On Judge Kollar-Kotelly’s Procrustean Attempt To Make Abortion A Constitutional Right

That’s Procrustes portrayed above, in both of his favored acts of mayhem. I checked: I’ve used the term “Procrustean” several times here, but never was kind enough to explain the term’s origins, which is what makes it cool.

Procrustes was the nastiest of the bad guys the mythological Greek hero Theseus encountered on his way to killing the Minotaur in Crete. Procrustes would invite a weary traveler to take refuge for the night, offering him sustenance and a bed—but the bed was a deadly trap. Procrustes guaranteed every guest would fit the bed neatly, but that was because it converted into a rack, stretching anyone who was too short. If a guest was too tall, Procrustes just hacked off enough inches from the feet up to ensure that the bed would fit him, too. Theseus killed the psycho, but the word procrustean eventually entered legal lexicon to describe an argument that illogically squeezed facts or omitted them to make a theory fit the law.

I thought of old Procrustes immediately when I read that Judge Colleen Kollar-Kotelly in the District Court for the District of Columbia suggested after a hearing that the Thirteenth Amendment might have created a right to abortions. Wait, you well might ask, “How could an amendment created specifically to make slavery illegal, passed right after the Civil War, be construed to enshrine abortion as a right?” The short answer is, “It can’t and doesn’t.” The stupid, intellectually dishonest answer, however, is the one that the previously responsible female judge has decided to promote.

When the amendment states, Continue reading

I Excuse Rob Reiner For Saying Something This Stupid Because He’s An Actor. For A Pundit Inflicted On The Public By The New York Times To Say It Is Journalistic Malpractice

Once again, Michelle Goldberg pulls into the lead for “Worst and Most Biased New York Times Columnist.” This is impressive, because so many Times columnists are unethical blights on national soul. Paul Krugman, Gail Collins, Charles M. Blow, Maureen Dowd, Jamelle Bouie…it’s an awful group; I could teach a “Bias Makes You Stupid” ethics course using only their columns as materials. I doubt that even these pundits would be foolish enough to claim Biden is a “great President.” Here I am, still comparing records to determine if he’ll be regarded as the worst President ever, and she claims that.

I try to rate Presidents by their own standards, and by his own stated standards, Biden has been a failure. He said he needed to bring a divided country together, and by fully placing himself in thrall to the most radical segments of the Left, he has made the partisan and ideological divide worse, and dangerously so. Like Obama, his policies and rhetoric have exacerbated racial tensions. Long a supporter of the military, he has overseen a brutal weakening of the Armed Forces, by making woke indoctrination a priority over national defense. A supposed women’s rights advocate, Biden has allowed trans-mania to undermine women’s sports. While giving lip service to Constitutional Rights, his administration has used its power and influence to illegally urge private entities to censor speech. He has allowed the National Debt to explode; he has presided over such extreme inflation that wage increases cannot keep up. The horde of illegal immigrants pouring over the border has never been more overwhelming, yet he allows his Vice President and Cabinet members to claim that “the border is secure.” He has openly endorsed racial discrimination in his appointments. After joining in the Democratic chorus that Trump “undermined democratic institutions,” Biden has used the “bully pulpit” institution to focus hate on political opponents. His Justice Department allowed illegal harassment of Supreme Court members. The FBI has been revealed as partisan and corrupt. Under his Transportation Secretary there have been more crises in the system than at any time since 9/11. His fecklessness in international relations allowed Putin to feel secure in invading Ukraine. Biden has harmed the nation with purely symbolic and otherwise useless climate change measures, like cancelling the XL Pipeline. Crime rates are soaring; and worst of all, he has indulged his party’s increasing thirst for constraining personal liberties, free expression and dissent.

I could go on, but it is exhausting and depressing.

And Michelle Goldberg says Biden is a great President, because… Continue reading

Comment Of The Day: “‘What’s Going On Here?’ Why Does Disney Think It Is Appropriate To Produce And Circulate Abrasive, Divisive, Confrontational Interest Group Propaganda And Indoctrination Like This?”

I have a confession to make. I know that the ethical and moral deterioration of the Disney corporation is a major ethics catastrophe with dire consequences for our society and culture, and Ethics Alarms should have been covering it more thoroughly. It hasn’t, and that’s because this topic is particularly painful for me.

I owe so much to Disney’s creations and philosophy. I learned a lot of ethics from the shows and movies growing up, and many of my most enduring and important interests and hobbies were inspired by Walt’s vision. My fascination with dinosaurs began with the terrifying T-Rex sequence in “The Rite of Spring” segment of “Fantasia,” for example. My reverence for the Alamo was inspired by Disney’s “Davy Crockett” series. The first dramatic production of any kind that genuinely move me was “Bambi.” I never got to visit a Disney theme park until college, but finally going to Disneyland after dreaming about it as a kid was one of the epiphanal experiences of my entire life: it was perhaps the only time something I had looked forward to was even better than I expected it to be. Disney’s perfectionism—at the parks, which were immaculate and overlooked no detail to immerse visitors in the fantasy, and in the TV shows and movies—influenced my own view of professionalism and my approach to directing for the stage. His courage and certitude in pursuing risky creative projects that everyone was telling him were doomed to fail—a full length animated film?—bolstered my own resolve when I have had project ideas that seemed nuts to everyone but me.

(And some were nuts, as it turned out. But the times I was right more than made up for those.)

I could go on, but I won’t. The point is that attacking Disney for me is like savaging a childhood hero, or even a parent. But the country, its culture and mental health is being harmed by the current distortion of Walt’s creation’s destructive alliance with the radical Left. It deserves to be attacked, and it’s time I got down to it.

This Comment of the Day (actually two comments, in sequence) by jmv0405 on the depressing post yesterday on a Disney Critical Race Theory video, makes up for some of that lost time by getting the discussion jump-started. It is also a perceptive and illuminating perspective that I wouldn’t have seen without the comment’s guidance. Continue reading

Stop Making Me Defend The Grammys! (And It Would Be Refreshing If Republicans Stopped Embarrassing Themselves, Too)

You know, if Republicans don’t want to end up with a party base with an average age beyond even that of the Supreme Court, they have to stop channeling the ludicrous ministers of the 1950’s who declared rock and roll the Devil’s music and held bonfires of Elvis Presley records. To be blunt, it’s hysterical and stupid, and the young tend to have contempt for old fogeys who call their entertainment satanic….as well they should.

But the Right just can’t help itself. Even after the Elvis freak-out guaranteed that successive generation of teenagers would still be laughing at old black-and-white films of nerdy, balding, middle-aged white guys in horn-rims pronouncing  The King’s hips a danger to America’s soul, its learning curve is flatter than flat. For there was Ted Cruz, Marjorie Taylor Greene and other conservatives today making asses of themselves and anyone who occasionally takes their party seriously by expressing horror at last night’s Grammys whacked-out highlightSam Smith and Kim Petras‘ performance of “Unholy” featuring fire, demon-imitating dangers, blood-red lighting, and Smith in a set of  horns just like Mr. Scratch. Continue reading

“What’s Going On Here?” Why Does Disney Think It Is Appropriate To Produce And Circulate Abrasive, Divisive, Confrontational Interest Group Propaganda And Indoctrination Like This?

Anyone?

I don’t like being shouted at by cartoon characters. Even if they had a valid point, my response to this kind of assaultive advocacy is, has ever been, and always will be…

Bite me.

And There It Is, The Smoking Gun! A Pulitzer-Winning Journalist Declares That His Biased Partisan Opinion Is “Fact”

This is a fact: most of today’s journalists really think like this, being arrogant, self-inflated, ignorant and incompetent hacks who believe “journalism” means advancing the “greater good” through their craft, the “greater good as defined, of course, by them..

During a National Press Club panel last month supposedly on the journalistic challenges of covering extremism—meaning “How do we make sure as many Democrats are elected as possible, since that is the party 98% of us support?”, Wesley Lowery, the former Washington Post reporter who won the Pulitzer Prize for journalism for his coverage of the Ferguson race riots, told his fawning audience,

“We have one political party that traffics in the same talking points as white supremacists, be it on immigration, be it on Muslims, be it on any number of issues, where the mainstream political rhetoric could be written by avowed racists…I’ll be honest, I don’t think very much about the mantle of neutrality. It’s either raining outside or it’s not raining outside. I’m not particularly interested in sounding neutral about which it is….[The Republican Party] is a mix of nativism, of anti-urbanism, of anti-cosmopolitanism, a fear of immigrants. It’s the exact same things that drove the Klan movement of the 1920s. But to say that in public—the way that Newsbusters is going to headline the write-up of this panel is going to be that I compared Donald Trump to the Klan. Right? Now this is a literal true factual description. How can we understand our moment if we are not allowed to make any comparison or add any context?”

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Saturday In The Great Stupid Continues: The “Waiting For Godot” Catch-22

I love this dispatch from The Great Stupid! It has everything…

  • It involves a theater production…
  • It’s woke academia at its worst…
  • Copyright and artistic integrity principles are at issue..
  • Diversity, Equity and Inclusion mania is at its core…
  • It’s another “It isn’t what it is” (Yoo’s Rationalization) classic….
  • It didn’t happen here, but I could easily see it happening here, and…
  • It’s really, really, really stupid.

A bit of background: Samuel Beckett, the late Irish novelist and playwright of Theater of the Absurd fame ,best known for his minimalist drama and “Waiting For Godot” in particular, was a cantankerous old coot who didn’t trust directors (with good cause, say I), and directed them in his texts to change neither lines nor character, or risk legal action. Edward Albee was similarly strict on this point, having seen what happens to plays in the public domain (like Shakespeare’s works) when far less talented “artists” decide to make them “relevant.” So if you are going to produce a Beckett play, it’s Beckett’s way or the metaphorical highway.

Oisín Moyne, a fellow countryman of Beckett, was directing “Waiting for Godot” in the Netherlands and auditioned only men for the all-male cast of characters, as he was legally and artistically obligated to do. the college production been in rehearsals since November and was due to be presented at the University of Groningen’s Usva student cultural center in March. (Don’t ask me how or why it would take more than three months to rehearse this play, which primarily involves two guys sitting around talking, but never mind.) Continue reading

Plumbing The Depths Of The Great Stupid: I Usually Don’t Continue Reading Articles That Start With First Sentences Like This One, Missing Out On Hilarious Race-Obsessed Delusions…

Before we delve into the substance of the article at issue, let me express my gratitude to author David Kaufman for giving me another opportunity to post a brilliant cartoon by one of my heroes, New Yorker satirist/philosopher/humorist Charles Addams. If you read here often, you have seen his work highlighted periodically because it is so often appropriate. In this case, that cartoon above, which made me laugh out loud when I first saw it as a high school student, immediately leapt to mind when I read that Kaufman believes the little white figures in the “walk/don’t walk” traffic lights represent white people.

Did anyone, at the New Yorker, among its readers, among the millions of people who have seen that creepy but very funny drawing in the best-selling collections of Addams’ mordant humor think for a second that it had anything to do with race? No, because it didn’t, doesn’t, and until quite recently, before The Great Stupid spread hate, fear, darkness and toxic cretinism over the land, nobody would be so woke-mad and brainwashed to see racism in everything that they would come to such a bonkers conclusion. Continue reading

From The Res Ipsa Loquitur Files: This Isn’t Diversity. This Isn’t Inclusion. This Isn’t LGBTQ Respect…

This is cruel and stupid.

And unethical.

The organizers of an international figure skating event in Finland last week decided to show their oneness with the times, known at Ethics Alarms as “The Great Stupid,” by featuring Markku-Pekka Antikainen in the opening ceremony of the ISU European Figure Skating Championships. Antikainen is a 59-year-old man who at age 50 decided to “transition” and become a female figure skater. He would have been just as successful aspiring to be a bunch of carrots. His skating name, which he will presumably use when he is featured in “Disney on Ice” (can you really say with confidence that that won’t happen?), is Minna-Maaria Antikainen. Continue reading

Ethics Quote Of The Week: Victor Davis Hanson

“[W]hen everything becomes racist, then nothing in particular can be racist.”

—Revered conservative scholar and pundit Victor Davis Hanson in his column prompted by the absurd progressive calms that the beating death of young Tyre Nichols by five black police officers was caused by “white supremacy” and “systemic racism.”


Hanson’s piece “Race Everywhere” neatly supports my observation in the previous post that it is time to retire February ‘s designation as “Black History Month” (though “Hot Breakfast Month” can stay). His thesis:

In sum, class, not race, remains the best litmus test of being underprivileged in America. It is no longer synonymous with race.  No wonder the identity politics industry now strains to attach prefixes such as “systemic” or “implicit” to “racism,” or “micro” to “aggression,” purportedly to ferret out bias that otherwise is not apparent. Pause to reflect that America is the only successful multiracial constitutional republic in history.To survive in an increasingly dysfunctional and hostile world abroad, the unique idea of the United States requires concord.  But national cohesion is only possible through citizens subordinating their tribal interests to a common culture. Only then do they cease being automatons of warring tribes and collectives. 

Hanson includes many examples of the fact-immune push to elevate the black race above all others in the U.S. while deliberately reversing our national and societal progress away from segregation and racial hostility, as well as why the movement is neither rational nor responsible. Three that I was aware of include,

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