Who is Matt Shirley? He’s a guy who has hit on the creative social media gimmick of making a daily chart about whatever strikes his fancy. In this case, his chart tells us a lot about—the lack of cultural literacy, biases, and historical ignorance of the people who follow Matt Shirley. The clever thing about a product like this chart is that it relieves its creator of any responsibility for its content. He is responsible for judging the accumulated unstudied opinions of jerks and fools worthy of publication, however.
As the title above suggests, the chart should have obvious implications. However, some of the entries will cause me to strangle on my own disgust unless I mention them. For example, Continue reading →
We didn’t need the latest evidence to know that the push for mail-in balloting for the November election was a recipe for an existential national catastrophe—accusations, multiple disputed election results at all levels of government, endless lawsuits, a Constitutional crisis, riots, violence. The use of the pandemic to justify such an unacceptable risk has been one of the Democratic Party’s more audacious plots, and that’s saying something. So you run the polls like Trader Joe’s runs its grocery store: masks required, machines wiped down after every use, little footprints keeping everyone socially distanced,monitors enforcing them. Big honking deal.
The Post Office has been a waste of money and untrustworthy for at least a decade, creating a Catch 22. The amount of mail that has to be delivered the old-fashioned way is minuscule compared to the volume of former snail mail now going out over the internet. The U.S. could save money by phasing out the USPS and hiring FedEx and UPS to handle the essential mail remaining. Suddenly entrusting a national election to the rotting institution is, well, you know…
Even half-objective news reporting would make that obvious to all but the most addled citizens and children under the age of 14. But we don’t have any half-objective news reporting since the 2016 election made journalists permanent agents of the Left. Continue reading →
I filled in a gap in my history knowledge today, one I’m embarrassed to have had for so long. I remember being creeped out the first time I heard John Hinckley crooning the song he dedicated to Jodie Foster on her answering machine at Yale. “Ohhh Jodie! Ohhh Jodie! My love will turn you on!” All these years, I thought Hinckley had composed that song in his sick infatuation. Today, almost 40 years later, I found out that he just ripped off a John Lennon song called “Oh Yoko,” which I heard for the first time on the Beatles Channel on Sirius-XM. Am I the only one who didn’t know that? My ignorance is my fault: I would no more listen to anything extolling Yoko than I would voluntarily groove on “William Shatner’s Greatest Hits.”
And what was it about Beatles compositions that inspired aspiring killers?
1. Yes, this seems rather irresponsible...Here’s a trailer for an upcoming Netflix series:
Over at The American Conservative, columnist Rod Dreher is disgusted, with good reason. He writes in part,
“Twerking their way to stardom. Eleven years old….These are little girls, and this Netflix show has the acting like strippers as a way of finding their way to liberation. What is wrong with these Netflix people? Do they not have children? Do they think our daughters are only valuable insofar as they can cosplay as sluts who are sexually available to men? ….There is nothing politicians can do about this…I hope sometime this fall a Senate committee calls Netflix CEO Reed Hastings] to Capitol Hill and forces him to talk about how proud he is that he has 11 year olds twerking on his degenerate network.”
“Proportionality” is an ethical principle, one that has been recognized for centuries. In the Josephson Institute’s “Six Pillars of Character,” it is included under the “pillar” of Fairness. Plato explained that he concept of ethical retributive justice must be committed to three principles:
That those who commit wrongful acts deserve to suffer a proportionate punishment;
That it is intrinsically morally good if a legitimate authority gives such wrongdoers the punishment they deserve; and
That it is morally impermissible to intentionally to punish the innocent, or to inflict disproportionately large punishments on wrongdoers.
This brings us to the case of Thom Brennaman, play-by-play broadcaster for the Cincinnati Reds and the son of retired and revered Marty Brennaman, also a veteran baseball announcer. Last night, Brennaman the Younger was caught on an open mic describing someplace as the “one of the fag capitals of the world” after the Fox Sports Ohio feed returned from a commercial break in the top of the seventh inning in the first game of a doubleheader at Kansas City. This led the Reds to pull Brennaman off the air after the fifth inning of the second game, and the announcer was quickly suspended.
The team quickly released a statement:
Note “horrific.” That “horrific” word can be heard near the beginning of the famous song above from “Company,” lyrics by Broadway icon Stephen Sondheim (who is gay). To my knowledge, no audience members have ever walked out of a performance upon hearing it. Sondheim, now in his eighties, did recently concoct an alternate lyric for those productions that are determined to be politically correct. He’s a prudent man, I guess. I wish he hadn’t.
The word is apparently so horrific that I had to search all over the web to find out what it was. Most accounts said that the announcer used an “anti-gay slur,” and left it to readers’ imagination what was said. This is crummy, craven, virtue-signaling and incompetent journalism. If the story is about the uproar over a word, a news reporter is obligated to say what the word is. When the ESPN report only said that the word used was “horrific,” I thought it was something I had never heard before. It’s a slur, that’s all. It’s a word.Continue reading →
Well, as the saying goes, it couldn’t happen to a nicer party.
Yesterday, as the Democrats shook their hypocrisy before America by having Bill Clinton play Star of the Convention, confident that they have so effectively corrupted and misinformed the public (with the help of the complicit news media, natch), that it won’t see anything amiss even at their first gathering since the emergence of #MeToo. Then, shortly before Bill prepared to bloviate, a series of photographs were published by the Daily Mail showing the ex-President being massaged by one of Jeffrey Epstein’s sex slaves.
The conservative media does itself and its cause no favors when it indulges in the same kind of warped and biased logic, as well as shameless appeals to emotion, that it–rightly–accuses the Left-leaning media of inflicting on the public.
This story is stunningly simple from an ethics perspective. Walt Disney World has a rule that all visitors must wear masks at all times. A careless father who didn’t bother to do his research and preparation for a family trip to the theme park arrived to find that his 7-year-old daughter, who cannot wear a mask due to a disability, would not be allowed in. That was the correct call by Disney. It doesn’t matter whether the rule is excessive or extreme: this is a pandemic-related health rule for the safety, peace of mind and security of Disney’s guests. If everyone doesn’t wear masks, then no one will regard the rule as fair or serious. There can’t be exceptions to such rules, especially, “Aw. just this once, after all, the kid has a disability and has really been looking forward to this” exceptions. Continue reading →
In Part I, I discussed an example of an individual being fired for his expression of an unpopular political opinion on a personal platform. As I mentioned there, this is a recent phenomenon of great concern to Constitutional Law Professor Jonathan Turley. as expressed on his blog and elsewhere, such as his recent testimony in the Senate about the erosion of free speech and academic freedom in universities . The Ethics Alarms post was originally supposed to highlight examples of this ominous phenomenon highlighted by Turley, and then events overcame both Turley and Ethics Alarms, as another egregious example arose that Turley hadn’t yet covered.
Since I offered Part I, Turley’s assault on institutions intimidating individuals based on the content of their speech continued. Here, he objected to Dartmouth’s faculty and student body attempting to silence the Dartmouth Review, and independent campus newspaper that has been a voice from the Right on the liberal campus for decades. He wrote in part,
[O]ver 1000 students and faculty members have signed a letter to the Dartmouth Board of Trustees to disassociate the school from the conservative student newspaper, the Dartmouth Review. The letter accuses the newspaper of “hateful ideologies” and “racist” columns, including one cited column objecting to the careless use of the word “racist.” … [T]he reason stated by the organizers to move against the newspaper [was] in part because of a recent controversy involving an alumni who resigned from Fox News…the organizers admit that they decided to move against the newspaper as a way to responding to the controversy surrounding the resignation of a Fox producer with Tucker Carlson. Blake Neff is a 2013 graduate of Dartmouth and Review alumni. He was found to have written a series of bigoted anonymous comments.
…. [T]he idea of the letter to force the Board to prove its antiracism by attacking the newspaper, which had no role in Neff’s misconduct: “We thought, how can the senior leadership of Dartmouth, President Hanlon and the trustees write this letter to every member of the community, and then continue in silent complicity with a publication that since its inception has consistently been an incubator of racist hate and white supremacy?”
…The failure [to] actively target the newspaper is now viewed as de facto tolerance for racism even after the school issued a letter proclaiming its support for Black Lives Matter.
…As a blog committed to free speech issues, the concern over this controversy is obvious. There are routinely over-heated rhetoric in college newspapers including many reckless statements from faculty and students on the left. We have defended many of those speakers and writers. However, the first response of many Dartmouth graduates to the Neff story was to seek to attack the leading conservative newspaper on campus in part for its prior association with Neff.
… What is being lost in such moves is the diversity of thought on campus…. they are seeking to pressure the university to marginalize students who want to participate in these debates from a conservative viewpoint.
Seattle-based brewer, Michael Dempster owns Mirage Brewery. In June, Mirage launched a brew called “Choosey Lover.” Dempster directed that every can include a stamp that reads “ACAB means all cops.”
ACAB is a very old anti-police acronym meaning “all cops are bastards.”
Dempster told KIRO 7 TV,
I used the markings because I stand against institutional racism, of which modern policing is a militarized arm…It’s not about individual police officers, it’s about a system. But I think to the casual observer, it seems like an attack on individual police officers, all cops.
Ah! So you’re a bigoted idiot, then! Thanks for the clarification! You say “all cops,” but you don’t mean all cops, though you acknowledge that the “casual observer,” meaning someone who can read and understand English, might think that by “all cops” you mean “all cops,” when you really just mean “the system.”
1. Hmmm…What’s going on here? New York officials originally decided to cancel “‘Tribute in Light,” the twin beams that shine over lower Manhattan as part of the annual 9/11 commemoration. The National September 11 Memorial & Museum, which oversees the installation, said in a statement this week,”This incredibly difficult decision was reached in consultation with our partners after concluding the health risks during the pandemic were far too great for the large crew required to produce the annual ‘Tribute in Light.'”
The announcement caused widespread puzzlement. How large could the necessary crew have to be? Geraldo Rivera opined on Fox News that the decision was political, as Democrats sought to “make everybody miserable” so President Trump could be blamed. That theory was quickly picked up by others, along with complaints from New Yorkers that the popular memorial celebration was cancelled for no good reason.
Then, today, New York officials made a U-turn. “Honoring our 9/11 heroes is a cherished tradition. The twin towers of light signify hope, resiliency, promise and are a visual representation of #NewYorkTough,” Cuomo said. “The virus has taken so much and so many. But now the tribute will continue.”
2. Now THIS is Trump Derangement! When did it become considered acceptable and professional for news anchors and public events show hosts to behave like this? MSNBC “Morning Joe” co-host Mika Brzezinski went on an extended, fanciful, hateful anti-Trump rant on yesterday’s broadcast. Here’s a transcript of a supercut video featuring the bulk of Mika’s meltdown:Continue reading →
HBO Max thinks people are so stupid and shallow that they must have “Blazing Saddles” explained to them, lest someone—one will do–think it’s intended to advance “systemic racism” rather than to ridicule it. I do not believe in hating people, but it takes every bit of principle and energy I can muster not to hate both the political correctness dictators who believe in “trigger warnings,” and the hoards of dim bulbs and sheep-human hybrids who appreciate them. I’m still looking for the complete text of the introduction HBO Max has slapped on Mel Brooks’ masterpiece, but I know enough.
It is intoned by University of Chicago professor of cinema studies and TCM host Jacqueline Stewart, who also delivered the disclaimer added to “Gone with the Wind.” I like Stewart, who is smart and knowledgeable, but I would have liked her better if she refused to participate in this insulting exercise.
“This movie is an overt and audacious spoof on classic Westerns,'” Stewart says. This, writes Kyle Smith in the New York Post, is to “set things up for anyone who might be clicking on the Mel Brooks comedy thinking they’re in for Swedish drama about the lingonberry harvest.” “It’s as provocative today as it was when it premiered back in 1974,” she says. No, tragically, it is more provocative. Thanks to the racial politics of censorship and ruthless power-seeking that has metastasized on the Left in the George Floyd Freakout, professors are losing their jobs and being “cancelled” for mentioning the word that Blazing Saddles uses repeatedly as a punchline. Any professor who analyzed the use of racist language in “Blazing Saddles” would risk being called a racist by the student body. Continue reading →