Arts & Entertainment

Morning Ethics Warm-Up, 2/7/2018: Something In This Post Is Guaranteed To Send You Screaming Into The Streets

/ Jack Marshall / 43 Comments

Good Morning!

1 Oh no! Not my permanent record! My wife gave a small contribution to Mitt  Romney’s campaign, and has been hounded by RNC robocalls and mailings ever since. GOP fundraising started getting really slimy under the indefensible Michael Steele’s leadership, and continued to use unethical methods after Steele went on to job at a bait shop or something. Last week my wife got an envelope in the mail with a block red DELINQUENCY NOTICE! printed on it. A lie, straight up: there was no delinquency, just a my wife’s decision that she would rather burn a C-note than give it to the fools and knaves running the Republican Party. She registered an official complaint with the RNC, and received this response from Dana Klein, NRCC Deputy Finance Director:

“My job as the Deputy Finance Director is to communicate with supporters to let them know the status of their NRCC Sustaining Membership. Unfortunately, I have bad news for you. As of right now, you have a delinquency mark on your record for your failure to renew your membership. But, I have some good news. You can remove this delinquency mark if you renew by the FEC deadline on Wednesday.”

Both my wife and I were professional fundraisers for many years. This is deceptive and coercive fundraising, and anyone who voluntarily supports an organization that uses such tactics is a victim or an idiot.

Or, I suppose, a Republican.

2. Another one…This is another one of the statements that I am pledged to expose every time I read or hear it: a Maryland legislator, enthusing over the likelihood that a ballot initiative will result in legalizing pot in the state, ran off the usual invalid, disingenuous and foolish rationalizations for supporting measure. (Don’t worry, pot-lovers: I’m resigned to this happening, not just in Maryland, but nation wide. As with the state lotteries, our elected officials will trade the public health and welfare for easy revenue every time. Minorities and the poor will be the most hurt, and the brie and pot set couldn’t care less.) Only one of his familiar bad arguments triggered my mandatory response pledge: ” to legalize a drug that is less harmful than alcohol.”

This is the bottom of the rationalization barrel, “it’s not the worst thing.” Alcohol is a scourge of society, killing thousands upon thousands every year, ruining families and lives, wrecking businesses, costing the economy millions of dollars. Just yesterday there was a report that fetal alcohol syndrome was far more common that previously believed. There is no question, none, that U.S. society would be healthier and safer without this poison accepted in the culture: unfortunately, it was too deeply embedded before serious efforts were made to remove it. Now pot advocates want to inflict another damaging recreational drug on society, using the argument that it’s not as terrible as the ones we’re already stuck with. Stipulated: it’s not as harmful as alcohol. It’s not as harmful as Russian Roulette or eating Tidepods either. I have a bias against taking seriously advocates who use arguments like this; it means they re either liars, and know their logic is absurd, or idiots, and don’t.

3. Riddle me this: What do you get when you cross casting ethics, weak and lazy school administrators, political-correctness bullies-in-training with “The Hunchback of Notre Dame”?

Answer: a cancelled high school musical, and per se racism supported by the school.

New York’s Ithaca High School was beginning production of the Disney film-based musical “The Hunchback of Notre Dame” but made the unforgivable error, in the eyes of student activists,  of casting of a white student as a Romani heroine Esmeralda, played in the classic film by that gypsy wench, Maureen O’Hara, and in the Disney version by a Toon.  Several students quit the show in protest,  and formed an activist group to reverse the decision. It sent a letter calling the casting “cultural appropriation” and “whitewashing,” calling the student the “epitome of whiteness.” The letter admitted that she was also “a stellar actor, singer and dancer” that any stage would be “lucky to have,” but what is the talent, skill and competence required for a role compared to what really matters, her skin color? The students demanded that the school either choose a different show or recast Esmeralda a black and brown actress. Continue reading →

Morning Ethics Warm-Up, 2/6/18: Yes, It’s Another “Trying To Get The Warm-Up Written While Rushing Around To Get Ready For An Early Morning Ethics Presentation” Edition…

/ Jack Marshall / 22 Comments

good morning…

1 Responsible parties nominate responsible candidates 1. In Chicago, a permanently Democratic district has  no serious Republican candidates, so Holocaust-denier Arthur Jones, a whack-job who has run in this district seven times, is poised to get the nomination. “To me the Holocaust is what I said it is: It’s an international extortion racket,” Jones told the Chicago Sun-Times. Nice. Anticipating the attacks on the Republican Party if he is its representative in the election this fall, Ann Althouse writes, “Should this be used against the Republican Party? Sure, if you’re into taking whatever comes your way and incorporating it into ruthless propaganda for your party. Ironically, that would be Naziish.”

Wrong. I don’t know where the idea came from that a political party organization is obligated to act like a potted plant, but it isn’t. A party’s obligation is to the public, democracy, and the ideals the party and the nation represents. It does not and should not allow a candidate who doesn’t meet minimal standards of competence and responsibility to use the party to achieve political power. Let such people run on their own, or start a Holocaust Denial Party, or National Nut Ball Party, or the Green Party (Kidding!), or something. . A responsible party vets its candidates, and tells those who don’t stand for basic American values or who are unqualified that they don’t get to use the party for their ends by default.

If you check back, this was the Ethics Alarms position on Donald Trump. The Republicans shouldn’t have allowed him to run for the nomination, and even after he did, his conduct in the debates and elsewhere justified its refusing to nominate him at the convention. They don’t deserve to be called Nazis for nominating him, but they don’t deserve an ethics pass, either. The fact that he won is irrelevant. Continue reading →

Morning Ethics Warm-Up, 2/5/18: Churchill, Philly, Trump, Uma, And The FBI

/ Jack Marshall / 27 Comments

Good Morning, Philadelphia!

Now sober up and clean up the mess…

1 This has little to do with ethics, except that it proves I wasn’t watching the Super Bowl, but…Here’s my report on “The Darkest Hour,” which my family saw last night in an almost empty theater. Apparently most people would rather see young men risk future dementia than celebrate a great man who may have saved civilization.

[ Aside: On that question, this article in the Federalist says in part, “Super Bowl Sunday seems the appropriate day to bring you the cheerful news that football is doomed. The sport is dying and cannot be saved, at least not in America, its traditional home. The cause of death is science. Simply put, football is a sport in which the audience entertains itself by watching men violently turn each other’s brains to mush…What happens if football becomes a game where white middle-class people pay millions to watch poor and minority kids bang up each other’s brains? I don’t think that’s going to be tenable….That means it’s only a matter of time before participation rates drop off precipitously and it no longer seems like the cool thing to do.The science has turned against football, and it can’t last. So enjoy today’s game, while you still can.” ]

You can skip to the next item if you don’t like your ethics polluted by film reviews.

The film is very good; not “Best Picture” great, I think, but very good. It did a better job making clear what was going on and the stakes at Dunkirk than “Dunkirk,” for which I’m grateful; maybe thay should show the two movies as a double feature. The last fade-out shot was “The Natural”-style over-the-top, out of whack with the style of the rest of the film and it left a sour taste, I thought. Artistic integrity would be nice. It reminded me of ET’s spacecraft leaving a rainbow trail

I’ve now seen four Churchill portrayals recently: Albert Finney’s in the 2002 HBO film “The Gathering Storm,” Brian Cox in “Churchill,” Gary Oldman, and John Lithgow in “The Crown.” My ranking: would also be in that order: Finney, Cox, Oldman and Lithgow lagging far behind. I’m a big Lithgow fan, but he looks and sounds so little like Winston (and so much like himself) that he just can’t measure up to the other three..

Finney, Cox and Oldman were all excellent: it’s very close. Oldman has by far the best part of the story to work with (the chronological order is Finney, Oldman, Cox and Lithgow) and the best screenplay, though “The Gathering Storm” is also strong. Oldman’s scene in the “Tube” is the best scene in any of the productions. It probably didn’t happen, but Churchill was known to wander around London talking to Londoners during the Blitz, so it COULD have happened.

All of the top three Winstons had moments when I forgot the actor and really believed I was watching the historical figure, my test in biographical films. This was something Lithgow couldn’t pull off for a second.  (Actors who could in other historical movies: Paul Scofield as Thomas More, Daniel Day Lewis as Lincoln.) Finney’s big advantage over Cox and Oldman, I think, is that he is a star as well as a great actor, and Churchill, as a Great Man, needs to radiate that presence and star quality too. Oldman feels small physically (though he’s actually taller than Churchill was, and no shorter than Finney), and his voice is light; there’s nothing he can do about that. I could make a strong argument that Brian Cox, who is one of the most under-rated actors around, was the best Winston, but the film itself was unforgivably careless and ahistorical.

If you haven’t seen Finney’s performance, which won him several awards, you should. It was probably his final great turn, since he’s in his 80s now and hasn’t made a movie since “Skyfall” in 2012.

Finney’s Clementine, Vanessa Redgrave, wins the award for that role, though her daughter, Miranda Richardson, was also fine in the same role with Cox. Apparently every actor who plays King George is great, but “Churchill”‘s King, James Purefoy, was wonderful (he’s another under-rated actor) and in a fair world, would be looking at an Academy Award nomination for Supporting Actor. The acting in that film is so excellent; it’s a shame its history is so messed up.

2. From the “When Ethics Fail, the Law Must Step In” file: Continue reading →

Your Ethics Alarms Super Bowl Guilt Trip

/ Jack Marshall / 22 Comments

You know that by watching the Super Bowl, you’re helping to kill and cripple young men, right?

Sure you do.

You and people like you watch the Super Bowl, maybe hold parties around it, allowing the NFL to make millions of dollars selling ads and merchandise off of the most watched sporting event of the year. And, of course, the popularity of the Super Bowl makes it the year’s #1 promotion for the billion dollar mega-industry that is the National Football League, and down the line, for billion dollar corrupt big time college football, and in places like Texas and other regions warped by the “Friday Night Lights” mentality, high school football, and further down the line, youth football, where kids a young as 8 begin getting the blows to the head that will help make them confused and dysfunctional in their fifties or earlier if they play long enough…and maybe even if the don’t.

Hey, these are great nachos! Is this a microbrew? Look at that funny ad!

The film above, “Concussion Protocol,” was released this month, and shows a compilation of every reported concussion this season. Directed by Josh Begley and produced by Laura Poitras,  it is believed to be a nearly complete compilation of the NFL’s reported 281 concussions this season, the most since 2012. The NFL, which is affirmatively evil, is spinning this as a good thing, pointing out that it means that players are self-reporting their head injuries more often.

Sure. That must be it. Bravo! Problem solved. DE-Fence!
Continue reading →

Trevor Noah’s Critics

/ Jack Marshall / 31 Comments

Trevor Noah, the current Daily Show host who is more thoughtful than funny, made the same points Ethics Alarms did regarding Hillary Clinton’s weasel-like response to the New York Times exposé revealing that she protected a top adviser of hers, Burns Strider, Clinton’s faith adviser and founder of the American Values Network, when he was accused of repeatedly sexually harassing one of Clinton’s young subordinates during her 2008 campaign.

“Hillary’s Grammy cameo came at a weird moment for her,” Noah said, referring to the “Fire and Fury” skit at the Grammys Sunday that featured  Clinton reading excerpts from the book. “Because last night’s theme was #MeToo, Time’s Up, which is a message Hillary found herself on the wrong side of over the weekend. Look, there’s a few areas where I don’t necessarily expect Hillary Clinton to nail it,” Noah continued, “managing emails, visiting Wisconsin, you know, weaknesses. But I won’t lie, I expected standing up for a woman on her staff to be one of her strengths. So the story is disturbing.”

“It’s possible that Hillary Clinton had a good explanation for why she kept this guy on over the objections of her top campaign advisers but instead of an explanation, all we got was this,” Noah said, regurgitating Hillary’s nauseating tweet,

“A story appeared today about something that happened in 2008. I was dismayed when it occurred, but was heartened the young woman came forward, was heard, and had her concerns taken seriously and addressed…I called her today to tell her how proud I am of her and to make sure she knows what all women should: we deserve to be heard,”

“Yeah, ‘women deserve to be heard,’ and then quietly reassigned,” Noah said in reaction to this. “‘Thank you for speaking up — now into the closet…It feels like Hillary’s not only trying to dodge all the blame, she wants to present herself as having always been on this woman’s side, which doesn’t fly, because not only did the woman get reassigned, but this guy, Burns Strider, he went on to get another job in Democratic politics, where he got fired for doing the same thing to other women,” Noah said, correctly. “So you could argue that if Hillary had fired him, she would have been protecting many women, instead of just herself.”

I almost gave Noah an Ethics Hero for this, but thought better of it. The fact that none of his All-Trump-Bashing-All-The-Time comic colleagues, like Colbert, Kimmel, Samantha Bee, Bill Maher and Saturday Night Live lack the integrity to criticize Clinton doesn’t make him a hero. It’s a little like giving a medal to the only soldier who doesn’t run away as soon as the shooting starts. We should respect consistent standards and integrity instead of hypocrisy, not treat them like they are qualifications for sainthood.

However, the criticism Noah received on Twitter for stating the truth was an education in how people delude themselves and pollute their values with rationalizations to avoid facing uncomfortable facts: Continue reading →

Morning Ethics Warm-Up, 1/31/18: The State Of The Union Speech Didn’t Stink Edition

/ Jack Marshall / 106 Comments

Good Morning.

1 About the President’s speech. In yesterday’s Warm-up, I yearned for the honesty of Gerald Ford, who had the courage to by-pass the usual State of the Union happy talk and admit that the nation was not in a good place. Now that President Trump has delivered his first State of the Union message, I have to admit that being positive, or as my late father would have said, quoting his favorite poem, keeping your head when all about you are losing theirs and blaming it on you, is a good approach too.

The President has managed to find an excellent speechwriter. That is an admirable and responsible thing. These were not, unlike his Inaugural speech was, Trump’s own words, but he gets credit for them, or should, just as much as Ronald Reagan got credit for Peggy Noonan’s soaring rhetoric and  Jack Kennedy deserved the accolades he received for Ted Sorenson’s justly famous scripting. [The full text of last night’s speech is here.] The SOTU was also well-delivered. I know a lot of people would say that any speech this President delivers was horrible and he looked like an ass even if it was the equivalent of Lincoln’s Second Inaugural Address and delivered with the skill of Tom Hanks, but that’s their problem. Not to be repetitive, but  such people need to understand the effects of confirmation bias and cognitive dissonance if they are going to venture outside their little bubbles and echo chambers.

In fact, this is a good test of your Trump-hating friends’, or your own, integrity. If you can’t concede that the speech was at least pretty good, then you are no longer able to perceive reality where this President is concerned. In no way can that be a good thing. Fix it. Continue reading →

Morning Ethics Warm-Up, 1/30/18: The State Of The Union Stinks Edition

/ Jack Marshall / 7 Comments

Good Morning, everyone!

1 Well, it’s good to know you have kept an open mind…New York Times Trump-Hater Michelle Goldberg, who has written for just about every left and far left website and publication imaginable,  on today’s Times editorial page:

“No matter how well Trump delivers the lines in his State of the Union — announced theme: “Building a safe, strong and proud America” — he will not become presidential. There will be no turning of corners or uniting the country. At best, Trump will succeed in impersonating a minimally competent leader for roughly the length of an episode of “The Apprentice.”

Has any major newspaper, prior to a President’s first State of the Union message, given prominence to such an unfair and disrespectful bit of hate-punditry? I doubt it very much.

2. ‘Where have you gone, Pres’dent Gerald Ford, our nation turns its lonely eyes to you…woowoowoo…The only President to begin his State of the Union negatively was President Gerald Ford, in 1975: “ I must say to you that the state of the Union is not good.” He was right, and courageous, to do so, and President Trump would be right and courageous to do so now, though for different reasons. Ford was speaking of the economy, but economies get better. The State of the Union is also not good when it is being torn apart by hyper-partisan warfare, and both parties are attempting to increase the divisions among citizens while exploiting them. Of course, the current President, who has some useful skills Gerald Ford lacked, but not a flea’s nose’s portion of his character, would never dream of using his time in the national spotlight for anything less than an orgy of self-congratulation. Continue reading →

Afternoon Ethics Warm-Up, 1/29/2018: Alexa, Hillary, The Grammys, And The LED Rocket Copters

/ Jack Marshall / 20 Comments

Good afternoon.

(Where did the morning go?)

1 Regarding Alexa the Feminist: I had said that I would wait for 20 comment before revealing my own answer to the recent Ethics Quiz, which asked readers whether it was ethical for Amazon to  program its Artificial Intelligence-wielding personal assistant Alexa with the rhetoric and the sensibilities of a feminist. As usual, Ethics Alarms readers covered a full range of considerations, from the fact that consumers weren’t being forced to take a feminist robot into their homes, and could choose a non-woke personal assistant if they pleased, to the pithy,

“My screwdriver should not tell me it is a communist. My toothbrush should not tell me it is a Republican. My lamp should not tell me it is Hindu. My car should not tell me it likes polka music. My sunglasses should not ask me if I’ve heard the good news. My refrigerator should not tell me I should have more meat in my diet, and by no means should it be vegan.”.

I don’t trust the big tech companies, and the more I see them becoming involved in politics and culture, the less I trust them. It is unethical for Amazon to try to indoctrinate its customers into its values and political views, and if that isn’t what the feminist Alexa portends, it certainly opens the door. If there is a market for communist screwdrivers, however, there is nothing unethical about filling it.

As long as consumers have the power to reject AI-imbued tools with a tendency to proselytize, there seems to be no ethics foul in making them available.  It’s creepy, and since these aren’t women but pieces of plastic and metal, it’s absurd, but in the end, so far at least, Alexa’s feminist grandstanding is “ick,” not unethical.

2. If you think that there was nothing wrong with Hillary’s surprise cameo at the Grammys, you’re hopeless. Continue reading →

An Apology To Bradford Dillman, And Introducing The Dillman Rule

/ Jack Marshall / 13 Comments

I owe Bradford Dillman, the movie and TV actor who died on January 16, an apology. I hope I learn something from it.

If you had asked me during the Seventies and Eighties who I regarded as the epitome of a hack actor, it would have been Bradford Dillman. For most of the period he was a guest star on every TV drama imaginable, usually phoning in the same performance as a serious, tense, often nasty weasl or jerk. I came to believe that he was a serious, tense, often nasty weasel or jerk; otherwise, why would he only play such roles? Although Dillman’s career began well, with his portrayal of a fictional version thrill-killer Dickie Loeb in Compulsion, the film version of the Leopold-Loeb murder and trial. “Bradford Dillman emerges as an actor of imposing stature as the bossy, over-ebullient and immature mama’s boy, Artie,” A. H. Weiler wrote in a Times review. Dillman shared best actor honors with co-stars Dean Stockwell and Orson Welles at the Cannes Film Festival, and that was about the last honor he ever got. His career went downhill from there.

I never forgave him for appearing as John Wilkes Booth in 1977’s  horrible  “The Lincoln Conspiracy.” I am a Lincoln assassination buff, and looked forward to the movie, braving a blizzard to see it and dragging my bride to be along with me as one of our first dates. I was embarrassed.  The film was so bad I walked out of it, one of only five movies to force me out of the theater since I was a kid (The others, for the record: the original “Dawn of the Dead,” “The Silent Scream,” “JFK,” and “The Wicked Dreams of Paula Schultz.”)

As usual, it wasn’t that Dillman was bad, it was just that he was predicable, and the material he was acting in was lousy. Oh, now and then , a major film like “The Way We Were,” a couple of the Dirty Harry films, or a decent TV show like “Columbo” had a Bradford Dillman character, so they got, reasonably enough, Bradford Dillman to play him, but by then the cognitive dissonance scale—

—was working against Dillman. Bradford was already lodged at the bottom. If he was in it, whatever it was was pulled down below zero in my mind. Bradford Dillman? Yechhh.

This was a bias. I stopped really watching Bradford Dillman, and only reacted to him based on old grudges and assumption formed so long ago that I couldn’t even recite them. It was prejudice. It was unfair. It breached the Golden Rule. I never gave him a chance, for decades. Continue reading →

Good-Bye To The Hasty Pudding Show

/ Jack Marshall / 19 Comments

The Hasty Pudding Theatricals is an ancient  Harvard theater troupe that was always a drag show, staging productions since 1844 in which men played all the women’s roles. It has announced that, for the very first time, it would include women in the cast.  “The Hasty Pudding Theatricals is proud to announce that going forward, casting will be open to performers of all genders,” the group’s producers, Hannah Needle and Annie McCreery, said in an email.

This is an institution fatally impaling itself on the obelisk of political correctness.

I wondered when this would happen. I assumed it was inevitable once Harvard’s social justice warrior President Drew Faust announced in spring 2016 said that students who participated in single-gender clubs would not be allowed to hold on-campus leadership positions, captain sports teams, nor be eligible to receive  endorsements for prestigious fellowships. Last year,Harvard considered banning the clubs outright, which would have included the Hasty Pudding Club which originated the show, but decided  in 2017 to continue its policy of sanctions while leaving the threat hanging, like the sword of Damocles.

The Hasty Pudding show was an anachronism even when I was student. Student drag shows were common in the days before co-ed schools, and Harvard’s was the last one standing, which is what made it worth seeing and famous, the same random process that immortalized Fenway Park and George Burns. The show had a budget the size of a professional touring show, and did tour, performing for Harvard alumni clubs across the country, in addition to a month’s long run at the group’s Harvard Square theater. It hired a professional director, much of the orchestra, and the students who participated essentially gave up half a year of their education to participate. Harvard used to make its students who were interested in performing careers get their experience in extra-curricular theater groups like “the Pudding,” as it is called: there was no theater major. Thus stars-to-be like Jack Lemmon and Fred Gwynne got their start on the road to fame in Pudding shows.

The whole point is, however, that it’s a drag show. Many of the laughs come from the running joke that the women in the story are played by men, usually the biggest, tallest, hairiest ones available. The show is far more of a spoof on men than women. I have never known a woman who was offended at drag comedy. I have known many men and women who didn’t find it funny—my father hated Milton Berle especially because of his penchant for dressing in drag. I’m not a fan either, although John Cleese’s female impressions are irresistible.

I was also not a fan of the Pudding show itself, despite being very active in campus theater and having many friends who performed. I only saw one of the productions, “Bottoms Up!”, my freshman year. It was slick, well-performed, the costumes were terrific, and the original, student-written songs were excellent—I still have the cast album–but one hasty Pudding theatrical was plenty. The climax of every show was a spectacular kickline, which was perfectly executed by big, hairy guys dressed like the Rockettes. Again, not my cup of tea: I appreciated it rather than loved it. Continue reading →