Arts & Entertainment

Unethical Website of the Month: The Florida Family Association

/ Jack Marshall / 47 Comments

"Hey, wait---where are the terrorists?"

Organized bigotry is un-American, and organized bigotry under the banner of American values is misrepresentation. That’s what can be found on the Florida Family Association website here, as it simultaneously engages in several of Ethics Alarms’ most deplored conduct: bias, dishonestly accusing others of bias, bullying, boycotting, and worst of all having success at bullying and boycotting. I suppose I should add to that list making its readers stupid, because its arguments will do that too.

The Florida Family Association is offended by The Learning Channel’s latest reality show, “All-American Muslim,” which shows American citizens who happen to be Muslims pretty much living, acting and sounding like you and me, except when they are practicing their religion. I think it is, unlike most TLC series, an excellent idea. American attitudes toward  Muslims since September 11, 2001 are substantially based on ignorance, the kissing cousin of bigotry and the mother of fear. Learning more about American Muslims can only be beneficial to all, but The Florida Family Association views the program as a plot:

“The Learning Channel’s new show ‘All-American Muslim’ is propaganda clearly designed to counter legitimate and present-day concerns about many Muslims who are advancing Islamic fundamentalism and Sharia law.  The show profiles only Muslims that appear to be ordinary folks while excluding many Islamic believers whose agenda poses a clear and present danger to liberties and traditional values that the majority of Americans cherish.” Continue reading →

My Theatrical Ethics Dilemma: Integrity or Fairness?

/ Jack Marshall / 15 Comments

It doesn’t come up here often, but I am the artistic director for a professional regional theater company. It is dedicated to producing 20th Century stage works of artistic and historical value that other, more commercial (sensible?) companies wouldn’t touch with a ten-foot pole. Every now and again I find a play that is especially risky, challenging, and rich in theatrical possibilities, and those are the ones I direct myself.

This summer, I will be directing such a production, a harrowing recreation of Depression era dance marathons called “Marathon 33.” It was written by the fascinating June Havoc, Gypsy Rose Lee’s sister who became a Hollywood star and who is perhaps best known as the irritating “Baby June,” the  blonde and perpetually juvenile vaudeville headliner in the musical “Gypsy.” Havoc survived the Depression by competing in dance marathons during the Thirties, and wrote two autobiographies about these terrible spectacles, in which desperate couples would stay on their feet for thousands of hours for food and the promise of a cash prize, as more fortunate Americans paid to see who would drop first.

The show, at least as I and my artistic collaborators envision it, involves recreating dance marathons as accurately as possible, down to the smallest detail. The audience for the show will be immersed in the action as if it were the heartless mob that cheered the real dancers on, and we will avoid anachronisms of any kind. And yet, as I prepare to cast the show after a wonderfully productive round of auditions, I face an ethical conflict. Several of the strongest candidates for dance contestants are African-American, and there were no black competitors in the real contests. Even if there had been, mixed-race couples would not have been tolerated, especially in Virginia, where we are setting the show. Yet if I cast the best actors available without reference to race, I will have both. Continue reading →

Ethics Hero: Steven Spielberg

/ Jack Marshall / 11 Comments

The dwarf in the cloth monkey suit is just fine, thanks.

In a long, entertaining interview in the current issue of Entertainment (naturally!), director Steven Spielberg expresses regret over his decision to change his 1982 classic “E.T.” for its 2002 re-release, and vows never to do such a thing again. Here he splits off from the philosophy of his pal George Lucas, who continues to fiddle with his past films as technological upgrades become possible. Spielberg:

“My philosophy is now that every single movie is a signpost of its time, and it should stand for that. We shouldn’t go back and change the parting of the Red Sea in Cecil B. DeMille’s “The Ten Commandments” just because with the digital tools we have now we can make it even more spectacular than it was.” Continue reading →

Albert Pujols: Yes, He’s Disloyal, Greedy, and Confused.

/ Jack Marshall / 10 Comments

I'm sorry! This was supposed to be a picture of Albert Pujols, not King Midas. Well, six of one, half-dozen of the other...

Cardinal free agent first baseman Albert Pujols, generally regarded as the most talented baseball slugger alive, just jumped from his supposedly beloved St. Louis to the Los Angeles Angels because they offered him several more millions of dollars per year that he couldn’t possible spend if he tried than the Cardinals did. The attitude of most players, fans and sportswriters, not to mention the players’ union (naturally), is “Of course! Who wouldn’t?”

Who wouldn’t? A more ethical, less greedy, more thoughtful human being, that’s who.

The Angels won Pujols with an offer of $254 million dollars for ten years, making him the highest paid player on captivity. The Cardinals. on the other hand, whose fans had cheered him, embraced him and worshipped him, and which had established Pujols as one of the franchise’s icons fit to stand with Stan the Man Musial, Bob Gibson, Dizzy Dean and Lou Brock, had offered a measly $204 million for nine years, or about 23 million a year. The difference between the two offers is minimized, if not eliminated, by the cost of living disparity between the two locales: housing, for example, is about 250% more expensive in LA. Continue reading →

The Donald Trump Follies: An Integrity Check for GOP Presidential Contenders

/ Jack Marshall / 23 Comments

Some of the people more qualified to moderate a presidential debate than Donald Trump.

Donald Trump is staging yet another debate among the increasingly depressing field of Republican presidential contenders, with The Donald as the moderator, in Des Moines on December 27. This is extremely useful in assessing the field, and everyone in America owes him a debt of thanks, for anyone who agrees to participate in this offensive farce is unqualified to be President of the United States. Trump has created an excellent integrity test.

Several candidates have already flunked.  Newt Gingrich has agreed to participate—granted, there weren’t many questions about his integrity, so this is no surprise. So has Rick Santorum. I am somewhat surprised at this: Santorum holds some truly objectionable views, but integrity has never been one of his ethical  weaknesses. Well, the Trump Debate is a judgment test too—if you agree to go, yours is none too good. Now that I think about it, Santorum’s decision was predictable too. Continue reading →

Ethics Dunce: Alec Baldwin…and Anybody That Sympathizes Or Defends Him In Any Way, Shape or Form

/ Jack Marshall / 4 Comments

"I'm a certified jerk, AND I play one on TV!"

Like Ashton Kutcher and Charlie Sheen, Alec Baldwin is a mega-jerk actor who plays mega-jerks superbly.  Designating him as an Ethics Dunce is like shooting fish in a barrel. Still, there is a material difference between portraying a fictional jerk that people laugh at and behaving like one in real life without apology. Baldwin’s stunt on an American Airlines flight yesterday and his subsequent comments about it mark him as a very special breed of self-entitled jerk, and should, in a culture that understands that admiring jerks is the equivalent of endorsing their warped values, lead to his decline in popularity.

We shall see.

Baldwin was quite properly tossed off an American Airlines flight when he repeatedly defied a flight attendant’s request, then command, that he turn off his iPad, on which he was playing a game. The actor, like the arrested development case he apparently is, retired with his game to the plane’s bathroom, slamming the door, and also verbally abused the attendants. Continue reading →

“It’s A Wonderful Life” Ethics, Part 3

/ Jack Marshall / 3 Comments

Here is the final installment of the Ethics Alarms overview of the ethical issues raised in Frank Capra’s classic. Some of the comments on Parts 1 and 2 have suggested that my analysis is unduly critical. Nothing could be further from the truth. I love the movie, and have already said that I find it ethically inspiring. Noting that characters act unethically in a movie about ethics is no more criticism than pointing out that people in horror movies never just leave when things start getting weird (as I would). I know that their actions drive the plot and are necessary. This is, however, how an ethicist watches a movie with as many ethical choices as “It’s A Wonderful Life.” I can’t help it.

Now back to George, Mary, and Bedford Falls:

11. Uncle Billy screws up as we knew he would

11.  Christmas Eve arrives in Bedford Falls, and Uncle Billy manages to forget that he left the week’s deposits in the newspaper he gave to Mr. Potter. Thus more than $8,000 is missing on the same day that the bank examiner is in town. Why is Uncle Billy still working for the Savings and Loan? He’s working there because George, like his father, is putting family loyalty over fiduciary responsibility.  Potter, of course, is a thief; by keeping the lost money to trap George, he’s committing a felony, and an unnecessary one. As a board member on the Savings and Loan, Billy’s carelessness and George’s negligence in entrusting him with the bank’s funds would support charges of misfeasance. Mr. Potter, had he played fair, might have triumphed over George legitimately, and no Christmas miracle or guardian angel could have saved him. But this is the inherent weakness and fatal flaw of the habitually unethical: since they don’t shrink from using unethical devices, they often ignore ethical ways to achieve the same objectives that would be more effective.

12. George folds under pressure Continue reading →

Was Butch Cassidy a Sexual Harasser?

/ Jack Marshall / 11 Comments

The story out of South Boston about a young student who fought off a bully’s school bus attack by kicking him in the groin and is now being investigated by the school for sexual harassment (inappropriate touching, don’t you know!) made me think of many things.

It made me think of the Chinese proverb that “When the only tool one has is a hammer, every problem looks like a nail.” And its longer version, which adds “especially if you are a school administrator….”. And the even longer version, which concludes with “who has the IQ of a gerbil and the judgment of Lindsay Lohan”.

It made me think about how the education profession might end the long reign of journalism as the Ethics Alarms “Most Unethical Profession” winner this year. That would be remarkable, since journalists have been especially vigorous in disgracing themselves in 2011, but education is certainly making a spirited year-end rally.

Mostly, however, it made me think of Butch Cassidy. Continue reading →

“It’s A Wonderful Life” Ethics, Part 2 (of 3)

/ Jack Marshall / 3 Comments

When we last saw George Bailey, he was defending his father’s dubious loan practices. In this, Part 2 of the three installments of  “It’s A Wonderful Life” Ethics, we take the saga up the fateful Christmas Eve when George Bailey meets his guardian angel.

6. George’s Fork in the Road

George Bailey’s decision to give up his plans to go to college to save the Savings and Loan is clearly not motivated by his personal dedication to the institution; he doesn’t like the place. He says so over and over again. He admires his father’s motivations for starting it. Had Potter not sparked his resentment with his nasty comments about George’s late father, George would have been out the door. But his passionate speech in rebuttal of Potter’s words put him on the spot: after those sentiments, turning down the Board’s appointment of him to be the new operating manager of the S&L would have made George a hypocrite in his own eyes, and rendered his passion  laughable. If George had integrity, then he had to accept the appointment.

It is one of the most interesting ethical moments in the film, because it represents a realistically complex ethical decision. George does what he does for selfish reasons as well as altruistic ones, and irrational reasons as well as considered ones. He wants to respect himself; he fears what might happen to his family and the community if Potter becomes the only financial power in town, and knows he will feel guilty if the consequences are bad. He feels like not staying will be taking Potter’s side over his father’s—completely irrational, since his father had given his blessing to George’s college plans, and wasn’t alive to be harmed by whatever he chose to do anyway. A large proportion of George’s decision seems to be motivated by non-ethical considerations, for he doesn’t like Potter—even hates him, perhaps—and wants to stick it to the old tycoon by foiling his victory. There are few ethical decisions in real life that are made purely on the basis of ethics, and Capra makes George’s decision wonderfully impure. Continue reading →

“It’s A Wonderful Life” Ethics, Part I (of 3)

/ Jack Marshall / 7 Comments

“It’s A Wonderful Life” made its now traditional holiday season appearance on network television, and naturally, I watched it. The movie is one of the great ethics movies of all time, as well as being one of the great American movies of all time, perhaps director Frank Capra’s masterpiece. One of the markers of a classic film is how one can find new things in it upon every viewing, and that is certainly true of “It’s A Wonderful Life.” I was struck this time around by how many ethics issues are raised in the screenplay, some, no doubt, unintentionally.

1. “If It’s About Ethics, God Must Be Involved”

The movie begins in heaven, represented by twinkling stars. There is no way around this, as divine intervention isat the core of the fantasy; heaven and angels were big in Hollywood in the Forties. Nevertheless, the framing of the tale advances the anti-ethical idea, central to many religions, that good behavior on earth will be rewarded in the hereafter, bolstering the theory that without God and eternal rewards, doing good is pointless.

We are introduced to George Bailey, who, we are told, is in trouble and has prayed for help. He’s going to get it, too, or at least the heavenly authorities will make the effort. They are assigning an Angel 2nd Class, Clarence Oddbody, to the job. He is, we learn later, something of a second rate angel as well as a 2nd Class one, so it is interesting that whether or not George is in fact saved will be entrusted to less than heaven’s best. Some lack of commitment, there—then again, George says he’s “not a praying man.” This will teach him—sub-par service! Continue reading →