Popular Culture

What Is An Ethical Tiger Lily?

/ Jack Marshall / 11 Comments
Believe it or not, this is Disney's version of an Indian chief.

Disney’s version of an Indian chief.

I recently watched the Disney “Peter Pan,” long my favorite of the classic animated films, which I had not seen from beginning to end in decades. I was genuinely shocked at the portrayal of the Indians, which would make the average movie Western seem politically correct and the Washington Redskins seem like a compliment. I know the story is a fantasy; I know that these are not supposed to represent real Native Americans, but a Victorian child’s visualization of the villains of their games. Nevertheless, it is hard to imagine the effect of such a film on a Native American child as being anything but devastating. The Neverland Indians, and their heroine, Tiger Lily, have been a human relations problem since at least the civil rights era, and the provocation is legitimate: did you recall (I had forgotten) that Tiger Lily belonged to the “Piccaninny tribe”? That James Barrie was a funny guy. Continue reading →

Who’s That Woman On The Cover of “O” Magazine?

/ Jack Marshall / 11 Comments
l, c: O yesterday; r: Cover O.

l, c: O yesterday; r: Cover O.

By purest coincidence, I was looking through a magazine rack at CVS yesterday and taking notice of how well Oprah Winfrey has been keeping the pounds off lately. Then, this morning, I saw footage of her walking across a stage to announce her latest venture, something to do with chai tea. Mama mia! The woman I saw smiling and waving, presumably the real Oprah, was easily 50 pounds heavier than the look-alike who has been gracing the cover of recent O’s, though I will say, as mitigation, that the strategically shot March cover has a graphic over OW’s gut.

I could not care less how much Oprah weighs or what she looks like. However, an ethical narcissistic—and what else can you call a woman who publishes a magazine named after herself that has her as the cover model for every single issue?—has limited choices:

  • Keep yourself in fabulous shape, so you are fit to be a cover girl (by your own standards)
  • Don’t put yourself on the cover when you don’t feel cover-worthy
  • Use cartoons, or
  • Let it all hang out.

Not an ethical option: showing your loyal, trusting readers that you look one way, when in fact you look a whole lot fatter.

Yes, yes, I know—photoshopping, airbrushing, make-up, glamor photos, “it’s done all the time.” This is Oprah’s magazine, her image and her body, and pictures communicate. Her covers say “This is what I look like, be like me.” If she doesn’t look like her covers or even close, that’s an outright, calculated lie. It’s really as simple as that.

 

 

 

Ethics Quote of the Day: Composer Mitch Leigh, 1928-2014

/ Jack Marshall / 5 Comments

DQWindmill

“I think if you see that no one is going to laugh at you for it, I think the concept of living nicely will be infectious. I believe there is room for the absence of cynicism. This is my final dream before I take the last cab.”

— Mitch Leigh, Broadway composer best knows for the music of “Man of La Mancha”-–and “The Impossible Dream,” of course,  in an interview with the New York Times last year, quoted by the Washington Post in the obituary today for Leigh, who finally caught that cab.

The context of the quote was Leigh’s ad for a residential community he tried to launch on land he had bought in New Jersey. His ads seeking businesses and suburbanites requested that only nice people move in.

Leigh didn’t write the famous lyrics of “The Impossible Dream”—-Joe Darion did. He was clearly influenced by the song, however, beyond the fact that it made him rich. Maybe a society with less cynicism where people put a premium on being nice is an impossible dream; certainly the United States has been treavelling in the opposite direction. As an “unreachable star” to reach for, however, it’s not a bad one at all. In the Sixties, people were inspired by “The Impossible Dream.” Now pretty much everyone snickers at them.

You can’t convince me that’s progress.

“

Comment of the Day: “Noah” Ethics

/ Jack Marshall / 10 Comments

noahs-beaver-problem

Patrice, the Ethics Alarms resident Catholic theologian (and a dear friend), weighs in on the “Noah” controversy, in the this Comment of the Day on the post, “Noah” Ethics:

My undergraduate theology degree is indisputably from a Catholic perspective, although many of the scholars we studied were not Catholic, nor even Christian. I was required to take only 4 semesters of biblical literature, but even those few academic hours of biblical studies taught me enough about biblical analysis to understand how “The Bible” (which, as I’m sure you know, is just a mutually-agreed upon canon of literature which omits as much as it includes) came to be. I often think that it is a shame that true knowledge about biblical literature mostly seems to reside only in academia. Unfortunately, most of the zealots out there would and probably do regard biblical scholarship as an attack on God. The battles over the centuries over biblical inerrancy/infallibility/literalism are merely unread footnotes to most people. Continue reading →

“My Little Pony” Ethics, Blaming the Victim, and the Dilemma Of The Bully Magnet

/ Jack Marshall / 65 Comments
Rainbow Dash...awwww!

Rainbow Dash…awwww!

Nine-year-old Grayson Bruce likes “My Little Pony,” a long-running animated children’s TV show that has a cult following in the gay community. He decided to show his affection for the show by carrying his lunch in a “Rainbow Dash” themed bag featuring a popular equine character. Now some of Grayson’s fellow male students at the Buncombe County (North Carolina) elementary school he attends have stepped up their harassment of the boy as a reaction to his tastes in entertainment and accessories.

“They’re taking it a little too far, with punching me, pushing me down, calling me horrible names, stuff that really shouldn’t happen,” Grayson says. It’s not like he doesn’t understand why. “Most of the characters in the show are girls, and most of the people put it toward girls,” he notes. His mother complained to the school, and it says it is taking appropriate measures to deal with the bullies and bullying in general. It also told Grayson to leave Rainbow Dash at home, caliming that it is a “trigger for bullying” and a distraction. Mom, Noreen Bruce, objects. Continue reading →

The Academy’s “In Memoriam” Snubs: Much Better This Year—Thanks, Oscar

/ Jack Marshall / 67 Comments
The great Jonathan Winters in the not-so-great "It's a Mad, Mad, Mad, Mad World"

The great Jonathan Winters in the not-so-great “It’s a Mad, Mad, Mad, Mad World”

In past years I have taken the Academy of Motion Picture Arts and Sciences to task for the ethical breach of ingratitude and disrespect, as the honor roll of the year’s deceased film notables have omitted important figures who deserved their final bows. Omissions are inevitable, I suppose, but some of the past examples were unforgivable—last year alone, for example, the Academy snubbed Ann Rutherford, Andy Griffith, R.G. Armstrong, Russell Means, Harry Carey, Jr., and Susan Tyrell. 2012 was worse.

2013, however, shows that the Academy is being more careful, and Oscar deserves credit for cleaning up its act. I have ethical and historical objections to bestowing the prestigious final slot on actor Phillip Seymour Hoffman, dead prematurely of self-inflicted drug abuse, when a genuine, bona fide Hollywood legend, Shirley Temple, was on the list. I understand the thinking: Hoffman had friends and colleagues in the room, and Temple is of another generation; his premature death was a tragedy, and she lived a long and productive life. Still, the priorities and relative values such a choice exemplifies is disturbing. Great actor that he was, Hoffman was a criminal, an addict, and left his children fatherless. Shirley was the greatest child star who ever will be, a ray of sunshine in the dark days of the Depression, a one-of-a kind talent and icon, and later a lifetime public servant who raised a family. She represented the best of Hollywood and the profession; Hoffman represents its dark side. Naturally, he’s the one who received the greatest recognition. I will suppress my dark suspicions that Shirley was docked because she was a Republican. A  Facebook friend actually wrote that Shirley deserved to be penalized because some of her movies were racist. My response to this slur was not friendly. Continue reading →

Ethics Hero: Comedy Central’s Stephen Colbert

/ Jack Marshall / 16 Comments

Laser Klan

Putting the jester’s privilege to great use, Comedy Central comic Stephen Colbert not only defied his corporate masters, communications giant Viacom, but mocked them in the process. He was officially warned of the corporation’s “concern” about “Laser Klan,” his planned animated riff involving the Klu Klux Klan during Black History Month. Colbert aired it anyway.

I have to wonder if he would have done the same if Viacom had been concerned about offending Muslims, rather than, hmmmm, let’s see, being worried that some racial victim-mongers would decide that making fun of the Klan, sworn enemies of blacks, Jews, and, oh, so many others, was somehow disrespectful to  blacks in February because only they could…oh, I don’t know what the complaint would be. I can’t blame the suits at Viacom…I bet someone at MSNBC and the NAACP are working up a political correctness offense theory right now, so Colbert will have to humble himself and beg for forgiveness.

Before that happens, though, let’s give Colbert his due. What he did takes principles and guts…and high ratings. Just be careful your numbers don’t fall off, Stephen.

And remember the Smothers Brothers.

___________________________

Graphic: YouTube

“Killer Karaoke” And Cultural Corruption

/ Jack Marshall / 31 Comments

In “Ricky’s Hawaii Vacation.” a famous episode of “I Love Lucy,” the Riotous Redhead was so desperate to win tickets for her neighbors (Fred and Ethel, or course) to accompany her and husband Ricky to Hawaii that she agreed to appear on a sadistic radio quiz show, in which the host, Freddie Freeman—played by the immortal Frank Nelson of Jack Benny skit fame (“Yyyyeeeeeeessssssss???”)—tortured his contestants with various indignities before awarding prizes. This was funny at the time, because it was a wild exaggeration of current TV quiz show programming. It was also funny, as with all slapstick, because the mayhem being inflicted was, the audience knew, part of a comedy skit and not real. A real Freddie using a contestant’s desperation for a prize as an excuse to degrade and humiliate her would have been unacceptably cruel…in the 1950’s.

Now, however, we have True TV’s new reality/game show, “Killer Karaoke.” It is a reality/game/ comedy show of shocking sadistic glee, the result of more than a half century of incremental slippage in standards of decency and public tolerance for cruelty. Take that episode of “I Love Lucy” and take it through a journey that includes stops at “Beat the Clock,” “Truth or Consequences,” “Let’s Make a Deal,” “Scare Tactics,” “Wipe Out,” “Fear Factor,” “Survivor,” the worst of the “let’s watch a human train wreck as desperate ex-celebrities beg for exposure and pay-checks” reality shows, and nightmare futuristic sci-fi movies like “The Hunger Games” and “The Running Man,” and “Killer Karaoke” is what you get.  The show has been hailed by TV critics as “brilliant.” I admit: it is difficult to watch it without laughing. So why are those ethics alarms going off in my head? Continue reading →

Another Day, Another Web Hoax: The Web Hoax Scale

/ Jack Marshall / 17 Comments

Fake Wolf

That mad wag, Jimmy Kimmel, is doing another victory lap. This time, the biggest jerk on late night TV managed to fool news services, panic families of Olympian athletes and insult Russia (not that that bothers me very much) by his latest internet gag—convincing American luge athlete Kate Hanson to relay, via Twitter, his fake video of what appeared to be a wolf roaming the halls of the Olympic Village accommodations. Any collateral damage is irrelevant to Kimmel, because his objective is to cause trouble, then mock everyone who was fooled for allowing the trouble to be caused, since if they weren’t so dumb, trusting and gullible—it’s all their fault, not his, you see—nothing would have happened. (Yes, Kate Hansen is a jerk too.)

Here is what this relatively harmless (as opposed to harmless, which no web hoax is) misrepresentation accomplished:

  • It took up thousands of valuable minutes of news broadcasts throughout yesterday which could have been used productively to educate the public about all manner of things they actually need to know about—what’s happening to Justin Carter, for example—remember him? Maybe a well-produced segment on why a teen shouldn’t be facing terrorism charges for an obvious joke he made on Facebook could spark some much-needed public outrage. Instead, serious news broadcast time, a finite resource, was used to further a prank.
  • It made the media a party to a lie. It doesn’t matter about what. It’s a lie.
  • It wasted the time, thought and energy of every person who talked about the wolf, expressed concern about it or thought about it.
  • It further increased cynicism and doubt about news reports, feeding the tendency to adopt conspiracy theories and fear of sinister manipulation. How do we know the moon landing wasn’t a Jimmy Kimmel hoax?

Most of all, this will encourage other, bigger, more reckless asses than even Kimmel to go further and further with their web hoaxes, because such pranks mean viral videos and fame, no matter what harm they cause. Continue reading →

Ethics Quiz: “12 Years A Slave” Plays The Racial Guilt Card On Oscar Voters

/ Jack Marshall / 106 Comments

12_years_ad_2.jpeg

“It’s time.”

This is the  tag line in the post-Oscar nomination ads being prominently run in New York and California for  “12 Years A Slave,” a strong Academy Award contender (nine nominations, including best film).

Although there is room for disagreement, and the ad has the virtue of all clever advertising that it conveys different messages to different markets—Haven’t seen the film yet? “It’s time!”  Desperate to see the best movie you saw in 2013 finally get its due? “It’s time!”  When will the question of whether the most honored film of the last 12 months will win the biggest honor of them all be answered? “It’s time!”…or almost time, as the Oscar ceremonies are coming up on March 2—the consensus is that “It’s time” is mainly aimed at Oscar voters, and the message it conveys is, as Slate puts it, “it’s time for a movie about slavery, and with a significantly black cast and crew, to be recognized by the Academy of Motion Picture Arts and Sciences.” Film critic Phil Hammond puts it slightly differently:

“The ad not only can be interpreted as shining a light on a very dark period in American history, it also shines a light on the Academy’s fairly dismal record of awarding its top honor to any movie about the black experience. In fact there has been only one Best Picture winner in the 85 years the Academy of Motion Picture Arts and Sciences has been handing out Oscars that even remotely qualifies in this regard. In 1968, In The Heat Of The Night, a murder mystery set against the racial divide in a small Southern town, won Best Picture and four other Oscars just a few days after the assassination of Martin Luther King (the ceremony was even postponed two days out of respect). The votes were in before the King assassination, but it seemed then that “It’s Time” would have been an appropriate way to describe that victory. However, outside of lead actor Sidney Poitier — who also co-starred in another racially themed Best Pic nominee that year, Guess Who’s Coming To Dinner —  this movie  featured a largely white cast, white producer, screenwriter and director (Norman Jewison).”

If so many in the industry are interpreting the ad this way, it is fair to assume that this was at least one of the ad’s objectives, and on the assumption that it was an objective, your Ethics Alarms Ethics Quiz today is this:

“Is appealing to Oscar voters on this basis fair and ethical?”

I can see strong arguments for each position. Continue reading →