The Failure Of “Bros”: Why Don’t Minorities Accept The Right Of Majorities To Feel Like They Do?

Gee, what a shocking development! Non-gay audiences haven’t flocked to see a romantic comedy that advertises itself like that!

I’m a movie fan. I have lots of gay friends, family members and associates: I worked in the theater for decades. I respect them all; I support their right to live and love and marry whomever they please; I want them to be treated like any other law-abiding Americans in all things as they are judged solely on the content of their character, and regard discrimination and bias against them as despicable and unconscionable.

But I don’t enjoy watching gay sex and related activities.  I have every right to feel that way. I would no more pay, or take time out of my sock drawer duties, to see “Bros” than I would watch an NFL game, or attend a one-man show by Alec Baldwin. So sue me. But I think there are millions of Americans with similar tastes, and they span the generations.

Apparently the makers of “Bros” convinced themselves that non-gay (I will say “cis” when there is a loaded gun at my head and not before) Americans, who are, believe it or not, the majority, would go to see a romantic comedy about gays because they have been told that they should, and are bigots if the don’t comply. Non-gay America replied, “Bite me!,” and good for them. Continue reading

Unethical Quote Of The Day: Blogger Ann Althouse

“Who is Miles Teller?”

—Ann Althouse, at the end of her blog post commenting on the premiere of “Saturday Night Live” and the New York Times’ review of it

The SNL premiere was guest-hosted by Miles Teller.

I’ve got some income-producing work to do for a client early this morning and I shouldn’t be working on an Ethics Alarms post, and I know I’ve been picking on Ann a lot lately, but I really can’t let this pass.

It’s really simple: if Althouse is going to engage in popular culture commentary as if her opinion should be taken seriously (as in “is worth reading on her blog”), then she has a base obligation to be at least minimally informed regarding American popular culture. She isn’t. She has never been, and I have read her blog for more than two decades, back when she was a law professor. There are arbitrary pockets of pop culture that she is obsessed with (like Bob Dylan songs), but it has always been obvious that Althouse is not very conversant in classic films or network TV; she’s even blogged about this hole in her experience. Not that there’s anything wrong with that, except that if one is going to critique popular culture, especially a show that at least purports to satirize current personalities and themes within pop culture, it is irresponsible, incompetent and arrogant (dare I say, “stupid”?) do do so when you literally don’t know what you are talking about.

Sixty-something Ann Althouse asking “Who is Miles Teller?” is the exact mirror image of those lazy jokes on TV and in movies about clueless Millennials who ask, “Who is John Wayne?” or “Who were The Beatles”‘ after a Boomer makes a reference to them or their equivalents. Saturday Night Live has always featured as guest hosts actors and singers (and sometimes, less successfully, politicians) who are currently popular, in the news and hot commodities, so Ann had to know that if Miles Teller was hosting the first show of the season, he must qualify. If she wasn’t familiar with him, then obviously she should have Googled his name: it would take all of three seconds. Her question, at the end of a post suggesting that “Saturday Night Live” is tired, unfunny and irrelevant (not that it isn’t), conveys stunning elitism as well as the qualities I already attached to it.

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Race Pandering Law Of The Year, And Of Course It’s In California…

…and also of course, master progressive panderer Gov. Gavin Newsom signed it into law.

Newsom signed a bill yesterday to limiting the use of hip-hop lyrics as evidence in the criminal trials of rappers, a blatant sop to the African-American fans of the artists, inevitably black, who have an alarming record for assaulting, battering, raping or killing people

The law, welcomed by rappers, their fans, record producers, record industry executives and Black Lives Matter, is the first in the country to ensure someone’s “creative expression” is not used to “introduce stereotypes or active bias” against a defendant or be used as evidence in a trial against them. Yes, that would be because Assembly Bill 2799 is an unnecessary law that would only surface in one of the very few states so thoroughly addled by extreme Leftist ethics rot that such a monstrosity would even be considered without causing crippling laughing fits. A similar bill in New York failed earlier this year—yes, New York is one of those states.

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Today’s Dumb Woke Hollywood Casting Question: “Why Does Hollywood Keep Using Fat Suits?” [Corrected]

The New York Times today decides to try a new frontier in the woke casting double standard adventure—you know, the incoherent theory that minority actors should be considered for all roles and all character types regardless of sex, race, size or physical characteristics, but it is unethical for white performers to play any character that they have to act and use make-up to evoke. You know, like good Hollywood liberal Tom Hanks claimed when he issued his recent  mea culpa for playing a gay, AIDS battling lawyer in “Philadelphia.”  So, using the same logic, Tom must have been equally hostile to “diversity, equity and inclusion” when he took a role away from some brilliant, unknown actor with a 75 IQ to play Forrest Gump, just as an autistic actor should have starred in “Rain Man” instead of Dustin Hoffman.

Suuuure. But I’m getting ahead of myself. The Great Stupid often has that effect on me. Sorry.

The Times’ query, in the headline to a column by Arts Section pundit , is “Why Does Hollywood Keep Using Fat Suits?” Gee, it’s a mystery! And come to think of it, why does Hollywood keep using make-up? Special effects? Fake blood?

Here’s a much tougher question: why does the New York Times let people who know nothing about performing, entertainment, business, audiences, comedy, and casting write columns like this? Continue reading

A Case Study Of How Race-Baiting And Race-Bullying Undermines “Diversity” And “Inclusion”: The New Yorker’s Cartoons

The cartoon above is from the current issue of The New Yorker, the woke urban sophisticate’s bible, renowned for its witty, esoteric cartoons since its founding in the flapper era. And yet as woke and progressive and Democratic Party-bootlicking-addicted as it is, The New Yorker rarely includes black characters in its cartoons, and hasn’t since its inception. I checked the most recent compendium of New Yorker cartoons covering eight decades and thousands and thousand of humorous drawings. In only a handful (out of thousands and thousands) do cartoon characters of color even appear in crowd scenes and backgrounds. If they do, they look like the male character above from the only cartoon from the current New Yorker issue to show black characters at all. There were 14 cartoons in the issue, and in the outlier above, blacks are portrayed as white people with tans. I’m sure some professor somewhere will pronounce that representation as offensive anyway. Continue reading

More On Nichelle Nichols: Regarding Althouse’s Misguided Snark

In the introduction to this post, Ethics Alarms mentioned the passing of “Star Trek” icon Nichelle Nichols, whose obituaries prominently noted her participation in TV’s first inter-racial kiss. I wrote in part,

“She was more model than actress, and as her role developed, much to her disappointment, the part of “Uhura” became little more than set dressing. But she played one of the first  black female characters on TV to have a non-subservient role, indeed Uhura was fourth in the “Enterprise” chain of command…. In her autobiography, Nichols wrote that Martin Luther King told her that she was advancing civil rights objectives, and convinced her not to quit when William Shatner was getting too obnoxious” …

But Ann Althouse complained on her blog yesterday,

They got away with putting a beautiful woman in a minidress in the background of as many shots as possible, but what did she do other than provide eye candy for the little boys and little men who watched? She was the secretary, seated at the switchboard, receiving calls.

Come on. The sexual politics was ridiculous, and blackness was the device to make it seem progressive, or at least to shut up the critics.

And I mean no disrespect to Ms. Nichols or to any other black actor who accepted a role constrained by stereotypes. There should have been more offers. There should have been more roles.

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Can Of Waning Work Week Ethics Worms: Race-Based Justice And Other Revolting Creatures [Corrected]

1. I hate to take pleasure in anyone’s career setbacks, but...the word that CNN’s unethical media watchdog, Brian Stelter, is about to get dumped is good news for everyone but him. It also means that CNN will have rid itself of its two most flagrantly partisan and dishonest talking heads, the other being Chris Cuomo. Stelter took over “Reliable Sources” from the flawed but qualified Howard Kurtz, who had covered media conduct for the Washington Post, and at least tried to be objective (and still does at Fox.) Stelter immediately transformed the Sunday show into a CNN-fawning, Fox News-bashing epitome of what a news ethics show must not be. The last hack standing among CNN’s worst is now Don Lemon, who because he is black, gay and cute apparently is immune from his just desserts. As Meat Loaf memorably observed, however, two out of three ain’t bad.

2. Wait, what? Tim Allen isn’t the voice of Buzz Lightyear in the new Pixar film? The Buzz origin film, which has Chris Evans as the new voice of the popular character from “Toy Story” 1-4 is already creating controversy because it features a lesbian kiss. You know: that’s Disney’s way now. The movie’s director Angus MacLane “explained” that the recasting was necessary because the new animated film called for a more serious Buzz. Does anyone believe that? Allen was replaced because he’s an outspoken conservative, and Disney/Pixar wanted a star who would vigorously defend lesbian smooches in a kids movie, because that is apparently it’s priority these days. If the director wanted Buzz to sound more serious, he could direct the voice actor to voice him that way.

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The Popular Culture Embraces Emerson College As Emerson College Embraces Anti-White Racism

As frequent readers here know, I frequently hear more ethics alarms in seemingly small things than in the major stories everyone else is talking about. This is one of those situations.

Boston’s Emerson College [full disclosure: my aunt got her speech degree there) is being promoted in the 4th season of Netflix’s cult fantasy/horror series “Stranger Things.” One of the shows heroines, Nancy Wheeler (played by Natalia Dyer), ostentatiously wears an Emerson T-shirt: she’s attending the liberal arts college in the 1980s, where the Stephen King-referencing show takes place. Now Emerson is cool. Copies of the shirt are being sold to support the victims’ families in Uvalde.

Emerson College is an enthusiastic agent of anti-white racist ideology that indoctrinates its students accordingly.

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Confused Sports Illustrated Raises The Fascinating Question: Can One Be Ethically Unethical?

Those are two of Sports Illustrated’s 2022 annual Swimsuit issue covers.

What’s going on here? It’s weird, whatever it is, and, of course, it has kicked off a culture war fight.

Conservative philosopher and pop guru Jordan Peterson tweeted regarding the flabby model on the left, “Sorry. Not beautiful. And no amount of authoritarian tolerance is going to change that.” This got him attacked online as a toxic warrior for white privilege and white supremacy.  Then Peterson lashed back, stating his objection as this:  “It’s a conscious progressive attempt to manipulate & retool the notion of beauty, reliant on the idiot philosophy that such preferences are learned & properly changed by those who know better.”

Conservative sports essayist Jason Whitlock begs to disagree. His take: Continue reading

Friday The 13th Ethics Nightcap, 5/13/2020: Kristol’s Integrity, Reiner’s Idiocy, Virginia Schools’ Incompetence

The first of several ethically dubious U.S wars began on this date in 1846, when President Polk asked for and received a declaration of war against Mexico. The U.S. wanted Mexico-owed territory: it’s pretty much as simple as that. In November of 1845, Polk sent  diplomat John Slidell to Mexico to seek boundary adjustments in return for the U.S. government’s settlement of the claims of U.S. citizens against Mexico, and also to buy California and New Mexico. When Mexico refused, the U.S. provoked a military response from the country when U.S. forces marched into the disputed territory at the Texas border, then used that as a pretense to fight. After two years of fighting, Mexico agreed to sell California and New Mexico after all, as well as to recognize the Rio Grande as the border with Texas.

1. Andrew Sullivan on Bill Kristol’s integrity deficit. George Will and Bill Kristol, once the King of Neocons and the proprietor of the conservative magazine “The Weekly Standard” are the two most prominent examples of Chablis Republicans who couldn’t bear an unmannerly low-class boor like Donald Trump bearing the conservative banner, so they abandoned all of the principles they spent their career advocating out of spite. Yes, I think that’s fair. In his substack newsletter, Andrew Sullivan correctly exposes the unethical stench of Kristol’s late-in-life conversion to wokeness, which he correctly diagnoses, along with Kristol’s character, thusly..

“[I]f you change your mind on an issue, at some point, explain why. What principles or ideas have you now abandoned? Which have you now embraced? What new facts have you learned? It’s a basic form of intellectual hygiene.

Which brings me to Bill Kristol…Now hugely popular among MSNBC Democrats, alert to racism and sexism and homophobia, Kristol has, these last few years, performed a spectacular ideological self-reinvention that makes J.D. Vance look like a man of unflinching consistency. And he has never even attempted to explain why…

Kristol is also now down with the “LGBTQIA+s”. He recently retweeted a critique of the Parental Rights bills across the country: “the pernicious intent of bills such as these: to stigmatize and shame gay and transgender people under the guise of protecting children from inappropriate conversations about sex.” Another Kristol retweet objected to the “grooming” meme: “Grooming is not acknowledging the existence of gay & transgender people to children.” Another retweet lamented that a Republican lost in Virginia because he favored marriage equality: “His sin was treating gays as humans worthy of equal respect and dignity… He wasn’t willing to be cruel to the Americans that Republican voters hate.”

Admirable in many ways. But again, is this the same Bill Kristol whose magazine, The Weekly Standard, was among the most fervent opponents of gay equality in America? In 1996, he published a piece arguing for a “reaffirmation by states of a sodomy law” if gay marriage advocates didn’t cut it out. The magazine sent out a letter on behalf of an anti-gay advertiser that raised the specter of “Radical Homosexuals infiltrating the United States Congress” with a plan to “indoctrinate a whole generation of American children with pro-homosexual propaganda.” …As I’ve said, it’s no sin, and even a virtue, to change your mind. But to have been so passionately on the extreme edge of one side of an issue he regarded as one of core morality, and then flip to the other side entirely — with absolutely no account of why — is not a mark of any halfway serious writer. To go from believing that gays need to be cured to Kristol’s current posture as defender of homos from Republican “hate” is amoral, unserious bullshit — both then and now…

The fake surety; the glibness; the ignorance; the opportunism…I guess there’s a kind of beauty to that. Once you get past the sickening, amoral, irresponsible unseriousness of it all.

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