Case Study In Cultural Ethics Rot: “Bin Laden Shooter” Robert O’Neill

Dead, but still helping to corrupt our culture...

Yes, dead, but still helping to corrupt our culture…

Do you remember all those World War II, Korean War and Vietnam veterans who published books and gave interviews taking personal credit for the successes of the United Armed Services? No, neither do I, because there weren’t very many. The ethical culture of military organizations has always been that the unit is what matters, not the individual. For a soldier to seek credit, accolades and celebrity through his own disclosures was regarded as disgraceful conduct, and a betrayal of military honor and tradition.

Those values, and the important larger cultural values that they reinforce, are crumbling rapidly. Former Navy SEAL Robert O’Neill, one of many U.S. special forces members to storm Osama bin Laden’s compound on May 2, 2011, confirmed to The Washington Post that he was the unnamed SEAL who fired the fatal bullet at the terrorist leader. His decision to make himself an instant celebrity and speaker circuit star comes nearly two years after another Seal in the mission, Matt Bissonnette, published his account of the raid, “No Easy Day.” The Post says that O’Neill has endured “an agonizing personal struggle, as he weighed concerns over privacy and safety against a desire to have a least some control over a story that appeared likely to break, with or without his consent.” There is no struggle if O’Neill accepted that fact that his ethical obligation is to shut up, and not dishonor his colleagues, his profession and his country by choosing celebrity over preserving a vital ethical standard.

Will future Seals jeopardize the success of their missions as each tries to deliver the “money shot” that will literally result in millions? Why wouldn’t they, now that soldiers are absorbing the American culture’s obsession with cashing in and becoming famous as the primary objective of human existence? Like all ethical standards, the tradition of soldiers neither seeking individual credit nor wanting it had strong practical reasons for its existence. A military unit is the ultimate team, and no team can function at maximum efficiency if the members regard themselves as competing for glory. Continue reading

Brad Paisley and Jon Stewart: The “It Was Just A Joke” Follies

Joker04Once again, we visit the ethically murky realm of jokes, near-jokes, misfired jokes, fake jokes, the ‘it was just a joke’ excuse and things the purveyor of non-jokes wish were jokes after the fact. Interestingly, by my estimation, the real and non-offending joke among our twin set today was the one delivered by a non-comedian, and the dishonest joke excuse was employed by a professional comic.

Case A: Jon Stewart

Appearing on CNN election day with Christiane Amanpour to talk about the  midterm elections, the host asked Stewart if he voted. The comic/pundit/news anchor/progressive hit man responded “no” saying, “I just moved. I don’t know even where my thing is now.” Said Ann Althouse:

“The epitome of apathy. And this is the man who shows the young folks how to think!”

She was not alone. Later, as he hosted a special live election night edition of “The Daily Show,” Stewart  apologized, saying:

“…to set the record straight, I did vote today… I was being flip, and it kind of took off, and you know what, I want to apologize. It sent a message that that I didn’t think voting was important. I shouldn’t have done that. That was stupid.”

This was flagged to me as a solid and ethical apology, and I agree, if that’s what it was.  I don’t think that is what it was, though. I think it was damage control, and a lie. Maybe Stewart voted and maybe he didn’t, but he’s a professional comic. His “flip” dismissal of voting to Amanpour didn’t read a s a joke, and she didn’t seem to take it as one. He’s one of the highest paid and popular comedians in the country, and doesn’t know how to make it clear when he’s joking? Or can’t tell when a joke misfires, and he has to backtrack so people don’t think he’s serious? I am dubious. Continue reading

Comment of the Day: “Make Voting Compulsory, Because We Can’t Let THAT Happen Again”

Maybe Ruth Marcus would like this system better...

Maybe Ruth Marcus would like this system better…

Theories of democracy and political science, Robert Heinlein, minimizing bias from self-interest, scientist suspicion, GIANT BUGS…okay, it doesn’t quite get to the bugs. But what’s not to like about texagg 04’s reflections and exposition sparked by the post on Ruth Marcus’s plug for compulsory voting? Here is his Comment of the Day on the post, Make Voting Compulsory, Because We Can’t Let THAT Happen Again: Continue reading

Ethics Dunce: “Girls” Creator/Actress Lena Dunham

Dunham

Lena Dunham, creator and star of the inexplicably critically acclaimed HBO series “Girls,” has written a memoir, “Not That Kind of Girl.” Here are ten inquiries regarding its most controversial passages, like the one above,  and the reaction to them:

1. What does one say about a Hollywood figure who puts a passage like this in her memoirs, writing about her relationship with her sister, who was six years younger…

“As she grew, I took to bribing her for her time and affection: one dollar in quarters if I could do her makeup like a “motorcycle chick.” Three pieces of candy if I could kiss her on the lips for five seconds. Whatever she wanted to watch on TV if she would just “relax on me.” Basically, anything a sexual predator might do to woo a small suburban girl I was trying.”

2. Or this…

“I shared a bed with my sister, Grace, until I was seventeen years old. She was afraid to sleep alone and would begin asking me around 5:00 P.M. every day whether she could sleep with me. I put on a big show of saying no, taking pleasure in watching her beg and sulk, but eventually I always relented. Her sticky, muscly little body thrashed beside me every night as I read Anne Sexton, watched reruns of SNL, sometimes even as I slipped my hand into my underwear to figure some stuff out.”

3. Or, most famously, this...

“Do we all have uteruses?” I asked my mother when I was seven.

“Yes,” she told me. “We’re born with them, and with all our eggs, but they start out very small. And they aren’t ready to make babies until we’re older.” I look at my sister, now a slim, tough one-year-old, and at her tiny belly. I imagined her eggs inside her, like the sack of spider eggs in Charlotte’s Web, and her uterus, the size of a thimble.

“Does her vagina look like mine?”

“I guess so,” my mother said. “Just smaller.”

One day, as I sat in our driveway in Long Island playing with blocks and buckets, my curiosity got the best of me. Grace was sitting up, babbling and smiling, and I leaned down between her legs and carefully spread open her vagina. She didn’t resist and when I saw what was inside I shrieked.

My mother came running. “Mama, Mama! Grace has something in there!”

My mother didn’t bother asking why I had opened Grace’s vagina. This was within the spectrum of things I did. She just got on her knees and looked for herself. It quickly became apparent that Grace had stuffed six or seven pebbles in there. My mother removed them patiently while Grace cackled, thrilled that her prank had been a success.

?

I say that that the Hollywood darling apparently used her little sister as a sex toy for at least a decade, was never stopped or admonished for doing so by remarkably negligent parents, and has grown to adulthood without recognizing that there is anything wrong with her conduct.

The first passage not only treads on the borders of incest, but also leaves the uncomfortable question of what else she did to her sister that emulated a sexual predator. The second is profoundly creepy, and the third describes what, if true, is abuse of an infant in terms designed to sound erotic. As blogger Ann Althouse points out, does anyone believe that an infant would stuff pebbles in herself “as a prank,”or that a compos mentis parent wouldn’t immediately assume that the older girl had done it to the younger girl? At best, Dunham is lying, and doesn’r realize that her lie puts her and her family in a terrible light.

4. What can we conclude about the character of a celebrity who proposes such conduct as harmless fun, apparently unaware that it violates standards of fairness, respect and caring, to be emulated and embraced by her readers and anyone whom they have influence over, including their own children, as a legitimate cultural norm? I conclude that her values are seriously and perhaps clinically warped. and that the more critics point this out, the safer everyone is, present and future. Lena Dunham is an ethics corrupter. Continue reading

“The Firm” Ethics: Mitch Should Have Known What He Was Getting Into

I was just watching “The Firm” again after many years—my old friend and the terrific actor, the late Bart Whiteman, played “Dutch”—to get the ick of “Cabin Fever 3” out of my head. (It was part of last night’s Halloween triple feature at my house.)

Pay attention, Tom...

Pay attention, Tom…

In an early scene in the film, Harvard Law student Mitch McDeere (Tom Cruise) is being courted by big law firms offering perks and cash. Then a small Memphis firm he never heard of —later, he learns that it is run by the Mob— blows him away with an offer he can’t refuse. The firms partners tell him that they wanted him so much, they bribed the clerk at Harvard’s placement office to learn what salaries the other firms had offered Mitch, then matched it plus 20% more. Tom is impressed, and flattered, and greedy, and takes the offer, even though the firm had openly revealed itself as unethical and proud of it.

He should have seen this as signature significance of a dangerously unethical culture in a profession with high ethical obligations, and walked out the door. A young lawyer with well-maintained ethics alarms would have. Who knows? Maybe this was a test the corrupt firm used to weed out ethical associates.

I always thought Mitch was just unlucky, but in the film, at least, he ended up in a bad firm because an ethics alarm wasn’t working.

 

No, I’m Not Going To Write About Ethics And #Gamergate

Whatever.

Whatever.

I keep getting emails asking when I’m going to discuss Gamergate on Ethics Alarms. Several readers have sent me extensive links to bring me up to date. I’ve read them, or at least tried. Not since I was assigned the tome Peace and War by Raymond Aron has any text bored me more.

Gamergate appears to have all the markers of an ethics train wreck, but to me, at least, the train might as well be in Mongolia. I can’t contribute anything of value on this topic, because gaming is not part of my life, skill-set or interests in any way. This is a culture I don’t understand, and frankly, don’t have the time or interest to understand. I make a yeoman effort to keep up with popular culture, because I think once it gets too far ahead of you, your ability to understand the world around you is severely limited. But triage is essential. Just a few years ago, I knew who all the celebrity contestants on “Dancing With The Stars” were; this year, I never heard of half of them. More than half the stories on TMZ lately are about “celebrities” that are completely off my radar screen. I am confident, however, that in about six months, most of these stealth celebrities will be where Snookie and “The Situation” are now, which is obscurity, has-been Hell, or maybe jail.

There are ethics lessons to glean from this endless gamer scandal, but Ethics Alarms will just have to glean them elsewhere. For those who feel neglected, I highly recommend the recent post by Ken at Popehat, along with his links. It hits most of the salient ethics issues, and Ken, I gather, follows this stuff, as do his Popehat colleagues. My hat’s off to him, and them. But #Gamergate is one ethics controversy that I am not qualified to explore, and don’t want to be.

Cowardice, Censorship And Betrayal At Maiden (N.C.) High

Almost Maine

Here is a strong candidate for teacher/blogger Rick Jones’ annual Curmie Awards on his blog Curmudgeon Central. He recognizes the most despicable conduct by teachers and school administrators, and while this year’s award may go to some fourth grade teacher who sets autistic kids on fire, I know he will share my disgust at this story.

The theater club at Maiden High School in North Carolina was in production of John Cariani’s newly-popular stage dramedy “Almost, Maine,” a series of vignettes about bittersweet love and romance. A brief scene touches on a budding same-sex relationship, and this so worried school administrators that before green-lighting the production, Principal Rob Bliss and Catawba County Schools Superintendent Dan Brigman decreed that every student wishing to audition or assist with the production must turn in signed parental permission letters. Only one student was prevented from auditioning through this screening process, and production commenced. The club to reserved the rights, rented the scripts, cast the parts and began rehearsals.  The local churches learned that that the show contained (Ewww!) gay people, and the school abruptly reversed course, cancelling the production. Principle Bliss issued this weasel-worthy statement:

“In regards to the request for students to perform the play “Almost Maine,” careful review and consideration was given to the contents of this play. The play contained sexually-explicit overtones and multiple sexual innuendos that are not aligned with our mission and educational objectives. As principal of Maiden High School, I have an obligation to ensure that all material, including drama performances is appropriate and educationally sound for students of all ages.”

He did not mention that the production had already been approved, and that he and the school caved to community censorship by right-wing bullies, intolerant religious jerks, or local jerks who didn’t have the resources to go to New York City and picket “The Death of Klinghoffer.” He had one, and exactly one, response available to him once complaints began rolling in from anti-gay, anti-same sex marriage citizens of fair Maiden. It would be this... Continue reading

Ethics, Fish, “The Twilight Zone” and Renee Zellweger’s New Face

Rene 1

Reene Zellweger, the squinty-eyed, chipmunk-cheeked actress who achieved fame in such films as “Jerry Maguire” and “Bridget Jones’ Diary,” emerged from a period of relative seclusion this week looking like someone else entirely. The consensus was that the 45-year-old had undergone radical cosmetic surgery—not the face destroying kind that actresses like Meg Ryan or Priscilla Presley inflicted on themselves, but the “I don’t care if my mother won’t recognize me, at least I don’t look old” kind. When an actor or an actress does this, since their faces are their trademarks, it is bound to make an impression, and it has.

It is a tragic spectacle illustrating the degree to which American culture elevates looks above accomplishments, individuality, integrity and character, especially for women. Zellweger, whom I foolishly assumed was immune to this sickness since she was so unconventional looking, is obviously a victim, but now she is part of a cultural contagion. A fish doesn’t know that it is in water, and culture is like that water, completely constraining our attitudes, culture and choices without our knowledge or control. When celebrities, who have influence far beyond what their wisdom, virtues and value should rightfully support, and who are seen as being experts in the matter of appearance, send the message to the young and contemporaries that even the forfeiture of one’s identity is a fair price to pay to avoid the signs of natural aging, that pollutes our water.

And poisons the other fish. Continue reading

Pop Song Ethics Flashback: “Why Do They Always Say “No?” by Lawrence Cook and The Jim Dandies

It probably isn’t the winner in the Ethics Alarms quest to identify the most unethical pop songs, but the 1949 ditty “Why Do They Always Say No?” is one of the most instructive nominations. The fascinating and essential feature of ethics is that our understanding of right and wrong evolves, changing and advancing with wisdom, cultural debate and reflection. This song is a tuneful reminder, arriving at our attention just as the culture, especially on campus, is struggling over exactly the dilemma the song celebrated. In 1949, however, literally no one thought about romantic or sexual gamesmanship as an ethical issue, or at least not a momentous one.

Have a listen (It’s on the B side of the record pictured, and starts playing at the halfway mark):

The lyrics are credited to Harry Pease, Frank Davis, Ed G. Nelson and Billy Glason. Only the latter has much of a footprint on Google, and none of them rate a Wikipedia entry. I doubt that it took four guys to write this song: It’s not exactly “A Day in the Life.” Glason (b. 1904) was probably the author. He shows up in the Encyclopedia of Vaudeville as a “singing comedian,” known for devising new punchlines for ancient  jokes, such as

Q: “Who was that lady I saw you with last night at that sidewalk cafe?”

A: “That was no sidewalk cafe! That was our furniture!”

Pease, Davis, and Nelson were all musicians, though it’s also hard to imagine that the elemental tune required three collaborators. The lyrics are more disturbing read than heard:

Why do they always say no
When they know they mean yes all the time
You ask a girlie for a kiss or two
She’ll let you know that’s something I don’t do
How can they tell such a lie
And still look you straight in the eye
Whenever they say no to you go right ahead
Cause it’s 10 to 1 that they mean yes instead
Oh, why do they always say no
When you know they mean yes all the time

Why do they always say no
When you know they mean yes all the time
You start to love them and they pout and fret
Down in their hearts they want all they can get
What keeps them acting that way
They don’t mean a word that they say
A girl that said she’d never marry me
She’s the mother of my happy family
Why do they always say no
You know they mean yes all the time

Why do they always say no
When you know they mean yes all the time
You ask your girlie for a kiss or two
She’s lets you know that’s something I don’t do
How can they tell such a lie
And still look you straight in the eye
Whenever they say no to you go right ahead
Cause it’s 10 to 1 that they mean yes instead
Oh, why do they always say no
When you know they mean yes all the time

You know they mean yes all the time.

“You know they mean yes all the time.”

Sure you do.

_________________________

Special thanks to my volunteer scout Fred, whose wife found this piece of musical ethics archeology.

 

CNN’s Smoking Gun Ebola Gag

Ebola joke

The photo above was deemed so cute and hilarious that CNN’s “New Day” senior producer John Griffin tweeted it to the world. CNN brass, at least those among them who are not demented nor insane, immediately ordered it taken down, but of course it was too late.

We now we know. We’ve known for a long time, those of us who were paying attention at least, but now we know for certain. The photo is smoking gun evidence of a tragic fact with frightening implications for all of us. Broadcast journalism, the occupation that Edward R. Murrow believed would transform and enrich America by creating a better educated, more knowledgeable, more civically literate and involved public, can no longer claim to be a profession, a pursuit dedicated to the public good. It is nothing more than entertainment, and not very professional or sophisticated entertainment at that. Continue reading