Yes, it’s come to this.
The last time I had to write about attacks on the children’s Christmas song “Rudolph the Red-Nosed Reindeer,” it involved a school capitulating to a single Jewish parent who complained that teaching students the song indoctrinated kids into Christianity. (Naturally, the school capitulated, and banned Rudolph.) This time the complaints involve the ancient Rankin-Bass Puppetoon version of the story, which invades our TV sets every Christmas season. Here’s the account of quirky blog Victory Girls, after citing various tweets and blog criticism of the show from newly woke Americans:
Santa is a big, fat jerk and a bigoted, d*ck, apparently. Rudolph’s father was “abusive”. Comet was a terrible coach. Yukon Cornelius is a gun-toting redneck who engages in animal cruelty. GASP! And who isn’t triggered by Burl Ives’ character, Sam the Snowman?! He’s ALL WHITE for crying out loud! If you sing along to any Burl Ives’ Christmas Carols, you might be a white supremacist. Delete all Burl Ives Christmas tunes from your Apple playlist STAT! Never mind, I forgot. These folks would never know how to have a Holly, Jolly Christmas if someone threw it at them and gave it to them gratis and called it a college education.
As a kid in the 70s and 80s, I would look for its listing in the TV Guide. Rudolph the Red Nosed Reindeer was one of my most beloved, go-to Christmas classics and still is. But now, in the days of woke, the story behind Rudolph the Red Nosed Reindeer is “seriously problematic” and those who don’t see it this way have “serious problems”. Those people are, according to the hyper-vigilant SJWs, Conservatives. Whilst making tongue-in-cheek social justice commentary about Rudolph, they have neglected the key takeaways of this story from years ago. Although he was bullied, left out of all of the reindeer games, unaccepted, different-quirky even-young Rudolph was able to overcome and do something absolutely great. He saved the day! He made kids smile. And his story is magical. He didn’t stomp his hooves and whine and go to a “safe space” and resign himself to life being too hard as a red-nosed reindeer and call it quits. He didn’t blame others and become a victim. He didn’t expect special treatment or demand it from his peers because he was different. He may have shed some tears and that’s okay. When given a challenge, he rose to the occasion and excelled and proved his biggest critics and his bullies wrong.
If your goal is to tear down current American society and remake the culture—and that is what current progressive activists want to do, and are making alarming headway—deriding and poisoning cultural icons and popular stories and songs is essential. This is Maoism, U.S. style. It takes no great talent to deliberately look for a negative interpretation of any work of art, story or tradition, and as this dumb controversy (and the similar one regarding “A Charlie Brown Thanksgiving”) proves, nothing is safe. It is all part of cultural bullying and indoctrination. As Victory Girls correctly notes, the story of Rudolph resonates with kids because the moral is legitimately inspiring, and intrinsically American. Underdogs (or underdeer?), can and do prevail. Special talents and and features of an individual that no one appreciates for years or decades can suddenly win accolades, solve problems, or change lives. The story doesn’t encourage bullying; it shows how individuals rise above bullying. The story of Rudolph is similar to the true story of Ethics Alarms Hall of Heroes inductee Desmond Doss, except that he didn’t have antlers.
I confess: I never liked the Rankin -Bass cartoons, none of them, even though they starred some of my favorite performers, like Danny Kaye, Fred Astaire, Mickey Rooney and Burl Ives. I can’t even remember if I ever watched the Rudolph adaptation all the way through. Gene Autry’s song, however, is beyond reproach. (Incidentally, Gene didn’t write this, the biggest of his many Christmas hits, though he did write others, like “Here Comes Santa Clause.” Gene didn’t even like the song initially: his wife did, and persuaded him to record it. It’s a magic song…inexplicably catchy and memorable. His version is the second-highest selling recording of all time, just behind Bing’s “White Christmas.” Boy, wait until the political correctness crowd sets its sights on that one…)
We can’t tell from the song lyrics whether Santa stopped the reindeer from being mean to Rudolph; I always assumed he did, being Santa. The lyrics only say they they used to call Rudolph names. This is good zoology, by the way: animals typically isolate and shun members of their species who seem too different: it’s part of natural selection.
The song also doesn’t say that Rudolph wasn’t a regular part of the team. Again, I always assumed he was. “Dasher and Dancer and Prancer and Vixen, Comet and Cupid and Donner and Blitzen” were the team when “The Night Before Christmas” (“A Visit From St. Nicholas”) was written in 1823. The average lifespan for a reindeer is just 4.5 years. Even assuming that the flying variety is more hardy, that team was long gone when the song was written in 1939, when the team consisted of Biff, Myrtle, Flippy, Bambi, Clomper, Jellynose, Gherkin, Millard, and Agamemnon. Rudolph was in the back, until that fateful foggy Christmas night, when Santa had his brainstorm.
Glad I could clear that up.