accents

Apu Returns! [Repaired]

/ Jack Marshall / 8 Comments

There are some manifestations of “The Great Stupid” that, sorry not sorry, I refuse to concede even a millimicron of tolerance for. If you think the idiotic notion that only actors of the same race and ethnicity of a character in a movie, TV show or stage play can be ethically cast in the role is high on the Ethics Alarms intolerance list you are right (and you’ve been reading EA for a while), but my disgust for that woke crap is but a mole on a bee’s knees compared to the bonkers assertion that the same limitation applies to the voice actors in cartoons.

Way back in 2017 I wrote several posts about the ejection of Apu, the Indian immigrant “Kwik-E-Mart” owner on “The Simpsons,” from the show’s cast after an outbreak of political correctness outrage over the fact that the character was voiced by versatile non-Indian actor Hank Azaria. Azaria used a comic exaggeration of a stereotype Indian accent.

As I look back and re-read the main article in the group for the first time since I wrote it, I wonder if that kerfuffle wasn’t the true beginning of The Great Stupid, which I generally mark as getting fully underway in 2020.

I’m re-posting the whole piece below (fixed some typos!) because 1) I really like it, 2) I still agree with every word, 3) there has been a new development in the story and 4) this extended episode is really stupid. After the character was banished—Azaria didn’t help by blathering apologies and refusing to voice Apu because to do so would be racist (he’s talented by not very bright)—I never watched “The Simpsons” again, not even in re-runs. As I wrote in “The Problem With Apu?,”

I would love to know why Indian-Americans feel all the other characters in the show can be  outrageous stereotypes and extreme caricatures,  but Apu is unacceptably offensive and insensitive. This is contrived victimization. One cannot reasonable compare the Indians feasting on bugs and chilled monkey brains in “Indiana Jones and the Temple of Doom” to Apu because 1) Apu is entirely benign: he is one of the smartest, sanest and nicest characters in “The Simpsons,” and 2) he’s a cartoon. Cartoons are always exaggerated, and if they are not, they aren’t funny. They also aren’t cartoons.

The dilemma this kind of victimization gotcha! creates for writers and artists should be obvious: if all they are going to get is complaints, why have an Indian character at all? Apu was one of the very first characters of Indian descent to be in any TV series. “The Simpsons” deserves credit, not blame.  I don’t take offense that the main character in the show, a bald, white guy, is portrayed as an insensitive cretin. His father, Abe, is elderly, and talks like a stereotypical vaudeville old man. His stories wander; he falls asleep mid-sentence. We used to tease my late father, when he got lost in one of his rambling stories, that he was beginning to sound like Abe Simpson. He got it. Lionel Hutz, sadly deceased, was a lawyer who became transfixed when he heard an ambulance siren. Cletus the Slack-jawed Yokel is as cruel a caricature of a poor rural hick as one will ever see. (But funny!) Professor Frink, the local scientific genius, has thick glasses and talks like Jerry Lewis. Ned Flanders, an Evangelical Christian, is an absurdly mild-mannered do-gooder.  Officer Wiggum, the Chief of Police, is always eating donuts. Mr. Burns, the town tycoon, is a polluting, conniving, murdering, cackling personification of evil.  There are two frequently appearing Italian characters: one is a Mafia leader, and the other makes pizza, has a big, curled mustache and talks like Chico Marx.

I could go on and on, literally, because there are over a hundred such characters, all of them stereotyped and extreme, all of them effective comic devices. I wish there was a Greek-American character on “The Simpsons.” He would be a restaurant owner, and have curly hair, a big laugh, and olive skin. He would regard anyone who wasn’t Greek as a lower species, speak a weird hybrid of English and Greek around family, listen to balalaika music, and tend to hug people so hard they passed out. My relatives would see the humor in the exaggerations, and I would not issue a screed titled “The Problem with Stavros”…

The New York Times announced that Sunil Malhotra, an actor of “South Asian descent,” will now perform Apu in a non-funny accent. Apu returns in this year’s Halloween episode of “The Simpsons.” Malhotra did a fatuous Variety interview in which described “his doubts about voicing Apu,” saying that he had walked away from offers to voice other South Asian characters in the past when he felt they were caricatures. Uh, Sunil? Apu is still a cartoon. Cartoons are caricatures by definition. How is it more respectful to smart Indian-American characters to have them voiced by morons?

“It had been eight years since Apu had spoken on the show, and it got me thinking: Did the writers’ room look different now?” Malhotra said to Variety. “Could they bring him back in a way that acknowledged and apologized for past mistakes? Could I make the character my own, and reclaim him in some way?”

Ugh. As Rhett tells Scarlett, “Frankly my dear, I don’t give a damn.”

Here’s “The Problem With Apu?”…

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A Popeye: The Mystery Word

/ Jack Marshall / 24 Comments

It was 11 am, and having dropped my wife off for a physical therapy session and skipped breakfast, I decided to indulge my self in a guilty pleasure: a McDonald’s sausage biscuit. Say what you will about Mickey D’s: their sausage biscuits beat Jimmy Dean’s, and don’t tempt me to talk about the 7-11 barely-edible version.

So I waited in the Drive-Thru line at the nearest branch (the one that only occasionally get its orders right), and when I finally reached the speaker, made a quick and simple request: “A hash browns and sausage biscuit, please. That’s all.”

A woman said in an impenetrable accent, “Sorry, no biscuit. Just [????].” I had no clue what she was saying. It sounded like “eh.” “Pardon me? Could you repeat that?,” I asked. “No biscuit. Only [????].” Well, I had already decided to cancel the order, since the whole point was the item that wasn’t available, but as a matter of principle, I was damned if I was going to leave without knowing what the mystery word was.

Continue reading →

Pre-Weekend Ethics Prep, 3/5/2021: Obama Disses Pete, John Defends The Redcoats, Harvard Beats Crump, And Zoom Strikes Again

/ Jack Marshall / 9 Comments

Massacre-jpg

1. Today this post, from two years ago, is suddenly getting a lot of views. The reason: there was a resolution of the long-shot law suit by the descendants of two slaves in photographs owned by Harvard University. The slave’s descendant, Tamara Lanier, had employed Benjamin Crump, legal race-hustler without peer, to sue on the Hail Mary theory that

“the images are the “spoils of theft,” because as slaves Renty and Delia were unable to give consent to being photographed., and that Harvard is illegally profiting from the images by using them for “advertising and commercial purposes.” By keeping the photos, the lawsuit claims, Harvard has perpetuated the hallmarks of slavery that prevented African-Americans from holding, conveying or inheriting personal property.”

Sure, Ben….from the post:

“Harvard and other universities set themselves up for this by caving to historical airbrushing demands by the students they have helped indoctrinate, such as when Georgetown University established a policy giving an edge  in admissions to descendants of slaves who were sold to fund the school. I would say they have this coming and let them sleep on the bed of nails their laziness and cowardice have made, but therein lies a real danger. Harvard, which of late has been devising and defending one bad progressive idea after another (like discriminating against Asian Americans as Harvard’s own way of helping African Americans get admitted to the college), might just decide to be woke rather than responsible, and let Mrs. Lanier take the photos, thus setting a precedent with endless potential to cause havoc.”

Justice Camille F. Sarrouf of Middlesex County Superior Court this week acknowledged that the daguerreotypes had been taken under “horrific circumstances” but said that if the enslaved subjects, Renty and Delia, did not own the images when they were made in 1850, then their descendant who brought the lawsuit, Tamara Lanier, did not own them either.

Duh.

Continue reading →

Q: “What Kind Of Person Fakes Her Voice?” A: “A Competent One.”

/ Jack Marshall / 28 Comments

Preface: This is the kind of issue that can be hard to find, unless one has unlimited time to search all sources and for better or ill, I don’t. Ethics Alarms is still feeling the effects of losing the regular services of topic scout Fred, who had a remarkable reach, finding ethics issues in all sorts of places I never would (though Fred does drop by here to comment, and I am grateful for that, as well as his long service.) I really do depend on the readers for tips, particularly in the non-political arena. Even the news aggregating sites like The Daily Beast, The Daily Caller, the Blaze and Huffington Post have become more politics obsessed than ever, so Ethics Alarms has to dig deeper and go farther. Some of our best discussions have arisen out of obscure venues. So please: keep an ye open, and write me at jamproethics@verizon.net/

Ann Althouse found this, from The Cut:

There are many fascinating, upsettingdetails in the story of Elizabeth Holmes, but my favorite is her voice. Holmes, the ousted Theranos founder who was indicted last year on federal fraud charges for hawking an essentially imaginary product to multi-millionaire investors, pharmacies, and hospitals, speaks in a deep baritone that, as it turns out, is fake. Former co-workers of Holmes told The Dropout, a new podcast about Theranos’s downfall, that Holmes occasionally “fell out of character” and exposed her real, higher voice — particularly after drinking. One can only assume the voice will be discussed in the upcoming HBO documentary, too.

To begin with, as anyone can hear from the video above, Theranos did not and does not speak in deep baritone voice, which tells us immediately that the author, Katie Heaney, doesn’t know what she’s talking about. Neither, apparently, does Ann, who directs us to another video and describes Holmes’ voice as “a ludicrous phony voice.” There’s nothing ludicrous about it, and if she is not using a ventriloquist, it’s not phony either. Continue reading →

The Henry Higgins Syndrome And Me

/ Jack Marshall / 38 Comments

“An Englishman’s way of speaking absolutely classifies him!  The moment he talks he makes some other  Englishman despise him!”

—Alan J. Lerner, writing for Henry Higgins in “My Fair Lady,” in the song, “Why Can’t The English Teach Their Children How To Speak?”

Today’s latest “Let’s hate the President!” item from the news media was the leaked news that Trump can’t stand how AG Jeff Sessions speaks. Politico reported yesterday that Trump has griped “to aides and lawmakers”  “that Sessions isn’t a capable defender of the President on television — in part because he ‘talks like he has marbles in his mouth.’”

As usual, the fact that some un-named source says something doesn’t make it true, or, for that matter, legitimate to reports as news, by hey, it’s Donald Trump, so fairness, ethical journalism and professionalism are suspended, right? If you hate the man, here’s more non-substantive, unproven stuff to believe and complain about on line, and if your business is to try to define and encourage standards of societal and workplace ethics, here’s one more chance to be vilified on Facebook as a “Trump supporter” by pointing out that it is wrong for anyone to be subjected to hearsay snipe attacks like that.

In this case, however, there is another factor. There are a lot of speech habits and styles that I have a visceral dislike of too. Some I can defend, some are just a matter of taste, regional influences and upbringing, and some are genuine impediments to my treating people fairly.

Here’s one that my Facebook friends will love, for example: the way Donald Trump talks drives me crazy. His repetitive vocabulary–every thing is “great,” “strong,” “weak,” “stupid,” “smart,” “sad” or “tough; everyone is a “loser,” a “moron” “out of control,” or “dangerous”–signals “uneducated simpleton” to me. I’ve read all of the scholarly examinations of Trumps communications style and why it is effective, and I understand the theories. They are probably right. Where I come from, however, size, precision and variety of vocabulary is deemed a reliable way of gauging intellectual capacity. Continue reading →

Comment Of The Day: Poll-Fest: Is This Ethnic Humor Offensive?

/ Jack Marshall / 11 Comments

First, the poll results!

 

Now here is Charles Green’s Comment of the Day on the post, Poll-Fest: Is This Ethnic Humor Offensive?

They’re all pretty funny to me. However, this is making me think.

The term “offensive” is more meaningfully understood as being about the offendee, not about the offending material.

There are some things that are so universally experienced as offensive, across most cultures and most history, that we can easily lapse into using “offensive” as an adjective to describe the subject matter.

But that’s a mistake. Continue reading →

Poll-Fest: Is This Ethnic Humor Offensive?

/ Jack Marshall / 29 Comments

I was going to include these in the previous post, but decided to let it stand alone.

Please review these comedy clips, and vote on whether or not each is potentially and legitimately offensive to the ethnic group portrayed, parodied, or stereotyped.

1.  Danny Kaye: “Anatole of Paris”

 

2. Cleavon Little: “Blazing Saddles”

 

Continue reading →

Afternoon Ethics Incitement, 4/10/2018: All About Apu

/ Jack Marshall / 80 Comments

Ethics Alarms covered the silly, hyper-political correctness attacks on ‘The Simpsons” character  Apu Nahasapeemapetilon—Oh NO! They are making fun of Indian NAMES!—, the Indian immigrant owner of the local convenience store. Now “The Simpsons” itself addressed the issue:

Naturally, the progressive victim-mongers who cooked up this phony controversy are mad at Marge and Lisa. Here is a typical response from the Angry, Perpetually Offended Left, by former TV critic and lawyer-turned-blogger Linda Holmes, who I am now convinced turned away from the law because she couldn’t meet the tough reasoning requirements.

(And have a mentioned before that taxpayer funds should not be used to pay for social justice warrior drivel like this? I’m sure I have…)

At the end of her screed, she writes,

“I know: It’s a cartoon. That is the easiest, silliest response to this debate. It’s just a cartoon. It’s just a comedy. Or, as the photo of Apu pointedly says, don’t have a cow. But the show doesn’t have this defense to call on, because it has accepted accolades for decades as a thoughtful, intelligent, satirical work that deserves to be taken seriously. It has accepted a Peabody Award, and a GLAAD Media Award. It has been praised and slobbered over and quoted and praised again, and to plead insignificance at this point is unavailing.”

I hate to be harsh, but this is idiotic beyond excusing. To say “It’s a cartoon” is not to say that it is insignificant, and to say “It’s just a comedy” is not to argue that its content doesn’t matter.  It’s a cartoon means that cartoons as an art form, exaggerate, stereotype and mock individuals and groups using funny faces, voices, words and actions, and anyone who takes personal offense—or who works hard to find offense– at a cartoon that was not intended to offend is best dealt with by saying to him or her, “Avoid animated entertainment. You don’t understand it.” And maybe a pat on the head will help.

This is me, by the way:

 

(I’m not offended, though I am not yellow, have broader shoulders, my skull isn’t that big in proportion to by body and don’t have that big line in my forehead.) Continue reading →

The Problem With Apu?

/ Jack Marshall / 40 Comments

Commenting on the recent attacks from progressives on the allegedly racist drawings of Dr. Seuss, I wrote,

I’ve missed it: have social justice warriors been protesting “The Simpsons”? No? Not even Apu, the Indian immigrant Springfield resident—Wait! Isn’t the Dr. Seuss Museum in Springfield?–who has the stereotypical ethnic occupation of a convenience food proprietor (Full disclosure: my local 7-11 is owned by an Indian American)? You know, this guy?

Apparently I inadvertently set something in motion in the zeitgeist; I’m so sorry. For the New York Times informs us that a new documentary debuting Nov. 19 on truTV  is called “The Problem with Apu,” and “wrestles with how a show praised for its incisive humor — over the years, it has explored issues like homophobia and political corruption — could resort to such a charged stereotype. Making matters worse is the fact that the Indian character is voiced by a non-Indian (albeit an Emmy-winning) actor, Hank Azaria.”

The article goes on,

“In the film, Mr. Kondabolu places Apu within the broader history of Hollywood’s depiction of Indians, including Peter Sellers’s brownface rendition of an idiot in the 1968 Blake Edwards film “The Party” and the Indians feasting on chilled monkey brains in Steven Spielberg’s “Indiana Jones and the Temple of Doom.” He also reached out to a who’s-who of South Asian actors to talk about their experiences in Hollywood.”

The Indian-Americans quoted in the artical are especially upset that Apu’s accent isn’t authentic; it’s just funny. Can’t have that.

Move through the muck and emerge in the b right sunlight of reality,  there is no problem with Apu. There are problems with lacking a mature reaction to humor and satire, being deliberately hyper-sensitive, power-grabbing using group-identification politics, and cynically looking for offense to justify claiming victim status,  but there is no problem with Apu.

I would love to know why Indian-Americans feel all the other characters in the show can be  outrageous stereotypes and extreme caricatures,  but Apu is unacceptably offensive and insensitive. This is contrived victimization. One cannot reasonable compare the Indians feasting on bugs and chilled monkey brains in “Indiana Jones and the Temple of Doom” to Apu because 1) Apu is entirely benign: he is one of the smartest, sanest and nicest characters in “The Simpsons,” and 2) he’s a cartoon. Cartoons are always exaggerated, and if they are not, they aren’t funny. They also aren’t cartoons. Continue reading →

Morning Ethics Warm-Up, 9/14/17: Reed College…Fired For Mentioning Grits?…Stupid Protests…The DNC Lies To Democrats…And The Times Clarifies Its Double Standards

/ Jack Marshall / 95 Comments

Hi there!

1 There is another one of those hybrid ethics stories coming out of Oregon. Cross oppressive political correctness with racial-offense hypersensitivity with Lena Dunham-like totalitarian-minded progressives itching to report “wrong-thinkers” to authorities with organizations punishing individuals for private speech they did not intend to make public and what monstrosity do you get?

This: a white conductor and festival artistic director fired by a music festival after he was overheard talking to a black friend in a fake Southern accent and saying, “Do you want some grits?” or words to that effect.

A white woman standing nearby reported to Oregon Bach Festival officials that British conductor Matthew Halls had made a racist to his black American friend, classical singer Reginald Mobley, who grew up south of the Mason-Dixon line.

The festival immediately fired Halls, despite the fact that Mobley protested that there was nothing racist in the exchange (grits aren’t racist, Southern accents aren’t racist, joking between friends isn’t racist…)  that the two frequently mocked each other’s accents,  that Halls was not a racist and didn’t intend the remark as a racist slur, and that Mobley didn’t take it as such.  Never mind!  Halls’ four-year contract with the festival as its artistic director was terminated, with a spokesman saying in part,

“The University considers many factors when deciding whether to continue a contract. Regarding Reggie Mobley, it doesn’t appear he was involved in the University’s decision. Having said that, it would be inappropriate for the University to disclose details about a personnel matter.”

I’m not going to explain in any detail what and who are unethical in this fiasco, because I shouldn’t have to. Halls is a victim. The woman who reported him after eavesdropping is worse than merely unethical: she is an evil-doer, someone who sets out to hurt other people to feel powerful. She either never heard of the Golden Rule or doesn’t accept it. (Maybe she IS Lena Dunham!) The festival’s conduct is unfair, uncaring, cowardly and irresponsible. It deserves to have its artists boycott the festival in support for Halls, but since artists tend to be leftists of the knee-jerk variety, addicted to virtue-signaling and with the depth of analysis exhibited by the typical dachshund, I wouldn’t expect any colleagial  support if I were the conductor.

If you have functioning ethics alarms, it will be obvious that the episode was disgusting and unjust, and why. If the festival’s conduct  makes sense to you, then I’m afraid you’re hopelessly corrupted.

2. Morning Warm-Up may yet morph into “stories that are so irritating I can’t stand writing full posts about them.” Take this one, for example: at small liberal arts school Reed College,  a mandatory humanities course on ancient Mediterranean civilizations was canceled after student protesters kept  interrupting the class to protest “Eurocentrism.” Western culture has been, like it or accept it or not, the beacon of world civilization, and even those who (idiotically) choose to deride or reject it need to understand the history and forces that brought us to where we are today—where we are today being a time when weak and incompetent college administers refuse to assert the indispensable fact that students are there to learn, not dictate to their elders.

My favorite part of this story: to accommodate protesters, the Reed administration agreed to allow adverse students to stand surrounding lecturers in the course. “The general understanding was that the protesters would be allowed to continue as long as they didn’t interfere in the lecture period”…as if forcing lecturers to teach under such circumstances isn’t inherently interfering, as well as intimidating to the teachers and other students.

Colleges and universities that cannot respond more effectively and professionally to such unethical bullying by extremists don’t deserve to exist at all. If you don’t want to learn about Western civilization, go to another school, probably in California. If you disrupt the learning experience of other students, you should be expelled. Continue reading →