All outlets are reporting that Jason Arday, the DEI academic fraud whose career and reputation were spectacularly derailed the same week his autobiography was published by Simon & Schuster, has been found dead. Details are slowly emerging, but if his death was not a suicide, it will stand as one of the most spectacular coincidences of all time. I’m going to write this with the presumption that the 41-year-old took his own life. [The New York Times report is here.]

Ethics Notes:

1. I learned of this tragic development (from Young Bill) literally as I was preparing to write a post called “Stop Making Me Defend Jason Arday!” My trigger was a Washington Free Beacon article titled, “Fallen Cambridge Star Jason Arday’s ‘True Life’ Memoir Appears To Poach Life Events From His Favorite Soap Operas, ‘Spartacus,’ and ‘Forrest Gump’ : A Free Beacon review of Arday’s memoir, out this week from Simon & Schuster, shows that his melodramatic autobiography tracks closely with plotlines from popular TV shows and movies.”

The message of the EA post was to be that we should learn the lessons of the Arday debacle and be clear about its causes and villains: the woke obsession with DEI, especially in institutions of higher education, is the main cause, and the villains are the Left’s culture warriors and race hucksters, particularly those who have infested the faculties and administrative ranks of our colleges and universities, specifically the irresponsible, incompetent fools at Cambridge. Then, I was going to write, leave poor Arday alone. He had been humiliated on the world stage, he was bound to be blamed by the real villains, who exploited him, his life was, if not ruined, would take a very long time to be livable, and he was obviously a disturbed and unstable individual. There was far too much glee in the long article by Benjamin Ryan finding suspicious parallels between Arday’s alleged life story and the plots of movies and TV shows he had seen. I also found some of the parallels contrived: life imitates art and art imitates life: any remarkable life is likely to resemble memorable drama and fiction to some extent.

The article was piling on, licking the metaphorical dead horse. There was no need for that. Dismantle Cambridge and the indefensible void in academic integrity that made this tragedy possible. Flog academia, flame it, broil it. Expose and destroy everyone involved. Arday was the tool of unscrupulous, reckless, smug and intolerable people.