Above is Dr. Fauci during his baseball game theater last year, when he went out to the mound at Nationals Park to throw out the first pitch, and wore a facemask, though he was outdoors, there were no fans in the stands, and nobody was within a hundred feet of him. Then, once he thought he was off-camera, he took off his mask while sitting right next to two friends who were wearing theirs, for some reason. Thanks in great part to Fauci’s misinformation and pandemic fear-mongering, when I attended a Nats game this year I was required to wear a mask between bites of my hotdog, again despite there being nobody near me. What fun. Yet here is Fauci’s quote:
This email, one of thousands being perused after a Freedom of Information Act dump, demonstrates that the CDC official advising the Trump administration and treated like a benign, all-knowing God of Science during the first year of the pandemic was and is a manipulative, two-faced, untrustworthy hack.
This should not shock anyone at this point, though Fauci worshipers, like mask worshipers (my sister wears two, in her car alone, still) will probably be in lifetime denial. Oh, heck, let me digress to an example. My woke-diseased baseball writer/ lawyer colleague, Craig Calcaterra, who is peddling a substack baseball commentary newsletter that I would eagerly subscribe to if he could resist off-topic progressive madness, wrote today in part,
I like to use this clip to start the day at least once a month….I’m also trying to overcome my cognitive dissonance regarding the film it’s from, in my view the greatest film musical ever made (no better one is likely to appear in the future), and the fact that the man it was made to honor, songwriter Arthur Freed who also ran MGM’s musical division during its “Golden Age,” exposed himself to a teenaged Shirley Temple when she was considering a move to that studio after her singing and dancing tot career at RKO had been ended by hormones. That information, which I only discovered this year, really has made “Singin’ in the Rain” hard to watch for me, much as O.J. Simpson’s presence almost ruins “The Naked Gun.”
1. Speaking of movie clips, this one is apt:
Actor John Cena posted a video to Sena Wiebo, China’s Twitterish social media platform, apologizing to Chinese fans—in Mandarin!– for calling Taiwan a “country” in his recent interview promoting “F9,” the latest installment of the “Fast & Furious” franchise. What a weasel. There may be diplomatic reasons that justify apologies to China, but an American citizen kowtowing to this Evil Empire (that just recently gave its citizens permission to have up to three children) is despicable. China maintains that it has dominion over Taiwan, a self-governed democracy that maintains its own sovereignty, while China is, in essence, a totalitarian regime. Cena grovelled because Chinese ticket sales are an essential part of most Hollywood movies’ profit, but apparently he did not grovel enough for China, and too much for Americans.
Ticket sales for “F9” in China have crashed, according to the Hollywood Reporter, because Cena was supposed to say that Taiwan is part of China. They have crashed in the U.S., because the kinds of Americans who are likely to go to “Fast and Furious” films tend not to appreciate actors who suck up to a genocidal, pandemic-spreading international menace.
2. Regarding Donald Trump, please refer to everything I wrote about him prior to November, 2016. His latest fiasco, the one-month blog that was just pulled down with all of its posts deleted, is signature significance. Trump doesn’t have sufficient respect for his followers, his party or the world in general to plan, be responsible, appear trustworthy, or to do or say anything but what pops into his head at a given moment. If he cared about the nation, he would be working to find a younger, less polarizing figure. Ideally, this individual would be blessed with charisma and ability, and could hold on to Trump’s supporters while appealing to NeverTrump conservatives and those disgusted with the Biden administration. That should be just about everybody who doesn’t advocate repealing the Bill of Rights. Instead, he’s on his usual ego trip, giving the news media constant opportunities to use his nonsense to keep the Trump Hate pandemic raging, and the public distracted from real problems, like…
By purest coincidence, Tucker Carlson had a segment on Fox New last night about the federal government’s wild horse fiasco (I didn’t see it), a topic I’ve had on the Ethics Alarms issue runway for the better part of a month.
The Bureau of Land Management is charged with the care of the nation’s wild horses and burros. These once numbered in the millions in North America, but after the Western settlement and the diminishing of the open range after the 19 century, the beasts were widely hunted and turned into fertilizer and dog food.By 1971, when they were finally given protection by law, there were fewer than 20,000 left. But freed from predators (like man) wild horse herds increase by about 20% a year. The herds started growing faster than the government had planned or budgeted for.
About 3,500 mustangs and burros a year are rounded up and resettled into a network of government storage pastures and corrals known the holding system. The 51,000 animals in the system cost taxpayers $60 million a year, leaving little in the budget to protect the rest of the wild mustangs running free. Legislators and regulators are afraid of the wrath of PETA and voters who would he horrified at the government killing these symbols of the old West and wild America, so the country is stuck. What to do?
Well, some genius came up with the Adoption Incentive Program in 2019, which was supposed to move wild mustangs and burros out of government corrals into what dog rescue groups call “forever homes.” Horse-lovers were paid a cool $1,000 for each equine friend they adopted, a good deal for Uncle Sam, who has to pay an average of $24,000 during the lifetime of each wild horse. Thousands of alleged wild horse enthusiasts signed up to get their horses and checks. The number of horses leaving the holding system more than doubled. The Bureau of Land Management pronounced it “a win for all involved” that was helping “animals find homes with families who will care for and enjoy them for years to come.”
OK, now, you’re smart. What is the obvious flaw in this plan? Come on. Fredo Corleone could figure it out with a little effort.
What’s the ethical reaction to this story? Angelia Mia Vargas, 24, has been charged with deadly conduct with a firearm after she accidentally shot her 5-year-old son while trying to shoot an over-enthusiastic 6-month-old boxer puppy that got loose from a neighbor and was running through her yard. Neither the dog nor the boy were seriously injured. My reflex reaction, I confess, was, “HA! That should teach this idiot something about gun safety!” and then I instantly regretted it. The child was innocent: what really would have been condign justice was if her shot hit her car’s gas tank and it blew up. Shooting herself in the foot would have been good. “She could have handled it differently,” said Bruno the puppy’s owner. Ya think? Here’s the terrifying beast that Angelia thought justified deadly force:
Should this woman have custody of a child? [Pointer: valkygrrl]
1. The rest of the story….There were a record number of Tulsa Race Massacre demonstrations on Memorial Day, as one might expect with “hate whitey” being the current fad. What was supposed to be the biggest one, in Tulsa of course, was cancelled after three survivors demanded $1 million each to appear. The May 31st Remember & Rise event was also supposed to feature John Legend and Stacey Abrams—boy, if only my sock drawer hadn’t been in such bad shape!– but it was called off because Viola Fletcher, 107, her brother Hughes Van Ellis, 100 and Lessie Benningfield Randle, 106, increased their appearance fee from $100,000 each to $1 million each. Their lawyers also demanded that a reparations fund be increased from the agreed-upon $2 million to $10 million. What does this tell us about how reparations would turn out if the U.S. were ever so unhinged as to agree to them?
I did learn that the young African-American, Dick Rowland, whose arrest after a white woman accused him of rape (or something) during an encounter in an elevator was the fuse for the violence wasn’t prosecuted. He was released, left Tulsa, and never returned.
I wonder why…
2. Here I go, obsessing about group identity again...In New York, the “Career Opportunities in the Accounting Profession” program, sponsored by the New York State Society of Certified Public Accountants and the Moynihan Scholarship Fund, will introduce 250 “promising underrepresented high school students” to the accounting profession. The program will include virtual sessions about forensic accounting, interviewing skills, public speaking, networking, and an “accounting profession overview” featuring a panel discussion with experts in the profession. What a great idea! Nine institutions, including Ithaca College, Medgar Evers College, Rochester Institute of Technology, St. John’s University, Siena College, SUNY New Paltz, SUNY Oswego, the University at Buffalo, and Westchester Community College co-host the program, which is free of charge for students.
Oh—white students may not apply. The online application for the program includes options for Hispanic, Black, Asian, and Native American students, but no option for white students. When confronted about the apparent discrimination involved, SUNY Oswego Provost and Vice President for Academic Affairs Scott Furlong huminahumina-ed that “SUNY Oswego participates in supporting the program and sees this as a beneficial service to the profession, but we strongly believe that all disadvantaged students would benefit from the COAP program.While we do not participate in recruiting the student participants in COAP or in the setting of policy for student membership, SUNY Oswego would prefer a more inclusive perspective regarding membership in COAP and the NYSSCPA policy…[which would] “align with SUNY Oswego’s ethos that is rooted in diversity of thought and people, equitable practices and policies, and inclusive experiences.” Furlong said that the matter “merits much future discussion for the purposes of having SUNY Oswego reassess our involvement and reconsider our sponsorship.”
Meanwhile, his institution will continue to participate in a program that discriminates against white students.
There have been a lot false flag vandalism and supposed racial harassment episodes lately, like here, and here. This one, if it is what it appears to be, is special. A Republican congressional candidate in South Carolina named Nancy Mace took to Twitter to bemoan the state of the nation after, she said, her home had supposedly been vandalized with “antifa symbols” and other attacks.
Fox News and other conservative sources quickly reported the story and extended their sympathies and expressions of horror. On Twitter, however, a string of cyber-sleuths poked holes in her account, and even made a credible case that the candidate’s handwriting matched the writing on her sidewalk. It’s a very entertaining thread that would make a good movie. Read it all. Suspense! Comedy!
No, I’m not 100% convinced that Mace faked the vandalism, but it sure looks suspicious, and if she did fake it, she’s an idiot for the ages.
Judges are proving less partisan and ideologically driven than the increasingly totalitarian Left had hoped.
1.In Vitolo v. Guzman, the 6th U.S. Circuit Court of Appeals at Cincinnati ruled last week that the federal government violates the equal protection clause when it considers race or sex in in allocating Wuhan virus relief funds. Following the same track as the earlier case discussed here, the Court agreed that the U.S. Small Business Administration violated the Constitution by giving preference to minority- and women-owned restaurants.
Antonio Vitolo and his wife own a restaurant called Jake’s Bar and Grill. Vitolo is white, his wife is Hispanic, and they each own 50% of the restaurant. Of course, Jake could have gamed the easily manipuated SBA system by just handing his wife the extra 1%. The government requires small businesses to be at least 51% owned by women, veterans or “socially and economically disadvantaged” people to jump to the head of the line, because someone is presumed to be socially disadvantaged if they are a member of a designated racial or ethnic group. A person is considered economically disadvantaged if they are socially disadvantaged, and they face diminished capital and credit opportunities. In such a system, whether the business owner being given preference has actually been disadvantaged doesn’t matter. He or she is presumed to be disadvantaged. This nicely follows the circular logic of Critical Race Theory.
The group preferences are taken into consideration during the first 21 days in which the Small Business Administration awards the pandemic grants to restaurants. After priority applications submitted during that period are processed, the Small Business Administration processes grant requests in the order that they were received. That is, white men come last.
The 6th Circuit majority said Vitolo and his wife are entitled to an injunction forcing the government to grant their application, if approved, before all later-filed applications, and that their color and gender should be irrelevant. The government did not demonstrate a “compelling interest” justifying preferences based on race or sex.
The Comment of the Day that follows by David Rohde is welcome for many reasons. First, he is a professional musician, and a skilled one. Second, he defends the author of piece I criticized vociferously (and will continue to). Third, I think this is an important issue. Fourth,, a new voice here is always welcome, and we haven’t been getting as many as I would like of late. Finally,, as required for COTD, it is well written and worthy of considerations and debate.
It may be that using blind auditions has elevated the performance level of symphony orchestras. Or it may be serious overkill in an era of a supply-demand imbalance for classical musical talent. But either way, simply rolling this issue into what I know is this blog’s current obsession with – in other words, against – identity issues misses a lot that’s going on here.
First of all, you have to admit that hiring people without knowing who they are in ANY field is kind of strange. In particular, you certainly wouldn’t use blind auditions to cast people in a show, now would you? I know I know, different genres, different requirements. Roles in theater are individual, while 30 or 40 violinists in a symphony orchestra are doing much the same thing.
But I would argue that live classical music IS showbiz, and the sooner that people in that field realize it, the better. If the product is just “the music,” and many people assert that the overall technical performance level is higher than ever, then why is classical music struggling at all?
Second, I think you have to remember what the main impetus of blind auditions was in the first place. While I’m oversimplifying, the essential problem was (or shortly became) the inability of women to secure places in symphony orchestras. A quick check on YouTube of recent orchestra performances now versus 30 or 40 years ago will demonstrate the resulting change. Part of Tommasini’s argument is not to let solutions to problems become so institutionalized that they run past their sell-by date while different problems fester.
That song, of course—I hope “of course”—is from the Rodgers and Hammerstein musical “Carousel.” We should recognize that unless we can turn back the cultural clock from half-past sanity, this show, and pretty much all of the R & H musicals, are doomed to political incorrectness hell. That’s far too high a price to pay for woke grandstanding, but The Great Stupid is powerful in the arts, and the kinds of destructive uprising in theater departments that we discussed over the long weekend here and here (in Rick Jones’ excellent guest post) are going to be difficult to put down, especially if the leaders in the artistic community continue to reveal the backbones of annelid worms. “The King and I” is impossible to produce if the the entire cast has to be Asian, and “yellowface” is now considered racist. “Carousel” is a period piece set in an all-white New England fishing town, making the sudden injections of African Americans into the cast for “diversity’s” sake jarring; besides, the the hero is a domestic abuser. “South Pacific” has too many woke violations to count. Can black and Asian characters be shoehorned into 1930’s Austria as the Nazis take over? As a director, I wouldn’t do it, and that show is already imperiled by the fact that the stage version is so inferior to the film. Maybe “Oklahoma!” can be finessed. I have my doubts.
1. Ethics documentary tip...If you have not seen the documentary “Five Came Back,” I recommend that you do. It’s on Netflix, and tells the under-reported story of how five of Hollywood’s most celebrated directors risked their lives, health and careers to volunteer to make films supporting and documenting the war effort during World War Two. All of the five—John Ford, George Stevens, Frank Capra, John Huston and William Wyler—were harmed physically, mentally or emotionally by the experience. They also produced some remarkable film, including some that were deemed too intense by the military and suppressed for decades. I did not realize, for example, that Stevens directed the horrific Dachau death camp footage that was finally shown to the public in “Judgement at Nuremberg, nearly 20 years after the war.
On Ethics Alarms yesterday, the controversy involving the current top female pro tennis star, Japan’s Naomi Osaka, was relegated to the morning warm-up rather than a stand-alone post. If you were not following EA yesterday, here’s a quick summary:
Citing her annoyance with repetitious questions from the news media that undermined her confidence, the 23-year old announced that she would violate the 2021 official Grand Slam rulebook, which requires players to participate in post-match news conferences. Violations result in fines of up to $20,000, but since Osaka made over 55 million dollars last year alone, more than all but the most elite U.S. professional athletes, this fine would be like a late fee at the library to normal people. I wrote in part,
“This is literally an example of a star announcing that rules are for lesser mortals. Verdict: Ethics Dunce. The reason Osaka makes so much money is that athletes are paid heroes and entertainers, and submitting to the idiocy of reporters is part of their job. Fines obviously aren’t enough: a tennis player who refuses to fulfill her obligations to the sport should be banned from competing until she does.“
Yesterday, after winning her first round match at the French Open, Osaka was fined (but only $15,000), and tennis officials proved that they read Ethics Alarms (I jest) and told Osaka that continuing her boycott of the media would result in her being suspended from the current tournament and others. Good. The organization had no other choice, unless it wanted to directly endorse the King’s Pass (Rationalization #11). If Osaka was allowed to snub the media with minimal consequences (for her), then no other player would feel obligated to cooperate either. Rennae Stubbs, a former player who is now a coach and ESPN analyst, stated the obvious while most of the players and former players were expressing sympathy for Osaka: “You cannot allow a player to have an unfair advantage by not doing post-match press. It’s time consuming, so if one player is not doing that and others are, that is not equal.”
Just what we need: another area of society where progressives are clamoring for illegal discrimination.
Anthony Tommasini, the New York Times senior classical music critic, argues in an essay whose thesis would have been laughed out of the paper just a few years ago—you know, before the dawn of the Great Stupid—that…
“…ensembles must be able to take proactive steps to address the appalling racial imbalance that remains in their ranks. Blind auditions are no longer tenable….now more than ever, the spectacle of a lone Black musician on a huge, packed stage at Lincoln Center is unbearably depressing. Slow and steady change is no longer fast enough.”
Orchestras now have blind auditions, with those seeking employment playing behind a screen. In the epitome of results-based reasoning, Tommasini believes that auditions must allow unscreened auditions so “diversity” can be achieved, and ensembles “reflect the communities they serve.” In other words, quotas. In other words, hiring lesser musicians because they are the “right” color or gender. This, in an institution that has only one goal and aspiration: to play beautiful music as well as possible. The clear meaning of Tommasini’s conclusion is that it is more important that an ensemble be made up of the right kind of people than it be able to serve the function for which it was created. It is better to have a worse orchestra that ticks off the right EEOC boxes than to have one that sounds good.
Oddly, nobody has ever made this argument regarding, say, NBA basketball teams. Hop-hop music groups. Heart surgery teams. In fact, if I had to pick the perfect example of a field in which requiring racial and gender diversity is self-evidently bats, a symphony orchestra might be it.
