http://www.youtube.com/watch?v=kHmYIo7bcUw
And speaking of Donald Trump…
In South Orangetown, New York, the school superintendent stepped in and cut the swastikas from Tappan Zee High School’s student production of “The Producers” less than a week before the production. Of course, the Mel Brooks musical satire based on his film “The Producers” employs swastikas on Nazi flags and armbands during its famous campy “Springtime For Hitler” number and at other points in the show. Before someone posted a picture of the swastikas on the stage on a Facebook page, this aspect of “The Producers” had somehow escaped the attention of school administrators.
Some parents were shocked, and complained. After checking out the stage, the superintendent cut the costume details and set dressing.“There is no context in a public high school where a swastika is appropriate,” South Orangetown Superintendent Bob Pritchard told CBS. Pritchard consulted with local rabbis before making his decision.
Rabbis, of course, would be a natural audience for “The Producers.” (Reports that the rabbis suggested a production of “Fiddler on the Roof” instead have not been confirmed.)
Your spring-is-in-the-air Ethics Alarms Ethics Quiz of the Day is…
The standards of acceptable Halloween costuming, as you might have predicted given the catalyst President Obama has given to extreme restrictive political correctness, keeps evolving to the hypersensitive and the restrictive. The issue is easier with children’s costumes: children’s masquerades should be age-appropriate; they should not be manikins for their parent’s senses of humor or political views, and as long as they are in the spirit of horror movies, the criticism of those who don’t understand horror movies should be jeered at or ignored. The major controversies arise now over adult costumes. Ethics Alarms has been covering the phenomenon for awhile: let’s review the topic as previously explored here before I delve into its 2015 edition: Continue reading
Honestly, I don’t get it. The horrible photos of the exact moment deranged racist Vester Lee Flanagan opened fire on Alison Parker convey what happened in specificity and clarity that no mere verbal description could. If your issue is gun violence, this shows it. If you want to see and understand what tragedy is “up close and personal” and even if you don’t want to understand it, this is how we learn. The furious criticism being focused on the Daily News is traditional Daily News hate, as far as I can determine. That paper has been criticized for having the guts to show raw images for a century now: one of its first outrages was a surreptitious photo of murderess Ruth Snyder being electrocuted:
Now that photo is history. Today’s front page will be history too.
At the journalism ethics site of the Poynter Institute, Kelly McBride, Poynter’s vice president for academic programs and a media ethicist, argues against using the unedited pictures, saying that “the problem with it is that it a deeply intimate image. It is a moment of someone’s death.”
You mean like….. this?
That’s just thousands of people being incinerated in Nagasaki, but from a distance, so it’s tasteful, is that the idea? Well, what about this award winner… Continue reading
Next gig for the Cheshire home invaders: Commencement honors at Goddard?
Convicted cop killer Mumia Abu-Jamal was the commencement speaker at Goddard College, in Plainfield, Vermont today, having been chosen by graduating students. He is a controversial figure, convicted in the 1981 slaying of Officer Daniel Faulkner, sentenced to death, and eventually sentenced to life in prison without parole after a long legal battle. Abu-Jamal’s speech was prerecorded by Prison Radio and broadcast.
Goddard is not your typical college. It is liberal/radical even by current college standards. Students design their own curriculum. It holds 20 commencement ceremonies each year so students in each degree program can have personalized graduations. Abu-Jamal, himself a political radical, received a bachelor of arts degree from the college in 1996, completing his coursework by mail. Before the killing, Mumia was a member of the Black Panthers. While imprisoned he has become a cultural icon to the radical left as an activist against institutional racism.
As you would expect, a lot of people have problems with Mumia receiving this honor. Maureen Faulkner, the widow of the officer killed by Abu-Jamal, condemned Goddard’s decision.The Vermont Troopers Association issued a statement saying that it was “ outraged that Goddard College is hosting a man who shot and killed a police officer.” But Goddard is proud as punch that its students chose the convicted murderer. Said the acting President:
“As a reflection of Goddard’s individualized and transformational educational model, our commencements are intimate affairs where each student serves as her or his own valedictorian, and each class chooses its own speaker. Choosing Mumia as their commencement speaker, to me, shows how this newest group of Goddard graduates expresses their freedom to engage and think radically and critically in a world that often sets up barriers to do just that.”
Well, that’s one way of interpreting it. Or, we might justly conclude that the graduates of Goddard have been taught to have contempt for decency, justice, law enforcement and the legal system, and since they admire murderous criminals, might see nothing wrong with being one. Ask me if I want to hire anyone with a Goddard degree. Go ahead. Ask.
Naturally, defenders of Mumia’s honor think it is perfectly acceptable because it embodies the principle of free speech. I’m not sure it does….not at all. Unpopular speech embodies free speech. Encouraging popular and offensive speech by someone who is not worthy of emulation embodies bad taste, dubious values and anti-social priorities. Show me that Goddard students would welcome speeches by Ted Cruz, Bill O’Reilly, Sarah Palin and Dick Cheney, and then I’ll accept that the campus is supportive of free speech.
Meanwhile, why stop with Mumia? Why not have that Isis guy who beheaded the American journalist speak at commencement, with his hood, of course? Surely that would expresses graduates’ freedom to engage and think radically and critically in a world that often sets up barriers to do just that. How about the Cheshire home invasion killers, Steven Hayes and Joshua Komisarjevsky, who raped the family’s young girls and mother before burning their house down around them? If it’s free speech to allow the scum of the earth speak at a commencement, if someone is crazy enough to want to listen to them, let’s really go for it.
That doesn’t make it right, however. All allowing Mumia to speak at commencement shows me is that the students are exercising their rights to promote freedom of expression, and doing so in a context and manner that is less dignified, justified, respectful or reasonable than having the honor delivered by a circus performer who communicates in farts, Carrot Top, or Honey Boo Boo. It shows me that the culture created by Goddard is toxic, and that the students who graduate from there without sufficient resistance to its influence will range from useless to annoying to dangerous.
Their parents must be so proud.
________________________
Sources: Washington Post, Huffington Post, Philly
—Comedienne Joan Rivers, 81, in her reported final words before expiring yesterday.
Just kidding.
Too soon?
Joan Rivers would rate Ethics Hero status if I did not have a philosophical objection to calling someone a hero because everyone else is a weenie. Yes, Rivers spouted off whatever outrageous, impolitic, offensive thing that materialized in her nimble brain regardless of who it might offend, as long as she felt someone, or a critical mass of someones, would find it funny. That is the proper mindset for any professional comic, but it has become both a rare and dangerous one, as we regularly see comedians grovelling in remorse as soon as sufficient numbers of well-placed critics designate a joke as “insensitive.”
Rivers, whom I can never recall making me laugh for a second, served an important cultural purpose while she was alive, as do Jackie Mason, Mel Brooks and Don Rickles, perhaps the last remaining in-your-face comedians from the days when funny was all that mattered, and careers weren’t ended by stepping just a little too far over the line, or even a lot too far. Her successors, like Sarah Silverman and Lewis Black, don’t count: they are vicious toward whatever group or groups their audience deems deserving of abuse, and only them. In the end, it is likely that the only clowns with the license that Rivers enjoyed will be animated cartoons, like Peter Griffin(“The Family Guy”) and Homer Simpson. Continue reading
A phenomenon I have never understood and will never understand is the destructive herd mentality in group decision-making. Yes, I know there is peer pressure and ass-kissing and strong motivation to go along with the crowd, but when an organization is considering something mind-blowingly stupid, including actions that should set off every ethics alarm within 20 miles, why is it that nobody, not a single person, steps up and says, “What??? Are you all insane? You can’t do this, and here’s why: it’s stupid! It’s obviously stupid. Think about it for ten seconds, and you’ll know it’s stupid, and will be a disaster for everyone.”
But nobody says it. So we get the Titanic without enough life boats, and Pickett’s Charge, and Lawn Darts and a sequel to “The Exorcist” featuring James Earl Jones dressed as a giant locust. On a slightly less epic scale, you get this mattress ad, by the Kurl-On company in India :
Peeps Last Supper by Leonardo DiPeepchi
Extradimensional Cephalopod’s thoughtful answer to today’s ethics quiz was instantly recognizable as a Comment of the Day, so here it is, EC’s musings on the ethical limits on peeps art, as posed by the post, Ethics Quiz: Peeps Ethics:
Full disclosure: I identify as a freethinker, which in my case means my opinions are informed by this idea: “It is the mark of an educated mind to be able to entertain a thought without accepting it.” –Aristotle (or so the Internet tells me)
With that in mind, offhand I’d say anyone who can’t handle the juxtaposition of a serious scene with a cutesy or comical medium is not emotionally mature enough to be trusted to react appropriately in today’s complex and nuanced culture, and their reverence is likely to be taken to unhealthy levels. I think it is not only ethical, but a requirement for intellectual health to be able to entertain different perspectives and styles of presenting even the most serious subjects. Before someone asks, yes, that includes depictions of the prophet Muhammad, along with all other historical figures on pedestals. I think taboos are unhealthy for a society because they limit critical thinking and creative free thought, both of which are necessary (yet seldom employed) to resolve social issues and differences in perspective.
Bad taste is still a valid concept, but it is context-dependent. It is possible that a subject is not appropriate for most contexts because it leads people to feel bad, but it is imperative that there be some place where it can be discussed, even if it is only under the Jester’s Privilege. My subjective judgment rules that depicting the Civil Rights Movement with marshmallows in this case is not intended with disrespect: the contest stipulated that the medium be marshmallows, and the artist chose a powerful scene without regard for the medium, as is the artist’s prerogative. I personally think the marshmallow scene is quite dignified, but then I am a bit out of sync with humanity as to what I take at face value and what I don’t. I form opinions of peeps by their actions, not by their countenance. It’s unethical for an artist to deliberately spread misconceptions about history, and it may be unethical for an artist to deliberately show disrespect to powerful agents of good. Disrespect is usually unethical because it causes so many problems. However, I’m not sure a sincerely respectful artist can be unethical in their art, unless they simply fail to do the research on the facts they depict and the cultural context for showing respect.
If depicting scenes from the Civil Rights Movement with marshmallows (and putting a good deal of effort into it) is wrong, though, what else is wrong? Crayon drawings by kids? Macaroni? Charcoal? Embroidery? Spray paint? Etch-A-Sketch? Is anything that looks insufficiently grandiose for depicting humanity’s legendary heroes an affront upon their memories? Are scenes of historical importance off-limits to mediocre artists, for fear the general public will lose respect for heroes drawn with funny expressions and ridiculous poses? What if an artist is deliberately depicting a heroic person comically, but without telling lies? Why can’t we be mature, and tell the history with respect while artists do their best in sincerity or spite? Why not simply say, “Well, it’s nice, but it really doesn’t do it justice,” and walk away?
I collect sentences that can safely be said to have never been uttered before in the history of mankind, and encountered one this morning in a letter of complaint to the Washington Post. It read…
“To take a sacred and historic event in our nation’s history and depict it using marshmallow candy is highly insulting and offensive to the legacy of the Rev. Martin Luther King Jr. and to all those who worked, and continue to work, for racial justice in this country.”
Like all of the sentences in my collection, my favorite being my sister’s immortal, “That fish looks so good, from now on I think I’ll wear my bra on my head,” this one requires some context. The Post holds an annual contest for its readers around Easter, challenging them to submit the best diorama of a scene, using marshmallow peeps. This year’s winner was created by Matthew McFeeley, Mary Clare Peate, and Alex Baker, and involved meticulously painting the colorful bunny stand-ins for King and his throng at the 1963 March on Washingtonian eight shades of gray to evoke the black-and-white photographs of the event.
Your Ethics Alarms Ethics Quiz, in the sadly neglected field of peeps ethics, is…
I know my answer, but this time, I’ll hold my fire until I hear from readers. I’d also be interested in whether any events—Gettysburg…JFK’s assassination…the Lindbergh baby kidnapping…the Crucifixion…Pearl Harbor…9-11… are ethically off-limits for peeps creativity as inherently offensive, or if this is just an unappetizing mixture of “ick,” art, humor, and candy.
“What if you choked on that turkey and went into a coma…did you consider that? How would you pay for the hospitalization? That’s why you need insurance…”
Ah, the holidays, Thanksgiving and Christmas! Time to gather together in safe, friendly, warm and loving homes, united with loved ones, family and friends, to eat good food together, laugh and sing together, exchange gifts, good wishes and hope, perchance to worship and pray, but most important of all, to hector the stuffing out of everyone on behalf of the Democrats and Obamacare, because there really is no private, family time, time to give thanks and reflect of better things for our fellow human beings—just one great opportunity to carry the message of Big Brother to the eager, desperate and gullible, because, after all, the holidays are really about Barack Obama and his struggling health care law. Right?
Yecchhh.
Also..how dare they? Programming an army of Obamaphiles to turn the holidays into an extended infomercial for Obamacare crosses multiple lines, several of which place the stepper into disturbingly familiar totalitarian, collectivist territory, where every citizen is deemed a deputized agent of The One True Authority Over Us All. On BarackObama.com, the faithful Obamabots are given all they need to ruin the holidays, including a helpful “packing list” (to make sure your family has everything they need to enroll in Obamacare), various ways to plot to ambush your loved ones to turn the conversation away from peace, good will and sugar plums to saving the President’s bacon, and talking points, so you can be just as charming and honest as Jay Carney, David Plouffe and Debbie Wasserman Schultz. Continue reading
Ethics Alarms 
This most recent ethics thread commentary from Rick Jones (a.k.a. “Curmie,” who chronicles education fiascos, among other matters, during the year on his own blog) involves the recent kerfuffle over a high school production of “The Producers” having its Nazi decorations stripped away. I confess that I specifically requested Rick’s take on this one, knowing him to be a theater colleague as well as a teacher, and he did not disappoint….except that he uses the British spelling of “theatre.”
Here is Rick’s Comment of the Day on the Ethics Quiz: “Springtime for Hitler” Ethics.