Play Ball! Meanwhile, Major League Baseball is a Mega-Ethics Dunce, And I Hope Fans Make Them Regret It.

Only slightly more disgusting than this truncated season’s use of the abortion of an extra-inning rule that will put a runner on second base to begin extra innings in tie games are MLB’s “social justice promoting” regulations for players.

It makes me physically ill just having to post them.

Baseball announced guidelines today allowing players “to support social justice and diversity and inclusion” on the field—also on their own, but I don’t case waht players choose to do a private citizens, as long as they don’t abuse their postions as baseball palyers. “MLB supports the players’ need to express themselves,” we are told.

Yes, the NFL and NBA have poisoned baseball.

Players have no need to express themselves politically on the field, and should not be allowed to do so. But Major League Baseball, as it has been most of its existence, is run by venal fools, and they are terrified by the players union. The announcement of the green light for players to be overtly political while the game allows promotion of the racist organization sparking violent riots and vandalism across the country just happened to be announced almost simultaneously with an expanded play-offs format. Continue reading →

Remembering Herb Stempel (1926-2020), Ethics Dunce Emeritus

 

I missed Herb Stempel’s death last month. If you aren’t 95 years old or didn’t see Robert Redford’s “Quiz Show,” that name probably doesn’t ring a bell, but Herb was a seminal figure in American popular culture ethics, and his story raises issues still unsettled today.

On the evening of December 5, 1956, Stempel, a City College student from Queens, was in his eighth week on the highly-rated NBC quiz show “Twenty-One.” He had won a total of $49,500, but the producers decided that his trivia-obsessed nerd persona (deliberately played up by the show, which instructed Stempel how to look especially dorky) was wearing thin. It was decided that his handsome, Columbia University professor challenger Charles Van Doren  should end Herb’s reign as champion, so Stempel was ordered to “take a dive.”  Despite Stempel’s protests, he was forced to whiff on the question,  “What movie won the Academy Award for best picture in 1955?,” an especially bitter pill because Stempel not only knew the answer, the winning film, “Marty,”was his favorite movie. Those who knew Stempel were shocked that he would answer, “On the Waterfront,.”

Van Doren went on to become the most celebrated  quiz-show contestant of all time—yes, even more so than Jeopardy’s Ken Jennings [Not “Jenkins” as I wrote here originally. Ken Jenkins is an actor, and he jumped into my head without being invited.] He was on the cover of Time magazine and received bags of fan mail and endorsement offers. Then Stempel, in part humiliated by the question he was forced to botch, in part out of jealousy, and maybe with a smidgen of public spiritedness, decided to become the prime witness as a federal investigation exposed the corrupt quiz show culture, telling the news media, prosecutors and congressional investigators that “Twenty One,” (and probably the other popular shows  like “The $64,000 Question,” “Tic Tac Dough’) was a fraud on the American public.

Van Doren was disgraced.  Stempel styled himself as a whistleblower and a hero. He assisted in the production of  Redford’s 1994 Oscar-nominated movie “Quiz Show,”  and also  in a 1992 documentary for the PBS series “American Experience.” After the film revived interest in the  quiz-show scandal, Stempel gave lectures and made radio and television appearances.

In other words, he cashed in. I see nothing admirable about Herb Stempel, though he is typical of many, perhaps most, whistle-blowers.

He testified that before his first appearance on “Twenty One,” the producer asked, “How would you like to win $25,000?” “Who wouldn’t?’” Stempel said he replied. Before each show, Stempel was given the questions and correct answers. He was coached to bite his lip, mop his brow, stammer, sigh, and act as if every question to which he had already been provided the answer might be the one to defeat him. He signed a false statement that he had not been coached and that he had lost to Van Doren, who was also provided answers, fairly. In exchange, Stempel was promised future paid television appearances. It was when the network reneged on those promises that Stempel blew his whistle and let the public and law enforcement know that the  quiz shows were fixed.

They didn’t recover until quite recently, with shows like “Deal or No Deal?” and “Who Wants to be a Millionaire?” having success on prime time. Before that, the format was mostly relegated to daytime television. It’s strange, though. The appeal of shows like “Twenty One” was the same as the appeal of today’s competition reality shows, like “Survivor” and “The Amazing Race”: the illusion that audiences were watching real people dealing with a genuine challenge. The ethical line between a contestant faking that he isn’t sure of an answer to a question in order to ratchet up the suspense, and a reality show contestant following a scripted plot is vanishingly thin. Various levels of fraud exist in most of these programs.

I even believed that Paul Lynde was so clever he came up with those hilarious answers on “The Hollywood Squares” spontaneously.

Ethics Dunce ( And Irresponsible, Grandstanding Jackass): San Francisco Giants Manager Gabe Kapler

Yecch, yuck, ugh, gag, pittooie!

Yeah, I knew it was probably coming, and I even should have been able to guess the team and the manager, but nonetheless, this is nauseating. I assume the craven response from Major League Baseball in the coming days and weeks will be even more nauseating. Great. Welcome back, baseball!

San Francisco Giants manager Gabe Kapler led several coaches and team members as they did a Kaepernick during the National Anthem before their first exhibition game in the Bay Area Monday. And I had just finished my Smithsonian presentation that night explaining why baseball has been a vital unifying influence in communities and the nation throughout its nearly 200 year history. How ironic.

Rookie manager Kapler, coaches Antoan Richardson and Justin Viele  joined players Mike Yastrzemski (Yes, Yaz’s grandson), Austin Slater, and Jaylin Davis in taking a knee, according to NBC Bay Area. Shortstop Brandon Crawford stood between Richardson and Davis, who are both black, and placed his hands on their shoulders in an apparent sign of support.

Although the Giants did not announce before the game against the Oakland A’s at Oakland Coliseum that some members would kneel,  Kapler said he had informed the team of his plans. Then he blathered out his explanation, which while considerably more coherent than what Colin Kaepenick said after the first time he imposed his political views on his team, the game, and spectators were offensive nonetheless.

None of those cardboard cut-out people in the stands would go on the record later, but reportedly they were not pleased.

Here’s Gabe:

“I wanted to share what my plans were and I did that because I wanted them to know that I wasn’t pleased with the way our country has handled police brutality. I told them that I wanted to amplify their voices and I wanted to amplify the voice of the Black community and marginalized communities as well. I told them that I wanted to use my platform to demonstrate my dissatisfaction with the way we’ve handled racism in our country. I wanted to demonstrate my dissatisfaction with our clear systemic racism in our country. And I wanted them to know that they got to make their own decisions and we would respect and support those decisions. I wanted them to feel safe in speaking up, and so we had these kinds of discussions for the last several days and will continue to have them.”

Asked if he and other Giants would continue kneeling, Kapler said, “We’re going to have 60 chances during the regular season to make the same decision that we made today, to either stand or kneel or do something different.”

I can’t wait. Continue reading →

Ethics Dunce: Gary Garrels

The carnage of the George Floyd Terror, aka George Floyd Freakout, aka George Floyd Ethics Train Wreck, claimed another victim yesterday, and Ethics Alarms is designating him the Ethics Dunce. We really need a new category for people like Gary Gerrels, the now ex-senior curator of painting and sculpture at the San Francisco Museum of Modern Art (SFMOMA). Placed in a position where he could take a strong  position against unhinged woke bullying, when every element of common sense, integrity, fairness and reality was aligned in his favor, he prostrated himself to the mob. “Ethics Coward,” perhaps? “Ethics Weenie”? “Ethics Fool”? “Useful Ethics Idiot”?

Garrels  triggered the process of his cancellation by concluding a presentation on how to diversify the museum’s holdings by saying, “don’t worry, we will definitely still continue to collect white artists.” In a ZOOM meeting of museum employees, Garrels  voiced a similar position, saying  that the museum could not avoid collecting the work of white men, which he described as “reverse discrimination.” Shortly thereafter employees created and began signing an online petition demanding that he leave the museum.
Continue reading →

Waning Sunday Ethics Reveries, 7/12/2020: You Know, Ethics Isn’t Fun For Me When Everyone’s Acting Irrationally

Let’s see what we have today…

1. Oh. The art made some people uncomfortable. Well that’s a good reason to destroy it… Vermont Law School is going to paint over a mural in its student center that celebrates Vermont’s role in the Underground Railroad and the abolitionist movement. Several students and alumni had recently objected to its depictions of African Americans and said it made some people uncomfortable.

VLS President and Dean Thomas McHenry said in a campus-wide email last week that the mural in the Chase Community Center  painted by Vermont-based artist Sam Kerson in 1993 had to go because “the depictions of the African-Americans on the mural are offensive to many in our community and, upon reflection and consultation, we have determined that the mural is not consistent with our School’s commitment to fairness, inclusion, diversity, and social justice. Accordingly, we have decided to paint over the mural.”

Translation: ‘Some of our African American students and alumni as well as supporters of the George Floyd Freakout thought this was an ideal time to show what they could  do by crying “racism” in an institution that could be counted upon to cave to just about any demands in order to avoid being called “unwoke” and be swarmed by social media mobs. And they were right!’

The mural is titled “The Underground Railroad, Vermont and the Fugitive Slave” and has two 8-by-24-foot panels, with four scenes in each panel intended to“celebrate the efforts of black and white Americans in Vermont and throughout the United States to achieve freedom and justice,” the artist’s website says.

The first panel includes half-naked Africans being forced into slavery and sold at auction, as well as resistance symbolized, in part, by “the resurgence of African culture via drums, masks and costumes.”

The second panel includes images of John Brown, Frederick Douglass and Harriet Beecher Stowe, as well as a scene where a blonde Vermont woman tries to block the view of a bounty hunter bearing down on fugitives trying to escape slavery on the Underground Railroad. Here it is…

VLS students Jameson Davis and April Urbanowski resembled yahoos at a modern art exhibit complaining that “them dang Picasso people look like freaks!,” writing “One issue of many, is the fact that the depictions of Black people are completely inaccurate. Regardless of what story is being told over-exaggerating Black features is not OK and should not be tolerated.”

The artist is not happy. “This is a monument to abolition in Vermont and a description of the people who struggled against slavery, and it is important to our culture,” Kerson said of his mural. “To paint it over is outlandish — it’s like burning books. It’s so inflammatory, I can’t believe it’s actually happening.”

Forget it, Sam. It’s George Floyd Freakout Town… Continue reading →

Jennifer Williams’ Three Questions

Harpers’ “anti-cancel culture” letter, discussed here was instructive, but not in the manner that its sponsors intended. It excluded most conservatives (except Stockholm Syndrome types like David Brooks) and all of those who had been damaged by progressive cancel-mobs, making the exercise suspect as Left-wing grandstanding. Worse, an alarming number of progressives who didn’t sign the letter expressed disappointment that others did, because they fervently believe that expressing opinions that vary from woke cant should be punished, and that (though they won’t come right out and say it) free expression is undesirable. Hate speech, you know—makes people feel “unsafe” to have to associate with the unenlightened.

For some reason the criticism centered on Vox, the website begun by Washington Post reporter Ezra Klein when pretending to be anything but a partisan shill became  too much for him. Vox is as biased leftward as Breitbart is biased in the other direction, which is why I seldom use, and never trust, either. Several Vox employees publicly objected to the fact that their colleague Matt Yglesias signed the letter, apparently forgetting that Yglesias, “by any means necessary” fan that he is, once admitted.

In response to the uproar, senior foreign editor Jennifer Williams tweeted,

What a fascinating set of ethics questions!

Let’s examine them, shall we?

Question #2, the one Williams answers, is apparently not as obvious as she seems to think it is. Tufts University history lecturer Kerri Greenidge demanded  to have her name  removed from the list of signers, claiming that her name  was used without her knowledge or consent. “I do not endorse this @ Harpers letter,” Prof. Greenidge tweeted. “I am in contact with Harper’s about a retraction.” The Tufts historian’s sisters, novelist and New York Times opinion writer Kaitlyn Greenidge and playwright Kirsten Greenidge also asserted  that Kerri was included among the signatories without her consent or knowledge.

Prof. Greenidge was lying—to the public, and to her family. Harper’s quickly produced an email exchange from late June in which Greenidge agreed to sign. “Yes, I will add my signature. It reads well,” Greenidge wrote from her Tufts email address. “Let me know what more you need from me.”

“Oh, just a promise that you won’t cave like a wet cardboard box and start blaming us if some of your progressive pals and family members complain, I guess,” is what Harper’s should have responded. Continue reading →

From The Ethics Alarms Corrupt And Cowardly Colleges Files: Marquette And Penn State

I’m sorry. I really am. These stories get worse and worse, far beyond anything I could have imagined just  a few years ago. I am so relieved that my son decided long ago that for him, college would be a waste of money and time. This has spared me the chore of explaining to him that it would be a waste of his values and mind as well.

First, let’s look at the latest chapter in the Marquette debacle involving Samantha Pfefferle, the incoming freshman who became an object of revulsion and terror because she dared to post a harmless, infantile video proclaiming her support for President Trump. The first part of the story dawned on Ethics Alarms this morning, here. Now we know that Mike Lovell, the president of Marquette, sent an email to Marquette’s Board of Trustees about the incident. The email was a dishonest, dastardly misrepresentation that would fully justify his firing for cause if the trustees had the curiosity and integrity to investigate the facts. Here I’m going to send you to John Hinderaker’s blog, Powerline, to read his expert vivisection of Lovell’s slimy machinations. I’m leaving it to him for two reasons. First, Hinderaker is a a skilled legal mind, and he does a superb job. Second, his blog is specifically mentioned, and denigrated, in in the president’s email.

The last time Marquette was mentioned critically here was in 2015, through the attentions of MIA Ethics Alarms commenter Rick Jones, aka “Curmie.” Rick, who used to give out his annual “Curmie Awards” for outrageous conduct in academia, nominated Marquette for firing a tenured professor who wrote a blog post that criticized a graduate student teaching assistant for telling a student that his opinion opposing gay marriage was homophobic and would not be permitted in her class.

Curmie was right and Marquette was wrong: a court later reinstated the professor and held the university liable for breaching his  “contract’s guarantee of academic freedom.”  The latest episode show that the school’s progressive intolerance for non-conforming view has metastasized since Curmie’s nomination.

John Hinderaker  titled his latest post “Marquette Weasels.” If that conduct was weaselly, what do we call this, from Penn State? Continue reading →

Afternoon Ethics Agony, 7/9/2020: I See Awful People…

Hi!

I am feeling stressed because there are a lot of Ethics Alarms projects  and commitments that are languishing: I’m trying to work out the logistics of a Zoom symposium for commenters; I have to compile the many submissions for the corporate and organizational grovels to the George Floyd mobs so we can vote on the best and worst; I am finishing the Ethics Alarms glossary of fake news categories, and I still owe Michael  West his prize from an Ethics Alarms contest he won a couple of years ago—and that’s still not all of them. The best I can say is: please be patient, because I’m not.

1. Is this a good sign, or something else? I turned on Sirius-XM’s “Comedy Greats” channel while driving to pick up some prescription and heard a segment of a Nick DiPaulo routine that was unbelievably politically incorrect, or, as many would say today, racist, misogynist and anti-trans. The audience was in hysterics; several of the jokes were so extreme—but funny!—that I nearly lost control of the car. I had to check: no, he hasn’t been assassinated yet. Neverthless, I felt like I had fallen into a parallel universe. DiPaulo makes Dave Chappelle seem like Art Buchwald.

2. How about “Lady Asshole”? Several readers sent me links to this story, telling us that the Grammy-winning vocal group  formerly known as Lady Antebellum, having decided to ditch the second half of their name to grandstand and show that they support tearing down statues, are now suing Anita White, a blues singer who has called herself “Lady A” for decades, because she wouldn’t sell  the rights to that name to them for a price the group found reasonable.

I can’t imagine anyone being sympathetic with the group, especially a jury. Nobody made them change their name, and choosing “Lady A” without doing sufficient research was negligent. The group is using wealth and fame as a cudgel, with three rich white jerks trying to bully a local (and black) artist into bending to the their will. I hope someone has started a GoFundMe page to help Anita with her legal fees.

3. Find my 2011 post on Donald Trump running for President, substitute Kanye West’s name for his, and you’ll have the Ethics Alarms position on Mr. Kardashian’s candidacy. I know a lot of celebrities and too many members of the public don’t comprehend this, having the civic literacy of gerbils, but our democracy is not a game. Running for President as an exercise in ego-massage and branding is wildly irresponsible, and threatens to distort voting and results. West is not a serious candidate, but he’ll attract attention and the support of those who vote purely on the basis of group biases.  But the news media will give him more attention than he deserves, which is none, and he could easily take votes away from Democrats.

The good news is that since Kanye has approximately the attention span of a mayfly, it’s a good bet that this impulse will be fleeting, just as Trump’s was in 2011. Continue reading →

In Revealing Contrast To The Patriots Who Built This Nation 244 Years Ago, Consider John Kerry

Speaking to the Copenhagen Democracy Summit this week on a panel via cybercast, John Kerry, former U.S Senator and Secretary of State, and unsuccessful candidate for President in 2004,  told his audience that a victory by President Trump could provoke a revolution in the United States, as he claimed that Republicans have a history of denying voting rights to Democratic voters. Kerry implied that  voter suppression contributed to his defeat in 2004 as well as former Vice President Al Gore’s loss in 2000, and he repeated Stacey Abrams’ completely unsupported claim that this was the reason for her defeat in Georgia’s 2018 gubernatorial race.

“If people don’t have adequate access to the ballot, I mean that’s the stuff on which revolutions are built,” Kerry said.  “If you begin to deny people the capacity of your democracy to work, even the Founding Fathers wrote in the Declaration of Independence, the Constitution, we have an inherent right to challenge that. And I’m worried that increasingly, people are disaffected. We’re not meeting the standard that we ought to be meeting, so I’m deeply concerned about protecting the vote.”

Kerry’s remarks, as so many of Kerry’s statements have been throughout his career, were reprehensible. The mystery, as always when Kerry is involved, is whether they were made with evil intent, or just as a bi-product of his severely limited intellect. John Kerry is not an intelligent man. Continue reading →

Ethics Dunce AND Incompetent Elected Official Of The Month: Hancock, Maryland Mayor Ralph Salvagno [Corrected]

This would be unethical if a child did it. For a town’s mayor to do it would be head explosion-worthy, except that the behavior of municipal leaders during the George Floyd Freakout has been so constantly outrageous that it has raised the bar for “Kabooms.”

I guess that’s a silver lining.

Ralph Salvagno, the mayor of Hancock, Maryland, (population 1500 or so) painted over two images of the Confederate battle flag in a privately-owned mural on a wall outside the Town Tavern.

“I think I did the right thing,”said Salvagno.

He’s wrong, and he’s also an idiot.

Though the mural was in bad shape even before Salvagno’s vandalism, its message is no more and no less than that there was an American Civil War. See those triangles pointing in on the two flags in the drawing? They mean that the North and the South were fighting each other. The flags of the opposing sides symbolize the Union and the Confederacy. The artwork (and there are hundreds of similar, if better, such paintings) tells onlookers that there was an American Civil War, and, you know, there was. In addition to preserving the United States of America, that horrible conflict also ended slavery, and began the long road of recovery for American blacks and the nation. Americans need to know about that war, and understand it.

The Hancock mural may be cheesy, but all reminders of our history are useful. Lately there have been episodes where foolish officials have behaved as if the mere mention of one of the most important events in American history is “offensive.” Last week, the University of Oregon and Oregon State University announced that they will no longer refer to games between their athletic teams in their long-standing rivalry as the “Civil War,” because, UO director of athletics Rob Mullens said in a meaningless statement, “We must all recognize the power of words and the symbolism associated with the Civil War.”

Salvagno’s reasoning for destroying the property was rock-dumb but familiar. The mayor said he is concerned about the message conveyed by the flag, and that the images could have sparked anger if the George Floyd mobs came  to the small town. Continue reading →