And, from my perspective, I have been taught, once again, that I should not rely on the opinions of others. Why is that such a difficult lesson to process? I bet I’ve “learned” it a thousand times, and yet here we are.
I initially wrote about pundit Rod Dreher’s angry assessment of the Netflix hit (it is one of the most streamed productions in its history) in this post. I think it was clear that I hadn’t seen “Cuties” myself, but I should not have written that he was disgusted “with good reason.” Veteran commenter Humble Talent provided Ethics Alarms with his critical assessment of “Cuties” in his Comment of the Day; it was negative as well. Having now watched the film with my wife last night (I regarded the session as work, not recreation), I understand what Dreher’s perspective was, and I cannot say that Humble’s critique is “wrong.”
I disagree with both of them, however.
My thoughts on “Cuties”:
1. I did not enjoy the movie. I would not watch it again. I would watch “1918,” “Parasite,” “The Circle“…even “JFK,” “Ghost” and “La La Land,’ all movies I felt were at best disappointing and at worst ridiculously over-hyped, before I would sit through “Cuties” again. (I would rather watch “Cuties” than revisit “The Deer Hunter,” but then I would rather have my fingernails pulled out than revisit “The Deer Hunter.”)
2. That doesn’t not mean I think “Cuties” is a bad movie. It’s a very good movie, for the audience it was made for. (“Ghost” is not a good movie, and anyone who thinks so is a tasteless sap.) This isn’t just a “chick flick,” it is a flick that men should be warned not to see, and possibly banned from trying.
3. As a man, I felt like a voyeur watching these semi-pubescent girls try to navigate their emerging sexuality and the corrosive influence of the culture. It’s not that I’m uninterested in this aspect of a reality I didn’t experience, it’s just that…ick. My wife, on the other hand, who grew up with three sisters, kept asking, “So what was supposed to be so objectionable about this?”
4. If art is supposed to convey truth, “Cuties” succeeds, I suspect. Of course, just because a story is true or embodies truth doesn’t mean it needs to be made into a movie. This precise topic has been dealt with before, but never so directly, at least in any movie that has been widely publicized.
5. I agree with Humble’s complaint that the director—a woman, of course—focused the camera on the girl’s bodies as they gyrated and twerked to the verge of salaciousness. I’m sure she would have a good answer for why she made this choice, and why it was artistically valid, but it was still a troubling choice.
6. I thought the girls were all excellent, and several were remarkable. That does not mitigate one of my ethical objections to the film, which is that juveniles were given this kind of material to absorb and experience. It doesn’t matter that they performed it well, and it doesn’t matter that the movie could only be made with pre-teen actresses. Nor will it change my view if they all grow up to be well-adjusted and happy adults: that’s moral luck. The actresses were below the age of consent, and should not be asked to/ compelled to perform such material. The parents who consented for them are irresponsible and unethical, just as Dakota Fanning’s parents were unethical to allow her to be in a graphic rape scene in “Hounddog,” just as Brooke Shields’ parents were unethical to allow her to appear as a pre-teen prostitute in “Pretty Baby,” just as Linda Blair’s parents were unethical to allow her to play the possessed girl in “The Exorcist.” I may ask child performer advocate Paul Peterson to author a guest column on his view of “Cuties.” I think I know what he will say.
7. One of the major complaints about the film is that it will appeal to pedophiles. That’s an unfair reason to criticize a movie: the fact that sick people will like it for the wrong reasons. I refuse to believe that pedophiles are the intended audience, nor that either the director or Netflix were seeking to entertain men who have a sexual fixation on little girls. I’m sure “Seabiscuit” titillated some people who fantasize about having sex with horses.
8. The runaway success of “Cuties” is as fine an example of “The Streisand Effect” as we are likely to find. The only reason a film like this, focusing on a Muslim pre-teen coping with her family stresses by becoming obsessed with sexually provocative dancing that is rampant among girls just slightly older, becomes an cultural phenomenon is if it is controversial. Critics like Dreher guaranteed that many more people would watch “Cuties” than the subject matter would normally draw. It’s not titillating or enjoyable to watch 11-year-olds get into sexually provocative costumes and make-up and act like go-go dancers in a cage. It’s creepy, and it’s supposed to be creepy. But Dreher and the other would-be conservative cultural gate-keepers made sure that the pervs would find “Cuties” and settle down to watch with their lotion handy. Good job, everybody!