Today, February 9, has several important ethics and cultural markers. It was the date in 1964 that Ed Sullivan presented the Beatles to American television, and nothing was ever the same. How wonderful it was to have a single national meeting place every Sunday night where popular culture could be shared and passed on to multiple generations! That’s impossible today. I watch tapes of that episode of Ed’s show laughing and crying at the same time. The screaming! The crazed joy on the faces of those girls! It was nuts, and it was somehow marvelous—such innocence, such magic, stupid though it was. We will never, never see anything like that again.
Another marker was in 1971, when the Hall of Fame put Satchel Paige on the ballot, leading to his eventual admission after being voted in by sportswriters. He was unquestionably a great pitcher, but he didn’t make it to the majors until he was far past his prime, indeed 42 years old, making him the oldest rookie in MLB history—and he was still excellent, serving in relief for the World Champion 1948 Cleveland Indians. Baseball’s color line, of course, had kept Paige locked in the Negro Leagues, along with many other players who could have been stars in the big leagues, until Jackie Robinson integrated the sport in 1947. Other Negro League greats followed Paige into the Hall despite never playing in the majors. It is often forgotten now, but it was Ted Williams, in his Hall of Fame acceptance speech, who started the movement to recognize the Negro Leagues players by making the point that their omission continued a great injustice.
1. The rest of the story...Curmie alerted me that Cardinal Local Schools reversed its administrators’ unethical decision to cancel the high school musical, “The 25th Annual Putnam County Spelling Bee,” because of aspects of the show that those same administrators should have been aware of when the show was was chosen for production. Music Theater International, which owns the licensing rights, and the show’s authors agreed to 23 requested revisions including a different song to take the place of the controversial “erection” number. Curmie writes, tongue firmly in cheek, “I’m sure the national humiliation they endured was completely irrelevant to this change of course.”
I like to think, in its small way, Ethics Alarms helped; the big assist goes to the original production’s cast members who spoke out.
I personally hold the position that if a school is going to have to make 23 substantive changes in a show to find it acceptable for its performers and audience, the school should find a different musical. Samuel Beckett would agree with me. Continue reading








