Arts & Entertainment

Sunday Ethics Warm-Up, 7/14/2019: The “Yikes!” Edition.

/ Jack Marshall / 24 Comments

Good morning!

1. Yikes. The New Republic is routinely irresponsible and disgusting these days, but may have set a new low—I can’t say for sure, because I only intermittently read the rag—with an ugly, homophobic rant by Dale Peck about Pete Buttigieg. So great was the outcry that the far left magazine pulled the piece, something it would not do and has not done when it has savaged a conservative or Republican, though not over sexual orientation, just horrible things like being male, white, or wanting to enforce laws. Here’s an excerpt from what remains on the web…Peck is himself gay, interestingly:

The only thing that distinguishes the mayor of South Bend from all those other well-educated reasonably intelligent white dudes who wanna be president is what he does with his dick (and possibly his ass, although I get a definite top-by-default vibe from him, which is to say that I bet he thinks about getting fucked but he’s too uptight to do it). So let’s dish the dish, homos….He’s been out for, what, all of four years, and if I understand the narrative, he married the first guy he dated. And we all know what happens when gay people don’t get a real adolescence because they spent theirs in the closet: they go through it after they come out. And because they’re adults with their own incomes and no parents to rein them in they do it on steroids (often literally)….the last thing I want in the White House is a gay man staring down 40 who suddenly realizes he didn’t get to have all the fun his straight peers did when they were teenagers.

I’m not saying I don’t want him to shave his chest or do Molly or try being the lucky Pierre (the timing’s trickier than it looks, but it can be fun when you work it out). These are rites of passage for a lot of gay men, and it fuels many aspects of gay culture. But like I said, I don’t want it in the White House.

I want a man whose mind is on his job, not what could have been–or what he thinks he can still get away with.

I know I keep asking this, but how could an editor not have ethics alarms ringing like a seven alarm fire when examining vile material like that?

2. Yikes! I didn’t see this coming...I posted what I thought was a nice, innocuous acknowledgement of the Boston Red Sox management doing something kind for the family of a forgotten walk-on during the team’s legendary 1967 pennant winning season who was inexplicably snubbed over the years. They gave the late Ken Poulsen’s son a 1967 World Series ring in an on-field ceremony before a game last week.

Then I received this in the comments:

I am Kendra Poulsen, Ken’s daughter and first born. I was not informed of this honor and presentation of the pennant ring they gave my brother yesterday. Obviously, I am devastated that me and my son were left out! And Ken had 2 grandsons. My child and my brother’s. The other children were step children from a recent marriage. It all makes me sick! The Sox should be ashamed of themselves. I could care less about the money.

I can’t quite make an ethics call because I can’t answer the threshold “What’s going on here?” query. So far, I’ve alerted a Boston Red Sox sportswriter friend, and that’s all. Was it the team’s obligation to track down the entire Poulsen family for its gesture of contrition? Did the son fail his duty to his sister? Continue reading →

Saturday Ethics Review, 7/13/2019: The Uncomfortable Truth About “The Lion King,” The Green New Deal, Children At the Border, Blackface, And Harvey Weinstein

/ Jack Marshall / 33 Comments

Hi!

Is it unethical for an ethics speaker to drop trow during a program? I think so. It was a situation I narrowly avoided this morning. I am a rather animated speaker, and after I slammed the D.C. ethics rules into the floor to illustrate a point, my effort to retrieve the volume resulted in the rear snap of my galluses pulling loose from the back of my pants. With an unpantsing imminent (and about to be streamed live to hundreds), I asked my moderator to come down from his platform and rescue me by reclipping the devices on, which he did.

Hilarity ensued.

1. “Asshole” ethics. In another episode today, I referred to Harvey Weinstein as an “asshole,” in the context of discussing the multiple David Bois ethics problems in handling the Hollywood mogul’s representation. The exact statement was “Even assholes deserve competent representation.” This came closely after I had mentioned that lawyer incivility was an ethics problem whether there were explicit rules against it or not. One of the attendees in cyber-space texted a query as to whether it was uncivil for me to use the term “asshole.”

I answered that I was reminded of the moment in  “1776” when one of the members of the Continental Congress challenges Thomas Jefferson’s use of the term “tyrant” to describe King George. Is it really necessary, Jefferson is asked, to use such a harsh word? Why resort to an insult? “Because the King is a tyrant,” Tom replies.

I went on to say that I have found that in certain situations, only certain harsh words are sufficiently accurate.  What should I call Harvey, a miscreant? A jerk? No, the man is an asshole, I said. I’m not using the term as an ad hominem attack, but as the most accurate term I can think of for someone who has done the things he has done to so many women while indicating no remorse at all. I do not use the term indiscriminately, and would not use it in certain forums, such as open court. But I do not believe in word taboos, and when the description, however harsh, fits, it is not uncivil to make a Harvey Weinstein wear it.

2. Now, what’s the right word for THIS? In the Washington Post,  Dan Hassler-Forest reflects on the themes of “The Lion King” and asserts that the lions, hyenas, and gazelles are “stand ins for human societal organizations” and that the themes of the movie “incorporates the white supremacist’s worldview.” Hassler-Forest is an author and public speaker on “media franchises, cultural theory, and political economy” who works as assistant professor in the Media Studies department of Utrecht University in the Netherlands. “No matter how you look at it, this is a film that introduces us to a society where the weak have learned to worship at the feet of the strong,” his article asserts. Continue reading →

A Head-Spinning Ethics Movie For 2019: 2005’s “Good Night And Good Luck”

/ Jack Marshall / 9 Comments

I avoided George Clooney’s film “Good Night And Good Luck” when it was released, because I knew it had been designed as an anti-Bush administration allegory, weaponizing Edward R. Murrow’s battle with Senator Joe McCarthy as progressive propaganda. See the courageous and principled journalists stand up against ruthless Republican bullies! See the dangerous power-abusers strike back with guilt by association allegations and by attacking the messenger! See the objective, non-partisan journalists help bring down the threat to democracy!

I finally watched the film this week, and was struck by several things. First of all, the movie, which Clooney directed as well as co-starred in (as Fred Friendly) was much better and fairer than I expected: let that be a lesson to me.

Second, David Strathairn as Murrow once again showed what an excellent and under-appreciated actor he is, although his voice is an inadequate substitute for Murrow’s rich baritone. Third, Senator McCarthy really was a sinister creep, and it radiates from the screen. Those who still defend him, like Ann Coulter, are allying themselves with the Prince of Darkness. The man claimed that the ACLU was a Communist front organization!

Most of all, however, I was struck by how ironic and convoluted the film’s analogies had become in just 14 years, and found myself wondering who Murrow would regard as the bad guys today.  For example, Murrow, speaking of McCarthy’s hearings on Communists in the Army and elsewhere, tells his audience that while Congressional hearings are an important part of the body’s oversight function, the line between legitimate hearings and “persecution” is thin. What would he think about today’s Democrats’ endless fishing expeditions designed to find some justification for impeaching the President?

Murrow went on television to condemn McCarthy’s repeated accusations based on assertions of facts, evidence and documents that didn’t exist. Would he have done the same today, but with his target being Rep. Adam Schiff (D-Ca) or Gerald Nadler (D-NY), both of whom have repeatedly, McCarthy-like, claimed to have “proof” of President Trump’s collusion that didn’t exist? Continue reading →

More On The Acosta-Epstein Scandal: Leadership, Moral Luck, Accountability, And Scapegoating

/ Jack Marshall / 33 Comments

Veteran commenter Glenn Logan expressed  doubts about the fairness of current criticism of the Secretary of Labor, Alexander Acosta (above right) for his approval of a ridiculously lenient plea deal for jet-setting sexual predator Jeffrey Epstein (above left). Glenn’s objections  prompted me to search for prior posts here on the ethics issue of high level accountability for disasters and fiascos. In this morning’s warm-up, #3, I discussed the reasons I feel the criticism of Acosta is justified (re Glenn’s complaint that journalists are determined to destroy Acosta because of his connection to their primary target, the President, my response is that  critics being biased and having unethical motives doesn’t mean their criticism is necessarily wrong), and concluded,

“Finally, there is the basic ethical issue of accountability. Prosecutors allowed Epstein’s lawyers to talk them into a ridiculously lenient plea deal with minimal prison time for a privileged criminal and sexual predator with endless resources and a high likelihood of recidivism. It was completely predictable that he would continue to harm women after his release, and the new charges against Epstein show that he did exactly as expected.It is appropriate that someone’s head roll for this, and Acosta’s is the logical choice.”

Glenn responded that this sounded more “like scapegoating than accountability.” “’Somebody must pay,’ he said, “is not convincing to me.” Hence my search of the Ethics Alarms archive. This is a topic of long-standing interest for me, in great part due to my military-minded father.

I also recently watched the Netflix series “Bad Blood,” about Montreal’s Mafia. The accountability of leadership is a recurring theme in that series:  we see the father of the future head of the powerful Rizzuto family telling his son as a boy that he is now responsible for caring for and cultivating several tomato plants. “If a plant produces good tomatoes,” the father explains, ” you will be rewarded. If a plant produces poor tomatoes, you will be punished.” Even if the reasons a plant fails to produce good tomatoes has nothing to do with the son’s efforts and were beyond his control, the father goes on to say, “I will still punish you. For that is the burden of leadership. When that for which a leader is responsible goes wrong, he must be accountable and pay the price whether it is his fault or not. Only then is he worthy of his followers trust.” Continue reading →

Morning Ethics Warm-Up, 7/10/2019: The All-Star Game, The National Anthem, Quotas, And Secretary Acosta

/ Jack Marshall / 29 Comments

Good morning!

1. All-Star Game ethics reflections (with a dash of women’s soccer):

  • Competence. Can someone tell me how many different keys MAX wandered into while trying to sing the National Anthem at the MLB All-Star game last night? He was flat, he was sharp, he fluctuated mid-phrase.  My rule is that I don’t care to hear a singer’s self-indulgent riffs at the end of the anthem if he couldn’t sing the real notes accurately earlier. That was awful. I know: it’s a tough song to sing on pitch without accompaniment, but these people are supposed to be professionals, and that was an amateurish, sloppy job.Incredibly, MAX has performed the Star-Spangles Banner at other sporting events.

Somebody tell him.

A saving grace: at least he remembered all the words (more or less) and didn’t kneel.

  • [ Speaking of kneeling: Women’s soccer team captain Megan Rapinoe “explained” her disrespecting the National Anthem (in defiance of her own team’s rules) while representing the nation abroad, telling Anderson Cooper last night (of course Anderson had neither the wit nor integrity to challenge her nonsense,

“I think that protest is not comfortable ever. It’s going to force people to look inward and question everything they thought that they knew….taking care of others, standing up for yourself and other people if they don’t have the ability to do so, is very uniquely American…I don’t think anybody can deny the horrors of racism and Jim Crow and mass incarceration and what’s happening on the southern border and gay rights and women’s rights.”

This is a sub-breed of Authentic Frontier Gibberish, the increasingly common species called the Self-Righteous Virtue-Signaling Authentic Frontier Gibberish, or “Kaepernick-speak,” SRVSAFG for short.. If an athlete hates the country because of its past mistakes more than he or she is proud of the country because of what it stands for, aspires to, and has accomplished, then it is hypocritical to play for a national team. “What’s happening” on the Southern border is an under-funded law enforcement and security agency doing the best it can to handle a flood of deliberate law-breakers who have chosen to endanger their own children. “What’s happening” in gay rights is that they are stronger now than they were during the first term of the previous administration. “What’s happening” in women’s rights is a healthy national debate over whether those rights should include an upon-ended right to end the life of  another human being—none of which has anything to do with soccer.

But I digress–we were talking about an American sport, baseball…

  • Integrity. Fox’s baseball broadcasting is marginally better than ESPN’s but only because Fox doesn’t include a sociopathic steroid cheat like Alex Rodriguez on its broadcast team. However, the devise of having live interviews with the players on the field during the game is offensive and insulting. MLB is foolish to allow it.

2.  Oh for God’s sake...In her review of “Dog Man: The Musical,” New York Times reviewer Laurie Graeber writes, “[M]y only quibble is the same one I have with the novel: All the really interesting characters are male.” Okay, it’s only a quibble, but it’s an offensive and biased quibble, and since her editor–if the Times still uses editors; I see no sign of them of late—didn’t have the sense to slap her down, it’s up to the rest of us. What does she want, EEOC quotas in every story now? Yes, that’s exactly what she wants, and the idea is creatively stultifying. This quibble leads to other similar quibbles, and the next thing you know, a production of “Twelve Angry Men” or “That Championship Season” or “The Fantastiks” will be labelled racist, sexist, homophobic or “ablist” because it does’t perfectly balance its casting with an equal number of men, women, blacks, Asians, Hispanic, gay, transgender, non-binary, “differently-abled” characters. If there aren’t enough characters to get them all in, then eliminate the white males.

Graeber’s “quibble” is based on tribalism and bigotry, and she should not be allowed to get away with it without a fight.

3. Apparently Labor Secretary Acosta is resigning today. GOOD. Ethics Alarms covered the reasons this is necessary and now long-past due in a November 2018 post about the revelations involving Jeffrey Epstein’s unconscionable plea deal. I wrote then..

I do not see how Acosta can remain as Secretary of Labor following these revelations, incomplete as they are. I don’t see how we can trust his judgment, and even if, somehow, he could justify the deal with Epstein on legal, technical or pragmatic grounds, I doubt that the general public would be reassured. He should resign.

Yet it took eight more months and a new set of charges against Epstein for President Trump, or Acosta to accept the obvious and to do the right thing. There’s no excuse for this.

Unethical Quote Of The Week: An Ice Cream-Licking, Fame-Seeking Moron

/ Jack Marshall / 28 Comments

“All I wanted to do was be famous.”

—Accused ice-cream carton-licker, Lenise Lloyd Martin III, a 36-year-old unemployed man who has been arrested in Louisianan for making a video of himself licking a carton of ice cream in the Big B’s Supermarket in  Belle Rose.

“It’s a shame,” commented Matt Walters, who works at the store. “A grown man doing something like that.” Yes, that’s a shame, but a greater shame is a grown man thinking like that, and a culture that raises its children to believe that fame itself is an accomplishment, regardless of what one is famous for.

The internet and social media have spread this disease of ethics and the mind, but it began long before the web took over our lives. Andy Warhol’s prescient quote, “In the future, everyone will be world-famous for 15 minutes”, first appeared in the program for a 1968 exhibition of his work at the Moderna Museet in Stockholm, Sweden. We saw the hints of the cultural malady with the advent of television, as we saw ordinary Americans getting a thrill from acting like giddy fools behind announcers and TV journalists when they saw a TV camera.

This compulsion spawned such pop culture freaks as “Rocken Rollen” also known as Rainbow Man, who somehow managed to get himself and his rainbow-hued Afro on camera at dozens of live sporting events. At least he stayed in the stands; another example of the phenomenon was fans who ran out on the field mid-game hoping that a TV camera would capture their moment of “fame.”

Clearly, the culture is sending a toxic message to our youth. The movie and subsequent TV series “Fame,” following the travails of aspiring teenage performers, both pushed the false concept that being famous itself is an achievement:

Baby, look at me
And tell me what you see
You ain’t seen the best of me yet
Give me time
I’ll make you forget the rest
…
Don’t you know who I am
Remember my name!
Fame!
I’m gonna live forever
I’m gonna learn how to fly, high
I feel it comin’ together
People will see me and cry,
Fame!
I’m gonna make it to heaven
Light up the sky like a flame,
Fame!
I’m gonna live forever
Baby, remember my name
Remember, remember, remember, remember
Remember, remember, remember, remember…

Continue reading →

Ethics Dunce: AfroFuture Fest…Ethics Hero: Rapper Tiny Jag

/ Jack Marshall / 23 Comments

Once again, the solution proposed for past racial discrimination is present racial discrimination. The Detroit music festival AfroFuture Fest, scheduled for August 3-4, is charging lower ticket prices for “people of color” than  “non-people of color.” (That should be “people of non-color,” you idiots.) The festival’s explanation for its racism is even worse that its English and proofreading skills:

WHY DO WE HAVE POC(PEOPLE OF COLOR) AND NONPOC(WHITE PEOPLE) TICKETS? I’M GLAD YOU ASKED!

EQUALITY MEANS TREATING EVERYONE THE SAME

EQUITY IS INSURING EVERYONE HAS WHAT THEY NEED TO BE SUCCESSFUL

OUR TICKET STRUCTURE WAS BUILT TO INSURE THAT THE MOST MARGINALIZED COMMUNITIES (PEOPLE OF COLOR) ARE PROVIDED WITH AN EQUITABLE CHANCE AT ENJOYING EVENTS IN THEIR OWN COMMUNITY (BLACK DETROIT).

AFFORDING JOY AND PLEASURE IS UNFORTUNATELY STILL A PRIVILEGE IN OUR SOCIETY FOR POC AND WE BELIEVE EVERYONE SHOULD HAVE ACCESS TO RECEIVING SUCH.

WE’VE SEEN TOO MANY TIMES ORGASMIC EVENTS HAPPENING IN DETROIT AND OTHER POC POPULATED CITIES AND WHAT CONSISTENTLY HAPPENS IS PEOPLE OUTSIDE OF THE COMMUNITY BENEFITING MOST FROM AFFORDABLE TICKET PRICES BECAUSE OF THEIR PROXIMITY TO WEALTH.

THIS CYCLE DISPROPORTIONATELY DISPLACES BLACK AND BROWN PEOPLE FROM ENJOYING ENTERTAINMENT IN THEIR OWN COMMUNITIES.

AS AN AFROFUTURIST YOUTH LEAD INITIATIVE THE VOICES OF OUR YOUTH INFORM OUR RESISTANCE.

HERE’S WHAT THEY HAVE TO SAY

” IF YOU DON’T SEE MY BLACKNESS, YOU DON’T SEE ME. PERIODT!”

I wonder how they pronounced “periodt”? Continue reading →

Monday Morning Ethics Warm-Up, 7/8/2019: “Well, No More Oreos For Me!” Edition

/ Jack Marshall / 26 Comments

An ethical new week dawns!

1. Snopes again. Incredibly, there are still people—like Facebook!—who insist that Snopes is a trustworthy, objective factchecking source. Ethics Alarms had its fill of the site’s partisan spinning many moons ago, but just for giggles, here is another example of the site’s shameless bias.

Last week Snopes pretended to do a “fact check” on whether the Betsy Ross American flag—the thirteen star version that Nike recently rules was too racist to be on a sneaker— was used under President Barack Obama at his inauguration. The strange thing is that no fact check was necessary, since the photographic record is undeniable. As is often the case, however, Snopes’ purpose wasn’t to clarify facts, but to bolster a progressive narrative. Bethania Palma, the most unsubtle of the site’s propagandists, argues that while Obama’s version of the flag wasn’t racist, any use of the flag in 2019 would be racist, because the existence of Donald Trump makes it so.

During the Trump era, what were once relics of the United States’ fraught history with violent racism have been taken up as causes for some far-right extremists. As white supremacists began rallying around Confederate monuments slated for removal, some tried to attach the Betsy Ross flag to their cause as a symbol…The Anti-Defamation League, a non-profit organization that tracks hate groups, doesn’t include the flag in its database of confirmed hate symbols. But many have viewed the flag as symbolizing a time in U.S. history when slavery was legal. “Historically, these symbols have been used by white supremacists, both to hearken back to a time when black people were enslaved, while also painting themselves as the inheritors of the ‘true’ American tradition,” Keegan Hankes, a researcher for the Southern Poverty Law Center, told Rolling Stone.

In other words, now that Trump is President, any symbol or artifact that was used by the United States before the abolishment of slavery is to be regarded as carrying  racist symbolism. That’s a fact! Snopes says so.

2. I won’t link to this because it doesn’t deserve traffic, but the Times just inflicted on its readers a sloppy and incompetent “Guide” to the 80’s cultural references in the third season of the Netflix show “Stranger Things. The popular horror series by “The Duffer Brothers” has always been filled with visual and verbal homages, as well as plot turns, attributable by the culturally aware to  famous 80’s works by better artists–Stephen King, Spielberg, John Carpenter, and more. Sometimes the references are amusing, often they are gratuitous and annoying. The Times piece, including a bold face “Spoilers!” warning, purported to catalogue all such references in the new season.

It doesn’t. It doesn’t come close. It doesn’t come close because the writer is obviously unfamiliar with the works the show references, and didn’t bother to do his research despite representing that he had. What he mainly misses are the lines in the dialogue that are lifted directly out of 80’s movies. For example, at one point, a major character in “Stranger Things 3” says, “I can do anything; I’m the chief of police.”  That’s a direct quote from “Jaws,” as anyone who has seen the film 76 times knows.

If a major newspaper is going to say it has a “Complete Guide” to 80’s pop culture references in a show, then it is obligated to make the effort to ensure that it is, in fact, complete. Continue reading →

The Great “Les Miz” Bait-And-Switch

/ Jack Marshall / 50 Comments

“Les Misérables,” the bloated faux opera based on the Victor Hugo novel, has been running continuously in London’s West End, the theater district, since December 1985.  It holds the Guinness World Record for the longest run of a musical in London. In the U.S., the musical held on for a somewhat less embarrassing  16 years, running from 1987 into  2003, closing after 6,680 performances.

It was always a cynical project, as so many Broadway musicals have become since the genre became a nostalgic invalid in the 1970s. The show itself is derivative crap, and obviously so to anyone who has a passing familiarity with its superior sources. The translated from French lyrics have the resonance of Hallmark cards; there literally isn’t a clever or memorable pack of words in the whole three hour extravaganza. What “Les Miz” has, or rather had, is spectacular stagecraft, thanks to the original staging by Trevor Nunn that mounted the series of scenes on a massive raked turntable that allowed quick transition and the illusion of excitement. The musical didn’t exactly disprove the old Broadway saw that “Nobody leaves the theater humming the scenery”—the TV ad jingle-like earworms in the score assured that—but it came close.

When I saw the touring company version of the show, I realized immediately that the production could never have a life in high school, college, community theater or even in regional professional theaters, because the turntable, and the special effects it permitted, were essential to the production. Not only are stage turntables extremely expensive, they are notoriously risky, since a mechanical breakdown means the performance must be cancelled. Sure enough, after the Broadway production closed in 2003, there were no productions of the show other than the three professional touring companies owned by the Broadway producers. Then the show’s owner had an idea: let’s see if we can eliminate the turntable and get away with it! Continue reading →

An Ethics Quiz Returns With A New Context And An Ancient Conundrum, And The Answer, My Friends, Is Still Blowin’ In The Wind…

/ Jack Marshall / 21 Comments

The Ethics Quiz from 2013, “Peter’s Problem,” that I have re-posted in its entirety below has come circling around like boomerang, in a different context. Then, singer activist Peter Yarrow of Peter,Paul and Mary fame was being attacked by the political Right, which argued that his participation in a political campaign event for a Democratic Congressional candidate was proof of that candidate’s poor judgment. Yarrow, as we were told by PBS when it raised fund by showing Peter,Paul and Mary concerts, had answered a knock on his hotel room door naked when  two teenage sisters, 14 and 17, stopped by in 1969 to seek an autograph. The 14-year old got a lot more than his signature. Yarrow was eventually charged with taking indecent liberties with a minor, pleaded guilty and was sentenced to three months in jail. President Jimmy Carter pardoned him in 1981.

Lat week, Yarrow’ s past (he was 31 then; he’s 81 now)  caused one of his appearances to be cancelled, but this time it wasn’t those Puritanical conservatives complaining about Yarrow’s “if it feels good, do it” sexual misconduct (which most of Yarrow’s younger fans in the Peace and Love Era didn’t think was misconduct at all), but the Left’s #MeToo furies.

Yes, Peter Yarrow and his critics have boarded the Harvey Weinstein Ethics Train Wreck.

Since that rollicking night in 1969 , Peter Yarrow has solidified his folk singing and progressive activist status without further public blemishes, and having him associated with an event has usually been regarded as a positive, not a negative, feature when progressives and their causes are involved. John Kerry had him sing at his wedding. Bill Clinton featured him at an Inauguration. He has collected lifetime achievement awards like little Jackie Paper collected painted wings and giant rings.

Last week, however, the Colorscape Chenango Arts Festival, which had  had described Yarrow in its advance publicity for his participation in its annual  September festival as  one of “America’s longtime favorite musicians and performers,”  canceled his appearance, saying in a statement…

“Some members of our community expressed concern, and after further investigation and careful consideration the decision was made to remove Yarrow from the music schedule.”

In the 2013 post, , I criticized Yarrow’s apologetic statement at the time, which was tainted by rationalizations. His statement last week was much better: Continue reading →