Res Ipsa Loquitur: Incompetent Elected Official Of The Month, Minnesota State Sen. Calvin Bahr (R)

Stay classy, Senator.

Minnesota lawmaker Calvin Bahr took part in a Minnesota Office of the Legislative Auditor Zoom meeting that was streamed on YouTube yesterday. For some incomprehensible reason, he couldn’t be bothered to put on a shirt. When the time comes for him to vote on something or other, Bahr appears bare-torsoed with a School House Rock “I’m Just a Bill” background behind him, then the camera quickly switches off to show just his name on a black screen.

He appeared to be lying on his side. Maybe he’s sick: it doesn’t matter. He had an obligation to make an effort to be professional. He represents the citizens of Minnesota.

A few weeks before he died of cancer, John Wayne got out of bed, pulled on a wet suit to wear under his tux so his weight loss wouldn’t be so obvious, and appeared as a presenter at the Oscars. He got dressed because he respected the institution, his industry, and the American public he knew would be watching. Senator Bahr could have mustered the energy to pull on a damn shirt. That he appeared this way in an official meeting with his colleagues demonstrates an absence of dignity, decorum, respect and common sense.

Today’s IIPTDXTTNMIAFB…

That’s “Imagine if President Trump did X that the news media is accepting from Biden.”

I hate quoting the GOP hit machine, but sometimes attention mus be paid.

All I ask is for the same standards of decorum, taste and civility to be applied equally, fairly and objectively. Is that so unreasonable?

I’m assuming that the “boy” Biden was addressing was not black. However, if Trump had dared to use a similarly condescending term, it would have been cited as further evidence of his autocratic instincts.

Signature Significance: Tucker Carlson Generously Demonstrates Why He Had To Be Fired

It was really nice of Tucker Carlson, while his former bosses were being condemned and attacked throughout the conservative news media, to go on a podcast and demonstrate exactly why any responsible news organization would be ethically obligated to show him the gate. I’m sure that wasn’t his intent, but the fact that he doesn’t even recognize the implications of his own words is an additional reason why he had to go. He’s irresponsible. He’s untrustworthy. He is a demagogue, and, I suspect, a sociopath. People like Carlson—Father Coughlin, Joe McCarthy, General Edwin Walker, Alex Jones, Robert Welch and so many more—abuse the First Amendment and are, to be blunt, destructive to the nation.

On the podcast of another Fox News exile , Carlson said,

“If you say, like, ‘What actually happened with building 7? Like that is weird, right? It doesn’t—like, what is that?’… If you were to say something like that on television, they’d flip out. They would flip out. So you’d, like, lose your job over that. It’s an attack on my country. Can I ask? I don’t really understand. Do buildings actually collapse? No, they—maybe they do. I don’t know. But, like, why can’t I ask questions about that?”

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Enjoying Seeing Open Borders Hypocrites Squirm, Part II

It is rather glorious, though I can wipe the smile off my face by remembering how many doltish knee-jerks fall for the posturing of such unscrupulous politicians as Eric Adams, the mayor of NYC, and Lorie Lightfoot, the deservedly soon-to-be-unemployed mayor of Chicago. New York, Chicago, and Washington, D.C. are sanctuary cities (among others), which means that they literally invited illegal immigrants to defy U.S. laws and cross our borders. Welcoming them sent the message that major American metropolises would not assist in the enforcement of our laws, and the cynical non-performance of the Department of Homeland Security reinforced that message.

Now those cities are freaking out as the prospect of more illegals being transported to their metaphorical doorsteps and left there like abandoned babies of yore yawns before them. (Good.) The Title 42 policy, which is about to expire with the already unethically extended pandemic public health emergency, will no longer be around to discourage border-crossers, and it is estimated that 10,000 of them will arrive daily once the public health restrictions end. As usual, it will be the border towns that bear the brunt of the chaos, though those municipalities are emphatically not sanctuaries. Texas governor Greg Abbott, and probably some other governors as well, will resume his policy of busing as many of the invaders to sanctuary cities as possible, causing sanctuary city mayors to cry out indignantly about having to deal with the problem they helped create.

Part I of this theme, if you have forgotten, was posted here last September. That’s when the smug little enclave of Martha’s Vineyard, which sported “Illegals welcome!” signs like this…

was suddenly faced with actual people arriving. The islanders did not take it well. The towns treated the “migrants” little better than Alex Kintner-eating sharks, and quickly shipped the newly arrived border-defiers to a military base, triggering MSNBC’s progressive hacks and Hillary Clinton to claim that governors who transport illegals to welcoming shores areengaged in “human trafficking.” This was both legal and logical nonsense. Then Gavin Newsom, whose whole state is a “sanctuary,’ accused Abbott of “using kids as political pawns.” This raised raised the bar in the hypocrisy competition, for, as the EA post noted, “The Open Borders progressives have applauded the illegal use of children by border-breaching aliens, and revved up the “Think of the children!” chorus to a scream when President Trump had to separate alien children from illegally migrating parents in the same emergency enclosures Obama used…”

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A Bar Owner Learns That If You Are Going To Grandstand On A Principle You Better Be Ready To Accept The Consequences

At least I hope that he’s learned that. Right now, he looks like a phony, a hypocrite, and an idiot.

First, McKinley Minniefield, the owner of Fairfax Bar and Grill in Bloomington, Indiana, a college town where the woke wun fwee, issued a ringing statement on Facebook informing patrons that those who objected to transgender performance artist Dylan Mulvaney’s embrace by Bud Light would no longer be welcome in his establishment. “We are tired of all of the hate. We are very open to debate and discussion and it’s truly a shame that we can’t have open conversations about this important political and cultural topic,” Minniefield wrote. “Unfortunately due to all of the bigotry and hatred that has surfaced around the Bud Light controversy any patron wanting to voice their concerns about the issue will be immediately asked to pay their bill and leave our establishment.”

How collegiate of him! He’s open to debate and discussion, but not if the views discussed are the “wrong” ones.

“If you are intolerant of other humans of any kind, we ask that you keep your opinions to yourself. Should you feel the need to discuss this matter in public you will be asked to leave. We will not tolerate intolerance here,” the post continued. You would think the obvious contradiction in that last bit would have tipped the bar owner off that he was on metaphorical thin ice ethically, but apparently not.

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Unethical Quote Of The Month: San Francisco Homeless Resident Joseph Peterson

“I just stole to eat.”

 —Joseph Peterson, a homeless man in San Francisco, lamenting the demise of the Whole Foods in his neighborhood and attempting to draw a material distinction between the rampant theft from the store by those seeking to sell what they stole, and his own shoplifting.

And there it is! In such carefully crafted rationalizations lie the seeds of societal rot. Peterson thinks his personal shoplifting—he cops to stealing macaroni and cheese and chicken from the hot food bar at the now closed grocery store a number of times, but believes that his theft is justifiable, unlike those who wanted to sell their heist for cash. Also believing his thefts were justifiable are many of San Francisco’s elected officials. They also believe that the “bad” shoplifters in Peterson’s view are equally justified, and in fact they are. What’s the ethical difference between stealing food to eat it, and stealing food to sell and use the money for other needs? There is none. In both cases, the expense of the food stolen is borne by other city residents, who will have to pay higher prices for their food, unless the prices become so high that they resort to theft as well.

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From The “Res Ipsa Loquitur” Files: This Is The Level Of Critical Thought Being Cultivated At The University of North Carolina

Yes, these students believe that bumper stickers and lawn signs are profound revelations of discovered truth.

In related news, some UNC students “drove home” because they “were scared for their safety in anticipation” of Mike Pence speaking on campus. That’s Mike Pence—you know, the almost invisible VP in the Trump administration who allowed the cast of “Hamilton” to harass him at a performance, and who will soon take his place in history among so many irrelevant and forgettable Vice-Presidents like Walter Mondale and Dan Quayle.

Scary!

In Spain, Putting Little People Out Of Work In Order To Save Them

The cognitive dissonance created by the use of little people, aka. dwarfs and midgets, to make normal size people laugh has bothered me for a very long time. I remember attending the final game of Baltimore Orioles great Brooks Robinson in 1977 (he retired when he decided he could no longer play up to his standards, rather than hanging on and collecting his contract salary to the bitter end. Those were the days…). As a part of the ceremony, the crowd was treated to the spectacle of a 3’8″ man wearing Robinson’s number re-enacting some of his most famous fielding plays at third base.

The audience roared; my family and I were appalled, but then, that was Baltimore. I decided, after pondering the matter, that eventually the bad taste of such performances would make them obsolete, which would be a boon to civilization, but if height-challenged individuals consented to participating in the acts and were paid, the “entertainment” was at least arguably ethical. It wasn’t unethical. And sure enough, when the Orioles franchise was sold a few years later, the use of Little People as gags and mascots ended.

Now comes the news that Spain’s parliament last week banned bullfighting featuring dwarfs in costumes, including routines where the the Little People pretended to be bull-fighters. In those instances, they “fought” small bulls and calves but didn’t hurt them, unlike the full-size matadors who stab and kill the full-size bulls. Little People also have entertained bull-fight crowds in Spain for decades by performing like American rodeo clowns, chasing and being chased by the bulls. As with the Baltimore Orioles’ small performers, the practice is slowly losing support and popularity.

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“Phantom” And Lyrical Integrity

“The Phantom of the Opera” finally closed on Broadway last month after running more than 35 years and a record-setting 13,981 performances. Most of the musicals on the list of the longest-running shows are junk between “Phantom” and #17, “Fiddler on the Roof” (though not #7, “A Chorus Line”), but “The Phantom of the Opera” isn’t, though more for its staging and atmospherics than its music. I saw the show long ago at the West End in London, prepared to find it over-rated, but it really isn’t.

However, before it passes into history (and you’re not going to see a lot of high school, college and community theater productions of this monster), I have to mention something about the lyrics (by Charles Hart; Andrew Lloyd Webber composed the music) that bothered me the first time I heard the score, when I saw the show, and now. The ethics issue is integrity, and I know some readers are going to decide that the topic of cheating in hit Broadway show lyrics is too trivial to think about. Au contraire, as the Phantom might say (the show does take place in Paris, after all). Nothing involving ethics is too trivial to think about: that’s been the operating principle here from the beginning. Besides, I write song lyrics as part of what is laughingly called my job. I care about doing it right.

In the title song of “The Phantom of the Opera” (called, as I bet you could guess, “The Phantom of the Opera”) the rather central word “opera” is pronounced two different ways to fit with the music. “Opera” is generally pronounced in English as a two-syllable word (“op-ra”), and indeed it is in part of the song, as you will note in the ridiculous music video made with the show’s original “Christine,” Sarah Brightman, above. However, through most of the song, opera is sung as three-syllable word, “op-er-a.”

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