Popular Culture

“Killer Karaoke” And Cultural Corruption

/ Jack Marshall / 31 Comments

In “Ricky’s Hawaii Vacation.” a famous episode of “I Love Lucy,” the Riotous Redhead was so desperate to win tickets for her neighbors (Fred and Ethel, or course) to accompany her and husband Ricky to Hawaii that she agreed to appear on a sadistic radio quiz show, in which the host, Freddie Freeman—played by the immortal Frank Nelson of Jack Benny skit fame (“Yyyyeeeeeeessssssss???”)—tortured his contestants with various indignities before awarding prizes. This was funny at the time, because it was a wild exaggeration of current TV quiz show programming. It was also funny, as with all slapstick, because the mayhem being inflicted was, the audience knew, part of a comedy skit and not real. A real Freddie using a contestant’s desperation for a prize as an excuse to degrade and humiliate her would have been unacceptably cruel…in the 1950’s.

Now, however, we have True TV’s new reality/game show, “Killer Karaoke.” It is a reality/game/ comedy show of shocking sadistic glee, the result of more than a half century of incremental slippage in standards of decency and public tolerance for cruelty. Take that episode of “I Love Lucy” and take it through a journey that includes stops at “Beat the Clock,” “Truth or Consequences,” “Let’s Make a Deal,” “Scare Tactics,” “Wipe Out,” “Fear Factor,” “Survivor,” the worst of the “let’s watch a human train wreck as desperate ex-celebrities beg for exposure and pay-checks” reality shows, and nightmare futuristic sci-fi movies like “The Hunger Games” and “The Running Man,” and “Killer Karaoke” is what you get.  The show has been hailed by TV critics as “brilliant.” I admit: it is difficult to watch it without laughing. So why are those ethics alarms going off in my head? Continue reading →

Another Day, Another Web Hoax: The Web Hoax Scale

/ Jack Marshall / 17 Comments

Fake Wolf

That mad wag, Jimmy Kimmel, is doing another victory lap. This time, the biggest jerk on late night TV managed to fool news services, panic families of Olympian athletes and insult Russia (not that that bothers me very much) by his latest internet gag—convincing American luge athlete Kate Hanson to relay, via Twitter, his fake video of what appeared to be a wolf roaming the halls of the Olympic Village accommodations. Any collateral damage is irrelevant to Kimmel, because his objective is to cause trouble, then mock everyone who was fooled for allowing the trouble to be caused, since if they weren’t so dumb, trusting and gullible—it’s all their fault, not his, you see—nothing would have happened. (Yes, Kate Hansen is a jerk too.)

Here is what this relatively harmless (as opposed to harmless, which no web hoax is) misrepresentation accomplished:

  • It took up thousands of valuable minutes of news broadcasts throughout yesterday which could have been used productively to educate the public about all manner of things they actually need to know about—what’s happening to Justin Carter, for example—remember him? Maybe a well-produced segment on why a teen shouldn’t be facing terrorism charges for an obvious joke he made on Facebook could spark some much-needed public outrage. Instead, serious news broadcast time, a finite resource, was used to further a prank.
  • It made the media a party to a lie. It doesn’t matter about what. It’s a lie.
  • It wasted the time, thought and energy of every person who talked about the wolf, expressed concern about it or thought about it.
  • It further increased cynicism and doubt about news reports, feeding the tendency to adopt conspiracy theories and fear of sinister manipulation. How do we know the moon landing wasn’t a Jimmy Kimmel hoax?

Most of all, this will encourage other, bigger, more reckless asses than even Kimmel to go further and further with their web hoaxes, because such pranks mean viral videos and fame, no matter what harm they cause. Continue reading →

Ethics Quiz: “12 Years A Slave” Plays The Racial Guilt Card On Oscar Voters

/ Jack Marshall / 106 Comments

12_years_ad_2.jpeg

“It’s time.”

This is the  tag line in the post-Oscar nomination ads being prominently run in New York and California for  “12 Years A Slave,” a strong Academy Award contender (nine nominations, including best film).

Although there is room for disagreement, and the ad has the virtue of all clever advertising that it conveys different messages to different markets—Haven’t seen the film yet? “It’s time!”  Desperate to see the best movie you saw in 2013 finally get its due? “It’s time!”  When will the question of whether the most honored film of the last 12 months will win the biggest honor of them all be answered? “It’s time!”…or almost time, as the Oscar ceremonies are coming up on March 2—the consensus is that “It’s time” is mainly aimed at Oscar voters, and the message it conveys is, as Slate puts it, “it’s time for a movie about slavery, and with a significantly black cast and crew, to be recognized by the Academy of Motion Picture Arts and Sciences.” Film critic Phil Hammond puts it slightly differently:

“The ad not only can be interpreted as shining a light on a very dark period in American history, it also shines a light on the Academy’s fairly dismal record of awarding its top honor to any movie about the black experience. In fact there has been only one Best Picture winner in the 85 years the Academy of Motion Picture Arts and Sciences has been handing out Oscars that even remotely qualifies in this regard. In 1968, In The Heat Of The Night, a murder mystery set against the racial divide in a small Southern town, won Best Picture and four other Oscars just a few days after the assassination of Martin Luther King (the ceremony was even postponed two days out of respect). The votes were in before the King assassination, but it seemed then that “It’s Time” would have been an appropriate way to describe that victory. However, outside of lead actor Sidney Poitier — who also co-starred in another racially themed Best Pic nominee that year, Guess Who’s Coming To Dinner —  this movie  featured a largely white cast, white producer, screenwriter and director (Norman Jewison).”

If so many in the industry are interpreting the ad this way, it is fair to assume that this was at least one of the ad’s objectives, and on the assumption that it was an objective, your Ethics Alarms Ethics Quiz today is this:

“Is appealing to Oscar voters on this basis fair and ethical?”

I can see strong arguments for each position. Continue reading →

Ethics Dunces: Conservative Supporters Of Self-Appointed Censor Mom, Judy Cox

/ Jack Marshall / 48 Comments
Judy Cox, saving America one T-shirt at a time...

Judy Cox, Wacko, saving America one T-shirt at a time…

Conservatives just can’t help themselves, it seems.

They can’t avoid undermining their historically vital role in counterbalancing the process of societal entropy and the degrading of individual liberty by central state control, by periodically making themselves and their philosophy look so hypocritical and ridiculous that their power to persuade is crippled. One traditional way conservatives ensure that they will be reviled and mocked by anyone under the age of 50, even when the are right, is their addiction to celebrating censorious wackos who seem to have been only recently unfrozen from the glaciers that have imprisoned them since around 1954.

This afternoon I watched with my jaw agape as a panel of “experts” on Fox cheered the ridiculous actions of Judy Cox, who was horrified to see T-shirts sale for in a Utah college town store  that sported the images of winsome women in scanty attire—you know, like one can see on television every hour of every day, but more dignified.  Judy, who was concerned for the sensibilities of her 18 year-old son (also known as “an adult”) and those like him whose morals will be permanently warped by such images, promptly had a cow:

“Cox said she complained about the window display to a store manager and was told the T-shirts couldn’t be taken down without approval from the corporate office. She then bought all 19 T-shirts in stock, for a total of $567. She says she plans to return them later, toward the end of the chain store’s 60-day return period. The shirts cost about $28 each on the website for PacSun, which sells beach clothes for teenagers and young adults.“These shirts clearly cross a boundary that is continually being pushed on our children in images on the Internet, television and when our families shop in the mall,” Cox said in an email to The Associated Press.”

That’s not all: Continue reading →

Ethics Quote: Sid Caesar (1922-2014)

/ Jack Marshall / 8 Comments

Sid Caesar

“I remember a satire we did on ‘High Noon.’ The townspeople were supposed to abandon me and return their deputy badges to me by pinning them on my chest. I was supposed to have a sponge inside my shirt. But I didn’t have time to change. So they kept coming, saying, ‘Sorry, Sheriff,’ and pinning on the badges. After it was over, I went backstage, and somebody said, ‘Hey, you did real good pain takes.’ I told him the pain was for real.”

—-Comedy great Sid Caesar, who died yesterday at the age of 91, recounting for the New York Times an example of a how he suffered for his art, which was, always, making us laugh.

Caesar’s anecdote is as perfect a description of professionalism as I have ever seen, or ever will see.

Thank you, Sid Caesar, for devoting your life, body and soul, to laughter.

Rubin-Jackson Revisited: Gibbs’ Rules #6 and The Harmful Apology

/ Jack Marshall / 11 Comments
Sam Rubin is no Jethro Gibbs. Unfortunately.

Sam Rubin is no Jethro Gibbs. Unfortunately.

Samuel Jackson’s reckless and unjustified attack on KTLA entertainment reporter Sam Rubin (which, incredibly, continues to be misrepresented by most of the news media, internet and social media) is an excellent example of how relatively trivial incidents can teach important ethics lessons. One of those lessons I did not discuss in the previous post about this episode involves the phenomenon of the gratuitous or needless apology.

To briefly recap: Rubin’s celebrity guest, Samuel L. Jackson, falsely and obnoxiously accused Rubin of confusing him with another black actor, Laurence Fishburne, thus asserting that Rubin 1) thought all blacks looked alike 2) was impliedly a bigot or racist as a result, 3) was  unprepared  for the interview, and 4) was unprofessional and should lose his job. Rubin apologized twice, first during Jackson’s unprovoked rant (for Rubin had not confused him with Fishburne, and it was Jackson who was confused and unprepared for the interview), and later, to everyone else, after headlines that his “racist mistake” had justly provoked Jackson were being repeated everywhere. Rubin said:

“We start right now with the beauty and the occasional pain of live television. First and foremost, I do know who Samuel L. Jackson is. I’ve interviewed him several times over the years, but never quite like the conversation we just had. I indicated to Samuel that I’d seen him during the Super Bowl, and he thought that I had confused him with the commercial Laurence Fishburne had done for a car company. Of course a “Captain America” ad had also run during the Super Bowl, but I immediately felt so dumb, I didn’t bring that up — and he gave me the shellacking that was well deserved. I pride myself on the fact — that unlike a lot of people who do this kind of work — more often than not, I really do know what I’m talking about. But I didn’t 30 minutes ago, and I’m really embarrassed about it, and I very much apologize to Samuel L. Jackson and anyone else who was offended for what was a very amateur mistake.”

This kind of apology, a coerced, false apology for conduct that warrants no apology, regret or forgiveness at all, does not appear on the Ethics Alarms Apology Scale, because while it looks and sounds like an apology, it is something else entirely. The Apology Scale ranks the intent, sincerity, honesty and effectiveness of apologies for actual wrongdoing or harm. The coerced and false apology is wrongdoing that causes harm, and is the product of wrongdoing itself. Continue reading →

Shirley Temple Black (1928-2014)

/ Jack Marshall / 13 Comments

shirley-temple

Shirley Temple Black, perhaps best known to most of us as Little Miss Marker, Curly Top,the Littlest Rebel, Heidi, or, most of all, Shirley Temple, died overnight. I learned of her passing this morning in a Facebook update from child performer advocate Paul Petersen, like Shirley a distinguished and successful former child star who has dedicated his post-performing career to important causes. He wrote:

SHIRLEY TEMPLE passed in the night. She was 85…and no age at all. What a life. What a treasure. A woman of amazing courage and dignity.The world was enriched by her accomplishments. She will always be a part of us. Rest now, Shirley Temple. We love you.

There really isn’t too much more that needs to be said.  Few human beings ever began having a positive impact on society so soon in life (she began making adults smile at the age of three, when she made her first film) and continued to do so for so long. From show business, a profession that so often leads to ethical rot,  and a rarefied corner of it infamous for leaving its practitioners spoiled, narcissistic, addicted to fame and dysfunctional, Shirley Temple emerged as an adult who was industrious, courageous, intelligent, compassionate, and dedicated to public service. Often dismissed and mocked as a washed-up child star, she proved again and again that her detractors were not just wrong to pre-judge her, but spectacularly wrong. She excelled as a diplomat, serving as U.S. ambassador to Ghana and Czechoslovakia, using her Hollywood fame to open doors and hearts, and also as the U.S. delegate to the United Nations. Temple never played the celebrity: my favorite Shirley moment was when she returned, in her seventies, to join a large group of former Oscar winners (hers was a special award, at the age of six) on the stage of the Academy Awards. As they announced the names of the famous performers and the camera panned the group, it was Shirley who received the most loving response from the Hollywood crowd, which stood and cheered. Shirley looked genuinely surprised, beamed, showed those famous dimples, and handled it, as she always handled everything, with charm and poise.

A proto-feminist, Shirley Temple was one of the first celebrities to go public with a diagnosis of breast cancer, and raised national awareness by promoting a frank discussion of mastectomies. In her autobiography, she also had the courage to point out the predominance of sexual predators in the the Hollywood power structure and culture, recalling that MGM musical unit head Arthur Freed*, whose career is celebrated in “Singing in the Rain,” exposed himself to her in his office when she was barely 13. (She laughed at him; he threw her out of his office.)

Historians credit Shirley Temple with saving the movie studio RKO and raising America’s spirits during the Great Depression; she also was a Cold Warrior, a mother, the inspiration for a best-selling line of dolls as well as the alcohol-free cocktail that still bears her name, and one of a kind. It is fair to say we will never see her like again.

Late in life, she told an interviewer, “If I had it all to do over, I wouldn’t change a thing.” How many of us can say that sincerely?

Paul was right. What a life!

Take a curtain call, kid…

* The original version of the post incorrectly referred to Arthur Freed as Alan Freed, who was an  influential disc jockey in the early days of rock and roll. I apologize to both of them.

Unethical Quote of the Week: Sen. Claire McCaskill

/ Jack Marshall / 17 Comments

“I think most women understand that they should not be held accountable for the behaviors of their husbands. And you know, frankly, it was a long time ago, and our country did very well under the leadership of Bill Clinton.” 

—-Sen. Claire McCaskill (D-Mo),  on MSNBC, doing a lousy job rebutting Sen. Rand Paul’s recent statements accusing Democrats of hypocrisy by pursuing their lucrative and politically successful “war on women” attacks on Republicans while continuing to embrace the Clintons, ignoring Bill Clinton’s treatment of his wife, Monica Lewinsky, and women.

Sen McCaskill pulls me back in, damn her.

Sen McCaskill pulls me back in, damn her.

Curse anyone who reminds me of anything related to Godfather III, but there was Claire, turning me into Michael: “Just when I think I’m out, they puuull me back in!” I know I write about Bill Clinton too much; I have promised multiple times to enshrine him in the Ethics Alarms Ethics Hall of Eternal Contempt, but haven’t had time to build the damn thing. His sly, shameless, smirking, dishonesty and manipulations drive me crazy, almost as crazy as the way so many otherwise rational ethical people, especially women (oh, that Bill’s a charmer, like so many sociopaths), keep giving him pass after pass to keep on doing it.

When Sen. Rand Paul, whom I generally do not admire but who has his moments, recently turned a “Meet the Press” question about the “war on women” around and attacked the Democratic hypocrisy for making such a claim while defending and cheering on the likes of Bill Clinton, I enjoyed the jiu-jitsu, as Paul was right….but I didn’t mention it! I resisted! I was even about to write a post today criticizing Senator Paul, who has  apparently embarked on a long-term anti-Clinton jihad (fine with me!), for saying that Clinton’s settlement with Paula Jones in 1999, in which he paid $850,000 to settle her claims of sexual harassment, was an admission of guilt, which is an unfair, legally ignorant statement embarrassing for a Senator. I even wrote the headline: Ethics Dunce: Sen Rand Paul. Then Sen. McCaskill has to respond with her display of virtuoso unethical nonsense, and—I’m Michael Corleone.

Her quote really is one for the ages…dishonest, insulting, loaded with rationalizations: Continue reading →

Ethics Hero: Jerry Seinfeld

/ Jack Marshall / 32 Comments

One wonderful thing about extreme success combined with middle age is that you can, if you have the integrity, speak unpopular truths without caring who objects. Thus it was the Jerry Seinfeld correctly dismissed as irrelevant and misguided the suggestion that seeking racial and gender balance should be an objective in his comedy shows. In response to a question challenging his Web series, “Comedians in Cars Getting Coffee“as too white and male, the comedian said:

“People think it’s the census or something, it’s gotta represent the actual pie chart of America. Who cares? Funny is the world that I live in. You’re funny, I’m interested. You’re not funny, I’m not interested. I have no interest in gender or race or anything like that, but everyone else is, kind of with their little calculating, “Is this the exact right mix?” To me, it’s anti-comedy.  It’s more about PC nonsense than ‘are you making us laugh or not’.”

Exactly. Not that the race and gender bean counters will let Seinfeld escape with an explanation of such obvious common sense. Here’s Mediaite’s Tommy Christopher playing his full hand of gender, race, guilt and quota cards: Continue reading →

The 60 Minutes/Vanity Fair Lying Poll, For What It’s Worth, and That’s Not Much

/ Jack Marshall / 40 Comments
"Ummmm..."The Princess Bride"?

“Ummmm…”The Princess Bride”?

CBS and Vanity Fair—now there’s a pair—is out with a so-called poll on lying, which I offer for your amusement, and perhaps irritation. Among its “findings”:

  • Only 57% of those polled said they have never preferred to be lied to.
  • COMMENT: This makes no sense in light of the 2012 Presidential election.
  • Only 48% of the public knew which film “You can’t handle the truth!” comes from, and 29% couldn’t even hazard a guess. COMMENT: It’s comforting to know that the public isn’t any more educated in relevant popular culture than it is in more important matters.
  • More of those polled said they lie to their mother (17%) than lie to their boss (12%). COMMENT:  So much for “the Mom Test” ethics alarm, in which you test a considered action’s ethics  against your willingness to tell your mother about it. If you just lie to Mom about it, problem solved! Continue reading →