It took a few days, but Boston viewers finally figured out that CBS’s broadcast of the city’s famous Fourth of July fireworks display was digitally altered to present a spectacular view of the display that is geographically impossible. Yes, CBS, network of Murrow and Cronkite, presented a phony, enhanced version of the fireworks without bothering to disclose to viewers what they were really seeing.
Yesterday Boston bloggers and observers began pointing out that it was impossible to see the fireworks above and behind such famous locales as the State House, Quincy Market, and home plate at Fenway Park, because the display, as always, was launched from a barge in the Charles River, located where it could not be seen from those places.
“According to CBS, you can see the fireworks from the right side of Quincy Market, even though Beacon Hill is in the way,’’ wrote Karl Clodfelter, a research scientist and a commenter on the Boston blog UniversalHub.com. “Also, they come up behind the State House when you’re standing across the road . . . which means the barge must have been parked on the Zakim* this year.’’
Well, yes, that’s true, the producer of the CBS production admitted. But so what? David Mugar, who has executive produced the show for nine years, confirmed that the footage was altered. He argued that such images were “above board” because the show was entertainment and not news. “Absolutely, we’re proud to show scenes from our city,’’ Mugar said. “It’s often only shown in film or in sporting matches. We were able to highlight great places in Boston, historical places with direct ties to the Fourth. So we think it was a good thing.’’
It’s not a good thing, and hre is why, courtesy of Eric Deggans, a Florida-based media critic and regular panelist on CNN’s media critique show “Reliable Sources.’’ “It is an ethical issue,” Deggans said. “I think – especially in today’s media environment – the most important commandment for media is to not mislead the viewer. . . . If you’re a viewer who doesn’t know Boston, you’re getting a picture of the layout of the city that doesn’t exist.’’
Exactly.
Besides, it is pretty clear by now, isn’t it, that all network news is treated as “entertainment”? If CBS decides it can make news footage more entertaining–“Hey, let’s show a cow being blown by in this tornado!”—what’s stopping them, if producers like Mugar are in charge?
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* The Leonard P. Zakim Bunker Hill Bridge, part of the Big Dig Project in Boston and the widest cable-stayed bridge in the world

This reminds me of how incensed I become when “reporters” read the news from Moscow. I’ve been to Moscow: aside from St. Basel’s Cathedral, Red Square, and the Kremlin, Moscow is a SLUM and representative of a third world country — the obvious result of a nation which spent 50 years on war and science to the detriment of its citizens. You can only drink bottled water, don’t dare eat fresh vegetables, and watch out for potholes 15 feet deep (even in front of “good” apartment buildings), and by all means buy water whenever and wherever you can get it. Vodka (and rotting meat) at every corner kiosk, but minimal water.
The point is, the media always broadcasts from THE OTHER SIDE of the Moscow River (I’ve been there too and the visage is lovely) — where evening lights on St. Basels’ and Red Square look oh-so-beautiful and oh-so-civilized. It’s a lie.
The Russian people are busy rebuilding their nation after decades of tyranny. (They are lovely, intelligent, dedicated people, Russian Mafia notwithstanding) They are especially pleased, I think to rebuildt Greek Orthodox Churches and other pre-Soviet edifices closed down by the Stalin, et.al. What they had done the last time I was there was absolutely beautiful. One was right on Red Square. As our guide told us: “The Soviets brought us gray; we are bringing color back…”
So why bother to engage in deceit to show us “pretty” pictures of Boston. Boston is pretty enough: show it as it is. Why don’t you show us, for example, the REAL Moscow for a change?
That’s just……weird……
Personally, I think that’s right in line with the legacy of Murrow and Uncle Walt. False fireworks.