George Takai

Comment Of The Day: “THAT’S The Concept I Was Looking For—’Cultural Vandalism’!”

/ Jack Marshall / 8 Comments

Another perspective on the question  of how the personal and professional misconduct of artists should affect our regard for their art comes from Curmie, a drama teacher, director and blogger who has as deep credentials for this topic as anyone.

Here is his Comment of the Day on the post, THAT’S The Concept I Was Looking For—“Cultural Vandalism”!…

Back in graduate school, I worked as a teaching assistant to a brilliant professor, Ron Willis, in his Introduction to Theatre class. Seitz’s commentary intersects with two of the concepts Ron highlighted in his course. The first of those is what Ron called para-aesthetics: those elements which affect an audience’s reception of an aesthetic event without being the aesthetic event.

These can be entirely coincidental (it’s pouring rain) or created specifically by the production company (the poster). The company many have had some, but not complete, control over the influence (there’s insufficient parking, in part because of another event in the area). The para-aesthetic influence could apply to the entire audience (the leading actor is a big star, the auditorium is freezing) or to an individual (the leading actor is your best friend, the person next to you thinks that showers are for other people, you’ve had a couple glasses of wine before the show).

The fact that a Bill Cosby’s off-camera life has been considerably short of exemplary matters in a para-aesthetic way. But each individual spectator will respond differently to each impulse. That leading actor—my best friend—is someone else’s ex. Facebook tells me that a year and a day ago I saw a play in London with a young movie star in the title role. His presence mattered to me not a bit, but there were dozens if not hundreds of his fans in the house: people who were there specifically to see him. That play was an adaptation of a script I adore and indeed directed a few years ago. The fact that the play as presented bore little if any resemblance to the original bothered me a lot; those who didn’t know the 19th-century version were far more able to accept the 21st-century revision on its own terms. Continue reading →

Morning Ethics Warm-Up, Oh NOW It’s Veterans Day, 2017: Notes On A Witch Hunt, More Moore, And More

/ Jack Marshall / 23 Comments

Good Morning!

(And thanks for your service, your sacrifice, your guidance, pretty much everything, dad.)

1 In the last 24 hours, Actress Ellen Page has accused director Brett Ratner of sexually harassing her on the set of “X-Men: The Last Stand;”  Richard Dryfuss, whose son was one of the recent accusers of Kevin Spacey, was accused of exposing himself to LA writer Jessica Teich as part of regular harassment while they worked on a TV show in the 1980s (Dreyfus: “: “I emphatically deny ever ‘exposing’ myself to Jessica Teich, whom I have considered a friend for 30 years,…I did flirt with her, and I remember trying to kiss Jessica as part of what I thought was a consensual seduction ritual that went on and on for many years. I am horrified and bewildered to discover that it wasn’t consensual. I didn’t get it. It makes me reassess every relationship I have ever thought was playful and mutual.”); ER star Anthony Edwards accused producer and writer Gary Goddard of in a Medium essay of molesting him when Edwards was a child, and  George Takai, “Sulu” to you, was accused by a former male model of groping him in 1981.

NOW can we call it a witch hunt? If you want to kick a successful Hollywood figure’s career in the groin: accuse him of sexual misconduct! If your own career is flagging and you would like some publicity, and interview, and some ink, accuse someone of sexual misconduct! Do it fast, before someone else dredges up a story about you turning a blind eye to a friend, mentor, or another powerful figure’s misconduct. By all means, don’t make these accusations in formal settings and in a timely fashion so they can be proven or disproven, and so the accused has anything resembling due process and procedural fairness. No, the objective is to simultaneously signal, as quickly and loudly as possible, your #MeToo status, place yourself inextricably in the victims camp, and do maximum damage. By guaranteeing that all of these juicy accusations are lumped together in the media’s feeding frenzy, the legitimate accusations are indistinguishable from the dubious ones.

Quick! Board the Harvey Weinstein Ethics Train Wreck before it leaves the station! And be sure to drag someone on board with you!

2. Waiting 30 plus years to make a public, previously unrevealed accusation of sexual misconduct that will do maximum damage to the accused while ensuring that, guilty or not, that individual cannot convincingly defend himself, should be reserved for only the most egregious examples of serial sexual predators, like Bill Cosby, Harvey Weinstein, and, apparently, Kevin Spacey.

3. George Takai is a an example of how unjust the current mania is. A minor cult figure in the “Star Trek” fan base, Takai had emerged as a champion of gay marriage and built a career resurgence, doing TV commercials, speaking engagements and picking up cameo roles in low budget films. That’s all probably dead now. He provoked this late and fatal hit on his reputation by what his accuser, Scott R. Brunton, wrongly thought was hypocrisy.

Here, via the Hollywood Reporter, is  how Brunton came to attack Takaei now, 37 years after “Sulu” allegedly sexually assaulted him in Portland while playing the role of The Sympathetic Predator: Continue reading →

A Jumbo For Sulu

/ Jack Marshall / 36 Comments

SuluGeorge Takei, the Japanese-America actor permanently enshrined in pop culture history for his role of Sulu in the original “Star Trek” TV series. He has essentially lived off that one felicitous part for forty years, recently acquiring less moldy,  non-sci-fi following by being a gay rights advocate.

Takei recently skimmed, or just didn’t comprehend, Clarence Thomas’s  audacious dissent to the Supreme Court’s Obergefell ruling and Justice Kennedy’s majority opinion declaring same-sex marriage to be a fundamental right protected by the Constitution. Apparently he also does not comprehend that Supreme Court dissents are both stimulating and useful to legal scholars as well as those, unlike Mr. Sulu, possessing an open and curious mind.

Thomas made the unusual but provocative argument that human dignity is innate:

Human dignity has long been understood in this country to be innate. When the Framers proclaimed in the Declaration of Independence that “all men are created equal” and “endowed by their Creator with certain unalienable Rights,” they referred to a vision of mankind in which all humans are created in the image of God and therefore of inherent worth. That vision is the foundation upon which
this Nation was built.

The corollary of that principle is that human dignity cannot be taken away by the government. Slaves did not lose their dignity (any more than they lost their humanity) because the government allowed them to be enslaved. Those held in internment camps did not lose their dignity because the government confined them. And those denied governmental benefits certainly do not lose their dignity because the government denies them those benefits. The government cannot bestow dignity, and it cannot take it away.

Thomas was expressing  his disagreement with the majority that the government withholding the right to marry from gays robbed them of human dignity. I think it is a rather pedantic argument that has more validity in the abstract than in reality, but the position that rights come from creation rather than the government is a core concept in the Declaration of Independence, and one that statists, as in “modern Democrats,” like to ignore. If individuals are born with rights, they cannot be truly taken away. If citizens must look to the government to have their rights granted to them, then government is granted too much power in exchange. Thomas’s philosophical argument is classic conservatism. Naturally, that means, in Takei’s intolerant and partyist world view, that he deserves abuse. Continue reading →