Arts & Entertainment

Ethical Quote Of The Day: Tyler Perry

/ Jack Marshall / 5 Comments

“Stand in the middle, because that’s where healing happens.That’s where conversation happens. That’s where change happens. It happens in the middle So anyone who wants to meet me in the middle, to refuse hate, to refuse blanket judgment, and to help lift someone’s feet off the ground, this one is for you, too.”

—Tyler Perry, African-American playwright, screenwriter, producer, director and actor, in his acceptance speech for the Jean Hersholt Humanitarian Award at last night’s Academy Awards

Perry was one of the few attendees at last night’s Oscars who could make such a contrarian speech without looking like a hypocrite. He has always been defiantly politically incorrect in his plays and screenplays, which critics frequently attack on the grounds that he employs negative black stereotypes. (What Perry has proved is that African -Americans can laugh at themselves, at least as long as the satirist is the right skin-shade.) He is also extraordinarily wealthy and powerful within the industry, and doesn’t have to signal his virtue to anyone. At another point in his speech, Perry said,

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Assorted Ethics Items, 4/23/2021: I Can’t Talk Or Eat, But I Can Still Write. And Think, Sort Of…[Finally Corrected!]

/ Jack Marshall / 16 Comments

Well, THAT was certainly unpleasant…made a root canal seem like the warm embrace of a succubus by comparison…

1. An alternate juror in the Chauvin trial gave an interview. She seems like a pretty rational sort, but two comments support the contention that the trial was not a fair one:

  • “I did tell them that I saw the settlement run across the bottom of the screen one day…I was not surprised there was a settlement, but I was surprised they announced it beforehand.” She also said she understood that civil trial and criminal trial standards were different, but the fact that the city essentially announced that its police were liable for Floyd’s death cut the legs out from under Chauvin’s defense.
  • “I did not want to go through rioting and destruction again and I was concerned about people coming to my house if they were not happy with the verdict.” If any jurors feel that way, it’s not a fair trial.

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Wednesday Wrap-Up For A Post-Chauvin Trial America, 2/21/21 [Corrected]

/ Jack Marshall / 8 Comments

I guess I have to come clean: I thought I had posted this before noon. Guess not. So a Morning Warm-Up became a late night wrap up…

1. The trial was a sporting event? I did not know that! ESPN included the Chauvin guilty verdict in its list of important sports news today. Apparently, it’s sports news because a lot of athletes are going to shoot off their mouths about it, spreading ignorance far and wide.

2. Deranged Quote of the Day: “Where are the disabled, queer, poor, gender diverse, dogs of colour and single-parent dog families in Bluey’s Brisbane?” That comes from ABC Everyday’s Beverley Wang. The Disney+ program, we are told :

….is the award-winning, mega-hit animated series about the Heelers, a family of dog-shaped humans — parents Bandit and Chilli, four-year-old Bingo, and six-year-old Bluey — who live in a gorgeous Queenslander with city views, perched on a lush hilltop in sunny Brisbane.

The only way to handle people who poison minds and the the culture with ideas like this is to be merciless, and slap them down with the classic reaction of “Sidney Wang”:

Being nice just enables them.

3. From the False Narrative files: Yahoo! News correspondent Jon Ward authored a piece of counter-factual propaganda headlined, “Chauvin’s guilty verdict is a major milestone in America’s reckoning with racial justice.”  As I have tried to point out repeatedly, there is no evidence that George Floyd’s fate would have been any different if he had been white, Asian-American or a Smurf. None. NONE. There is no evidence that Chauvin was a racist, or that race played any part in his brutal treatment of Floyd. The fact that activists, politicians and the journalists seized on the symbolic imagery of a white cop’s knee on a black man’s neck and exploited it shamelessly doesn’t change the facts. This was not a racial incident. If the jury convicted Chauvin thinking that it was, then they were misled.

Ward’s essay is a good starting place for anyone who wants to understand  how far journalism has sunk.

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Saturday Morning Ethics Warm-Up, 4/17/2021: No Good, Good, Good, No Good, and Good

/ Jack Marshall / 17 Comments

Some baseball ethics notes in italics, since a lot of you don’t care:

  • The Institute for Diversity and Ethics in Sport (TIDES) issued Major League Baseball an overall grade of C+ , with a B+ for racial hiring and a C for gender hiring. (There was nothing about competency and qualifications hiring, for some reason.) The report also praised MLB’s decision to pull the All-Star Game from Atlanta, proving that the organization is a partisan political group using “diversity” as a prop. Baseball should pay no attention to TIDES whatsoever. It is the Southern Poverty Law Center of sports.
  • There was a wonderful example of why baseball needs robo-umps in Wednesday’s game between the Red Sox and the Twins in Minneapolis. At a critical moment in a tie game with the bases loaded for the Twins, Sox pitcher Matt Andriese struck out the last Twins batter for out number three, ending the threat. The umpire, however, said the ball had been fouled into the dirt before bouncing into the Boston catcher’s mitt. The video showed that the bat had missed the ball by several inches, and no foul had occurred. When Red Sox manager Alex Cora came out to protest, the home plate umpire, also the crew chief said, “There’s no way I’ll be over-ruled on that call.” What he apparently meant was that the other three umpires would back him up even though he was obviously wrong, and after briefly caucusing, that’s what they did. Cora was thrown out of the game. Luckily for the umpires, Andriese struck the batter out with next pitch, so the mistake and cover-up didn’t matter. Moral luck!
  • Also Twins related: Twins shortstop Andrelton Simmons issued an articulate tweet about why he was declining to be vaccinated like his teammates, after considering the risks. He tested positive 24 hours later. Also moral luck!

1. NOW you’re telling us???. At 6:57 pm on April 15, I stumbled across this:

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Feminist Popular Culture Progress Report: Women Weenies Mostly Banished; Now About That Screaming…

/ Jack Marshall / 7 Comments

It is remarkable how frequent the “women as helpless weenies” appears in movies and TV shows. A man is engaged in a life-and-death struggle with a criminal, a murderer, a maniac, a wild animal or a monster, and the woman, often a young and healthy woman, just crouches in terror doing nothing more useful than wimpering. I remember this bothered me when I was a child. My mother wasn’t like that; indeed, I’ve never known a woman like that. It’s not just cowardly to be a bystander, it’s stupid. If “her man” loses the fight, what does she think will happen to her?

Over the last several decades of this trope has faded away, and thank goodness for that. It was insulting to women, and to the extent that popular culture influences gender roles in society, the representation of women as helpless damsels who could only wait and pray that their champion prevailed was archaic. The cliche was also boring. One of the better feminist role-models was Marion (Karen Allen) in “Raiders of the Lost Ark.” She could throw a punch and knocked out a German (using aircraft wheel blocks) when he was about to shoot Indiana Jones as he fought off a Nazi goon. Now the woman coming to the rescue of an imperiled man is pretty much standard, even very young women, as in the “It” and the Netflix movie, “Enola Holmes.”

Good. It’s about time.

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No, “Chop Suey Fonts” Are Not Racist

/ Jack Marshall / 8 Comments

This dispatch from The Great Stupid raises the question, “How stupid can the Great Stupid get before a critical mass of the public says, “Hey! This stuff is stupid!“? But we will leave that one for another day.

It also raises the question, “How does one correctly regard what CNN says and publishes?” We know now that the network cares not a whit about journalism, nor facts, nor objective analysis, not integrity. So when it comes out with something like this idiocy, complaining about “racist fonts,” what is the ethical response? It’s click-bait, so there is no way to determine whether anyone, even the author, believes what the article says. If the author does believe it, he or she (it’s a she this time) is obviously a victim of the dreaded “political correctness ate my brain” pandemic, so why pay any more attention to what she writes about fonts than if she had ranted on about Republican beetle larvae burrowing into her brain?

Musing about this article, Matt Margolies says, “The question of whether fonts can actually be racist is obviously a sign that true, legitimate racism is so hard to find that we actually have to make everything inherently racist just to have something to complain about.” Well, yes, except that the Left is in the process of re-defining racism to mean “anything said or done in America or by Americans, unless it is said or done by an African American or another Perpetual Victim of Color (PVC).”

Ann Quito, the author, argues that type fonts that attempt to evoke or reference another culture or locale like this…

and, though she doesn’t mention it, this (African)…

..and surely this (Hebrew)…

and if anybody cared about what they thought, this…

Then there’s this one, of course,

and the “Mexican” font:

…smack of racism. To be fair, the article never exactly says the fonts are racist or objectively offensive, though it does have this classic junk: Continue reading →

Remembering Arturo Di Modica, The Artistic Ethics Train Wreck

/ Jack Marshall / Leave a comment

Talented and bold artist? Shameless self-promoter? Hypocrite? Unethical jerk? Arturo Di Modica, the Sicilian-born sculptor who died earlier this year was all of these. He was also a one-man ethics train wreck.

In mid-December of 1989, the artist illegally dropped his “Charging Bull,” a 3.5 ton bronze sculpture (that’s a similar model he had mounted in China above), in Lower Manhattan one night in 1989. He claimed it was a gift to his adopted country, the United States, urging courage and defiance after its 1988 financial collapse. Maybe. Or he just wanted to grandstand and get publicity. Either way, you cannot put a giant statue in a public place without permission, permits, owning the property involved, little things like that.

This was a planned crime. Di Modica spent weeks prowling the Wall Street area after midnight, noting when and where police officers walked by. He had about forty accomplices waiting at around 1 a.m. when he loaded his sculpture onto a flatbed truck and drove to Broad Street, next to the Stock Exchange. But it was nearing Christmas, and the Stock Exchange had put up a huge Christmas tree where he had planned to drop “Charging Bull.”

So he put it under the tree.

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Ethics Potpourri, 4/5/2021, Including, I Blush To Say, An Easter Weekend Lap-Dance for God

/ Jack Marshall / 13 Comments

I hate potpourri.

1. Amateur poetry ethics. This has annoyed me for a long, long time. Althouse posted a notice from a local restaurant requiring patrons to wear masks. The thing suddenly devolves into verse, and in writing that, I am being generous. Here’s a sample:

I’ve been listening to and reading crap like that since I was ten, and when I was ten, I wrote better light verse by far. Since then, I’ve written song parodies and light verse for fun and profit, and still do. It’s a skill. It takes practice, and it requires care and detail, like most tasks. OK, I know that today’s nearly useless schools don’t teach little things like rhyme, meter and the basics of verse, but if you don’t know how to do something competently, don’t do it. Is this supposed to be a Dr. Seuss parody? I can’t tell, and the first rule of parodies is that they must clearly be parodies. Dr. Seuss has famous style and meter, and this whatever it is doesn’t match it. The problem is that people who author embarrassing junk like this don’t know they are incompetent. They think everyone will think they are clever, but anyone who regard something like this—that presents “forget” and “respect”as rhymes, for example— is clever is illiterate.

2. It takes one to know one. On ABC’s “This Week,” yesterday, former NJ Governor and once-rising GOP star Chris Christie correctly characterized the Democratic attacks on the Georgia voting reform law. “It expands early voting, George, and the president said it ended it. Listen, here’s what Joe Biden’s got to live with when he wakes up this morning on Easter morning. He is doing exactly what he sat around in the campaign and the transition and accused Donald Trump of doing,” Christie said. “He is lying to cause racial divisions in this country. That’s what he accused Donald Trump of doing, and he’s a liar and a hypocrite.”

Yes he is, but who cares what Chris Christie thinks? He’s also a liar and a hypocrite; he has no followers outside of his family, and he sold his integrity to grease Donald Trump’s route to the Republican nomination. This is another example of the unethical media practice of choosing a revolting advocate for the position a news organization wants to discredit. It’s Cognitive Dissonance Scale manipulation 101: make sure the “authority” opposing the dishonest Democratic talking point is widely regarded as toxic jerk.

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Saturday Ethics End Notes, 4/3/2021: “Let it be written, let it be done!”

/ Jack Marshall / 15 Comments

You can’t blame me for featuring this ethics landmark today: On April 3, 1948, President Truman signed the Economic Assistance Act, commonly known as the Marshall Plan, which authorizing the a program to help the nations of a war-torn Europe to rebuild. The effort was designed to stabilize Europe economically and politically so that the Soviet Union would not be able to spread communism further. U.S. Secretary of State George C. Marshall gave the plan its name with a speech at Harvard University on June 5 of the previous year. He proposed that the European states meet to agree on a program for economic recovery, and that the U.S. would would help fund it. The same month Britain and France invited European nations to send representatives to Paris to follow-through with Marshall’s formula. The USSR, Hungary, Czechoslovakia and Poland declined the invitation. The resulting Committee of European Economic Cooperation eventually presented its plan to Congress, which authorized the “Marshall Plan” on April 2, 1948. The next day, it was signed into law.

  1. It’s that time again! The Cecil B. DeMille classic “The Ten Commandments” airs at 7 p.m. tonight on ABC. I recommend renting it for a few bucks on Amazon Prime: commercials now add a full hour to the movie, which is already one of the longest U.S. films ever made. I watch the 1956 jaw-dropper at least once every year. No movie ever blew my mind like that one did when I saw it as a child, and, I noted with amazement last week when I watched it again, certain scenes still blow my mind now, like the Exodus, easily the greatest crowd scene that ever had been or ever will be. My top ethics notes:
  • The screenplay’s direct condemnation of slavery in Moses’ early speech is remarkable for the period, and gutsy for the most expensive movie ever made (to that point) that needed big audiences from the old Confederate states during the middle of a growing civil rights movement.
  • Like Ted Williams’ home run in his last at bat, DeMille bet everything on his biggest challenge at the end of his career when he had already made Hollywood history and was a living legend….and he succeeded. I admit, I’m a sucker for that. The movie killed him, essentially: CB suffered a heart attack while directing the huge scene where Moses leads the Jews out of Egypt, and never recovered. I’m sure he’d say it was still worth it.
  • As a director, I have learned that the greatest and most frightening challenge is trying to top yourself. I admire the artists who attempt it, and especially those who succeed. DeMille had already made a silent movie version of the story that stood as the top-grossing film of all time until his own talkies broke its record.
  • I cannot think of a better example of the ethical principle that if you are going to do something that matters, do it right and don’t cut corners. Like David O. Selznick’s “Gone With The Wind,” TTC is filled with astounding grace notes and details that are the mark of a perfectionist. On this week’s viewing, I noticed for the first time that when we see Egyptian princess Nefertiri primping in a mirror, her image is dark and indistinct. That’s because glass mirrors were unknown in ancient Egypt: the mirror is polished metal.
  • The 1957 Oscars , which largely snubbed De Mille’s masterpiece, show how bias makes you stupid, and how little the movie community understands its own medium. “The Ten Commandments” was the movie of the year and everyone knew it: it was the top grossing film and had scenes that were immediately recognizable as likely to become legendary (like the parting of the Red Sea.) But most of the Oscars, including Best Picture, went to “Around the World in 80 Days,” the over-stuffed “spectacular”—unwatchable now— made by industry darling Mike Todd. DeMille didn’t even rate a Best Director nomination. He was considered a conservative pariah and a dinosaur, and the “new Hollywood” wouldn’t bring itself to recognize an old pro doing his best work.

2. And now, speaking for the arrogant, biased, not as smart as they think they are people who lie to you daily, Lester Holt! At the 45th Edward R. Murrow Symposium at Washington State University, Holt received the Lifetime Achievement Award from the Edward R. Murrow College of Communication, presumably because they had to find a black journalist to give the thing to. Among his comments, which generally proved the stunning lack of self-awareness of himself and his industry, he said, .

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Comment Of The Day: “Post-Zoom Hangover Ethics, 3-31-21….” (Item #3: Sliming Gina Carano)

/ Jack Marshall / 4 Comments

Humble Talent provides a perceptive take on the Disney-Gina Carano debacle, just another small piece in the rapidly developing mosaic of of corporate alliance with the purveyors of aspiring woke mind and speech control. I first wrote about the episode here. My suspicion is that the Arrogant Left is wildly overplaying its hand (as it did against Donald Trump: the pandemic rescued them, but they think it’s because they were brilliant, as undeservedly lucky people always do.)

Here is HT’s Comment of the Day on item #3 in the post, “Post-Zoom Hangover Ethics, 3-31-21…”,in response to a comment by E2. Normally I would have a bit of the comment up before the jump, but now WordPress’s inexcusably clumsy “block” system won’t let me do that, at least not easily. Don’t let that stop you: it’s a great comment.

E2 wrote ,“Gina Carano appears to be among the 1/100th of 1% of Americans who know some history. Nazism, World War II, the Holocaust shaped our world — and still is — and to call out totalitarianism of any kind is worthy of praise, not ridicule by a bunch of IQ-80 leftists.”

Kind of. Carano actually retweeted someone who said that, she didn’t write the words herself. She’s given interviews after this whole debacle happened, and what I get from them is that she was actually kind of politically naïve, and provides a case study in how the left pushes people away.

The first landmine she stepped on was following a bunch of Twitter people getting very upset that she didn’t have pronouns in her bio. I want to point out that this is yet another example of mandate creep; these things always start out with “why are you making fun of the things I’m doing, they don’t effect you” and end with “if you don’t also do this thing I’m doing, you’re a bigot.” Carano did what I probably would have, from the safety of my relative online anonymity: She added “beep/bop/boop” as pronouns as a middle finger to them, as opposed to a “fuck you” to internet busybodies, so it was determined that she was mocking pronouns in bios! So she was officially branded a transphobe.

It went downhill from there, Disney’s corporate HR/PR engine took over; they wanted to subject her to struggle sessions, they went back and forth over what her apology was going to look like, and it was all very Orwellian. It would have been interesting instead if Disney had taken a moment to step back and understand that they were dealing with a person. But they didn’t. There were people angry on Twitter, and even though Disney’s main demographic isn’t on Twitter, and even though they were joyfully touching penises with Chinese dictators, and even though Gwyneth Paltrow (Pepper Potts) has literally killed people with Goop, they decided THIS was where they were going to make a stand and signal their virtue with the force of 1000 stars!

Take a step back and consider: You’re under siege. You made a joke on Twitter, and all of a sudden your career is on the rails, people are constantly misinterpreting what you’re saying when they aren’t outright lying about you, do you think that builds a good impression of those people? Course not. So she started getting support from the right, because the right is actually pretty good at welcoming people the left seem to hate, and she started to post (Dun dun DUUUUUUUN!!!) right-leaning memes. Well! Now she’s an alt-right insurrectionist transphobe. Anti-Semitic too!

One of the memes was about the holocaust (The one mentioned above). So again, Disney, great and mighty arbiter of morality, who airbrushed John Boyega out of movie posters for China because they thought that Chinese audiences were too racist to watch a movie with a black lead, decided THAT was the last straw: a holocaust meme! How dare she! Not taking into account that Pedro Pascal had just posted his own meme comparing Trump’s Kids in Cages™ to Nazi death camps, Disney, in their fair minded and ultimate wisdom, fired Carano, cancelled her planned spinoff, took her action figure off toy store shelves, and then brushed their hands together and called it a job done.

And now…. Gina Carano is working with The Daily Wire’s new entertainment division. We’ll see how that pans out. Like I said: Case study in how the left pushes people away. The leftist political meat grinder took someone who wasn’t politically active, and put her on the Daily Wire.