I’m up at 3:30 am writing an ethics post because a nightmare woke me up. I don’t want to talk about it…
1. Breaking! American citizens are not as stupid as progressives thinkthey are! At least in this instance…the first wave in the Democratic Party’s unethical push to eliminate safeguards agaiants fraudulent voting was the campaign during the Obama administration to label voter ID requirements as “racist’ and “voter suppression.” The argument that it made sense not to require voters to present the same level of identification necessary to rent a car, cash a check or get on an airplane when the integrity of our elections is involved was intellectually dishonest, but the with the degree to which the news media carried the message for their favorite party, I assumed this particular brainwashing exercise was a success. But in the wake of the failure of that party’s attempted take-down of election security last week, the Monmouth University Poll revealed that 80% of the public, approve of voter ID. I know, polls. But that’s a pretty convincing margin:
Even Democrats favor ID, though not by a large enough margin to generate any respect. The big surprise was that Monmouth shows whites splitting 77/21 in favor of ID and nonwhites favoring the measure even more strongly, at 84/13.
The American Left, wherein the One-Worlders dwell, always like to cite the United States’ failure to emulate European governments—which the U.S. decided at its origin not to follow by design—as an argument for various measures like banning capital punishment, nanny states, , and gun ownership restrictions, but have been adamantly mute on the fact that 46 of 47 European countries require government-issued photo ID to vote. The one exception has been Great Britain (although not Northern Ireland), and last month Prime Minister Boris Johnson’s government said it would make photo IDs mandatory in response to a Royal Commission report.
That obnoxious, bullying, uncivil and unprofessional memo from Chicago mayor Lori Lightfoot, is signature significance. Competent and effective managers don’t write and send memos like that, not even once. As a subordinate, I would resign after receiving such an email. As a supervisor, I would place a staffer who sent that memo on probation after requiring her to apologize to the recipient.
Chicago is one of the most difficult American cities to govern. Lightfoot is currently facing legal problems as a consequence of her discriminatory announcement that she would only do interviews with “journalists of color.” The email, just another of many pieces of evidence showing Lightfoot’s arrogance and incompetence.
This is what happens when voters elect officials based not on their management experience and revealed leadership skills, but on their gender and skin shade.
[Instapundit’s Ed Driscoll had a funny line about the email: “CHICAGO’S MAYOR MORPHED INTO JACK TORRANCE SO SLOWLY, I HARDLY EVEN NOTICED…”
1. And now for something completely stupid…Poe’s Law is getting a workout as The Great Stupid heads into its final stage, and I have to discipline myself not to write about too many episodes like this one, which once would have been regarded as parody because it would have been parody. Raj Patel, an apparent communist, explains in this unhinged piece by The Guardian about “food injustice,” that the apple pie is a symbol of American imperialism and white supremacy, like this…
“Not that apples are particularly American….Apples traveled to the western hemisphere with Spanish colonists in the 1500s in what.. is now better understood as a vast and ongoing genocide of Indigenous people….
Not that the recipe for apple pie is uniquely American….By the time the English colonized the new world, apple trees had become markers of civilization, which is to say property….John Chapman, better known as Johnny Appleseed, took these markers of colonized property to the frontiers of US expansion where his trees stood as symbols that Indigenous communities had been extirpated.…
Not that the gingham on which our apple pie rests is uniquely American….this war capitalism enslaved and committed acts of genocide against millions of Indigenous people in North America, and millions of Africans and their descendants through the transatlantic slave trade. In the process, cotton laid the basis of finance, police and government that made the United States.
Since this is quite a lot to acknowledge, it is easier to misremember. In the drama of nationalist culture, the bloody and international origins of the apple pie are subject to a collective amnesia.“
This, though extreme, is the weaponization of the cognitive dissonance scale that has become a prime part of the strategy to unmake the United States, cancel its freedoms, and turn its values inside out. Consistent with Critical Race Theory, literally everything in our culture, including the best and most innocent of it, must be traced to something evil.
Even apple pie. Conservative websites are having fun mocking this article. They are foolish. Patel is deadly serious, and our children will be taught this perspective unless there is relentless resistance.
2. John Wayne died on this date in 1979. “The Duke” had the biggest impact on American culture and ethics of any performer; there really isn’t anyone close. And it was a positive impact; John Wayne (really Marion Morrison) the man is an interesting subject, but what mattered was his art. He dedicated his career to portraying the independent American male individualist with all his virtues and flaws, aided by some of the greatest film-makers in Hollywood history, notably John Ford and Howard Hawks. Even before Hollywood took its disastrous turn to the hard Left, Wayne suffered because of the enmity liberals and the academic elite held (and hold) toward the core American values that Wayne’s characters, often incompletely, tried to embody. Pauline Kael, much idolized as a film critic (I detested her), refused to do anything but ridicule Wayne’s performances out of pure political bias. For me, especially as I became more experienced as a stage director, Wayne’s acting impressed me more the more I watched him, and I have watched him more than I have watched anyone.
There has been an effort of late to “cancel” the Duke, but they’ll have more luck with apple pie. The John Wayne character remains strong, inspiring, and complex. Over 40 years after his death, Wayne’s movies are still featured on TV regularly; no actor made more great ones, and the good ones are still entertaining. My favorites? “Stagecoach” (of course), “Red River,” “Rio Bravo”, “She Wore A Yellow Ribbon,” “The Searchers,” “Hondo,” “True Grit”, “The Quiet Man,” and “The Man Who Shot Liberty Valence,” with Hawks’ “Hatari!” as a special guilty pleasure.
I was going to include this in the Morning Warm-Up, which was already weird, but then realized that I wasn’t sure what the ethics verdict should be. Thus it became an ethics quiz.
Which American novelist would seem like the most unlikely to author a werewolf story? I wouldn’t put him at the top of my list, but John Steinbeck, a Nobel laureate known for somber Depression-era literary classics, would certainly be in the top ten. Yet the lionized author of “Of Mice and Men,” “The Grapes of Wrath,” “Cannery Row” and “Travels With Charley” did write a werewolf novel, in 1930, when he was a struggling writer. Completed under the pseudonym of Peter Pym, “Murder at Full Moon” was never published. A single copy sits in an archive in Texas, including drawings by Steinbeck himself.
Gavin Jones, scholar of American literature at Stanford University, has read the book, and pronounced it fascinating, complete and publishable. The agents for Steinbeck’s estate, however, have so far rejected his entreaties. “It’s a potboiler, but it’s also the caldron of central themes we see throughout Steinbeck’s later work,” Jones insists, and argues that the public should be able to read it. The author’s literary agents, the guardians of Steinbeck’s legacy, demur, saying,
1. As predicted, Major League Baseball announced that Twins reliever Tyler Duffey has been suspended for three games and fined an undisclosed amount for “intentionally throwing a pitch behind Yermín Mercedes of the Chicago White Sox during the top of the seventh inning of Tuesday night’s game at Target Field.” Minnesota manager Rocco Baldelli was suspended for one game and fined for the incident. This all came out of the weird “unwritten rules” incident I wrote about here.Throwing at or near a player who breached an “unwritten rule” was how such rules were once enforced, and umpires allowed it. Now throwing at players deliberately is treated as the dangerous practice it always was, as the game was reminded of this week when Mets outfielder Kevin Pillar (above) was hit in the face by a fastball. Beanballs were once considered part of the game, and in fact an essential tool of the successful pitcher, and long before batters wore helmets.
2. Still more on the Mercedes incident: White Sox manager Tony LaRussa, who has been generally ridiculed for his insistence that his player should not have hit a home run on a softball league pitch when his team was ahead by 11 runs, keeps insisting that he is right and everyone else is wrong. “If you’re going to tell me that sportsmanship and respect for the game of baseball and respect for your opponent is not an important priority, then I can’t disagree with you more . . . Do you think you need more [runs] to win, you keep pushing. If you think you have enough, respect the game and opposition. Sportsmanship,” he told reporters. Well, in baseball, you never know how much you need to win. Eleven is pretty tough, but the Boston Red Sox scored 17 runs in one inning against the Detroit Tigers on June 18, 1953. You never know. It’s also sportsmanship not to cheat the fans by trying to pitch or hit as well as possible, every time, all the time. That means bad sportsmanship includes a team letting a position player pitch, which is the equivalent of a white flag. That’s how this whole thing started.
Since late last month, April 25 in fact, I have been periodically researching the topic of NFTs or “nonfungible tokens“. The damn things were back in the news yesterday when a digital-only photograph of supermodel Emily Ratajkowski standing in front of a photograph of herself with a smaller, different photograph of herself in the corner sold at auction at Christie’s for $140,000 ($175,000 after fees). Here’s Yahoo!’s description:
“It’s not that the photo can be seen only by the buyer or even that the buyer can physically mount it in a frame (though one supposes the buyer could project it on a wall or screen and put a frame around the projection); it’s that the equivalent of the certificate verifying the authenticity of the digital file of the main photo is unique. It’s really the certificate that cannot be replaced exactly by a copy….NFTs have recently enjoyed a heyday. Nonfungible.com, which tracks such sales, shows massive spikes through the first quarter of 2021 over the last quarter of 2020, with sales volume reportedly in the range of $2 billion already this year.“
Right. I can read that over and over, and it still makes no sense. As far as I can tell, these are like digital tulip bulbs from the Dutch tulip craze crossed with cyber-currency, and people who have so much money they don’t know what to do with it are buying what amounts to metadata as investments. But I may be completely wrong. I eventually gave up on trying to understand NFTs when my sock drawer started looking taking to me.
There is are underlying ethics issues, however. Ratajkowski created her NFT in part to troll Richard Prince, a photographer who has exploited the blurry ethics and copyright laws involving photography to make a lot of money and to infuriate many people, especially celebrities like Ratajkowski. Prince is the master of the digital age of Appropriation Art. When Andy Warhol essentially copied the design of a Campbell’s Tomato Soup can and made millions from it, that was the beginning of the trail of metaphorical bread crumbs that led to Prince. Thousands of photographs are placed online every day and appear all over the web, to be copied and re-used in on Pinterest, Instagram, Facebook and many other cyber-spaces. It is often impossible to track down the original photograph or its source even if one wants to give it attribution or ask permission to use it from the creator—this is something I do know something about, as I deal with it every day. Taking an individual’s image, however, treating it as one’s own and selling it is widely regarded a breach of photography ethics, and arguably a breach of law. “Fine Art,” however, creates a large loophole, and in the loophole dwells the much despised Richard Prince.
“Good afternoon, ladies and gentlemen, girls and boys!”
—A British railway conductor to his train’s passengers. After a “non-binary” passenger complained, the London North Eastern Railway apologized profusely.
The complaint, via Twitter, stated, “As a non-binary person, this greeting doesn’t actually apply to me, so I won’t listen.” As is now the pattern, the railway’s management grovelled,
The better response would have been, “Thank-you for alerting us. In the future, we will have all our conductors greet the passengers with “Good afternoon, ladies and gentlemen, girls and boys, and assholes!” so you feel included.”
I’m kidding…but barely. The presumption by extreme minorities that they have justification to claim mistreatment if society does not distort its traditions, customs and procedures to include every variation of the norm, no matter how exotic, is pure narcissism and imaginary entitlement. The railway’s management’s response would have been appropriate for a conductor who spewed obscenities and blasphemy, not a cheerful welcome that conservatively applies to 99.9% of the population, and those who it does not apply to are in such outlier category based on a conscious choice: intersex individuals once did the practical thing and picked a gender. That was before they realized that power and victim status lay waiting for them by remaining ambiguous.
Did non-English speakers on the train complain bitterly that the conductor’s greeting wasn’t repeated in their language? Were deaf passengers offended that the conductor didn’t sign? I wonder if an expectant mother felt that her unborn child was being snubbed because the conductor didn’t welcome fetuses…
“Laurence” set out to get an innocent conductor disciplined or fired so in the future conductors would be less welcoming to everyone.
1. What kind of community allows this kind of eyesore? Are there no ordinances about appropriate billboard content?
2. Sure, it’s constitutional speech, but it is as articulate as a grunt and as persuasive as a fart. This is what four years of Congresswomen calling the President of the United States a “mother fucker” and comediennes holding Donald Trump’s rubber severed head in the air have done to public discourse. We should never forgive progressives for this (social media is also responsible.)
3. Only because the Democrats, media and the Biden administration have no fairness, sense of responsibility or shame is there any valid political message on the thing at all. That message would be “Don’t blame Trump!” Like the previous Democratic President, President Biden seems to think he can duck accountability for his own failures and botches by blaming them on his immediate predecessor, apparently forever. It’s the mark of a coward and a weak leader, if not a “shithead.”
Andrew Yang, as of this week the front-runner for mayor of New York City, did nothing unethical.
Well, allow me to modify that. Allowing yourself to be placed at the mercy of a stranger while being videoed is political incompetence. And his fake laugh was too convincing.
The video above, since the news media no longer allows the public to hear or read essential aspects of such stories because journalists regard themselves as public censors, is confusing, so here is what transpired.
The whole, unblurred, unbleeped video is on TikTok, and WordPress won’t let me embed TikTok. Someone the candidate to let him take a phone video as another stranger, a smiling and giddy black man, asks Yang whether a man, “while he’s fucking bitches, can he keep his Timbs on?.” — a reference to Timberland boots. Yang’s answer, under the circumstances, is pretty deft: “I think it’s purely up to your partner.”
Then the classy New Yorker asks Yang whether he “choke[s] bitches,” and Yang laughs—convincingly, I must say— and leaves.
Gotcha!
Yang’s polite engagement with the man after he used the word “bitches” and his apparently hardy laughter after the “choke bitches” line made him an inviting target of feminists and his rivals.
The tweet above, located by Glenn Reynolds at Instapundit, comes from Sarah Jane Glynn, self-described on her Twitter feed as “Expertise in Econ/Gender/Lady-business. Professional Feminist & Semi-Professional Eyeliner Expert. All mind blowing views my own. She/Her.” Sarah left out “Good German,” perhaps for space, but a classic example of the rising Fascists of the Left she is, a toxic mutation of American that, in retrospect, we now realize emerged as tadpoles during the Obama Administration when the squiggly things were directed to use family holidays to propagandize relatives about the evils of climate change and the virtues of Obamacare. Now those tadpoles are full-fledged toads, and ugly ones indeed, like Sarah.
It is encouraging—maybe I’m grasping at straws here—that her tweet has many more re-tweets than “likes.” Perhaps that means that Americans haven’t lost the ability to recognize a fascist when they see one, even after four years of the fascists of the Left calling Donald Trump a threat to democracy when he was nearly the exact opposite except for his intemperate bluster.
Boy, I hope so. I have been composing in my head a series of questions for the nearby neighbor who has erected the giant eyesore of a sign near my home, a six-foot by four-foot black-painted wooden board with a giant red heart bearing the words, also in black, “Black Lives Matter,” accompanied by a medieval suit of armor standing next to the sign, for some reason. This display has been up for nearly a year now. Maybe the armor represents “systemic racism,” the accusation rather than the condition, since those who favor it think it makes them invulnerable to criticism, facts, or logic. The new fascists believe this phrase imbues them with moral certitude and unquestionable wisdom when they adopt it as their mantra, though the concept itself is empty, facile, tautological and insulting. Accepting that the United States exists and continues its evil ways because of “systemic racism,” essentially the fantastic “1619 Project’s” view of America, has become the “Heil!’ sign of the rising totalitarians among us.
Ethics Alarms 