Gynecologist Ryan Stewart announced that he is redesigning his office, and inquired on Twitter, “I’m asking women. How would you design/optimize a visit to the gynecologist’s office?” Terrified, he realized soon after that he had uttered the unwoke, offensive, excluding word…wait for it…”women.” My God, who in this enlightened age would trust a gynecologist who says “women”? So after being properly chastened on social media, Dr. Steward grovelled in a tweet,
“Folks have [correctly] pointed out that I [incorrectly] said ‘women’ when what I should have said was ‘folks who may need gynecologic care,’ Stewart tweeted. “I named the practice with this in mind @midwestpelvis, but I find that I still have a lot of internalized/implicit bias.”
He needs to read his own website. Ryanstewart.com, informs readers,”Dr. Ryan Stewart is a fellowship trained pelvic surgeon specializing in treatment of women with pelvic organ prolapse, urinary incontinence, and pelvic floor dysfunction.”
As the Crystals might sing,
“He’s a weenie and he’ll never ever be any good He’s a weenie ’cause he has to talk like woke people would And even though it makes no sense and he looks like a jackass He’ll say anything to grovel for all their love…”
Seriously, when will normal Americab with self respect and functioning cerebrums wake up, slap themselves in the forehead, and say, “What? I can’t associate myself with these terrified, pathetic, weak-minded people! They’re nuts! They’re creating a police state of the self-deluded! I don’t want to live in a country that’s so sensitive and frightened of words that a gynocologist has to apologize for saying “women”! Have I encouraged this insanity by tolerating it? WHAT HAVE I DONE???“
There is no excuse for this. It is simply abject cowardice and an abdication of duty.
Professor Pritchard was teaching his class about the use of blackface in theater and film, and showed a clip of Laurence Olivier iportraying the tragic hero in “Othello.” (Pritchard called Olivier’s facial covering “blackface,” apparently. I do not. It is called “make-up.”) Some students who are apparently fully-indoctrinated social justice warriors incapable of examining any issue from multiple perspectives—college is supposed to remedy that deficiency—were offended by the topic, and demanded that their instructor write “a well written apology, two pages in length or longer,” and that he read it aloud.
Seldom has “Bite me!” been more appropriate as a response in an academic setting. You might want to take a Dramamine before reading on.
Mentioning the Olivier film (which was discussed on Ethics Alarms here), the letter, composed by one student and signed by eleven others, states,
…After this was shown to us, our professor asked if Othello being played by a white man took away from the performance. Our answer was yes, because the actor was in blackface, an inherently racist performance from its origins. Blackface – and any other practice that alters one’s appearance, poise, and vernacular to the stereotype of a group of people, especially of race – dehumanizes the identity of marginalized people into a stereotype one can wear as a costume. Whitewashing (which includes blackface and yellowface) profits off a group’s oppression, but never has to experience the consequences of living that identity. Makeup can be washed off, but POC have to live with the violence that comes with being part of a marginalized group….[The professor] then facilitated an argument as to whether or not whitewashing was acceptable, and this made the students – especially students of color – very uncomfortable. When we said that Lawrence Olivier in blackface was not acceptable, our professor played devil’s advocate, and this made the students of color incredibly uncomfortable because it was shocking and felt aggressive that our professor was making room to excuse blackface …Some students were shaken for the rest of the day, and days to follow. Our professor asked us to compare two hypothetical actors – a Black man and a white man – both in the role of Othello. He asked, if the Black man had a poorer performance than the white man in this role, wouldn’t it be acceptable for the white man to play Othello? He was asking us if a white man could do a better job of playing a Black character than a Black man,”
For the record, the position here, as an ethicist, lawyer but mostly as a stage director with some reputation for being innovative, any race and any gender can play any role, and if he or she is the artist with the talents to ensure the best performance, in the sole judgment of the director, should. Going on…
A while back I asked readers if I should start a “Weenie of the Week” category or its equivalent. The feedback was mostlynegative, but I still have to shine a sickly green light on those who are eroding my free speech rights by refusing to fight for their own.
Back in May, the owner of the NFL’s Houston Texans owner Cal McNair commented during the team’s Charity Golf Classic at River Oaks Country Club, “I’m sorry that we couldn’t get together last year, because of the China virus.”
For some reason, a muckraking political correctness-fomenting sports journalist named Michael Silver decided that this was a scandal, or a scoop, or something, now, months later. “Said one unnamed witness,” Silver writes, ‘Everyone gasped, especially the people directly across from him.'” Gasped! My god, the man called a virus that unquestionable began in China the “China virus”! This was “racially insensitive” says NBC Sports, echoing Silver.
No, it wasn’t.
Never mind: McNair, showing himself to have the spine of an annelid worm, quickly grovelled an apology:
“My comments at the event last May included an inappropriate choice of words. I immediately apologized to people who approached me then and I apologize again now. I know how important it is to choose my words carefully. I would never want to offend anyone.”
Even as forced apologies go, this one is especially cringe-worthy. No, the words were not “inappropriate,” they were accurate. Ooh, better choose your words carefully so as not to trigger those who will try to ruin anyone who doesn’t obey the political correctness edicts from the Left! The only way not to “offend anyone” is to avoid speaking and writing.
I hereby move that people who prove they have been thoroughly weenie-ized save us time by skipping these sickening, virtue-signaling apology by simply stating, “I love Big Brother,” and get it over with. That’s what this kind of grovel means. Maybe they should sign a registry or something that gets them discounts on Coca-Cola products.
But…but…TRUUUUUMP! “The term used by McNair was used multiple times by the former president in the early months of the pandemic, and many still use the term (and similar ones) when referring to COVID-19 without apologizing or even flinching,” writes good little censorship soldier, NBC’s Mike Florio. Bite me, Mike: I’m one of those many, though I prefer the more specific “Wuhan virus.” You tell me why a completely accurate name is “racially insensitive.” I’ve asked many lock-step woke friends and relatives to explain what racially insensitive, and the answer basically comes down to “Trump used it, and he’s a racist” or “Because that’s what the directive from The Ministry Of Truth” says. Then there are wimpers about all the Asian Americans being attacked when there is scant evidence that what we call the virus has anything to do with such incidents, and since when did we let the actions of idiots determine what information has to be de facto censored?
Composer and musician Bright Sheng, is the Chinese-born Leonard Bernstein Distinguished University Professor of Composition at the University of Michigan. When he received a MacArthur “genius” fellowship in 2001, the Foundation described him as “an innovative composer whose skillful orchestrations bridge East and West, lyrical and dissonant styles, and historical and contemporary themes to create compositions that resonate with audiences around the world.”
Sheng screened the 1965 film version of Shakespeare’s “Othello” in his class as part of a lesson about how the tragedy was adapted for the opera. It stars the late Sir Laurence Olivier, widely regarded as the greatest living English actor of his day and a definitive interpreter of Shakespeare, as the tragic hero Othello, a Moor. Some students who saw the film—hell, maybe all of them: they’ve all been indoctrinated into knee-jerk progressive conformity– were upset that Olivier’s face was covered in black make-up, though he was white and the character he was playing is black, so such a disguise would seem to be obligatory. This is the function of what actors call “make-up.”
Students complained to the administration that Olivier’s make-up made them feel “unsafe.” Unsafe from what? From the make-up? From Olivier, who is long-dead? From Iago, the white villain of the play?
Harry Truman liked to say “If you can’t stand the heat, stay out of the kitchen.” That applies in a lot of fields, but perhaps nowhere more than in the field of humor and satire in these days where would-be censors and race-baiters slither across the landscape. If you are going to venture into these dangerous environs (what they endanger is free speech, expression, and freedom itself), you better have the courage of conviction and willingness to fight the adventure requires. If not, you will make things worse. You will become part of the problem, and it is a big problem.
Gene Weingarten is a longtime columnist for the Washington Post, I’ve written about one of his serious pieces here (also here) and had debates with him via email on occasion. He often writes humorous columns, and it was one of those that unjustly made him the target of the social media mobs.
I assume Gene was a little stuck for a topic, because his theme, foods he won’t eat, is a pretty hoary one. I have read very similar joke essays by other writers, going back to Robert Benchley. Clarence Darrow used to riff on foods he didn’t like: he once said, “I don’t like spinach, and I’m glad I don’t, because if I liked it I’d eat it, and I’d just hate it.“ Another of Darrow’s was “I don’t like turnips, and I don’t like anyone who does.”
So Weingarten whipped off a lazy column joking about all the foods he says he hates; remember, actually hating them isn’t an ethical requirement. The idea is just a platform to justify snarkiness and to make silly comments like ” Balsamic vinegar likely broke up the Beatles.” Among his targets: Old Bay seasoning (hate it), hazelnut (I agree), anchovies (it depends), blue cheese (yecchh), pizza with more than two toppings (I think that’s about right), “garbage sushi,” meaning junk like California rolls (not worth hating) and sweet pickles (absolutely). It should be obvious to a spaniel that all of his laments are tongue in cheek, but that spaniel might object to “Drowning good food in wildly disparate other tastes is — I do not mean to exaggerate — like drowning puppies in a toilet.”
Eastman Kodak issued an Instagram post featuring images of Xinjiang, a western Chinese region where the government of China has committed horrific human rights violations
The post promoted the work of French photographer Patrick Wack, who made several trips to Xinjiang in recent years and has collected his damning images—all shot on Kodak film— into a book. Kodak shared 10 of his images with its 839,000 Instagram followers. In the Kodak post and on his own Instagram account, Wack described his images as a visual narrative of Xinjiang’s “abrupt descent into an Orwellian dystopia” over the past five years.
Oh-oh! As the disgraceful U.S. complicity in China’s Wuhan virus cover-up (also Orwellian) has shown, you don’t dare call China’s brutal regime what it is or demand accountability. Chinese social media users attacked Kodak, but Kodak, staying true to American principles of freedom of expression and refusing to bend a knee to tyranny, held its ground as it continued to support Wack and his work.
KIDDING!
I was just messing with you…of course Kodak deleted the post and grovelled an apology for “any misunderstanding or offense” that it might have caused. China, you see, is a big market.
So while our corporate giants have no hesitation in bombarding the gullible with nostrums during “these difficult times,” and announce their fealty to #MeToo, “antiracism,” and Black Lives Matter to pander to various consumers, never think that they really care about anything but their global profits.
Capitalism confers many benefits on society, but courage, integrity, and ethical values are not among them, and never have been.
I need a graphic for “The Great Stupid,” but until I get one, that clip above from Ed Wood’s masterpiece, “Plan Nine From Outer Space,” will have to do. I have to check back and find out which generous reader sent me this after I asked if there was a “Stupid, stupid!” equivalent of the “Madness! Madness!” clip from “Bridge Over The River Kwai.”That’s the immortal Dudley Manlove uttering those words, by the way. And that was his real name!
Update: Commenter Wallphone found the “Plan Nine” clip, and has my enduring gratitude.
Here are some especially annoying recent developments on the incoherent “systemic racism” front.
1. Philonase Floyd, the brother of the late, great,George Floyd, said, following the sentencing of Derek Chauvin, “I just want to reiterate: not just black lives matter, all lives matter.” Strangely, he was not immediately condemned as a racist or racially insensitive and forced to apologize like so many others who were hounded mercilessly for saying “all lives matter.” Of course, the explanation is that Floyd’s skin shade gives him license to say “all lives matter.”
I only want to know the rules, that’s all. That seems like a reasonable request. But the systemic racism scam is truly Calvinball.The rules are made up and changed according to whatever is expedient at the time. Incidentally, there is a politician named Calvin Ball who is the county executive of Howard County, Maryland. Guess his party and race. [Hint: He’s allowed to say “All lives matter.”]
2. There has to be some designation for the cowards and enablers of rising totalitarianism that accurately describes sniveling traitors to democracy like Charlette LeFevre and Philip Lipson, the directors of Capitol Hill Pride in Seattle. I was considering the “Winston Smith Award,” but that seems unfair to Orwell’s tragic hero.
“It has come to our attention that an event called ‘Take B(l)ack Pride’ at the Jimi Hendrix public park June 26th is charging Whites only admission as reparations. We consider this reverse discrimination in its worse form and we feel we are being attacked for not supporting due to disparaging and hostile e-mails. We will never charge admission over the color of a person’s skin and we resent being attacked for standing in those values.”
Quite a while ago—I’m afraid to check—I asked readers to submit nominees for popular songs with an ethics theme or lesson. Lorne Greene’s one hit recording ( his vocal version of the “Bonanza” song did not fly off the shelves) was “Ringo,” a pretty blatant rip-off of Jimmy Dean’s “Big John,” was one of the first on the list. I received quite a few suggested songs but events overtook me, and I never finished the project. It is in a growing list of promised future content that I have yet to deliver, including missing parts to multi-part posts. I apologize to readers for all of them, but I also intend to make good on all of them, though the ethics songs compilation is understandably low priority. I was happy to finally finish the Ethics Guide to “Miracle on 34th Street” after it languished for a year. The top priorities on the catch-up list right now are Part II of Three Ethics Metaphors: The Rise, The Presidency And The Fall Of Donald J. Trump—that will be on the “Animal House” parade plot metaphor for Trump’s election—and, of course, the long-delayed Part III of The Pandemic Creates A Classic And Difficult Ethics Conflict, But The Resolution Is Clear.
Back to Lorne: I met him once, on a Santa Monica beach. He was in swimming trunks, and with his family, extremely friendly, tanned and wearing his hairpiece, which was fantastic. Like several other stars I have met in person, Greene was so strikingly attractive that he would make anyone turn their heads on a street even if you had no idea who he was. Unlike most of the others, he appeared to be a genuinely nice guy.
1. Proud to be off Twitter, Reason #569: After Twitter received notice of its noncompliance with India’s information technology laws, demanding that the company remove content critical of the government’s handling of the pandemic and about farmers’ protests, including tweets by journalists, activists and politicians, Twitter pulled itself up to its full metaphorical height, puffed itself up like blowfish, and protested in part, “We are concerned by recent events regarding our employees in India and the potential threat to freedom of expression for the people we serve.”
Twitter actually said that it cares about freedom of expression! Then, last week, after Nigeria blocked Twitter, it had the gall to tweet…
This, from the platform that censored the Hunter Biden laptop story and banned President Trump. The Hanlon’s Razor question of whether these are bad people or just stupid people now becomes irrelevant. It’s unethical to operate a powerful communications platform when you are so stupid.
June 5, the day before D-Day, is another date chock full of ethics history. It doesn’t count, but Ronald Reagan died on this date in 2004: I was just thinking that the Great Stupid would have killed him. In Presidential history, this was the day, in 1888, President Grover Cleveland vetoed a bill that would have given a pension to war widow Johanna Loewinger, whose Civil War vet husband died 14 years after being discharged from the army. He was discharged a little less than a year after enlisting for what the army surgeon’s certificate called chronic diarrhea. Loewinger received his pension until he cut his throat in 1876. When Johanna applied for a widow’s pension it was denied; his suicide was not considered to be caused by his military service. Johanna argued that the death was part of the insanity triggered by his war service, and appealed to a member of Congress to petition Cleveland with a bill. But the President declared all previous inquests into the former soldier’s unfortunate death to be satisfactory. Mrs. Loewinger got no pension.
I always thought this was gutsy of Cleveland (or something), since he had paid someone to serve in the Union army for him after he was drafted. But there were bigger ethics landmarks on June 5:
“The Weenie of the Week” will recognize those who enable censors, political correctness mobs, totalitarians, cancel culture terrorists and the rising fascist tide in America by prostrating themselves and groveling for forgiveness when in truth they have done nothing wrong.
Although the term “weenie” is light-hearted in its terminology, the conduct earning the title is serious and despicable. These are not only pathetic cowards, though they are certainly that. They are the modern, domestic versions of “good Germans,” who, for their own self-interests and nothing more, are willing to reject our nation’s core rights and liberties, weaken them, and indeed join the increasingly ominous effort to suffocate free expression, dissent, creativity and humor.
Comedian and former “Tonight Show” host Jay Leno begins what I fear will be a long line.
Yesterday he issued an apology for making jokes in the past about Koreans eating dog meat after a 15-year campaign by the activist group Media Action Network for Asian Americans (MANAA).
“At the time I did those jokes, I genuinely thought them to be harmless,” Leno said in a joint press release with MANAA leader Guy Aoki: “I was making fun of our enemy North Korea, and like most jokes, there was a ring of truth to them.”
Ethics Alarms 