The chair is empty.
I’m going to hand the blog over to you right now, since I am temporarily incapable of going two minutes without sneezing, coughing, gagging or sleeping. Maybe I’ll be able to catch up on posting some Comments of the Day as well, since that takes about a tenth as much time as a full post. Or maybe I’ll just crawl off into the snow and let nature take its course.
Yes, I’m feeling sorry for myself. Make me proud, ethics lovers…
I know, I know. I’m like King Canute trying to command the seas, or Grandpa Simpson, shaking his fist and shouting at clouds. I don’t care. If the culture and societyare going to allow America to be coarsened beyond all reason, at least I’ll be able to say that I wasn’t complicit.
All of my posts on this topic are basically the same; I know it. Here are a few…
[T]he Kraft Heinz Company’s newest frozen meals brand, Devour, has been advertising its products with a TV ad in which a boss catches his employee becoming sexually aroused by his lunch, to which he applies a sexy spank with his fork. The ad’s tagline: “Food You Want to Fork.”
Kraft says the ad is aimed at men aged 25-35, so I guess that’s okay then. Everyone knows that demographic is made up of assholes—is that the theory?—and the best way to please them is to make the kind of juvenile sexual innuendo that we had in naughty songs like “Shaving Cream” about when I was 12. It’s so hilarious when people use a word that sounds like a dirty word in a context where it is obviously intentional, but don’t really say the word, because, see, its, like, not polite. Got it. My sides are splitting.
…Here is what Ethics Alarms said in response to Heineken’s gay-themed vulgar ad about “flipping another man’s meat”:
‘There is no justification for polluting television and the culture with such ick, and it is irresponsible and disrespectful to TV audiences to do it…the useful and natural filter we used to have on language has been shot full of holes by too many high profile boors to mention, although the fact that one Presidential candidate is one of them doesn’t help.”
On the general topic of giving up any efforts to keep public discourse within civil boundaries, a January 2016 post concluded,
Does everybody want to live in a society where everyone from executives, pundits and actors to nannies, athletes and bank tellers are routinely spewing cunt,fuck, suck and motherfucker like Samuel L. Jackson on a bad day? That’s where we’re heading, That’s where we’re heading, if enough people don’t have the guts and common sense to say, and fast,”Oh, stop it. Learn to speak like an adult.”
Wonderful Pistachios uses “nuts” as a sexual innuendo, Booking.com uses “booking” to code “fucking,” and K-Mart thinks it’s funny to use “ship” to suggest “shit,” because who doesn’t want to think about shit? We make our own culture in the end, and if we want to live in a cultural pig sty, then that’s where we will live. Apparently no one cares, or not enough of us, anyway.
In 2015, a Reese’s Peanut Butter Cups commercial featured the tags “Women want like to make it last…Men are done in seconds…Typical.” I wrote,
“Who decided that gratuitous sexual innuendo is inherently hilarious and appropriate in every context, at every moment? Well, no one yet. Again, it is the boors in ad agencies and clods in corporate boardrooms who are pushing us down this uncivil, impolite, needlessly sleazy path. We can remind them that there are limits dictated by taste and decorum, or we can just shrug it off, part of the irreversible ratchet process called “defining deviancy down.”
Two years later, Volkswagen has Dean Martin crooning about “The Birds and the Bees” (Dean’s version above is better, a joy) while we see a VW bouncing up and down as the couples who own it engage in vigorous sexual intercourse.
Now Frank’s Red Hot is being praised for it’s new, catchy slogan, originally uttered by an elderly actress (because old people being vulgar is always hilarious, for some reason): “I put that [shit} on everything.” Continue reading
In early December of last year, Paul, Weiss, one of the country’s largest and richest firms, announced its new partners: twelve young white lawyers, and one similarly hued woman.
Being that group identification is everything to certain well-placed people today, the announcement became an instant “public relations nightmare,” according to many media accounts. Sensitive to being sufficiently “woke,” many large companies had their general counsels, sign an open letter calling on law firms firms “to reflect the diversity of the legal community” or they would send their business elsewhere.
What is the assumption underlying that letter? Is it that whites were chosen over better qualified minority lawyers as an act of bigotry and racism? Noooo, nobody’s suggesting that. Are the signatories to the letter really saying that less qualified lawyers of color should be advanced rather than these lawyers? It can’t be that, can it? I would say that a law firm that does not make every effort to have the very best lawyers available for the benefit of the clients is treading close to unethical behavior. A firm can’t prioritize diversity, whatever than means, over its own abilities to represent clients.
I nearly dropped Above the Law, but the reliably knee-jerk left and ethically obtuse online rag is great for these stories, and didn’t disappoint this time. Joe Patrice, the editor, wrote, Continue reading
This Instagram photo of one of the “luxury gourmet meals being served to attendees of the 2017 Fyre Music Festival has come to symbolize the whole stunning debacle.
When Ethics Alarms last posted about the ridiculous Bahamas Fyre Festival debacle, it was this, last July: “Remember the Frye Festival fiasco? Billy McFarland, the inept con man/idiot who set it up has been arrested and charged with fraud. Good!” Now more about that epic ethics fail is coming out. Two documentaries about the ridiculous scam/botch/whatever it was were released in January, one on Hulu and one on Netflix. I just saw the latter, and it’s pretty incredible. Here, to refresh your horror, was the original Ethics Alarms description:
Celebrities with ties to the organizers tweeted and Instagrammed, building buzz about Fyre. Ja Rule tweeted just a month ago, “This is where the cool kids will be April 27-30 May 5-8!!! #fyrefestival #fyre.” Ticket packages to experience the self-proclaimed “cultural event of the decade” included accommodations and chartered flights from Miami, with a low price of $900 and a luxury tag of $399,995 for access to the performers. Days before the festival was to begin, @fyrefestival was still ginning up anticipation.
Then the festival-goers arrived on the first day to find…nothing. Well, worse than nothing: chaos. Those who had paid $500 apiece for what the festival’s promotion described as “villas” found that the only shelter provided were FEMA-style refugee tents. There was no food, except some hastily packaged cheese sandwiches. All of the scheduled performers canceled.
The festival-goers who hadn’t arrived by private yachts found themselves confused and stranded, with luggage but nowhere to sleep for the night. Some paid festival employees $100 to return them to the airport in a flatbed truck, but when they arrived at the airport gate, they were told that they couldn’t access the airport, requiring more bribes to get to a plane, if they were lucky. The stampede of shocked glitterati desperately trying to flee backed up the local airports, stranding many attendees in deplorable conditions, like understaffed kitchen tents with pots of uncooked food.
Subcontractors and suppliers went unpaid, Bahamian workers were stiffed, millions of dollars vanished. The interviews with McFarland’s “team” are jaw-dropping. One fast-talking, ever-optimistic leader, McFarland, somehow convinced everyone, some who were experienced in event planning, that he could pull off the impossible, even as the days counted down to zero hour and it was obvious that there would be no festival, just broken promised and angry rich people. There’s also an amazing coda to the Netflix documentary: while McFarland was out on bail, awaiting trial, he set up another scam, using the mailing list for the Fyre Festival to get some of the same suckers to buy phony event tickets.
Some new developments and thoughts: Continue reading
BRILLIANT!
As someone who tried, often unsuccessfully, to promote female stage directors in Washington, D.C.’s professional theater scene, I am sympathetic to the cause of providing more opportunities for women to direct at a high level, including Hollywood, as well as addressing directly the many and varied obstacles women face. One is a dearth of historical role models in the field. Quick, now, name five successful and respected female film directors. One just died, Penny Marshall. The pioneer in the field, actress Ida Lupino, always turns up on such lists, but which of her six films in the 50’s is a classic? “Hard, Fast and Beautiful?” “The Bigamist?” I’ve seen all of the films she directed, and she was a solid, professional director (and also an excellent actress). But Stanley Kubrick she wasn’t. Katheryn Bigelow has to be on the list, and she’s directed several excellent films, including “The Hurt Locker,” which won a
“Best Picture” Oscar. But her resume would rank somewhere around 500 or so in a gender-blind list. Okay, that’s three.
The reasons for this are not merely discrimination in the show business industries, though that is certainly a major factor. However, as we have seen and continue to see among activists for other traditionally marginalized groups, admitting inconvenient truths that counter a group identify narrative is neither popular nor common. Unfortunately, such activists have a bad and unethical habit of hyping the accomplishments of members of their favored groups, perpetuating falsehood “for the common good” and making themselves less credible and respectable advocates as a result. In politics, we saw this repeatedly during the 2016 campaign when Hillary Clinton was described as being one of the “most qualified” Presidential candidates in American history, as assertion that is simply untrue by any objective standard. As with the Clinton hyping, it is particularly troubling when the talents and accomplishments of a an individual are hyped by journalists to advance an agenda. Journalists are not practicing their craft ethically when they intentionally try to deceive the public and distort the record, regardless of their supposedly good intentions.
Now, you might say, and I might be inclined to agree, that when current journalism standards have sunk as low as they are now, and when the news media appears to be capable of previously unimaginable deceptions in an effort to advance one political party over another, a New York Times female film critic’s efforts to bootstrap the cause of female directors by absurdly hyping the directing skills of Elaine May is small potatoes indeed. However, “The Marvelous Ms. Elaine May,” by chief Times film critic Manohla Dargis, is worthy of genuine alarm. In it, an accepted “authority” sets out to claim that black is white, that May has been an outstanding film director when she hasn’t even been a good one. She relies on the ignorance of her readers to make this argument, because May’s films—she’s directed four–have been such flops that the odds of a readers having seen all of them are daunting. Worse, I have to assume that Dargis is doing this for political reasons. Either that, or she is so gender-biased that she can’t see straight.
The article’s existence in the pages of the Times tells us that even arts reporting is now polluted beyond trust and recognition by political agendas and propaganda. Moreover, its goal is to intentionally misinform the public.
Let me note here that I admire the talents of Elaine May, whom I first encountered when she and her long-time partner Mike Nichols did a series of beer commercials tha ran during Red Sox games. She was a deft sketch comedian, and also a sharp writer of satire. My theater company in Arlington, Virginia produced her most successful play, the Off-Broadway hit “Adaptation.” However, after the team of Nichols and May broke up, Nichols became on of the most critically-acclaimed and successful film directors of the last 50 years, and May didn’t. Dargis hints that sexism and discrimination were the culprits, because May was also a “brilliant” director. This is worse than claiming the Hillary was the most qualified candidate in history. It’s more like saying that she ran one of the best campaigns in history. I’ve watched all four of Elaine May’s movies. Can’t fool me! Continue reading
Let me say something good about the New York Times: not all of it’s editorials are repetitious attacks on President Trump, just most of them. Last week editorial board member Alex Kinsbury persuaded his colleague to let him used the space for an opinion both ethical and irrefutable. A quick summary: Football is maiming its players, the NFL doesn’t care, and if you watch the Super Bowl and support its sponsors, you’re complicit.
But then you knew that, right? At least you know it if you’re been coming here for any length of time.
Recalling a hard hit on Patriots star Rob Gronkowski, Kinsbury writes, “As the sound of the hit faded into a commercial break, I realized with absolute certainty that I couldn’t watch football anymore. There aren’t enough yards to gain or Super Bowl rings to win that are worth the cost.”
True. What took you so long? He continues by reviewing the well-publicized data:
The first research into the link between football and traumatic brain injury was published in 2005. Since then, the science has become impossible to ignore. In 2017, The Journal of the American Medical Association published the results of the autopsies of the brains of 111 deceased former N.F.L. players, whose relatives gave their bodies up for study. The group was not a random sample, yet 110 showed signs of chronic traumatic encephalopathy, or C.T.E., a degenerative brain disease linked to concussions. Research published in November estimated that a minimum of 10 percent of all professional football players would develop C.T.E. at some point in their lives.
10% is wishful thinking, even for the players who can still think. Continue reading
As Ethics Alarms struggles to regain even the wan level of traffic it had before the holidays hit with their deplorable priorities of family and reflection over ethics commentary, let us hail today’s Comment of the Day creator, Tim LeVier, as well as Glenn Logan and, for he still surfaces now and then, King Kool, all of whom have remained steadfast not only from the beginning of Ethics Alarms in 2010, but on The Ethics Scoreboard, its less active predecessor, before that.
Here is Tim’s Comment of the Day on the post, The Gillette Ad:
We live in interesting times. I see both sides of it. Part of my wants to say that this is no different than when a man tells a woman to smile. This is women saying “calm down” or “be more sensitive and peaceable”.
I don’t believe for a second that this message wasn’t crafted by people I don’t want the message to come from…but that’s just negative confirmation bias, right?
In fairness, it’s not a bad message, if taken as honest, straight forward, with no ulterior motives….but there’s the rub. We’re convinced there’s bad intent here. Continue reading
“Everyone” is talking about the new Gillette ad above. It is cynical, manipulative in sinister ways, unfair, insincere, divisive, unfair, and wrong. Over at Reason, the usually rational Robby Soave was sucked in (as was Ann Althouse, who said the little boys at the end moved her to tears—Awwwww!) defending the ad:
But the ad never said that all men are bad. It never argued that masculinity is always and everywhere a dangerous ideal. It made a very modest statement—treat people better—in hopes of selling more razors to people who agree. Again, why is this bad?…Young guys need to learn from men who treat women well and act as protectors rather than victimizers, which…is exactly what the Gillette ad called on men to do. People are free to associate with whatever brand they want, so if Gillette’s so-called virtue signaling bothers someone that much, that person may go ahead and buy razors elsewhere. But it would be a shame if the right started boycotting companies for taking the position that maybe hurting people is bad. Is owning the libs really that important?
Sucker! I am heartened that the ad has generated overwhelmingly negative responses, and while I would never call for a boycott (I use electric razors, thanks), I would still love to see Gillette suffer for this naked virtue-signaling and insulting stereotype mongering, all while pretending to “care,” when in fact it is just a cynical tactic to create buzz. I hope the eventual buzz is the sound of Remington electric razors.
Jon Gabriel’s reaction was similar to mine:
Gillette has had a rough few years. The former shaving hegemon has seen its market share plummet due to a resurgence in classic “wet shaving,” online razor subscription services, and the popularity of beards. Gillette’s obvious options are to lower their artificially high price or drastically improve their quality. Instead, they’ve decided to make their remaining customers feel bad about themselves through an expensive new ad campaign…. “You’re a very bad person, give us money” is an odd marketing pitch, especially from a company that’s used sex to sell its product for decades…Gillette has now declared war on its customer base. [Quoting the Wall Street Journal]
Gillette parent Procter & Gamble Co. is among companies that in recent years have used advertising as a platform to promote their stance on social issues such as gender equality, and polarizing political topics such as immigration and gun control. P&G is perhaps best known for its lauded “Like a Girl” ad campaign for feminine-care brand Always and “Stress test” for deodorant brand Secret.
Promoting social issues can be effective marketing, but notice the difference. P&G’s female-directed ads make women feel better about themselves. The company tells women “you’re great just as you are” and tells men “you’re bad and need to change.”
“Why is this bad?” asks sensitive Robby. Ah, let me count the ways: Continue reading
Got up on the wrong side of the bed today..
…and trying to recover.
1. Finally! The Ultimate Trump Derangement Home Test! This is wonderful, and we owe a debt to CNN for making this available. NeverTrump neocon Max Boot, who has been a “rseistance” ally since the 2016 election and who also writes op-eds for the Washington Post, presented this hilarious—but don’t tell anyone you are using the to test hilarious—visual aid to his recent Post screed:
Isn’t that great? I initially thought it was a Saturday Night Live parody, but how could that be, when SNL is all Trump Derangement All The Time itself? All you have to do is show this to a suspected TDS sufferer, and wait for the response. Hearty laughter followed by something along the lines of,” Wow! I didn’t think even CNN would stoop this low, but there it is!”, and you know your friend or family member has escaped the jaws of madness. If the subject’s reaction is to point and shout, “See! See! I told you the election was rigged!”, then it’s time for cold compresses and a 911 call.
Once again, I miss the fevered passion of the self-exiled Trump Deranged commenters on Ethics Alarms, to see exactly how far gone they are, if they are. Hilarity was bound to ensue.
I was tempted to do a whole post showing how every one of Boot’s “reasons” are strained circumstantial evidence at best or utter nonsense at worst, but two words, “confirmation bias,” pretty much covers it, along with a third, “desperation.” Meanwhile, just as self-amusement, I’m working on the list of reasons why Max Boot might be a Russian agent. So far I have Dilbert’s Scott Adams’ observation that while the pitiful Russian fake news on social media couldn’t divide the country, hysterical anti-Trump conspiracy theorists are doing a good job serving Russian interests by undermining the Presidency; Max’s “Boot” code name, which evokes George Orwell’s’ famous metaphor for Communist totalitarianism; and that Curly Howard hair cut, the choice of international anti-democracy villains in James Bond films, “The Man From U.N.C.L.E,” TV’s “The Black List” and everything in between.
That’s only three, though. Suggestions welcome.
2. Is this good news or bad news? “Family Guy,” Seth McFarland’s nastier, cheaper, uglier rip-off of “The Simpsons,” has announced that it will be “phasing out” homophobic jokes. It’s certainly good news if this includes the disgusting and unfunny running gag about the old man next door to “The Family Guy” who has sexual designs on Peter’s idiot son, I guess. The problem is that the only feature of “The Family Guy” that made its intentionally tasteless and offensive humor excusable was that the show was cruel and unfair to everyone, pretty much equally. If the show is now bowing to victim-group pressure, how long will it be before its only targets are white men, conservatives, Fox News and Donald Trump?
If McFarland and the show are now afraid of being politically incorrect when political incorrectness is a career death sentence for everyone else, then it should just kill the show, rather than wander the airwaves hollowed out and submissive like the brainwashed Winston Smith at the end of “1984.”
Oh-oh. Second Orwell reference already today… Continue reading
In Phoenix, Arizona, a 29-year-old female patient who has been a vegetative state for more than a decade at Hacienda Healthcare center gave birth to a healthy baby boy. The staff had no idea she was pregnant until she went into labor and gave birth on December 29th. She had an apparently been raped several times.
Family members for the woman have declined to give a public statement, but their attorney told Huffington Post,”The family obviously is outraged, traumatized and in shock by the abuse and neglect of their daughter at Hacienda Healthcare. … [They] would like me to convey that the baby boy has been born into a loving family and will be well cared for.”
Coming so soon after the post here about the ethics issues surrounding the death old a fetus, this news story prompted several readers to inquire here. Some observations: Continue reading
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