Avocations, Conflicts of Interest, and Country Joe West

Some employers are troubled by the avocations and outside activities of employees, a concern that often deserves a  defiant “none of your business” in response. However, sometimes the concern is justified, such as when the avocation adversely reflects on the individual’s reputation to the extent that it harms his or her ability to perform, or when the avocation actually interferes with the job, such as a when a recreational rugby player keeps missing work because of injuries. Another problem is when the avocation creates a conflict of interest in which conduct that may be good for the avocation undermines the job.

The latter is exemplified by Major League Umpire Joe West, who fancies himself a country music singer and songwriter when he isn’t calling balls and strikes. As nicely narrated on the blog “It’s About the Money,” West has long been the most flamboyant and combative of umps, as proven by the fact that a lot of people know his name. Umpires aren’t supposed to be stars, celebrities or personalities: if you notice a particular umpire, it is almost always because he has made a mistake.  They are important, however. Their acuity of sight and judgment are called upon many times in every game, and can make a significant difference in scores, standings, championships and careers. Like judges, they have to be trusted, and their integrity above suspicion. “The Common Man,” who wrote the blog post, believes that West’s singing career, such as it is, creates a conflict of interest that undermines that trust, and worse, warps his judgment on the field. Continue reading

AshleyMadison Finds Its Perfect Symbol

Well, if you run an unethical website, I suppose the most ethical thing you can do, other than shutting it down, is to be transparent about what you are selling, and how wrong it is.

Thus I have to reluctantly tip my ethics cap to the pro-adultery website, AshleyMadison, for finding the perfect symbol. [You can read my earlier commentary on this particularly atrocious site here and here.] Yes, TMZ is reporting that Bombshell McGee, the Nazi-celebrating tattoo model who helped Jesse James wreck his marriage with actress Sandra Bullock just as the couple was adopting a child and while she was proclaiming her trust and love for him to the world, will be promoting AshleyMadison’s adultery services. If seeing Bombshell McGee promoting a service endears makes it attractive to you, AshleyMadison can’t lead you astray: you are too far gone already. Bombshell’s (can I call her “Shelley?”) enthusiasm for adulterous relationships has destroyed a family and devastated another woman who never did her any harm. This is truth in advertising at its best: an irredeemable unethical business, hiring an openly despicable spokeswoman.

Ethics Dunces: ABC’s “This Week” Sunday Roundtable

Take note, young medical students: this is the horror of Beltway Blindness.

For the second consecutive Sunday, the politically-diverse group of pundits who make up the “roundtable” on ABC’s “This Week” pooh-poohed the Sestak scandal, noting that this is politics, everybody does it, everybody has always done it, and Republicans are foolish to try to make an issue out of old-fashioned horse trading. This is the cynicism and ethics rot that working in and around politicians will breed.

Consider: Continue reading

Standards, the Salahis, Bluto, and Us

A sane culture discourages ethical misconduct by condemning and punishing it. The American culture, thanks to greed, intellectual rot and an irresponsible media, rewards unethical conduct by making it profitable. This isn’t a trivial matter.

Tareq and Michaele Salahi are about as despicable a pair as one can imagine, redeemed only by the fact that they haven’t caused any oil spills, aren’t abusing children and haven’t killed anyone. They are full-time grifters, and are diligently working to profit by exploiting America’s sick obsession with media celebrity. They crashed a White House dinner in November, costing several people their jobs, and launching multiple investigations that added to the tax-payers’ burden. None of that mattered to them, of course, because the irresponsible escapade advanced their idiotic, pathetic and selfish goal: joining the likes of Jose Canseco, Corey Feldman and Gary Busey on TV’s equivalent of belching, a reality show. Then, being completely shameless, they recently stalked a White House dinner again, getting themselves stopped by the Secret Service as they rode in a rented limousine, dressed in formal attire, with an “Inside Edition” camera crew in tow. This was just an “incredible coincidence,” they explained…wink-wink, nudge-nudge. Continue reading

The Old Pro’s Betrayal, Baseball Style

It’s a dramatic scenario as old as Homer. The Young Hero (YH) lets his ego get in the way of his judgement, and the Old Pro (OP), now graying, diminished and wobbly, sets him straight with a cuff to the head, a sympathetic smile, and some tough love. Years later, the YH, now established and successful, credits the OP, now dead and perhaps forgotten, with making the difference in his life.

This isn’t just movie and novel stuff, as you know: it really happens. It may have happened to you. I know I’ve played both roles, and more than once.

In 2010, however, the plot is a little different.  Continue reading

Ethics Hero: Campbell Brown

Almost nobody is ever fired anymore. Obviously sacked Presidential staff, agency heads and Cabinet officials announce that they are leaving to “pursue other opportunities” or to be with their families. (Recent glaring example: Desiree Rogers, who “resigned,” just coincidentally after being instrumental in allowing two gate-crashers into a White House star dinner.) Nobody believes it, of course. The same is true of actors fired from movies, TV shows, and plays for being wrong for their parts or just impossible bt work with, who then announce that it was a “mutual decision.” All of this is intended to avoid the stigma of losing a job because, well, the individual just wasn’t delivering as hoped or promised. It doesn’t work, of course: nobody is fooled, but the charade simply adds to the public belief, increasingly justified, that everyone lies, all the time.

So although Campbell Brown’s stark honesty about why she is leaving her low-rated CNN show shouldn’t be anything special, it is. Continue reading

Searching for Ethical Explanations For Inexplicable Media Conduct

I want to be fair to the news media; I really do. They work hard, and it must be maddening to hear themselves being described as biased, state-controlled Obama toadies when they feel they are making a good faith effort to cover all the important news with objectivity. So when there is an incident that seems to scream liberal media bias, like the almost complete failure to report or criticize Attorney General Eric Holder’s stunning admission that he had still not read the Arizona illegal immigration statute despite already going on record as believing it could lead to racial profiling, I believe that it only fair to search hard for legitimate, ethical reasons for their surprising handling of the story. Continue reading

Empathy and Ethics Insanity in Hollywood: “CSI New York”

In this week’s episode of C.S.I. New York, entitled “Unusual Suspects,” a 14-year old is shot and his younger brother intentionally misleads the police regarding the shooter, identifying the wrong suspect who is ultimately chased by the police and fatally hit by a bus while trying to flee. Eventually the truth comes out. The two boys–armed with a gun!—robbed a bank, and the older boy, who engineered the crime, was shot by a man who subsequently took the loot from them.

The boys knocked over the bank because they overheard their mother say that she couldn’t pay the rent. This is apparently sufficient justification for the bank and the District Attorney to decide not to press charges against the little dears. As the show ends, two of the C.S.I. squad look in on the hospital room, misty-eyed. where the wounded boy lies recovering, as his brother and mother sit vigil by his bed.

“There’s a lot of love in that room,” observes one of the officers.

A lot of felons, too. Continue reading

Ethics Hero Emeritus: Lena Horne, 1917-2010

When actress Hattie McDaniel, the imposing African-American actress who played “Mammy” in the film “Gone With the Wind,” was criticized for her willingness to accept stereotypical and often degrading roles, she countered, “I’d rather play a maid and make $700 a week than be one for $7.”  Not Lena Horne.  Breaking into the movie business as a dynamic and glamorous singer-actress in 1942, she insisted on a long-term contract with MGM that specified that she would never have to play a maid. Continue reading

CBS: Nostalgia Spoilsport

For many years, I’ve been trying to track down a recording of the theme song from the wonderful 1963-64 TV anthology “The Great Adventure.” A critically praised, largely forgotten dramatic series that portrayed stories from American history, “The Great Adventure” began with a spirited march written by composer Richard Rodgers, of Rodgers and Hart and Rodgers and Hammerstein fame.

Now I can play the show’s intro on my computer any time I feel like being inspired, thanks to a wonderful web resource, televisiontunes.com. The site has collected over 15,000 songs and instrumental pieces from the entire expanse of television history, and it is a magic doorway to instant nostalgia, not to mention some fun and excellent music, like the Rodgers composition, that is difficult to find anywhere else. Want to hear, for example, “Interjections!”, the cleverest and catchiest of all ABC’s “Schoolhouse Rock” creations? It’s there…or rather, here.

But if you want to listen to the “Twilight Zone” theme, or the iconic intro to “Perry Mason,” or, most tragically of all, the opening strains of “Hawaii Five-O,” perhaps the best TV theme ever, you are out of luck. You are out of luck because CBS, alone among the networks, has had its lawyers start pulling off the best-known themes from the CBS shows, as is CBS’s right as the owners of them. Continue reading