Fun With Rationalizations: Considering Salon’s Attack On The New York Post

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Let me dispense with the outrage over The New York Post’s brilliant (from their perspective, which is selling newspapers) and tasteless front page covering the death of Menachem Stark, a Hasidic real estate developer ( a.k.a. “slumlord”) who was found murdered and burned in a dumpster last Friday in Long Island.

The operative principle is not, as the reader who flagged the issue suggested, the Golden Rule. The Golden Rule does not often apply to the press, which is supposed to be truthful, not kind and diplomatic. There are provisions of most journalistic codes about avoiding unnecessary harm to third parties, which is pretty much a universal ethics rule in every field, from law to the military. When, however, you operate a tabloid, and not just any tabloid but a tabloid whose brand is defined by intentionally shocking, outrageous, assaultive and controversial headlines and photos, “Unnecessary harm to third parties” is almost an impossible principle to apply.

The headline is a perfect example of the Julie Principle, which I explained back in May. The Julie Principle comes into play when an undesirable or annoying  characteristic or behavior pattern in a person or organization appears to be hard-wired and part of their essence.  In judging such a person or entity, it is useful to keep the lyrics of Julie’s song from “Show Boat” (lyrics by Oscar Hammerstein Jr., music by Jerome Kern) firmly in mind, when she sings…

Fish gotta swim, birds gotta fly…

I’ve gotta love that man til I die

Can’t help lovin’ that man of mine!  Continue reading →

Natasha Leggero’s Stand: Protecting The Jester’s Privilege

 

"Sing what you like, Fool. Just make sure I laugh."

“Sing what you like, Fool. Just make sure I laugh.”

In days of old when knights were bold, it is said, the King’s Fool was able to safely say outrageous, disrespectful things to the sovereign that might get anyone else drawn and quartered. This lucky exemption came to be known as the Jester’s Privilege, and it existed, and exists, for valid reasons. Humor, satire and all the other permutations of comedy are essential to societal sanity, and it makes sense to give the broadest discretion to practitioners of the craft in their efforts to provoke laughter—which is, as Reader’s Digest still reminds us monthly, “the best medicine.” That means that comics should not fear decapitation if their inspiration of the moment fails to provoke the desired mirth, or touches an audience member’s sensitive areas. In addition, the jester is sometimes able to expose a truth that will not be reached any other way.

It sounds like a good rule, and it is a good rule, but as with most ethics-related rules, applying it is difficult. Who gets the Jester’s Privilege…only professional comics, or does it apply to amateurs too? What about non-jesters just trying to be funny? “It was just a joke!” is a classic excuse invoked by insensitive and vicious people, including politicians, when they say something outrageous, as they try to use the privilege without a license, and in so doing, make it less effective for the humorists who really need its protection. Not everyone should assume that they have the full armor of the Jester’s Privilege. Mockery and ridicule are too often used as political weapons of targeted destruction.

Should some subjects be exempt from the Jester’s Privilege? The official position of comics, comedians, wags and wits has long been “No,” but even in Ye Olde Days, jesters sometimes went too far, and ended up with their heads on pikes. The problem any humorless king had after doing this, of course, was finding a jester willing to hazard a joke more edgy than “Why did the king cross the road?” For that reason, I think it’s vital that the Jester’s Privilege be strong and a near absolute. The sin that matters is not being funny, which means topics of unusual sensitivity take care of themselves.For centuries, for example, comics imitated and mocked those afflicted with speech impediments, especially stuttering, with big laughs guaranteed. Somewhere along the line, though, Porky Pig stopped being funny. The absence of laughs was enough to retire him; no heads had to roll.

On NBC’s New Year’s Eve show, the following exchange occurred between host Carson Daly, comic actress Jane Lynch and rising comedienne Natasha Leggero:

CARSON DALY: SpaghettiOs on Pearl Harbor Day, they sent out a tweet featuring their mascot holding an American flag asking people to quote “take a moment to remember #PearlHarbor with us.” It offended a lot of people, corporations glomming on to, you know, sentimental American historic traditions, seemingly looking for people in business. It wasn’t good. But you were offended for another reason.

JANE LYNCH: I’m offended because they were referring to SpaghettiOs as pasta.

NATASHA LEGGERO: I mean, it sucks that the only survivors of Pearl Harbor are being mocked by the only food they can still chew. It’s just sad.

Hilarity ensued, as the NBC gang laughed uproariously. Almost immediately, Leggero was getting flamed all over the social media and the wbs for denigrating the Greatest Generation. Steve Martin, I assume, would have humbled himself and apologized immediately, but not Leggero. Continue reading →

Shia LaBeouf, Plagiarism Addict, With Much Worse To Come

Shia past and present, with apology...

The child star past and present, with apology…

Actor Shia LaBeouf, known to Disney Channel aficionados as the annoying little brother on “Even Stevens” and to movie fans as Indiana Jones’ son and the Transformers Guy, is so much more, and not in a good way. His rapidly expanding list of reckless and socially-clueless episodes, including the obligatory misconduct behind the wheel of an expensive car, signals that he may be the new Lindsay Lohan, a talented former child-star raised to adulthood without basic life-skills, respect for others, and an appreciation of the difference between right and wrong. This is a tragic scenario that we are cursed to witness again and again—we saw it in 2013 in the increasingly obnoxious and desperate conduct of pop star Justin Bieber. Give a child wealth, power and adulation without first imbuing him or her with values, discipline and humility and what do you get? A menace.

As LaBeouf’s acting career has waned with his growing reputation as an untrustworthy (and sometimes violent) jerk, he has refashioned himself into an aspiring artist. Unfortunately, he lacks some basic traits of successful artists, like integrity and creativity. His inclination, being raised, like most child stars, in an unstable environment by self-absorbed and dysfunctional parents, is to cheat. In 2012, LaBeouf attached his name to three short graphic novels and a webcomic series. This year, we learned that at least two of the graphic novels contained text plagiarized from other writers. Then LaBeouf attached his name as writer to the short film (which he also directed) called “HowardCantour.com,” which was unveiled at the Cannes Film Festival and received some praise there. The  short, about an online film critic, included a strong resemblance to Daniel Clowes’ 2007 comic “Justin M. Damiano,” as well as large sections of dialogue directly lifted from it. No one picked up on the plagiarism until LaBeouf  released his film online.  Continue reading →

The Fifth Annual Ethics Alarms Awards: The Best of Ethics 2013

Ethics Story 2013

I decided to start with the Best in Ethics this year, in contrast to other years, on the theory that it would get things off to a positive start in 2014. What it did, instead, was make me realize how negative Ethics Alarms was in 2013. Either there wasn’t much positive going on in ethics, or I wasn’t seeing it. My thanks to those of you who send me nominations for Ethics Heroes (and other stories); even when I don’t write about them, they are valuable. Please keep them coming. In the meantime, I pledge to try to keep the jaundice out of my eye in 2014. Things just can’t be as dire as they seemed last year.

Could they?

Here are the 2013 Ethics Alarms Awards for the Best in Ethics:

Most Important Ethical Act of the Year:

The U.S. Supreme Court declared the Defense of Marriage Act unconstitutional, paving the way for the universal legalization of gay marriage. Yes, it was a legal decision, but it was also based, as all such culturally important decisions are, on a societal recognition that what was once thought to be wrong and immoral was, in fact, not. This is ethics, an ongoing process of enlightenment and wisdom about what is right and wrong, and the U.S. Supreme Court did its part. Continue reading →

The White House Scores A 2013 Jumbo Jumbo

There's no elephant. Do you see an elephant?

There’s no elephant. Do you see an elephant?

Just in time to make the 2013 cut-off, the White House achieved the Jumbo of the year, and simultaneously made me wonder if I am going to have to jettison all respect for my loyal Obama-supporting friends.

The Jumbo is an Ethics Alarms category lunched in 2013, designed to recognize individuals who engage in spectacular examples of unethical conduct I have always detested with a special passion: trying to wiggle out of a tight spot by stubbornly insisting that what is obviously the case isn’t really, a brazen exercise resting on the presumption that everyone else is either a dimwit or as corrupt as the speaker. The name derives from an iconic moment in Billy Rose’s 1936 Broadway musical extravaganza “Jumbo,” named after P.T. Barnum’s famous giant elephant, that starred Jimmy Durante. Caught red-handed as he tried to sneak his dying bankrupt circus’s major asset off the premises and away from creditors, the “Old Shnozzola” was confronted with a sheriff who belligerently inquired, “Just where do you think you’re going with that elephant?” Jimmy’s response, acting for all the world as if the massive pachyderm at the end of the rope he was holding didn’t exist: “Elephant? What elephant?” Another apocryphal equivalent is the old burlesque joke about the philandering husband caught by his wife as he frolics in their bed with a naked and luscious bimbo. The rake still denies anything untoward is going on, pleading, “Who are you going to believe, me, or your own eyes?” . In real life, the gold standard might be actress Lindsay Lohan’s insistence to police, when she was arrested for reckless driving and cocaine was found in her pocket, that she was wearing someone else’s pants.

The White House’s entry into the Jumbo Hall of Fame is pretty impressive, though. As figures showed that a million Americans had registered for Obamacare in December, bringing the total number to 2.1 million, well short of the 3 million goal, White House White House health care adviser Phil Schiliro told MSNBC yesterday that the frequently stated Administration goal of  7 million enrolled by the end of March, when the individual mandate (penalty, according to Democrats; tax, according to the U.S. Supreme Court) kicks in, was not really the goal after all. Continue reading →

Update: Apology Scores For The MSNBC Vicious Three

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Several readers have asked for the Ethics Alarms Apology Scale scores for the three MSNBC creeps who decided to use a loving, non-political family photo featuring Mitt Romney’s newly adopted grandchild as an opportunity to sneer at the family, Mitt and the GOP, and engage in some unprovoked race-baiting. It was such an ugly display that decent human beings a) would never have engaged in it at all and b) wouldn’t have required a wave of criticism to wash over them to realize apologies were in order, but they did. Why? Because they are hateful people, unsavory and loathsome. As such, I really had decided that mucking around in MSNBC swill wasn’t worth a second post, but since you asked, here are the scores. The best apologies are in category #1…no danger of that with this sorry trio.

Apology 1: Dean Obeidallah Continue reading →

The Problem Isn’t That MSNBC’s Talking Heads Are “Offensive”…It’s That They Are Unprofessional, Hateful And Loathsome

 

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From Mediaite:

“On Sunday’s Melissa Harris-Perry (MSMBC) show, the eponymous host led a panel of entertainers in a rundown of the “photos of the year,” which somehow included a Romney family picture that “a lot of people had emotions about,” according to MHP….“Everybody loves a baby picture,” Harris-Perry said, “and this was one that really, a lot of people had emotions about this baby picture this year. This is the Romney family. And, of course, there on Governor Romney’s knee is his adopted grandson, who is an African-American, adopted African-American child, Kieran Romney.” As Harris-Perry made the introduction, panelist Pia Glenn sang “One of these things is not like the others, one of these things just isn’t the same,” a tune whose original lyrics read “one of these things doesn’t belong.” “And that little baby, front and center, would be the one,” she added. …Comedian Dean Obeidallah chimed in by reducing the baby to a token. “I think this picture is great,” he said. “It really sums up the diversity of the Republican party, the RNC. At the convention, they find the one black person.”

Then the host, without missing a beat and without sensing any irony, said that the next segment would be devoted to answering the question, “Hey..is that racist?” Continue reading →

Ethics Quiz: “The Penniless Girl” And The Yechhh! Competition

"Hey...I'm cute, without shame, ambitious, mean...I could be a reality TV star!"

“Hey…I’m cute, without shame, ambitious, mean…I could be a reality TV star!”

Actress Erin Wotherspoon, 24, lives in Toronto and has an unusual avocation. As she describes it on “A Penniless Girl, Bad Dates and Plenty of Oysters”,

“I’ve got a pretty face & a pretty extensive urban spoon wish list…We all know that getting what you want in life can be tough. Which is why I’ve decided to let someone else finance my dreams. My dream? To eat in pretty restaurants without costing me a penny. You had me at Elk Tartare, lost me at chin strap. Follow me to learn who I screw over, bang and love as I navigate Toronto’s diners, drive-ins & dives.”

Yes, as breezily chronicled on the Tumblr blog, Erin entices unenticing, lonely and hopeful men to feed her at Toronto’s best eateries, then dumps them unceremoniously once the bill has been paid. As her mission statement above demonstrates, she doesn’t see anything wrong with this, despite the fact that it is dishonest, cruel, manipulative and a straight-up violation of both Kantian ethics (don’t use people) and the Golden Rule, as well as a pure as crap example of an ends justifies the means life philosophy. Are some of Erin’s escorts using her as well, essentially buying faux affectionate companionship for the cost of some elk tartare? Oh, surely. Such individuals use their affluence to sully the dignity and integrity of others for a price. The fact that one is being unethical in his dealings with another who is also unethical—mutual users, mutual corrupters—is no justification.

Now, as someone—maybe even Erin—could have predicted, a U.S. reality show producer wants to make a star out of her, and it appears that we may soon be able to watch Ellen dupe wannabe sugar daddies into delicious and free meals weekly.Then she can give an interview to GQ and explain why gays are sinners.

Your Ethics Alarms Ethics Quiz as 2013 winds down to an ethically depressing finale:

Who is more unethical: “the Penniless Girl” or the TV executives who want to make her rich and famous?

For me, it’s an easy call: the reality show purveyors are much worse than Erin. Selfish, deceptive, exploitive conduct is wrong and more harmful to society the more of it we get. Reality shows and the other ways the United States and its media reward terrible conduct—CNN giving Eliot Spitzer his own show, MSNBC doing the same with Al Sharpton, Fox employing sleazy (but famously sleazy!) Dick Morris, and the radio shows for the likes of Ollie North and G. Gordon Liddy come to mind, and now I’m nauseous again—make being unethical (or drunk, or stupid, or pathetic) a ticket to stardom, and even a desirable career path. It isn’t only reality shows, of course. It’s Republicans cheering Phil Robertson as if what he said wasn’t offensive; it’s Joe Wilson getting boat-loads of contributions off of shouting “You Lie!” at the President of the United States; it’s Tom Delay and Kim Kardashian getting gigs on “Dancing With The Stars” for being indicted and making a sex tape, respectively; it’s Kanye West, Miley Cyrus and other pop “sensations” receiving dawn to dusk publicity and inflated recording sales by behaving badly. We stifle liberty and expression by organizing boycotts against those whose conduct is objectively or subjectively offensive, but to reward them for it is courting cultural suicide, and turning the usual process of establishing healthy societal standards upside-down and inside out.

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Pointer: Fark

Facts: Toronto Sun, Tumblr

Graphic: Toronto Sun

Cartoon Ethics: The Washington Post’s Stupid Elephant Trick

Trainwreck Cartoon

The above cartoon, by reliably liberal op-ed cartoonist Mike Luckovich, who draws cartoons for The Atlanta Journal-Constitution, was run in the Washington Post this Saturday. It immediately reminded me of why, in a previous post, I suggested that the simple-minded, factually misleading art of editorial cartoonists needed to be retired. I wrote:

“Cartoons, by their very nature, deal in caricature, exaggeration and extremes for metaphorical and humorous effect. The practical effect of this, however, is that the opinions expressed through cartoons are also “supported” in a manner that would be outrageous in a written opinion piece. I know: you can’t hold a cartoon to the same standard as an op-ed. Fine—then don’t put it on the editorial pages.”

This, if anything, was worse than the Tom Toles cartoon that provoked that commentary. This Democratic talking point—more like ducking point–got graphic representation the day following another wave of bad news about the dysfunctional Affordable Care Act and how thoroughly it has been botched by the Administration. Right before Christmas, the Post’s front page carried an infuriating story about how, after waiting two years before considering how to set up the Obamacare website, the Administration chose a company that even cursory due diligence would have revealed as untrustworthy and incompetent:

“Not considered in the 2011 selection process was the history of numerous executives at CGI Federal, who had come from another company that had mishandled at least 20 other government ­information technology projects more than a decade ago. But federal officials were not required to examine that long-term track record, which included a highly publicized failure to automate retirement benefits for millions of federal workers.”

Republicans caused that trainwreck? The same day the cartoon ran, this was in the news:

“The Iowa Department of Human Services says problems with the federal healthcare website has led to a delay in processing policyholder information and is asking 16,000 Iowans to reapply for Obamacare using the state website or call center.”

And did Republicans force the President to lie repeatedly about how the law wouldn’t take away anyone’s current plan or doctor? Indeed, they warned that what happened would happen, and were attacked and ridiculed while the media bolstered the President’s disinformation campaign. That, as much as the website, has made the public perceive Obamacare as a trainwreck. The mean old GOP elephant is to blame for that? As I noted in the earlier post, an editorial cartoon shouldn’t be permitted to spread falsehood and misunderstanding, and a respectable newspaper shouldn’t actively engage in the blame-shifting and denial process, which is the full-time occupation of Affordable Care Act defenders these days.

Then I searched for the cartoon on line, to determine who drew it (his signature was illegible in the size published), and for the first time, was able to read the date. The cartoon was drawn on July 29, 2013! This was after the “trainwreck” label was being wielded by Republicans because Democratic Senator Max Baucus used that term to describe his—as it turned out, accurate—assessment of how the Administration’s public information campaign was going, not the law itself. Yes, the Republicans were working to impede the progress of the ACA then, because they were convinced the law would lead to disaster. Still, Luckovich’s cartoon, while partisan, was hardly unfair or misleading—in July.

Now, however, it assumed a different meaning. The date wasn’t noted by the Post: I thought it was a new cartoon, which means I thought Luckovich was engaging in MSMNC-style historical air-brushing. The cartoonist wasn’t, however.

Was the Post? Was it deliberately using Luckovich’s dated cartoon to bolster its desperate Obama-defending readership with the baseless accusation that the GOP was really behind the law’s current travails? Or was it just being careless, reckless, inattentive and unprofessional–you know, like most of the news media. most of the time?

I don’t know. I do know that the Post owes its readers and Luckovich an apology, the former for treating them like idiots, and the latter for making him look like one.

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Sources: Opposing Views, Washington Post

A&E Does A Cracker Barrel

spine poster

The fecklessness and lack of core principles exhibited by our corporations is often breathtaking.

A&E has now, like Cracker Barrel, stuck its pusillanimous finger in the air and  decided that their “strong sense of integrity and deep commitment” to principle means that they do what whatever interest group has the most profit potential for them down the line wants them to do. Thus Phil Robertson is back on “Duck Dynasty,” and his “indefinite suspension” has been disclaimed by his employers. You can read A&E’s nauseating statement here…I considered posting it, but I don’t have the heart.

Everything I wrote previously about Cracker Barrel’s reversal on this same incident applies to A&E, but let me add this.

An organization with no core principles distinct from the profit motive is capable of anything, including outright evil. It is not worthy of trust. I would not and could not work for such an organization, and this episode makes me wonder if the entire concept of corporate ethics is a lie.

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Pointer: ablativmeatshld

Facts: Hollywood Reporter