I frequently discuss the concept of deceit in ethics seminars, and my favorite example, which I have also used on Ethics Alarms, is the famous “Does your dog bite?” gag from “The Pink Panther Strikes Again!” This morning I was reminded of an even better example, though not so funny, while watching Turner Movie Classics. TMC was showing the 1936 Hollywood adaptation of “Showboat,” the black-and-white version directed by James Whale of “Frankenstein” fame, that is richer and more faithful to the original Oscar Hammerstein-Jerome Kern Broadway musical than the later, color version starring Ava Gardner, Kathryn Grayson and Howard Keel. Continue reading
Arts & Entertainment
More On The Ethics Of Watching Football From Malcolm Gladwell
And NO,Malcolm is NOT Art Garfunkle's son!
I don’t generally post “See? Someone famous and respectable agrees with me!” links, because 1) somebody agreeing with me doesn’t validate my argument, 2) I’m trying to promote ethical awareness and analysis skills, not to be “right,” and most of all, 3) if I did, I’d feel I had to hide when the famous someone is Glenn Beck, Joy Behar, Ozzie Ozbourne or Dinky, the Pet Rock.
However, I found the comments of Malcolm Gladwell on the topic of football interesting, and I link to them here. Gladwell is the author of “The Tipping Point,” and like Jacque Barzun, Bill James, George Will, Judge Richard Posner, blogger Rick Jones and some other perceptive thinkers I admire, always worth paying attention to, even when he’s wrong. I had suggested that the increasing evidence that football-related head injuries were routinely crippling players implicated the ethics of being a football fan here, and have periodically revisited the issue on this blog and as a guest on Michel Martin’s NPR show, “Tell Me More.” As a result, I have received a good amount of hate mail from football fans, telling me that I’m a baseball-biased idiot. I may be that, but I don’t think Gladwell is. I think that he ( and I) may be right: ethics and insurance premiums may eventually send football the way of pro boxing.
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Spark: WTVR.com, on Ray Easterling’s recent suicide.
Source: Slate
Ethics Alarms attempts to give proper attribution and credit to all sources of facts, analysis and other assistance that go into its blog posts. If you are aware of one I missed, or believe your own work was used in any way without proper attribution, please contact me, Jack Marshall, at jamproethics@verizon.net.
Savage Nightmare: Into the Valley Of Spin, Deceit and Lies
When Perez Hilton is the MOST ethical participant in a chain of internet lies, spin and deceit, you know you’re in trouble.
The dishonesty in the world of blogs and partisan websites is so pervasive, the determination to deceive so great, and the willingness to distort, confuse and misinform so ingrained and shameless, that an objective understanding of some politically-charged events become literally—and I mean literally literally, and what Joe Biden means when he says literally, which is “figuratively”—impossible. Does this fuel the destructive partisanship that causes public discourse to be about “gotchas” and point scoring rather than collaboratively addressing societal problems? Absolutely.
I fell into this muck today when I made the mistake of visiting the Breitbart website for the first time in months, to see what it was evolving into now that Andrew has left us. Eureka! Here was a post by Ben Shapiro saluting Perez Hilton, the petty and reliably ethics-challenged gossip columnist (there is no such thing as an ethical gossip columnist) for breaking ranks and criticizing Dan Savage for his anti-Christian, abusive rant to high school journalists in what was supposed to be a speech about anti-bullying initiatives. This signaled to me that Hilton had an Ethics Hero designation in his immediate future, for properly chastising unethical conduct by an ally: like Savage, Hilton is gay and active in anti-bullying efforts.
“Hilton has long been an advocate of anti-bullying, and it is heroic of him to stand apart from the rest of the media, which has buried Savage’s bully tactics or brushed them off as unimportant. Savage, as Hilton points out, has lost his credibility as an anti-bullying advocate with such actions. And yes, Hilton has cut a video on behalf of the It Gets Better Project.
“It wasn’t any of the big time celebrities who have endorsed and supported Savage’s It Gets Better Project who stood up against him. It wasn’t folks like Jane Lynch or Neil Patrick Harris or Josh Duhamel or James Marsden or Janet Jackson or Jennifer Love Hewitt or any of the dozens of other stars who could have done so. It wasn’t the folks in the mainstream media, who have completely ignored the story, or justified Savage’s behavior. It wasn’t the elected leaders who have used government resources to direct traffic to Savage’s program who stood up to Savage’s bullying here. It wasn’t President Obama or Vice President Biden or Secretary of State Hillary Clinton or Secretary of Agriculture Tom Vilsack or the Department of Justice or the White House Staff or Secretary of Health and Human Services Kathleen Sebelius.
“It was a gossip columnist.”
The Perez quote cited by Shapiro to justify this extravagant praise was this:
“UGH ….Savage later called the walk-out “pansy-a**ed” which, from someone who helms an anti-bullying campaign, is obviously a very negative thing to say ….Can’t we just be good and kind to each other? Isn’t faith in love and honesty and kindness all any of us really need?” Continue reading
My Field of Dreams
Yesterday, an Off-Broadway musical closed that I launched on its remarkable run nearly 12 years ago. The show had productions in four states, D.C. and London; it had over 450 performances; it became the cornerstone of one very talented (and very nice) actor’s career, and an important opportunity for several others. It gave a dear friend immense pleasure, satisfaction and recognition in the final decade of his life, and probably saved my theater company from bankruptcy. Most important of all, perhaps, is that it entertained thousands of people. If I got bopped by a trolley tomorrow, the show would undoubtedly stand as one of the major accomplishments of my entire strange, eclectic, under-achieving life.
And yet…feeling good about the unlikely saga of the show, now that it has finally (probably—it has risen from the dead before) seen its last audience, takes considerable effort for me, and has from the beginning. My satisfaction is more intellectual than emotional, because I know that I personally benefited less from the show in tangible ways in proportion to my contribution to it than anyone else involved. Although I restructured the script, re-wrote, added and cut lines, wrote new lyrics to one song and added two others to the show, including the finale, I’m not credited as a co-auther. I own no part of the property, and never received a dime in compensation. Those closely connected with the original production know all of this, but the extent of my role in the creation and success of the show has been invisible to audiences for over a decade. Continue reading
For My Father
The better Jack Marshall
My father’s birthday is coming up; oddly, I remember the date now that he’s gone, when I never managed to so while he was alive. It is May 2, and by lucky happenstance, Eugene Volokh chose to post another of my father’s favorite Rudyard Kipling poems on his blog today. I had completely forgotten about it, so this is a gift to me, especially since it helps my dad’s memory burn even brighter, always a boon when I feel the walls closing in. He loved Kipling’s poems, books and stories, and he was a man whom Rudyard would have admired. Like most Kipling, this poem is about ethics, as well many other things, some of which readers must figure out for themselves.
For you, Dad. And all of you, too:
The Gods of the Copybook Headings
By Rudyard Kipling (1865-1936) Continue reading
“Titanic” Ethics
This is Titanic week, as all of you who don’t live in tunnels like prairie dogs must know. It has been a century since the sinking of the Great Unsinkable, with the deaths of 1500 souls including some of the great artistic, financial and industrial greats of the era. James Cameron’s 1997 film is also returning this week in 3-D, which means that the misconceptions, false accounts and outright misrepresentations the film drove into the public consciousness and popular culture will be strengthened once again. I think it would be ethical, on this centennial of the tragedy, for those in a position to do so to make a concerted effort to honor the victims and their families by honoring the truth. Thanks to Cameron, this is impossible. Continue reading
Ethics Hero: Ashley Judd
Actress Ashley Judd (Full Disclosure: I am a long-time fan) finally has had it with snarky and degrading public speculation about her face, her weight, her appearance, and whether the star of TV’s “Missing” has “had work done,” and properly slams the celebrity media and those journalists who either write about her like she’s a competitor in a dog show or question her conduct and character based on their assessment of what she “should” look like. Her verdict: it’s misogyny. The acting member of the Judd family has written a passionate, perceptive, articulate (if you forgive occasional lapses into feminist jargon, like objectification otheration, and (yuck) heteronormative) and courageous essay over at the Daily Beast. If you have a daughter, have her read it. If you have a son, have him read it too. Heck, everybody should read it….here.
I wonder if the Daily Beast editors read it. Here is Ashley Judd, eloquently pleading that women should be assessed base on how they do their job rather than on their perceived sex appeal, and where does the website post it?
On the page called “The Sexy Beast.”
You have a lot of work to do, Ashley, but you’re fighting the right fight.
Brava.
The Donald’s Dangerous Ethics: Loyalty Trumps Honesty On “Celebrity Apprentice”
Your ethics ignorance makes me angry, Donald. You won't like me when I'm angry...
The original version of Donald Trump’s self-promoting reality show competition “The Apprentice” occasionally created a useful business ethics scenario. Once The Donald started using B-list celebrities instead of real aspiring executives, however, the show deteriorated into ego insanity and the kind of freak show conflicts one would expect with participants like Jose Canseco, Joan Rivers and Dennis Rodman.
Surprisingly, last week’s episode blundered into a substantive, if confusing, ethics lesson. It was Donald Trump’s ethical priorities that were exposed, and as should surprise no one, they are as warped as Trump himself.
I can spare you all the details of the episode, which involved the weird assortment of celebs breaking into two teams to see who could devise the better commercial for Entertainment.com, as judged by the website’s execs. As usual, the losing team’s leader and the two team members fingered by her (in this case) had to have a show-down with Trump in “the Board Room” to determine who would be on the receiving end of Trump’s trademark line, “You’re fired!” This time one of the three potential firees was none other that old Incredible Hulk himself, Lou Ferrigno, who has distinguished himself this season as a perpetual whiner, especially adept at blaming the members of his teams rather than accepting responsibility himself. He was richly deserving of the Trump pink slip in this episode, especially for the over-the-top violent and disparaging language he leveled at a female team mate, comedian Lisa Lampanelli. In the eyes of Trump, however, Lou clinched his demise not by being an unprofessional boor, but by being…honest.
“Who do you think had the better commercial?” Trump asked the former green alter-ego of the late Bill Bixby. It sure didn’t sound like a trick question. Ferrigno responded that the winning team’s commercial was better, an eminently reasonable response given that he and the other two celebrities on the hot seat were there because the commercial they had crafted had been judged as inferior. This, however, was seen by The Donald as a rank betrayal. He fired Lou, in part for his slug-like performance on the assigned task, but mostly, he said, for Ferrigno’s “great disloyalty” to his team.
Whaa? Continue reading
What Do You Do When The Ethics Alarm Sounds Late? This…
A photography site that knows about ethics, too.
SmugMug is a photo sharing website that comes complete with a blog on photo sharing issues, including ethical ones. Here is the blog’s most recent post, a remarkable confession and an apology, as excellent an example of taking responsibility for a mistake, being accountable and apologizing sincerely to the party harmed as there is. The post is entitled, “What Were We Thinking?”
“Sometimes you see the dumb things companies say and you wonder, ‘What were they thinking?’
I never imagined that happening to us, but we did something so dumb in a blog post, we’re now looking at each other blankly and asking, what were we thinking? The post was about image theft and we used examples from pro photographer Valerie Schooling’s site and gave the impression she was doing things wrong, which she wasn’t.
To make matters worse, we somehow embedded screen captures of her site without asking her permission. If it weren’t such a dumb thing to do, I could explain why we did it other than the obvious: she and her photos are awesome. Naturally, her friends and other respected photographers in the industry asked us what we were thinking, and unfortunately the honest answer was, “We weren’t.”
We learned a lesson we’ll never forget because we also betrayed ourselves, since we are photographers. We apologize for the time and angst this caused a lot of wonderful people.”
“Chris MacAskill
President & co-founder
Not usually so clueless”
Perfect. Continue reading
“Blue Bloods” Ethics: The Good Lie?
Tom Selleck as NYC Chief of Police Frank Reagan
Tom Selleck’s CBS drama “Blue Bloods,” chronicling the exploits of the Reagans, an improbable fictional New York City family that dominates NYC’s law enforcement, featured an excellent example of a necessary lie last night, in which utilitarian principles would hold that the lie, a rather serious and extensive one—many interlocking lies, really—was the most ethical option available.
The situation arose because the Chief of Police (Frank Reagan, played by Selleck) learned that his police officer son, Jamie Reagan, had rescued a child from an explosion, and the press and city were clamoring to know who the hero was. (Nobody saw the rescue, which is a contrived detail, but necessary to set up the ethical dilemma.) But Jamie was also working undercover in a serious and dangerous operation, having infiltrated an organized crime family. (Why was a uniformed cop allowed to stay on the street while leading a double life? Seems reckless to me, but Father Chief knows best.) To protect the undercover operation and his son, Frank Reagan decides on an elaborate deception, persuading his son’s partner, who was on the scene of the rescue, to take the credit and even accept a commendation in a public ceremony.
Lying to the public and the press to such an extent is almost always inexcusable, but protecting an anti-crime effort in the public interest, as well as the imperiled officer involved in it, is a rare case in which the balance tips away from the truth. The “Blue Bloods” solution was the best one available given the situation and the law enforcement priorities. But… Continue reading
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