Literature

A Christmas Music Ethics Spectacular! [Third Stanza: The Good, The Bad, And The Creepy]

/ Jack Marshall / 18 Comments

The New York Times has an article about the competition to create a new Christmas music standard, or at least a hit song for streaming.  The piece’s “Rules of the Game:

No. 1: The public prefers the old classics, and isn’t too interested in new songs.

No. 2: Singers shouldn’t wander too far from the melody.

No. 3: “You can’t be too corny at Christmas. You totally get a free pass.”

Corny is fine, but what about creepy?

D. Dark Christmas Songs

1. Traditional Carols

The problem with “The Carol of the Bells” isn’t the lyrics, it’s the music. The thing is affirmatively creepy; my mother hated it, and compared the tune to “The Hall of the Mountain King.” No other Christmas music has been so frequently used darkly. It came, then, as no surprise when the TV horror mini-series “Nos4A2,” based on a novel by Stephen King’s son, used the carol as its theme music. The show is the tale of a damned man who kidnaps children and takes them to “Christmasland” where they are kids forever, and also become little vampires. The music, which is by a Ukrainian composer, is unquestionably ominous. Why it has remained in the Christmas canon is a mystery to me.

Another carol in a minor key is “We Three Kings,” which contains this cheerful lyric in Verse 4, sung by Balthazar:

Myrrh is mine; its bitter perfume
Breathes a life of gathering gloom;—
Sorrowing, sighing,
Bleeding, dying,
Sealed in the stone-cold tomb

Merry Christmas!

And why would you give that stuff to a baby?

I’m going to call “I Heard the Bells on Christmas Day” a traditional carol since its lyrics are more than a century old. It’s not creepy, but it is a sad song, and sadder still when one knows its origins. 

Henry Wadsworth Longfellow wrote a poem titled “Christmas Bells” on Christmas Day, December 25, 1863. He was in despair: his son had been wounded fighting for the Union the month before, and the poet feared he would die. The author of “Paul Revere’s Ride,” “Evangeline” and other famous poems also was still mourning his second wife, who had died horribly in a fire two years earlier. He was not in a good state of mind when he wrote,

Continue reading →

Ethics Hero: Florida Catholic School Principal Tonya Peters, No Weenie She

/ Jack Marshall / 4 Comments

In a seventh grade English class at St. Charles Borromeo Catholic School in Port Charlotte, Florida, the teacher was presenting Mark Twain’s “Tom Sawyer,” using an uncensored version, which is to say, “Tom Sawyer.” The classic novel, like its larger, more ambitious cousin “Huckleberry Finn,” uses the now taboo “n-word” in a society today that should be too sophisticated and wise by now not to know that declaring words taboo is ethically and intellectually indefensible. One African-American community website’s news report on the incident states, “Anyone who has read an unedited version of those books know how racially insensitive they were.” Well:

  • Any one who has only read an “unedited”, meaning bowldlerized, version of “Tom Sawyer” hasn’t read “Tom Sawyer,” and
  • Great literature isn’t supposed to be “racially sensitive”; it’s supposed to be enlightening.
  • The issue of watering down language that some may find offensive in literature is well-considered in this essay.

As described in the letter above, when members of the class read the book out loud and the word “nigger” was uttered, the students began “acting up,” laughing, making comments, and generally acting like undisciplined 7th graders, which they were. When the teacher could not calm them down, she improvised a creative but risky solution: having the children repeat the word over and over again. The idea, obviously (though not sufficiently obvious for any of the media reports to figure out) was to rob the “taboo” word of power by repetition. It’s an old linguistic trick that kids should be familiar with (i know I was): when any word is repeated enough, it becomes just a sound, which is all any word is. (This device becomes the climax of the excellent horror film “Pontypool,” in which something causes the English language to become deadly, destroying everyone’s brains.) Continue reading →

Unethical (And Ominous) Quote Of The Month: 600 “Members Of The Writing, Publishing, And Broader Literary Community”[Link Fixed]

/ Jack Marshall / 15 Comments

“As members of the writing, publishing, and broader literary community of the United States, we care deeply about freedom of speech. We also believe it is imperative that publishers uphold their dedication to freedom of speech with a duty of care. We recognize that harm is done to a democracy not only in the form of censorship, but also in the form of assault on inalienable human rights. As such, we are calling on Penguin Random House to recognize its own history and corporate responsibility commitments by reevaluating its decision to move forward with publishing Supreme Court Justice Amy Coney Barrett’s forthcoming book….”

—Signatories (600 and rising) from the world of publishing in an open letter titled “We Dissent,” demanding that Penguin Random House refuse to publish a book by Supreme Court Justice Amy Coney Barrett.

Here is the whole, head-exploding, censorious thing, an “it isn’t what it is” (Yoo’s Rationalization again!) classic that could have been composed by the lackeys of “1984’s” Big Brother: Continue reading →

For Some Strange Reason, The Playwright Didn’t Think “N-Word” Carried The Same Dramatic Punch..

/ Jack Marshall / 15 Comments

Yes, this is another Strange Tale of the Great Stupid.

A depressing one.

In the opening scene of Down in Mississippi by African American playwright Carlyle Brown, a white man calls a black character “nigger” multiple times and threatens him after learning that he’s in the area to help register black citizens to vote. Texas Wesleyan’s Black Student Association shared an Instagram post about how many students were “deeply disturbed” that such scenes would be shown on campus, because it might “hurt Black students and possibly students from other marginalized communities.”

So the university decided not to mount the production. Brown, the playwright, argued that the word’s use in the play was necessary to maintain historical accuracy and to provoke strong responses. Yes, and he might have also pointed out that this is live drama, and the objective of live drama is to arouse the audience’s emotions. Glenn O. Lewis, the first black board chairman the university has had, diplomatically said that he understood how the language could make some students uncomfortable, “But when have we ever … learned anything in our comfort zone?” Lewis asked. “You don’t learn anything new until you get out of your comfort zone, and I think that is what Mr. Brown intended for this play to do.” Lewis added that censorship of Brown’s work is not a real solution.

Continue reading →

More Weird Tales Of The Great Stupid! “Death Of A Salesperson”?

/ Jack Marshall / 8 Comments

Watch out! This one is really, really stupid.

Increasingly embarrassing New York Governor Kathy Hochul signed legislation last week officially eliminating the word “salesman” in official parlance and replacing it with “salesperson.” “Jobs have no gender, but unfortunately, many of our state’s laws still use gendered language when discussing professions that are practiced by people of all genders,” state Sen. Anna Kaplan (D-Nassau) said of the bill she sponsored with Assemblyman Danny O’Donnell (D-Manhattan).

No, unfortunately the legislators’ political party is now addicted to Orwellian GoodSpeak measures, as it tries to control thought by restricting language.

The new law also replaces “his” or “her” with “their” in relevant statutes affecting the real estate industry. Other new Big Brother laws in New York ban the official use of  “mentally retarded” and “inmate” in favor of “developmentally disabled” and “incarcerated person.”

Did you know that Donald Trump and Republicans pose an existential  threat to democracy? Continue reading →

Believe It Or Not! The Incoherent Hollywood Casting Rules Get Even More Incoherent And Hypocritical In A “Lord Of The Rings” Controversy

/ Jack Marshall / 21 Comments

To bring you up to date, The Great Stupid mated with the Diversity, Equity and Inclusion cult to bring forth the following casting rules for movies, theater, TV and commercials. Per Tom Hanks, only gays can play gay roles, but gay actors can play “cis” characters. It’s fine for Andy Garcia to play Sonny Corleone’s son in “Godfather 3,” but verboten for a non-Hispanic performer to play a Hispanic character. Presenting a real life “character of color” as white in a film is despicable whitewashing, but presenting Aaron Burr, Thomas Jefferson and Alexander Hamilton as non-white in a hit Broadway musical is brilliant, and playing Joan of Arc as a nonbinary individual who goes by “they” is illuminating. Marilyn Monroe being played by a Hispanic actress is testimony to her versatility and range, but Natalie Wood playing Maria in “West Side Story” was a shameful relic of Hollywood racism. Changing the genders and races of popular comic book characters is social justice progress, unless they are changed to white or male.

All clear now?

The eagerly awaited Amazon spectacular “The Lord of the Rings: The Rings of Power” is being skewered on social media and fan sites because the production, led by a creative team that is ostentatiously woke (Brain-melting quote by Executive Producer Lindsey Weber: “It felt only natural to us that an adaptation of Tolkien’s work would reflect what the world actually looks like.”), has cast actors who do not resemble how Tolkien described their characters and has them doing things the characters in the books would never do. For example—The Horror!—there’s a black elf. “Rings” fanatics are screaming foul, so, naturally, Weber has called the casting critics racists.

Continue reading →

“Freefall” Ethics Reflections: “Is This It?”

/ Jack Marshall / 12 Comments

British novelist William Golding, whom you probably know best as the author of “Lord of the Flies,” wrote a disturbing novel the year I was born called “Freefall.” It was on the reading list of a literature course I took as a college junior, and though it was easily the least well-known of the novels we studied (and is one of Golding’s least-known books as well), “Freefall” is the one that has most echoed back to me at various times over the decades.

The first-person narrator is a miserable and depressed man, an artist, imprisoned in a German prisoner of war camp during World War II and awaiting torture in a small, dark store room. In fear and isolation, he finds his mind reviewing the minutiae of his life, as he searches for the exact moment when his life went horribly and irretrievably wrong and he lost control. In flashbacks, he constantly stops, sometimes after re-living what seems to be the most trivial event, and asks “Was this it? Was this the moment?’

I thought about “Freefall” once again this morning, as I tried to process a series of absurd and incomprehensible recent occurrences and statements. “Is this it?” I found myself wondering, like Golding’s pathetic hero, “Is this it? Is this the moment The Great Stupid completely obliterates all reason and leaves the United States public wandering around aimlessly moaning like the zombies in ‘The Walking Dead’?”

No, it’s not a particularly momentous chain of events, just one that can’t happen anywhere that has sturdy values, trustworthy leadership, and functioning ethics alarms.

Continue reading →

The Great Stupid Marches On: Plant Name Political Correctness And The Wandering Jew

/ Jack Marshall / 22 Comments

Sometimes it all seems too much to bear. When I stumble upon something like this, I feel like smashing my head with a croquet mallet enough times to reduce my brain function to that of Margorie Taylor Greene or Cori Bush, and spending the rest of my days watching “Three’s Company” re-runs. Then I decide to write a post, and realize that once again, the most appropriate graphic is the “Blazing Saddles” “You know: morons” video clip. I could use that clip on ten posts a day now. More. Why do I bother writing this blog if insane ideological extremism is making the culture, society and public dumber by the second?

But I digress.

Let me tell you a story…

Continue reading →

The Weird Pledge Of Allegiance Mystery: There’s Something Unethical Here, But Who Knows What?

/ Jack Marshall / 11 Comments

The Pledge of Allegiance is an endlessly fascinating bit of Americana. A powerful snippet of poetry, an assertion of patriotism, a throw-back to simpler times, an anachronism, a culture war battleground: whatever it is, the Pledge is important. For me, it was the first thing I memorized after “Now I lay me down to sleep…” My lifelong interest in and obsession with the American Presidency was probably seeded when my first grade class stood every day to recite the Pledge while looking at the American flag with a framed photograph of President Eisenhower next to it. Now we learn that there is a controversy over who wrote it, and it is quite a tale.

The New York Times, reminding us what an excellent job it can do when it isn’t engaged in partisan spin and propaganda, broke the story yesterday.

Continue reading →

Ethics Quote Of The Month: Prof. Michael Ignatieff

/ Jack Marshall / 2 Comments

“Lincoln should be with us all these days especially since ‘malice toward none’ has been replaced by malice toward all, as if in our ideological arrogance we have forgotten that neither God nor justice is necessarily on our side.”

—-Philosophy scholar Michael Ignatieff, Ph.D. professor at  Central European University in Vienna, Austria, in his recent book, “On Consolation,” his examination of how figures in history, literature, music, and art searched for solace while facing tragedies and crises.

In a chapter devoted to Abraham Lincoln’s Second Inaugural Address, delivered in March 4,1865, near the end of the Civil War and with his own assassination six weeks away, Ignatieff explains that Lincoln concluded that “neither side could ever know what God intended by the fiery trial,” so “the victor had no right to raise the sword of vengeance while the defeated had the right to claim the dignity of honorable defeat. Humility about the ultimate meaning of the war, in other words, created the space for mercy.” Continue reading →