Animal Abuse, Law, Ethics…And More Cognitive Dissonance

Gothic pets

Some animal abuse issues are ethics slam dunks, some should be, and some are more complicated than the wo people posture over them seem to think. Here are three examples from the news:

1. Tattooed Kittens?

A law about to be passed in New York, S.6769, will make it illegal for pet owners to inflict tattoos or piercings on their pets except for medical purposes or when a tattoo is used strictly for identification purposes. Violations would carry fines of up to one year in jail and a $1,000 fine.

“I believe that if given the choice, animals would decline to having themselves undergo a painful procedure of being either tattooed or pierced,” said New York State Senator Mark Grisanti, a Republican who is supporting the measure introduced by Democratic Assemblywoman Linda Rosentha in 2011.

Ya think? The fact that a law would even be necessary to articulate that tattooing or piercing a pet for the owner’s amusement is horribly wrong and obvious cruelty foretells the approaching apocalypse.  That such a law would take three years to pass also tells us something bad about, oh, New York, politics, partisan warfare, human intelligence…just about everything. The problem, was brought to public attention by the prosecution of this idiot.

2. The Opossum Drop Continue reading

When Ethics Alarms Fail: The (Almost Deadly) Return Of “Johnny”

justkidding

In “Airplane!,” the late Stephen Stucker created an iconic comic character as the chaotic “Johnny,” a deranged but relentlessly cheery air traffic control employee who treated the life-and death emergency of an endangered airliner as an opportunity to pull practical jokes, like pulling a plug to shut off all the runway lights just as the plane was making its desperate approach with a volunteer pilot at the helm. “Just kidding!” he says. This week, we learned that Johnny, or at least his copycat, was alive and well. An air traffic controller at Hartsfield-Jackson Atlanta International Airport instructed the pilot of Delta Flight 630, just over 1,000 feet off the ground and preparing to land, to abort the landing and circle the airport. Seconds later, Johnny II said, “I’m kidding, Delta 630. After you land, I’ve got no one behind you. Expect to exit right.” Continue reading

An Untrustworthy Study About Perceptions Of Untrustworthiness That Shows Something Else Entirely

Research is frequently polluted by confirmation bias; personally, I believe this is the case more often than not. A particularly vivid example is the work on “vocal fry,” described as “slowly fluttering the vocal cords, resulting in a popping or creaking sound at the bottom of the vocal register.” Supposedly a 2011 study determined that two-thirds of college women were doing it, and now a paper by Rindy C. Anderson, Casey A. Klofstad , William J. Mayew, and Mohan Venkatachalam announces the results of further research showing how harmful it is. I admit: I’ve now read a lot of stuff about vocal fry, which I had never heard of until recently, and I’m still unclear on exactly what the hell it is, other than “talking in an annoying fashion.” The Atlantic tells us that this is vocal fry, which means it consists of talking like Zooey Deschanel does here:

Got it? OK, now you can explain it to me.

Anyway, what the exact phenomenon is doesn’t matter to the ethics issue; all you have to know is that a respected, serious, scholarly study has spawned lots of media attention by claiming that its data shows that women and men who exhibit vocal fry in their speech patterns will tend to be hired less often than job interviewees who don’t, because employers view them as untrustworthy, among other things. (The study’s catchy title is “Vocal Fry May Undermine the Success of Young Women in the Labor Market,” because, as we know, women are all that matter these days, having had war declared on them and all.) Continue reading

Political Correctness Files: X-Men, People Magazine And The Case Of The 6’4″ Dwarf

"Hey, look! It's Tom Selleck!"

“Hey, look! It’s Tom Selleck!”

Apparently political correctness in the media now requires affirmative misrepresentation.

The People Magazine review of “X-Men: Days of Future Past” contains this sentence:

“You’ll understand her motivation when you meet Dr. Bolivar Trask (Peter Dinklage), a government type who creates the sentinel project, and is even more sinister than his Magnum P.I.-by-way-of-IBM looks would suggest.”

For anyone who has seen the movie, or even anyone familiar with the (excellent) actor, Peter Dinklage, I have this question: What is odd about that quote?

For it is extremely odd. Continue reading

Child Care Ethics And Leashes For Toddlers: CNN and Its Viewers Flunk An Ethics Alarm Test

Kids on leashes

It is constantly amazing to me that journalists so seldom identify obvious and critical ethics issues in the topics and events they cover. The rest is mixed emotions: this absence of ethics awareness is a serious culture-wide problem; then again, were this not so, I’d probably be in a different, and less stimulating profession.

Today I sat down to lunch as CNN engaged in a breathless discussion of whether using leashes on toddlers and even older children was a good idea, as it is either a growing trend among parents, or CNN was having a slow news day. The phone lines were open, and many viewers weighed in, with the primary camps expressing the following positions:

1. “If it makes children safer, then there is no reason not to do it. Safety is everything. Kids have been killed running into the street.  A leash will prevent that.”

2. “This shows the decline of child-rearing skills in the United States. If you can’t control your kid better than this, you are the problem.”

If the question of whether it was fair, kind, respectful or right to treat  your child like a cocker spaniel occurred to anybody in this discussion (I know the CNN staff never considered it), I saw and heard no evidence of this. Yet that is the central question, and it is an interesting one to consider. The fact that matters of human dignity, responsibility, respect, fairness, autonomy, kindness, proportion and prudence need to be balanced to answer the question at hand never came into the discussion, and those debating the issue demonstrated neither awareness of the competing ethical values, nor the ability to know how to employ them. Continue reading

No, NPR, The Ice Cream Truck Isn’t “Racist,” But I Know Why You Want Us To Think So

ice cream truck

“Racism! Come and get your delicious racism!”

I will not be surprised to see a formal course of study emerge in the near future in our institutions of higher learning, teaching the skills necessary to become a certified race-grievance manufacturer. One would be trained in such classes as Advanced Race-baiting, Historical Distortions, The Uses of Paranoia, and The  Permanent Victim Mindset, and a typical honors thesis would be exactly like the essay featured on NPR’s website, by Theodore Johnson III, but with footnotes. Come to think of it, maybe that’s where Johnson’s article did come from. If so, I’m sure he got an A.

And, as was the objective, other race-baiting lackeys, like RYOT’s Viola Knowles, picked up the baton by taking Johnson’s thesis to the next level, with her opus, “So It Turns Out Your Beloved Ice Cream Truck Is Actually Super Racist.” Like its origin, the piece is a lesson in confirmation bias and intellectually dishonest research. Also like the NPR piece—and tell me again why my tax dollars support an institution that encourages racial distrust—it is sinister in intent. “If you’d rather I not crush all of your beautiful childhood memories with ugly racism then you may want to leave now,” she begins ominously. For NPR has discovered that the jingle traditionally played by the friendly neighborhood ice cream truck—“or the racist truck,” she says, is “one of the most racist songs in America.”

Here, in brief is Johnson’s thesis— Continue reading

Jurassic ObamaCare

jurassic-park

John Hammond: All major theme parks have delays. When they opened Disneyland in 1956, nothing worked!

Dr. Ian Malcolm: Yeah, but, John, if The Pirates of the Caribbean breaks down, the pirates don’t eat the tourists.

That memorable exchange from Jurassic Park came to mind constantly when major break-downs in the Healthcare.gov website were being called glitches by government toadies and the news media (but I repeat myself), and it came to mind again when the President was taking his absurd victory lap in April after the enrollment figures came out, as if the public’s ability to finally make the damn website work was the final definition of success.

Like the pathetic Hammond, the visionary who built his dinosaur theme park only to see it fall victim to Chaos Theory and hubris, Obamacare’s army of deceitful supporters and cheerleaders resolutely refuse to admit what should be apparent. The project was too ambitious, badly designed, sloppily executed, and dependent on too many untrustworthy contractors—like Dennis Nedry, who was just Newman in disguise. The evidence has been obvious, but as has now become standard operating procedure for this epically incompetent, amateurish, dishonest and unaccountable administration, the strategy has been to deny, delay, confuse, posture and accuse, while hoping some miracle or collective amnesia prevents the day of reckoning.

Yesterday we learned the raptors are out of their enclosure. On top of the revelation that the enrollment numbers do not ensure the stability of the program as various disgraceful choruses from the media claimed in March, we were told this (from the Washington Post): Continue reading

The Pazuzu Defense For A School Board President Who Called A Parent “Chubby-Wubby”

Exorcist IV: Pazuzu And The School Board

Exorcist IV: Pazuzu And The School Board

In the “funny but wrong” category:

Raymond Cote resigned as the head of the Mahopac Board of Education in the Putnam County school district (in upstate New York) after an open microphone at a meeting caused him to be overheard saying, “Oh I know, I know. This one here, ‘Chubby wubby.’ She gets fatter and fatter at every meeting. She really does!”

This isn’t political correctness. This is a leader demonstrating contempt and lack of respect for his constituency. Denigrating parents based on weight and personal appearance makes Cote untrustworthy as a school board member obligated to be responsive to parental concerns. He also announced he would not run for re-election. to the board. He got that right, at least.

His apology, however, was ridiculous: he embraced the Pazuzu excuse, in which someone who says something horrible claims that he was somehow not responsible for the words that cane out of his mouth, as when Linda Blair served as the ventriloquist dummy for the demon Pazuzu in “The Exorcist.” Cote emailed an apology to parents:

“I would like to apologize for my choice of words after the close of the board meeting on April 8, 2014, which are regretful. My words were inappropriate and do not reflect my feelings or attitudes. I will strive to regain the trust and respect of the community.”

Interesting!

1. If the words didn’t reflect his feelings, whose feelings do they reflect? Of course they are his feelings. Why would he say something completely alien to what he thinks…unless…it was the demon Pazuzu!!!

2. It wasn’t his choice of words, it was what his choice of words expressed. Is there a choice of words that would be a, kind, civil, respectful and acceptable way to say the parent gets fatter every meeting?

3. The words may have been regrettable, but they were not “regretful.” Maybe finding  a literate, English-speaking head of the school board is an idea whose time has come.

________________________________

Pointer and Facts: ABA Journal

 

 

The Washington Post, Faking it.

This one’s for you, Bob Hoskins.

You deserved better.

Who-framed-roger-rabbit-Jessica-RabbitIf you come here frequently, you know that I deeply resent lazy, inadequate or inaccurate obituaries of famous and accomplished figures. Obituaries are the beginnings of their legacies, and set the foundations for how, and even if, they will be remembered. Not fairly representing these lives is lousy and lazy journalism, and worse, it is disrespectful to the deceased and contemptuous of history.

Bob Hoskins, the superb and versatile British actor, died this week. He was one of my personal favorites—a better, cockney version of Joe Pesci—but even if he meant nothing to me, the Washington Post’s sloppy and factually wrong obituary today would have been inexcusable. I liked Hoskins’ various tough guys and mobsters, but the film role that blew me away was his amazing portrayal of the human detective trying to unravel a cartoon mystery in the 1988 Disney classic, “Who Framed Roger Rabbit?” Hoskins, in addition to wielding a perfect American accent (he was really a Cockney), was intense, funny, moving and entracing while interacting with characters that were drawn into the scenes long after he performed them. He made the complex conceit of the movie work, and I would rank it among the most impressive acting turns of all time.

Here is how obituary writer Adam Bernstein described Hoskins’ most famous role in the print version of the Post today:

“(He) won over American audiences as a detective who falls in love with a voluptuous cartoon character in “Who Framed Roger Rabbit?”‘

and

“Mr. Hoskins was a boozing detective who falls for Jessica Rabbit, a cartoon human of pneumatic proportions who can’t help but bewitch men. “I’m not bad,” insists Jessica (voiced by Kathleen Turner). “I’m just drawn that way.””

Continue reading

Comment of the Day: “Ethics Quiz: Peeps Ethics”

Peeps Last Supper by Leonardo DiPeepchi

Peeps Last Supper by Leonardo DiPeepchi

Extradimensional Cephalopod’s thoughtful answer to today’s ethics quiz was instantly recognizable as a Comment of the Day, so here it is, EC’s musings on the ethical limits on peeps art, as posed by the post, Ethics Quiz: Peeps Ethics:

Full disclosure: I identify as a freethinker, which in my case means my opinions are informed by this idea: “It is the mark of an educated mind to be able to entertain a thought without accepting it.” –Aristotle (or so the Internet tells me)

With that in mind, offhand I’d say anyone who can’t handle the juxtaposition of a serious scene with a cutesy or comical medium is not emotionally mature enough to be trusted to react appropriately in today’s complex and nuanced culture, and their reverence is likely to be taken to unhealthy levels. I think it is not only ethical, but a requirement for intellectual health to be able to entertain different perspectives and styles of presenting even the most serious subjects. Before someone asks, yes, that includes depictions of the prophet Muhammad, along with all other historical figures on pedestals. I think taboos are unhealthy for a society because they limit critical thinking and creative free thought, both of which are necessary (yet seldom employed) to resolve social issues and differences in perspective.

Bad taste is still a valid concept, but it is context-dependent. It is possible that a subject is not appropriate for most contexts because it leads people to feel bad, but it is imperative that there be some place where it can be discussed, even if it is only under the Jester’s Privilege. My subjective judgment rules that depicting the Civil Rights Movement with marshmallows in this case is not intended with disrespect: the contest stipulated that the medium be marshmallows, and the artist chose a powerful scene without regard for the medium, as is the artist’s prerogative. I personally think the marshmallow scene is quite dignified, but then I am a bit out of sync with humanity as to what I take at face value and what I don’t. I form opinions of peeps by their actions, not by their countenance. It’s unethical for an artist to deliberately spread misconceptions about history, and it may be unethical for an artist to deliberately show disrespect to powerful agents of good. Disrespect is usually unethical because it causes so many problems. However, I’m not sure a sincerely respectful artist can be unethical in their art, unless they simply fail to do the research on the facts they depict and the cultural context for showing respect.

If depicting scenes from the Civil Rights Movement with marshmallows (and putting a good deal of effort into it) is wrong, though, what else is wrong? Crayon drawings by kids? Macaroni? Charcoal? Embroidery? Spray paint? Etch-A-Sketch? Is anything that looks insufficiently grandiose for depicting humanity’s legendary heroes an affront upon their memories? Are scenes of historical importance off-limits to mediocre artists, for fear the general public will lose respect for heroes drawn with funny expressions and ridiculous poses? What if an artist is deliberately depicting a heroic person comically, but without telling lies? Why can’t we be mature, and tell the history with respect while artists do their best in sincerity or spite? Why not simply say, “Well, it’s nice, but it really doesn’t do it justice,” and walk away?

Continue reading