Arts & Entertainment

“Killer Karaoke” And Cultural Corruption

/ Jack Marshall / 31 Comments

In “Ricky’s Hawaii Vacation.” a famous episode of “I Love Lucy,” the Riotous Redhead was so desperate to win tickets for her neighbors (Fred and Ethel, or course) to accompany her and husband Ricky to Hawaii that she agreed to appear on a sadistic radio quiz show, in which the host, Freddie Freeman—played by the immortal Frank Nelson of Jack Benny skit fame (“Yyyyeeeeeeessssssss???”)—tortured his contestants with various indignities before awarding prizes. This was funny at the time, because it was a wild exaggeration of current TV quiz show programming. It was also funny, as with all slapstick, because the mayhem being inflicted was, the audience knew, part of a comedy skit and not real. A real Freddie using a contestant’s desperation for a prize as an excuse to degrade and humiliate her would have been unacceptably cruel…in the 1950’s.

Now, however, we have True TV’s new reality/game show, “Killer Karaoke.” It is a reality/game/ comedy show of shocking sadistic glee, the result of more than a half century of incremental slippage in standards of decency and public tolerance for cruelty. Take that episode of “I Love Lucy” and take it through a journey that includes stops at “Beat the Clock,” “Truth or Consequences,” “Let’s Make a Deal,” “Scare Tactics,” “Wipe Out,” “Fear Factor,” “Survivor,” the worst of the “let’s watch a human train wreck as desperate ex-celebrities beg for exposure and pay-checks” reality shows, and nightmare futuristic sci-fi movies like “The Hunger Games” and “The Running Man,” and “Killer Karaoke” is what you get.  The show has been hailed by TV critics as “brilliant.” I admit: it is difficult to watch it without laughing. So why are those ethics alarms going off in my head? Continue reading →

Another Day, Another Web Hoax: The Web Hoax Scale

/ Jack Marshall / 17 Comments

Fake Wolf

That mad wag, Jimmy Kimmel, is doing another victory lap. This time, the biggest jerk on late night TV managed to fool news services, panic families of Olympian athletes and insult Russia (not that that bothers me very much) by his latest internet gag—convincing American luge athlete Kate Hanson to relay, via Twitter, his fake video of what appeared to be a wolf roaming the halls of the Olympic Village accommodations. Any collateral damage is irrelevant to Kimmel, because his objective is to cause trouble, then mock everyone who was fooled for allowing the trouble to be caused, since if they weren’t so dumb, trusting and gullible—it’s all their fault, not his, you see—nothing would have happened. (Yes, Kate Hansen is a jerk too.)

Here is what this relatively harmless (as opposed to harmless, which no web hoax is) misrepresentation accomplished:

  • It took up thousands of valuable minutes of news broadcasts throughout yesterday which could have been used productively to educate the public about all manner of things they actually need to know about—what’s happening to Justin Carter, for example—remember him? Maybe a well-produced segment on why a teen shouldn’t be facing terrorism charges for an obvious joke he made on Facebook could spark some much-needed public outrage. Instead, serious news broadcast time, a finite resource, was used to further a prank.
  • It made the media a party to a lie. It doesn’t matter about what. It’s a lie.
  • It wasted the time, thought and energy of every person who talked about the wolf, expressed concern about it or thought about it.
  • It further increased cynicism and doubt about news reports, feeding the tendency to adopt conspiracy theories and fear of sinister manipulation. How do we know the moon landing wasn’t a Jimmy Kimmel hoax?

Most of all, this will encourage other, bigger, more reckless asses than even Kimmel to go further and further with their web hoaxes, because such pranks mean viral videos and fame, no matter what harm they cause. Continue reading →

Ethics Quiz: “12 Years A Slave” Plays The Racial Guilt Card On Oscar Voters

/ Jack Marshall / 106 Comments

12_years_ad_2.jpeg

“It’s time.”

This is the  tag line in the post-Oscar nomination ads being prominently run in New York and California for  “12 Years A Slave,” a strong Academy Award contender (nine nominations, including best film).

Although there is room for disagreement, and the ad has the virtue of all clever advertising that it conveys different messages to different markets—Haven’t seen the film yet? “It’s time!”  Desperate to see the best movie you saw in 2013 finally get its due? “It’s time!”  When will the question of whether the most honored film of the last 12 months will win the biggest honor of them all be answered? “It’s time!”…or almost time, as the Oscar ceremonies are coming up on March 2—the consensus is that “It’s time” is mainly aimed at Oscar voters, and the message it conveys is, as Slate puts it, “it’s time for a movie about slavery, and with a significantly black cast and crew, to be recognized by the Academy of Motion Picture Arts and Sciences.” Film critic Phil Hammond puts it slightly differently:

“The ad not only can be interpreted as shining a light on a very dark period in American history, it also shines a light on the Academy’s fairly dismal record of awarding its top honor to any movie about the black experience. In fact there has been only one Best Picture winner in the 85 years the Academy of Motion Picture Arts and Sciences has been handing out Oscars that even remotely qualifies in this regard. In 1968, In The Heat Of The Night, a murder mystery set against the racial divide in a small Southern town, won Best Picture and four other Oscars just a few days after the assassination of Martin Luther King (the ceremony was even postponed two days out of respect). The votes were in before the King assassination, but it seemed then that “It’s Time” would have been an appropriate way to describe that victory. However, outside of lead actor Sidney Poitier — who also co-starred in another racially themed Best Pic nominee that year, Guess Who’s Coming To Dinner —  this movie  featured a largely white cast, white producer, screenwriter and director (Norman Jewison).”

If so many in the industry are interpreting the ad this way, it is fair to assume that this was at least one of the ad’s objectives, and on the assumption that it was an objective, your Ethics Alarms Ethics Quiz today is this:

“Is appealing to Oscar voters on this basis fair and ethical?”

I can see strong arguments for each position. Continue reading →

Ethics Quiz: Smashing The “Million Dollar Vase”

/ Jack Marshall / 48 Comments

Miami performance artist Maximo Caminero walked into the Pérez Art Museum in Miami, entered a special exhibit of sixteen ancient Chinese vases painted over in bright colors by celebrated Chinese dissident artist Ai Weiwei, picked up one of them, and immediately after a security guard instructed him not to touch the exhibit, allowed the vase to fall from his hands, shattering into bits. Some strange and interesting details of the incident:

  • He did not say “Oopsie!”
  • In fact, he admitted that smashing the pottery was intentional, and was his protest against in support of local artists like himself whose work is not exhibited at the museum while the art of international artists like Weiwei is.
  • The painted vase the 51-year-old artist destroyed is said to be valued at a million dollars. Each of vases used in the exhibit  are about 2,000 years old, dating back to China’s Han Dynasty. The artist often uses ancient  artifacts in his work, and has drawn criticism that his art consists of  defacing the original work or another artist.
  • Caminero says he thought the vases were cheap pottery purchased at Home Depot, and never suspected that they were so old or valuable. (And yet he still didn’t say “Oopsie!” Or “Doh!”
  • The museum HAS exhibited local artists.
  • He broke the vase directly in front of a series of larger-than-life photos of  Weiwei dropping and destroying another Han Dynasty vase.
  • He says that he interpreted the photos as a fellow artist’s provocative statement, encouraging him to break the vase.
  • Caminero was charged with criminal mischief, which is not a trivial charge. At very least, he would be required to pay for the destroyed item.
  • The news reports say that the museum is assisting police in the investigation. What investigation? The entire episode on video.

No, you can’t make this stuff up.

And our Ethics Alarms Ethics Quiz is this:

Should the justice system treat Caminero’s act  more leniently than any other act of deliberate vandalism resulting in the destruction of a million dollars worth of property?

To me, the answer is a resounding “no”:

  • The fact that the vandalism is a protest? It doesn’t matter why he destroyed the vase. It wouldn’t mitigate the crime even if he had something legitimate to protest, which he did not.
  • The fact that he didn’t mean to break a a million dollar vase, just a cheap one? Too bad. You break it, you’ve bought it.
  • The fact that the photo display behind him showed the artist doing exactly the same thing? Completely irrelevant. The artist was breaking his own vase.
  • The fact that the art that Caminero was destroying was itself created by a destructive act? Oh, there are a number of bad rationalizations he can use in his defense, and I wouldn’t be surprised if he uses them all. The protest was performance art, and punishing it severely infringes on free artistic expression! Punishing him is the ultimate hypocrisy, as he was calling attention to Weiwei’s own vandalism! He started it! Tit for Tat! It’s for a good cause! All ethically invalid.

Someone this stupid, irresponsible, self-centered and reckless is a danger to the community. His next protest may harm more than a vase.

I hope they throw the book at him.

________________________________________

Pointer: CNN

Sources: Miami Herald, C News

Thank You, Washington Post “Fact Checker” Glenn Kessler For Being The Best Ethics Alarms Ethics Dunce EVER!

/ Jack Marshall / 21 Comments

I must say, this is the sort of thing that makes the heart of an ethicist, or at least this ethicist’s, swell with joy as the strains of “Ah, Sweet Mystery of Life At Last I Found You!” take control of his brain, and the song bursts, full-blown and soaring, from his lips…You’ll have to excuse me…

Glenn Kessler’s “Fact Checker” column in today’s Sunday Post is a cornucopia of wonderful topics, including…

  • The dishonest conduct of media “fact-checkers” in using their columns not to dispute facts but to take issue with opinions, usually on partisan grounds, with which they disagree.
  • The misuse of “lies” and “lying” to describe either mistakes or opinions, neither of which are lies.
  • People who lie themselves while accusing others of lies.
  • Fact-checkers who misstate facts while accusing others of misstating facts.
  • The common misunderstanding that “consent” makes a boss’s sexual relationship with his or her subordinate ethically acceptable.
  • Rand Paul!
  • Bill Clinton!
  • Rand Paul attacking Bill Clinton!
  • ANYONE defending Bill Clinton’s conduct involving Monica Lewinsky.
  • The news media’s already evident intent to defend against all attacks, direct or oblique, on the liberal establishment’s choice for President in 2016, Hillary “The First Enabler” Clinton.

It just doesn’t get much better than this.

Let us begin with the root of Kessler’s  column and his inspiration, this statement by Sen. Rand Paul (R-Ky): Continue reading →

More Interview Ethics: Janet Mock Ambushes Piers Morgan

/ Jack Marshall / 22 Comments

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Piers Morgan, CNN’s imported British tabloid reporter turned Larry King replacement, invited trans author and activist Janet Mock on his show to promote her new memoir, “Redefining Realness: My Path to Womanhood, Identity, Love & So Much More.” As I watched the interview (because of Mock and not Morgan, who makes my skin crawl), I was struck by how far such interviews have come since David Susskind would invite transgendered individuals on his PBS show—this was classy, remember—and essentially hold them out as freaks. Morgan was respectful and supportive, though the sensationalist aspect was still there but muted: the text under Mock during her interview read “BORN A BOY,” and “was a boy until age 18,” which are, though accurately describing how most CNN viewers would understand Mock’s journey, over-simplified and counter to how Mock describes herself.

Mock seemed happy, Morgan seemed gracious. Then Mock went on Twitter and Buzzfeed to pronounce Morgan a clueless, ignorant, biased jerk.  He was, shockingly, “trying to do infotainment” Mock said. Morgan’s show is the epitome of infotainment, and everybody knows it. She criticized him for “sensationalizing” transgender people while neglecting a substantive discussion about her book. The sales of Mock’s memoir depend on its sensational aspects, again, as she and her publisher well know. Mock accused Morgan of asking the same kinds of embarrassing questions about body parts and boy friends that non-trans people are inevitably curious about. Well, of course he did…because that’s what his audience is curious about.

None of this was communicated to Morgan either before, during, or after the interview. Morgan, who is no Sam Rubin, was incensed, and struck back via Twitter, since that is the forum where Mock chose to publicly attack him. In various tweets and exchanges he called Mock cowardly, “churlish,” and shameful, and criticized her allies as well, as she successfully brought down the progressive hoards on Morgan’s head. The same week, he invited her back to on the show along with a panel so he could defend himself while assailing her conduct. You can read the transcript of that show here.

What’s going on here? Continue reading →

Unethical Tweet of the Month: Actress Eva Longoria

/ Jack Marshall / 24 Comments

 

Longoria tweet

Emilio Vicente, a gay illegal immigrant from Guatemala who is a candidate for  student body president at the University of North Carolina at Chapel Hill, is now facing a run-off after receiving 41.08 percent of the vote.

He may or may not have been helped in his quest for the position by the above unsolicited tweet by actress Eva Longoria of “Desperate Housewives” fame. As far as anyone knows, she has absolutely no connection to Vicente or Chapel Hill. However, she knows he will be a “great leader” and is inherently a better candidate and more qualified than opponent Andrew Powell, who has the damning and disqualifying characteristics of being white, straight, law abiding and an American citizen. Vicente, however, is supremely qualified to lead because he is Latino, gay and illegal.

This is pure, undeniable bigotry, but politically correct, left-endorsed bigotry, so Longoria, who was the Democratic Party’s embarrassing 2008 co-campaign chair-–“war on women,” don’t you know—will never be criticized for it by the morally superior progressive establishment,  though her tweet is as indefensible and un-American as it is legalistically stupid.

I am officially declaring war on racist, bigoted, stupid women….like Eva Longoria.

_________________________

Pointer: Chris Plante

Sources: Daily Caller, Campus Reform,

 

Ethics Quote: Sid Caesar (1922-2014)

/ Jack Marshall / 8 Comments

Sid Caesar

“I remember a satire we did on ‘High Noon.’ The townspeople were supposed to abandon me and return their deputy badges to me by pinning them on my chest. I was supposed to have a sponge inside my shirt. But I didn’t have time to change. So they kept coming, saying, ‘Sorry, Sheriff,’ and pinning on the badges. After it was over, I went backstage, and somebody said, ‘Hey, you did real good pain takes.’ I told him the pain was for real.”

—-Comedy great Sid Caesar, who died yesterday at the age of 91, recounting for the New York Times an example of a how he suffered for his art, which was, always, making us laugh.

Caesar’s anecdote is as perfect a description of professionalism as I have ever seen, or ever will see.

Thank you, Sid Caesar, for devoting your life, body and soul, to laughter.

Samuel L. Jackson Was Wrong and Behaved Like A Jerk: Why Is Sam Rubin The One Who Is Apologizing?

/ Jack Marshall / 64 Comments

Sam Rubin, entertainment reporter for KTLA in Los Angeles, is being ridiculed far and wide for “mistaking Samuel L. Jackson for Laurence Fishburne – while interviewing Jackson on live TV!”

Bulletin: That’s not what occurred.

Jackson was wrong, Rubin was correct, and Jackson’s long riff, funny as it was, about how white guys can’t tell black actors apart was both a cheap shot and viciously unfair. Rubin made no such mistake. Jackson owes him an apology. Watch this  trailer:

Did you see that black actor in two places in the video? That was Samuel L. Jackson, not Laurence Fishburne. That video di run during the Super Bowl, and was obviously what Rubin was referring to when he began his question with “You’re working for Marvel…” Marvel Comics, the creators of Captain America, in which Laurence Fishburne has no role. Continue reading →

Shirley Temple Black (1928-2014)

/ Jack Marshall / 13 Comments

shirley-temple

Shirley Temple Black, perhaps best known to most of us as Little Miss Marker, Curly Top,the Littlest Rebel, Heidi, or, most of all, Shirley Temple, died overnight. I learned of her passing this morning in a Facebook update from child performer advocate Paul Petersen, like Shirley a distinguished and successful former child star who has dedicated his post-performing career to important causes. He wrote:

SHIRLEY TEMPLE passed in the night. She was 85…and no age at all. What a life. What a treasure. A woman of amazing courage and dignity.The world was enriched by her accomplishments. She will always be a part of us. Rest now, Shirley Temple. We love you.

There really isn’t too much more that needs to be said.  Few human beings ever began having a positive impact on society so soon in life (she began making adults smile at the age of three, when she made her first film) and continued to do so for so long. From show business, a profession that so often leads to ethical rot,  and a rarefied corner of it infamous for leaving its practitioners spoiled, narcissistic, addicted to fame and dysfunctional, Shirley Temple emerged as an adult who was industrious, courageous, intelligent, compassionate, and dedicated to public service. Often dismissed and mocked as a washed-up child star, she proved again and again that her detractors were not just wrong to pre-judge her, but spectacularly wrong. She excelled as a diplomat, serving as U.S. ambassador to Ghana and Czechoslovakia, using her Hollywood fame to open doors and hearts, and also as the U.S. delegate to the United Nations. Temple never played the celebrity: my favorite Shirley moment was when she returned, in her seventies, to join a large group of former Oscar winners (hers was a special award, at the age of six) on the stage of the Academy Awards. As they announced the names of the famous performers and the camera panned the group, it was Shirley who received the most loving response from the Hollywood crowd, which stood and cheered. Shirley looked genuinely surprised, beamed, showed those famous dimples, and handled it, as she always handled everything, with charm and poise.

A proto-feminist, Shirley Temple was one of the first celebrities to go public with a diagnosis of breast cancer, and raised national awareness by promoting a frank discussion of mastectomies. In her autobiography, she also had the courage to point out the predominance of sexual predators in the the Hollywood power structure and culture, recalling that MGM musical unit head Arthur Freed*, whose career is celebrated in “Singing in the Rain,” exposed himself to her in his office when she was barely 13. (She laughed at him; he threw her out of his office.)

Historians credit Shirley Temple with saving the movie studio RKO and raising America’s spirits during the Great Depression; she also was a Cold Warrior, a mother, the inspiration for a best-selling line of dolls as well as the alcohol-free cocktail that still bears her name, and one of a kind. It is fair to say we will never see her like again.

Late in life, she told an interviewer, “If I had it all to do over, I wouldn’t change a thing.” How many of us can say that sincerely?

Paul was right. What a life!

Take a curtain call, kid…

* The original version of the post incorrectly referred to Arthur Freed as Alan Freed, who was an  influential disc jockey in the early days of rock and roll. I apologize to both of them.