Killing Whitney Houston

Whitney Houston, she of the musical gift we may see only once in a lifetime, is dead at 48. There has been no final determination, but there is little doubt: drugs killed her.

Houston, they say, and I have no reason to doubt it, was troubled by the pressures of show business, celebrity and stardom, and with a little help from her dead-beat, abusive husband, singer Bobby Brown, sought to relieve the stress with a variety of illegal substances, including cocaine. Over the past 15 years or so, Americans have been able to watch the relentless deterioration of Houston, once the epitome of a beautiful, intelligent, ebullient and charismatic presence, into an emaciated, ruined shell  with only a hint of the glorious instrument that once, in the middle of a war abroad, delivered the most stirring rendition of the Star-Spangled Banner I have ever heard, or ever will hear.

This happened to Whitney Houston because when illegal drugs were among the options she could have chosen to accept or reject as a way to get through difficult days and troubled times, she did not have the instant reaction, hard-wired in her brain, that has to stop all of us from doing terrible, dangerous, irresponsible and anti-social things. There can be little doubt that some theoretical options would have triggered that reaction. They would be the options that did not seem like options at all, because the culture Whitney Houston lived in was unequivocal and unshakable in its verdict, a verdict virtually all members of that culture naturally adopted and accepted—because that’s what cultures do. And when that option presented itself, Whitney Houston, like the culture she was a part of, would have said “No.”

That she didn’t say no to drugs, and is dead because of it, was the direct result of an American culture that does not give its constituency a clear message and verdict. Instead, the clearest and most unequivocal signal from the culture, the fact that recreational drugs are illegal and that America enforces the laws against them, is progressively weakened by ridicule, attack, popular culture, and the defiance or hypocrisy of role models and public figures. Incredibly, though the deaths by drug-abuse among the tiny proportion of the world that is famous and talented—Michael Jackson, Amy Winehouse, Whitney—should make it obvious how massive the number of anonymous victims of drug abuse there must be, the destructive refrains grow louder: Legalize drugs! End the War on Drugs! And those calls weaken the cultural resolve further. Actually doing what they advocate would cripple it….and that day might come.

Whether they are preventing the culture from rejecting drug use because enforcement is expensive, or because they have a relative or friend in prison for drug-dealing; whether they are calling for legalization because they are libertarians and academics or Ron Paul, or because they are public officials who see a new revenue source; whether they are longing for the halcyon days of Haight-Ashbury and the Strawberry Alarm Clock,  or just like getting stoned, these are the people whose advocacy continues to nurture a competing culture that killed Whitney Houston, as surely as if she had been shot her between the eyes.

I would say that if their insistence on legalization is followed, and the nation’s laws join the popular throng in pronouncing addictive and life-destroying drugs as legitimate “options,” many more like her will die….except there aren’t many more like her. But there are countless lives to destroy, and unimaginable losses to families, businesses and America to be endured.

I just watched the video of Whitney Houston’s glorious performance of our National Anthem at the Super Bowl, before the drugs had finished their work. She radiates confidence, strength and character, as well as that special joy that the fortunate few with magical gifts have. She brings a stadium full of Americans to their feet in cheers, with an exhibition of artistry that will continue to inspire forever. Drugs took all of that away, from Whitney Houston and from us.

Because our culture could not say no with enough conviction to save her.

Update (2/15/12): With some regret, I am closing comments on this post. Too many commenters refused to discuss the issue it was intended to raise, which was how cultural approval and disapproval of conduct is more powerful, ultimately, than the law in establishing standards. I have committed on this blog to responding to as many comments as possible, but the onslaught of pro-drug zealots whose tactic was to keep repeating the same arguments no matter how many times I gave my response led me into too many frustrated responses, too many nasty exchanges, and too many hasty replies that I wish I had stated more clearly. For those I apologize, both to the visitors involved and other readers. I also apologize for ending the discussion here, but I don’t have the time to monitor it. You are welcome to e-mail me personally.

Old Testament Treatment For The Miramonte Elementary School Culture

It could be worse; at least no teachers have been turned into pillars of salt.

Following the discovery that two Miramonte Elementary School teachers, Mark Berndt and Martin Springer,  allegedly engaged  in lewd activity with students, Los Angeles Unified School District made the brave decision to replace all teachers and staff, with everyone being re-assigned. Predictably, there have been protests and criticism. The basic argument: it is excessive and unfair. The good teachers, whoever they were, weren’t at fault.

Yes, they were; at least, they were responsible, and share accountability for a culture they were part of. The school district’s decision correctly assumes that when two members of a relatively small teaching staff abuse young children over a long period, something is rotten at the school beyond those teachers. Oversight is lax, administrators are looking the other way, teachers are protecting colleagues or refusing to acknowledge the implications of what they see or hear. There is a substantial chance that the Miramonte Elementary School didn’t just have some proverbial bad apples, but that it had created a culture that encouraged apples to go bad. There can be no certainty that Berndt and Springer were the only abusers on the staff, and the safety of children is at stake. Clear out the school, and wipe out the culture; have new personnel from top to bottom. It is easier to start over with a rotten culture than to try to fix it: this was God’s attitude in the Old Testament, and He had a point. The difference is that He killed off corrupt cultures with floods and fire, or just made them wander in the desert for generations.  Luckily, this isn’t Congress, Wall Street, Hollywood, or Rupert Murdoch’s empire. You can start all over with a school. Continue reading

Where Should The Alarms Sound For THIS?

I have little to add to the video above, which is nearly self-explanatory. A student took a video camera to the halls of his Washington State high school to quiz  class mates on basic U.S. history, geography and civics. I’m sure—I hope—that the answers shown on the video were atypical, but never mind: they are scary enough.

The blogger Kevin DuJan on Hillbuzz uses the video to attack teachers unions, writing,

As I watched the video above, two thoughts immediately popped into my head:

1. Why do teachers’ unions claim they deserve more pay and endless benefits when this is the result of their “hard work” in the classroom?

2. I honestly can’t remember anyone this dumb in my Catholic high school back in Ohio when I was going to school in the mid-90s. Continue reading

“Pay-What-You-Can” Ethics

A live performance of Jules Feiffer's "Little Murders" at a regional theater in Arlington, Va. that holds "pay-what-you-can" performances over the periodic objections of its artistic director, me.

Toronto Star ethics columnist Ken Gallinger does a pretty good job today answering a query from a financially strapped theater-lover who feels guilty about attending “pay-what-you-can” professional stage productions. “…My husband says paying less than full fare takes advantage of the theatre company. Technically, we could pay the ticket price; we still have access to credit. And there are things we could cancel…What do you think?” asks the inquirer.

Gallinger explains the benefits to the company of not having a sea of empty seats facing the actors, and also how discount tickets have promotional value to theater companies. All true: the theater companies wouldn’t offer “pay-what-you-can” if they didn’t think it was in their companies’ long term interest. There are other benefits that Gallinger doesn’t mention. For example, the increased audience size still contributes to the average audience statistics that a non-profit company can use to seek advertisements and to argue for community foundation grants.

Even this wouldn’t cover the topic, however. “Pay-what-you-can” and other discount ticket programs are essential if theater companies are going to meet their own ethical obligations to the community, and if live theater is going to survive at all. The ticket prices at most large, established regional theaters are, in a word, unconscionable. Justifiable perhaps, since live theater costs more to produce than can be paid for by box office receipts, but still unconscionable. Continue reading

Creating Captain Costanzas

Metaphor

I think I stopped finding George Costanza funny when I saw the “Seinfeld” episode in which he panicked at a kids party after smelling smoke and trampled the children rushing to be the first out the door. (His callous reaction to his fiancée’s death from licking envelopes had paved the way for my inability to laugh at George.) The thought of a real-life George Costanza, the most unethical character on a show about unethical characters, serving as the captain of an imperiled ship full of passengers is horrifying, but that’s basically what befell the unsuspecting tourists on board the cruise ship that tipped over after hitting a rock off the coast of Italy. Having caused the accident, it appears, by irresponsibly changing course, captain Francesco Schettino hit the life boats before most of his passengers, and claimed to be directing the evacuation from the relative safety of a lifeboat as he defied orders from the Italian Coast Guard to return to the ship. Continue reading

“It’s A Wonderful Life” Ethics, Part 3

Here is the final installment of the Ethics Alarms overview of the ethical issues raised in Frank Capra’s classic. Some of the comments on Parts 1 and 2 have suggested that my analysis is unduly critical. Nothing could be further from the truth. I love the movie, and have already said that I find it ethically inspiring. Noting that characters act unethically in a movie about ethics is no more criticism than pointing out that people in horror movies never just leave when things start getting weird (as I would). I know that their actions drive the plot and are necessary. This is, however, how an ethicist watches a movie with as many ethical choices as “It’s A Wonderful Life.” I can’t help it.

Now back to George, Mary, and Bedford Falls:

11. Uncle Billy screws up as we knew he would

11.  Christmas Eve arrives in Bedford Falls, and Uncle Billy manages to forget that he left the week’s deposits in the newspaper he gave to Mr. Potter. Thus more than $8,000 is missing on the same day that the bank examiner is in town. Why is Uncle Billy still working for the Savings and Loan? He’s working there because George, like his father, is putting family loyalty over fiduciary responsibility.  Potter, of course, is a thief; by keeping the lost money to trap George, he’s committing a felony, and an unnecessary one. As a board member on the Savings and Loan, Billy’s carelessness and George’s negligence in entrusting him with the bank’s funds would support charges of misfeasance. Mr. Potter, had he played fair, might have triumphed over George legitimately, and no Christmas miracle or guardian angel could have saved him. But this is the inherent weakness and fatal flaw of the habitually unethical: since they don’t shrink from using unethical devices, they often ignore ethical ways to achieve the same objectives that would be more effective.

12. George folds under pressure Continue reading

Penn State Primer: 15 Ethics Alarms on the Duty to Rescue and the Bystander Problem

Tiring of the smug and remarkably vicious Paterno defenders who have designated Mike McQueary for infamy because he failed to stop the Penn State child rapist in action, and who have accused me of supporting such inaction in rescue situations when my position, record, writings, belief and life experience proves the opposite, I offer these previous Ethics Alarms posts on the topics of rescue and bystander inaction. It is a useful, if sometimes disturbing review of various aspects in a complex issue. I don’t really expect the commenters previously referenced to allow rational thought to interfere with their certitude and vendetta, but most visitors here are not so wired.

A new post, focusing especially on McQueary, will be along soon, but today is Veterans Day, and I have my own duty to attend to: honoring Maj. Jack Marshall, Sr., 1920-2009, WWII veteran, Silver Star, Bronze Star and Purple Heart veteran, a true hero his entire life, in every way imaginable.

I am quite confident that he would not only have stopped Jerry Sandusky from molesting the boy, he might well have shot him.

Here are the 15 selected essays: Continue reading

Not That It Will Do Any Good To Say So, But U.S. Acceptance of Prison Rape Is An Ethics Outrage

LOL?

I keep an informal score each television season of how often one of the heroes in a cop or other law enforcement drama will pointedly tell a finally-cornered criminal that he can now look forward to being raped in prison. Of course, this is only representative of the shows I actually see. Even counting only them, however, I have heard such a speech four times in 2011. (The all-time champs in this celebration of prison rape are Dick Wolf’s Law and Order dramas.)

Think about what this means. The scriptwriters are presuming that such a forecast of impending sexual abuse will be enjoyed by the audience, a case of just desserts for the wicked. The casual acceptance of prison rape in America’s penitentiaries is a continuing scandal, and an indictment of our society’s compassion and commitment to the Constitution. Continue reading

Time For The Government To Say Good-Bye To Religious Holidays

I'd rather celebrate Ganesh's birthday than L. Ron Hubbard's, but that's just me.

South Brunswick, New Jersey schools have announced that they will henceforth close for two days every year in honor of…Diwali. Quick—what religion celebrates Diwali? The answer is the Hindu faith.

That does it, I think. The canary has officially croaked, and there is no way to sugar-coat it, not that anyone wants a sugar-coated dead canary anyway. State, local and national governments need to cut all ties with religious holidays now, before Americans who observe  Gantan-sai, Dia de los Reyes, Maghi, Timkat, Imbolc, L. Ron Hubbard birthday,  Ostara,  Khordad Sal, Ramayana,  Visakha Puja,  Declaration of the Bab, Ascension of Baha’u’llah and somebody’s god somewhere knows what else start suing every city council in sight, Bill O’Reilly starts screaming about the war on Christianity, and Michele Bachmann gives speeches about how everyone knows America is a Christian nation, because the Founders, you know, like Charles Dickens, Abraham Lincoln and Jerry Falwell, wanted it that way. Continue reading

“The 48 Laws of Power”: Robert Greene’s Recipe for Power, Greed and Misery

“The 48 Laws of Power” is a 1998 book by Robert Greene, a best-seller, and a re-packaging of ideas from multiple sources, including “The Prince” and “The Art of War.” Those who wonder why it is that certain sub-cultures in the United States—business, Hollywood, the entertainment industry, politics, finance— appear to be incurably cynical, amoral, corrupt and untrustworthy would do well to read it, provided they are able to resist being persuaded by its brutal philosophy.

Greene, who has other similarly-oriented best-selling books on business success, is considered a guru by the music industry, and has been embraced with special enthusiasm by hip-hop moguls. What is remarkable about his 48 laws is how completely they discard all ethical virtues, as if fairness, honesty, integrity, responsibility, respect and trustworthiness were irrelevant to the topic of power. In fact, the five most important laws of power are…

1. You must prove your worthiness to hold power by your manner of acquiring it.

2. Power without competence, wisdom and good will lead to tragedy.

3. Do not use power to restrict the welfare, autonomy, freedom, and pleasure of  others, but to enhance them.

4. Regard power as a means, not an end.

5. When retaining power itself becomes the goal, it is time to surrender it. Continue reading