance to what? Anyone who thinks that now, suddenly, a hundred years of a corrupt culture has been erased, and that if a message is sent by a male director, producer or star that an ambitious young actress can prevail over her competition by acceding to a date, a grope, or a night of sex, that won’t get essentially the same results it always has is naive. Tamblyn doesn’t think that, and I guarantee that  Meryl Streep doesn’t think that. This means that the all-black stunt was just grandstanding, and a mass deception upon the public.

If this was genuinely turning the page, why didn’t any of the actors—not one–mention Harvey Weinstein? They didn’t because they are afraid that he might come back, that’s why. Mel Gibson came back. David Begelman came back. Hollywood has a cruel, venal, ethics free,culture, and all of these women and actors know it. They won’t burn bridges, not completely. This is why Rose McGowan, who was the most vocal and audacious of the abused actresses, one who took grave personal risks to accuse Weinstein of raping her and then paying her off, as well as Ashley Judd and Salma Hayek, who both went public with the abuse before other stars felt secure enough to come forward–Hayek wrote that Weinstein threatened to have her killed —were completely ignored during the ceremony. Nobody saluted them. Nobody thanked them. Harvey might take it personally.

When host Seth Meyers, in his opening monologue, mentioned Weinstein, it was with this  jibe “Harvey Weinstein can’t be here tonight because, well, I’ve heard rumors that he’s crazy and difficult to work with.”  (That was an anti-Trump shot, of course) “But don’t worry — he’ll be back in 20 years when he becomes the first person ever booed during the ‘In Memoriam’ segment.”

The crowd, supposedly there explicitly rejecting the Weinstein culture,  moaned and booed. What bad taste for Myers! Imagine, being mean to a rapist! (“See Harvey? I didn’t laugh! Can I read for that part?”) Continue reading →